Ghostbusters: Afterlife

There wasn’t much choice at the cinema when I looked to book a ticket. Eternals was on along with some films I had already seen but I am not going to bother with Eternals. I don’t like superhero films and if I want to watch them I’ll do it on a streaming service. Ghostbusters: Afterlife was all that was left, but that doesn’t mean it was a poor choice, I wanted to see this. It was dark and stormy so I couldn’t see where the river water was for a tide report, but there were some reflections of lights high up the mud bank and, more telling, there were sea birds just resting all over the place, floating around, and I think they were taking shelter from the storm.

After seeing this film I rated it on the IMBD website and there is a guide to the rating system within this communication. I flip-flopped between a six and an eight because as much as I enjoyed this film and it gave me the “feels” I wasn’t sure I was going to see it again. But, let’s face it, for a film to make me happy and smile thirty five years since I watched the first version, it deserves a decent score. I then tweeted my score.

I really enjoyed this film. It felt like it was paced quite slow to start with but I think that’s because modern films are paced too fast in case the audience decide they hate the film. Making people wait for the “action” is perfectly good. There doesn’t have to be loads and loads of action all the way through the film. We don’t need films to keep racing to the lowest denominator of the public. There should be room for improving society and not just destroying it all the time.

I smiled at many points in this film and laughed [inwardly – I’m not a freak] in the right places and sometimes in this wrong places. The person three seats along my row seemed to laugh too loud and too much, but you know what? Each to their own. It’s better than the narcolepsy person I was near for one of the Matrix fims. I’m going to try and give little away about the film but that also means I can’t really talk about the ending. I will say that I loved the effects of the big-baddie, I thought they looked really good. The voice was interesting and in the credits it mentioned that Shohreh Aghdashloo had been the voice and that didn’t surprise me. She has such a unique voice and accent it really works in this situation.

The touches of music that plinked away in the background were perfect and hinted at the original film enough that I’m considering getting the soundtrack in digital form. The Ghostbusters OST was the first album I ever bought with my own money. I can remember my mum asking me to make sure I wanted it as it was quite a bit of money. Clearly I wanted it. If I want something then I always want it. I think.

I enjoyed this film a lot. It is nostalgic. It is lovely. It is worth seeing.

Comms#1992 and we get closer to the millennium each week. I wonder what number 2000 will contain? I’m not going to plan this, I’m just going to let it happen. Now, I’m one of those who can count correctly and so in terms of years I recognise 2001 as the start of the third millennium because that is very clearly when it starts. Here are some things from the year 1992 C.E.

• The Maastricht Treaty is signed.
• 263 die in a coal mine disaster in Turkey.
• The LA riots following white cops being acquitted of beating a black man when a video clearly showed them doing so.
• The Balkans are going to shit.
• The first text message was sent.
• The Fulham Five first lived together.