The news yesterday was about what the Bank Of England reckons could happen if we exit the EU with various agreements. Most headlines I could see focused on the idea that we are going to screw over the economy if there is a “no deal” Brexit.
Bank warns no-deal could see UK sink into recession – BBC News
This seemed to be scaring all people into accepting any sort of deal, even the one the PM has fleshed out. But what most headlines have failed to point out is that ANY exit from the EU will cause massive financial harm to the UK.
If Brexit is disruptive rather than disorderly, GDP falls 3% over the five years to 2022, house prices slide 14%, and unemployment reaches 5.75%
If a close trading relationship is agreed, the economy could still be 1% smaller than if the UK had remained in the EU but 1.5% higher than the bank’s most recent estimate.
If it is less close, the economy’s growth could be 3.75% less than if the UK had remained in the EU and 0.75% less than forecast over the last inflation report.
These figures cover the period to 2023. – BBC News
So, it’s pretty shit for all scenarios but just really shit for nearly all of them. I mean, we could just NOT LEAVE you stupid bastards.
I hate this whole issue. We are led by people desperate to argue for making our country a worse place. Fuckin’ stupid.
I’ll keep posting album reviews here while I suffer from such anxiety and anger about the current state of politics in this country and the world. The entire Brexit bullshit needs to be mostly ignored else I’ll get too worked up and angry about it all. An electorate who were lied to with illegal spending and Russian money voted to leave an organisation it knew mostly nothing about because of a systematic campaign over thirty years by right wing newspapers to remove cooperation and friendliness between countries. If you aren’t sure about that last bit then have a look at this website. It’s a list of all the lying claims by the UK press.
Now it’s time to be happy about reviewing this album. This album starts a small series of “Kill” albums that are bloody amazing and ground-breaking. Kill ‘Em All is the fist studio album by a tiny band called Metallica and while they are shit now this collection of songs is bloody amazing. The sheer raw power and energy in the songs is more than in anything else they have produced. It is probably something to do with Dave Mustaine having helped write a lot of it. Once you get to the Black Album it’s all gone wrong. I’ll review that one in about a year I guess.
I was asked recently what is the last decent Metallica song. I took some time and went with “Harvester Of Sorrow”. The question asker plumped for “Shortest Straw”. Fair play. Blackened is also a choice for that but the rest of “Justice” aren’t that good.
Back to “Metal Up Your Ass”. This album, in my view, helped create thrash metal as a genre and introduced chugging as a “note” to be used below lyrics rather than the swinging bouncy guitars used by Iron Maiden.
Hit The Lights – starts with a crash ending of a song and I’ve always loved that. It’s hard and busy.
The Four Horsemen – smashes you in the face with it’s blistering pace and makes you want to rush into the pit.
Jump In The Fire – would be great to sing out loud. It’s got a good moshing pace and plenty of Hetfield trademark “yah!”.
Pulling Teeth – blows my mind. The noise and cacophony that Burton pulls from the basss guitar makes me smile and wonder at the talent. When Ulrich enters the drums create a rhythm perfectly matched that gives a good swing to this bass solo.
Whiplash – I can remember playing this at top volume in school. We were in the sixth form and there was a music box in the common room, which was opposite the staff room. We would open the windows, put Whiplash on full volume and leave the common room leaving the music playing as loud and obnoxiously as possible to the staff trying to enjoy their break time away from those pesky kids. Fast, heavy and a standard song in thrash. Seeing Newstead play this at Download in 2013 was brilliant.
No Remorse – chugs away with a canter. Brilliant. No regrets.
Seek and Destroy – I don’t think you can get better on this album than this song. It’s my favourite and I love it. I once saw Metallica at Milton Keynes bowl and I think the concert was broadcast live on Radio 1. I got a friend to record it from the radio for me and the version they played there crunched away in my head for years. Brilliant.
Metal Militia -we all are aren’t we? Why don’t normal people “get” this music? Why is it that when you play metal to someone who doesn’t understand you can hear their brains pop? You can see the disconnect in their minds as they struggle with the noise. I’ve tried to persuade people to metal over the years and now I don’t bother. I’ve tried playing aggrotech to people but they don’t get that either. It’s all fine by me. Being at a music festival with eighty thousand people all enjoying the same music gives a kinship.
Smith and I traveled to the lofty intellectual heights of Islington last night to visit the Garage venue just outside Highbury station. On the bill were Lord Of The Lost, a German rock band, the venue was meant to be Electrowerkz but I think they sold more tickets than expected and they moved the gig to the Garage.
This was my third time at the Garage and again I was impressed. It’s smaller than I remembered, a nice, cosy (but not squashed) venue. I will say now that the sound in the place was pretty impressive and worked well. Probably better than Electrowerkz but I think this is largely to there being a little more space. Possible improvements would be a light beam a little further out from the stage to light up the bands a little more from the front rather than from a 3/4 position.
The second band were just finishing as we entered and they weren’t that impressive.
One of my favourites on as last support act were Unzucht. I’d seen them before at two M’era Luna festivals and I was looking forward to this.
Unzucht
They were good fun and played a decent set. They play a good hard riffage and then go and mess it up with an almost-ballad in the middle but I enjoy their style and it was good fun.
The headliners came on and I wasn’t really aware of the time but when I did look at my watch it was only 21:30 so for some reason there was an early curfew. It looked like they were setting up an urban-disco type thing.
Lord Of The Lost were good. It was a solid fun set and they seemed genuinely happy to be playing to a large-ish crowd.
Lord Of The Lost
I don’t really remember what songs they played but they started with “On This Rock” and ended with “La Bomba” which is always good for fun. Somewhere in the middle they played “Drag Me To Hell”.
It was a good evening and one that I ended too early really because I needed to be up early the next day [boo!]. Normally there would be more written here but I’m tired.
I do think that this album was another of my early buys on CD in the days when CDs were the latest technology. I don’t recall where I bought the album but it released in 1994 so that puts me at college. I don’t know a great deal about this band, I do know that when I got another of their albums I was slightly disappointed with it.
This album has some excellent riffs and can only be described as having “wavy” guitars. I used to have quite a bit of resistance to that term but over time I have decided it does represent a style of riffage.
I’m not sure I know any of the songs by title but I do know that I quite often hum the main riff from End Of The Green. It starts with a rolling riff that then hits hard when the rest of the band enter. The vocals are quite haunting also.
Dry Riser hits home as well. A good riff with a sudden pace change towards the end.
Dead Anyway crunches the squawker with its guitar work.
After that the songs fade from my riff-memory-centre. I’d definitely recommend giving the first few songs a blast over Spotify – whoops – just checked and this album isn’t on Spotify.
I don’t think this will last long. I’m having another go with the PSVR. It’s a virtual reality set for the Playstation. The last time I used one I felt sick almost immediately and got cold sweats. I expect the same to happen again, but this time I have a plan. I am going to keep working at it and try and overcome the sickness.
The other night I set it up and then tried a few of the simpler, slower, non-moving experiences and I coped quite well with that. As I felt good I went on to have a go at driving in Gran Turismo. I did a couple of laps of an oval in a slow car and felt OK. I then managed a few more laps in the same car around Brands Hatch GP circuit. By that point I was tired and starting to get very slight cold sweats. I stopped.
I reckon, that with time and sensible use I might be able to play it enough to be happy with the financial costs. It will take time.
The principle reason that made me get a PSVR again is that I should be able to hook it into the PC and get the flight sim working in VR. This will be an amazing improvement to the sim. This should be reasonably simple so I am going to wait for a time when I have a whole day uninterrupted to do this. I find that setting things up on the PC either take twenty minutes or four hours. There isn’t really an in-between.
I volunteered to help out at the RAFAC National Drill Finals. These are based at RAF Honington in Suffolk, not far from Thetford. I took on the role of competition announcer, my dulcet, cold affected voice echoed around the Jimmy James Hangar parade square on and off over the course of the day.
Jimmy James Hangar, RAF Honington
RAF Honington is home to the training of the RAF Regiment. If you don’t know what the Regiment do then they are a bit like the Infantry of the Army but in Blue. They provide Force Protection to RAF bases and personnel. In terms of a rather old but funny television show they are “double-hard bastards”.
The hanger is named after Bertram “Jimmy” James who was a member of the regiment and also one of the greatest POW escapees during the second world war.
I had a good day and it’ll be nice to go again and help out. I quite like being the only-CCF chap on these events. It gives an instant shock factor. We don’t normally do these things.
Continuity Drill Competition
The finals has three competitions:
Banner Party Drill
Continuity Drill
Foot Drill
All six regions were represented along with the CCF as its own (massive) region.
I recently had to spend some time in the company of the NHS. In case you aren’t sure what the NHS is, well, it’s a health service that I pay for through my National Insurance contributions. I pay these in the knowledge that the money will either help me when I need it or help other people. Maybe I’m an odd one because I am happy to pay my fair share of money to help others who are less fortunate than me. I consider this a social duty. I will quite likely rant on here one day about how we should make everybody pay their fair share, too many people in this country try to avoid paying to help others. While that might seem very black and white it’s not and the arguments are complicated.
There’s a communication that has been in draught form for about three years where I explain my politics and the reasons behind it, but it will be long and rambling and possibly unpopular. As an idea of what I think I am currently considering the idea that many wars are caused by those in power aiming to maintain their fragile grip on power and to do that they send millions of “little people” to their death. That’s not my final thought, it’s just part of the things I’m considering. This came about because the end of World War One was more caused by the German people rebelling and the Kaiser resigning than any military gains by the allies. The UK government then did its best to quash any forms of rebellion in the UK. It’s why the Eton arseholes still rule us. Anyway, you can see my thoughts degenerate into anger and swearing quite quickly. Another day for the reasoned arguments.
The point of this communication is to praise the lovely people I met at the hospital and how they couldn’t have done more to keep everything happy and safe. So many of the professionals who came and talked to us had heavy accents but I don’t care about that. In fact I’m glad about that. It highlighted how much our medical service relies on people who come here from abroad and our country is better for it. The whole system worked well and all the workers were brilliant. It’s never an easy time being in hospital and I have nothing but praise for the people who helped us.
It’s so galling then that our government continues to bolster itself into a situation that will culturally and financially ruin our country for the next thirty years at least. This along with the chronic underfunding of all public services over the last ten years truly has ruined our country. I am so fucking angry at these things. But maybe that’s for another day.
This album carries on the story from where Helloween left off. I don’t know what the story is though. Lyrics kinda aren’t my thing. I don’t think this is as good as Part One but it does contain more humour within the writing. I wrote about the speed-opera metal in the last communication. This album is just as epic.
Rise and Fall, Dr Stein, and I Want Out are my highlights from this album.
Gosh. I can’t remember when I got this album but it was probably in the late 80s. This was my introduction to German speed metal with an epic operatic over-arching theme. It was utterly different to anything else I had listened to. It has such a story telling power with blistering guitars and drums all the way through along with excellently written and arranged songs giving such a sense of completeness once the album is finished. I really like it.
Highlights from this album include “I’m Alive”, “A Little Time”, “Haloween” and the most excellent “Future World”.
I want to say that this album is listenable by all. But I expect I’m wrong on that. When I haven’t listened to metal for a while I get all misty-eyed and think that almost all songs are excellent and everyone would appreciate it. That feeling when you play some metal to your family after they’ve been listening to Heart FM and you promise they’ll love it but as soon as the first bar ends you know you’ve made a massive mistake. They don’t get it. They look at you ever more weirdly. Oops.
I really liked “Slippery When Wet” it started my descent into metal. “New Jersey” rocked as far as I was concerned. It has a good collection of excellent songs.
Keep The Faith stutters it’s way through the genre and marked a turn in sound for the Jovi in my opinion. I don’t know what the sales figures are, I’ll come back in a moment, but this album pretty much left me cold. I didn’t like the indie-U2 feel of the song “Keep The Faith”. There’s a tranche of ballads which I guess the Jovi do very well. But it all just leaves me meh.
It sold 12 million compared to 18 million for New Jersey.
What is going on here? If you look at these stairs there doesn’t seem to a whole lot going on. They are down the side of a bridge over the river Medway. You can’t see that to actually get to this point you have to climb over some armco from the path but that’s not my biggest issue with them.
Stairway To Failure
If you look more closely you will see that there isn’t a route to the left at the bottom of the stairs. There is just a slope. No flat path for walking on. Just slope. I don’t understand what the intentions of the designer were. The fence implies there should be a wlakway. The reality is there isn’t one. Maybe I’m just not meant to be there.
If you Google Katmandu band you get a list of results that aren’t anything to do with this band. Many years ago in the days of music cassettes and long playing records I use to browse the music sections in the Our Price shop close to Harlow bus station. I was earning money in a job on my “year off” before university. I don’t really count that year as a “year off” but technically it was. I’m not sure if I’ve explained that within these communications.
I’d always be looking for new bands and music to listen to. I’d always browse the section called Rock/Metal but even then you can’t really be sure what type of music you are going to get. So I would often base my purchases on the cover or what I had heard about that band. Another album bought in these circumstances would be Blue Murder by Blue Murder.
With my pennies in hand I went and bought following music cassette to then listen on my “walkman”.
What do I think about this album? I love it. It’s a rare case of an album I bought without previous knowledge but I found myself really enjoying to vocals and guitar work. Is this “metal”? Nope. Not by a long way. I reckon it’s an album that closes off the excesses of 80s hair rock.
I do like bands with a decent plodding bass sound and this band manage that very well. There’s a certain slimy/creepy quality to the sound. The guitars are heavy and well produced. The songs are perfectly structured.
I remember liking God Part II and then I found out it was a cover version of a U2 song and I felt bad as I’d always slammed U2. I still don’t like U2 but am willing to appreciate their contribution to music, just.
The Way You Make Me Feel – the album opener and it’s a lovely heavy track with excellent mix of steady riffs and start-stop types of stuff. You’ll know what I mean if you listen to it.
Love Hurts – Oh yeah, it does. Also, in the chorus it has a lovely wacka-wacka guitar sound which is perfect.
Sometime Again – could make me cry on a bad day.
When The Rain Comes – A slower paced but still heavy track with vocals matching the guitars and a great middle section with rolling drums and steady-beat-bass.
Heart & Soul – A summer song for playing American Football on the beach, drinking beer and watching the sun set.
Ready For The Common Man – opens with a WTF moment with vocals suggesting the “sometimes I feel like a motherless child” and I have no idea what this is about. Then it smashes into awesome 80s riffing and halfway there are gang vocals. It’s a great mix of everything. This YouTube version misses the vocals at the beginning and so I think some of the effect is lost. Ah. I’ve just googled “motherless child” and now I’m not sure about this song. Is it cultural appropriation or a valid part of this album. Quick, turn that part of my brain off.
Only The Good Die Young – this we know. I’m pretty sure there’s a Maiden song called this too. This is well worth it. A lovely chorus and it would have been great to sing along to this live.
Let The Heartache Begin – opens quietly and then blasts you with a wall of classic ballad heavy rockin’.
Medicine Man – Whatever happened to the Medicine Man?
Pull Together – opening with a bass line and then heading to a wavy-riff of lovely erk sounding guitars.
Warzone – fast and war like. The vocals are perfectly matched to the subject matter here. Would be a good song to be in the pit while playing live. It’s the perfect pace and then the crowd would stop and scream out the chorus together. It’d be great. I do love a decent bass-drum bit with the guitars shutting up.
Look. This album was a lucky find. The songs still play through my head nearly thirty years after buying it. That’s the sign of a good mix of writing and production.
I spent a lovely amount of time with Smith at the O2 Forum in Kentish Town on Sunday. The event was the Black Celebration music festival of all types of dark music. Of most interest was the band Suicide Commando. The event was promoted by the Flag Promotions company who run so very many of the gigs and concerts I go to. Obviously my music tastes are aligned with some of theirs.
Black Celebration 2018
Here are my reviews of each band in order of viewing. As is my usual behaviour I write notes on my phone during or after each act to help me remember what I’ve seen. That is why the comments may be pithy or short.
Machine Rox – were first up. We arrived towards the end of their set as Smith and I were having make-up issues. But they were ok. My notes indicate the following: female singer, there was a guitarist but I couldn’t hear him.
Machine Rox
I liked the dancers who came on for the last song wearing outfits similar to the lead singer. It was a nice touch.
Next up were DKAG who are quickly becoming my most-seen band. They are supporting many bands over the next year. While the music is good there are no vocals and so unless I am wasted on alcohol I’m not that interested. I’m sure I’ve mentioned it before but I like crowd interaction from the band, I want to know that they are enjoying it. Two guys with their keyboards doesn’t quite hit the mark.
There was now a short dinner break for me. The local cafe was very welcoming and the food was nice. Recommended. It was Mem’s Cafe on Kentish Town Road.
The return to the Forum meant the last few songs from Sulpher. This band sounded good and heavy with a decent industrial feel.
Sulpher
My notes are: guitars and heavy stuff. A little bit of samples mixed in. We saw about 4 songs and it was alright.
Let me explain the “alright” comment. This means I enjoyed it more than a lot of others. While “alright” might not seem a glowing review it means that the music was OK, suitable etc. [I’m trying to renormalise the term AVERAGE and OK to mean what they really mean].
Empathy Test came up next. I have seen this band before although I couldn’t remember exactly where or when. Smith and I had a discussion about who the lead singer was. Once they were on stage I figured out that they had played Infest last year and I saw them there. Here’s what I noted at the time: only 20 seconds in and I was done. Remember them from Infest. Boring vocals and drone-like. Slow. Female drummer who looks like she’s concentrating too much. Well constructed songs but boring.
Suicide Commando rocked the venue. I don’t mind the graphic visuals of people with holes in their bodies where holes shouldn’t be. This band was really good. A real uplift from the previous band.
Suicide Commando
I still maintain that a live drummer rather than a machine or dead person makes such a difference to a gig. I really enjoyed Mr Commando!
My notes say only the following:
heavy, fast and dirty. Great.
More Suicide Commando
And then we get to Mesh. This might be the third time I’ve seen Mesh and they seem almost bored to be on stage. There’s not a lot of interaction. My only notes were:
Kinda boring
The Young Gods came on stage next. I knew nothing about them but I could see three white lights thinly blazing over the positions of the band on stage and I liked that set up. It worked really well. The first song was very Pink Floyd with a slow build up to not-a-lot and then a slow wind down. It felt like the crowd didn’t really know when the song finished. But, this band were older and clearly excellent musicians with that easy style of people who have worked together for so long.
The Young Gods
My scrawled notes say:
Interesting but not really my stuff. turning into experimental upbeat music. Still quite psychedelic. Good beat to some songs. Enjoyable.
Finally we had DAF. A band I had seen at M’era Luna and a band that didn’t impress hugely. I get it that without DAF and other older bands that my style of preferred music wouldn’t exist but I’m also allowed to find their stuff a little boring. I think I would be the same with Nitzer Ebb and other bands from the 80s and 90s. Smith and I stayed for a while but in reality we both had work the next day and long-ish journeys home. Maybe I’ll see a complete Deutsch Amerikanische Freundschaft set one day.
