Category: Music

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Mechanical Resonance – Tesla

I bloody love this album. It’s proper 80s cock rock and it’s amazing. I had this on tape for many years and oddly the music cassette is still in a cupboard in the kitchen ready to be played on a non-existent cassette player. Years ago I would have had a CD/Cassette/Radio in the kitchen. I mentioned Tesla in this communication years ago! Also, in March 2014 I noticed the tape in the cupboard and wrote about it within this communication. It is still there:

Tesla Tape
Tesla Tape – taken today

I still don’t have the heart to remove the tape and put it somewhere else. All my music cassettes are in the loft and this one is now a memorial to that portable format.

So, this album is playing while I type and it is brilliant. Lots of excellent choruses along with memorable hooks. It’s very much like a Bon Jovi album [one of the good ones] but slightly less commercial. I have enjoyed playing this album for over thirty years and I think it will continue. Well done Tesla.

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Mechanical Animals – Marylin Manson

You know what? Marylin Manson makes some pretty good rock music and I’d be keen to see him play somewhere.

I’ve been aware of Manson for quite a while but he came to the forefront when his music was blamed for the massacre at Columbine High School. He wasn’t at all to blame but the people wanted an easy answer, they wanted a quick thing to blame. He copped the worst of it and struggled after that. His name is still associated with the massacre and I guess I am perpetuating the myth here just by mentioning it.

There are always going to be people who don’t fit into the societal norms. People who need help and protection for themselves and to protect others from them. It’s how society copes with that which is important. I remember two massacres when I was young, Hungerford and Dumblane. The governments of the time banned certain types of guns. This seemed to be a perfectly rational response because it’s easier to get rid of guns than it is to psychologically screen everyone who wants to buy guns.

Just because I’m fine today doesn’t mean I could be fucked in the nut tomorrow and become completely unhinged from what is considered normalcy. Remove the guns from society. This is why modern terrorism tends to be other methods of mass murder. Ramming crowds with trucks and using knives. These methods require very little training and you can pretty much get anyone motivated enough to use them. Bombs are hard work and guns hard to get. What’s important is how the government and therefore society reacts to these attacks and how we go about trying to stop them in the future.

I suspect there are always going to be people unhappy with the current format of society and so there will always be threats to the “state”. The vast majority of people will act on their displeasure when they come to vote next time or join a march for some reason. There will always be a few people who think they can force change, for what they think is the better, using violent means. I also suspect they are largely correct. Violence tends to work in the long run as it forces governments to listen and change, but shhhhh, don’t say that loudly.

This album is playing right now as I type and I’m reminded that I was going to write about how I first heard Manson stuff. It was the Resident Evil soundtrack that allowed me to hear this chap for the first time and it was good. This album is perfectly acceptable rock.

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Master Of The Rings – Helloween

I don’t remember getting this but I did listen to it the other day and it’s pretty good German speedmetal. It’s not one that’s stuck in my head because I prefer Keeper Of The Seven Keys. I am an old man and new songs just don’t stick like they used to. Memory cares less about new things as you get older and I don’t have the time to invest in learning new words and songs.

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Album Reviews News

Over the last year or so I’ve been writing album reviews for this site as a way of adding content easily. I’ve been doing this in the knowledge that anything I’ve bought in terms of EBM would be reviewed once I had completed my pre-2011 albums.

The very first album reviews were written in April 2013. I started adding them because it’s a way of expressing myself and writing communications on this site. I also thought it would be interesting to see what I would write about the music and how it affects me.

For the last few years I was missing all the electronic albums off when going through the music on my NAS drive. I thought that my original plan was to write reviews of metal stuff and then start again on the EBM stuff. Last night I found out I was wrong.

I was watching Aesthetic Perfection with my niece and looked up on this site when I had seen AP before and whether she was with me or not. As part of the search results where were some album reviews of the AP stuff. I was a little surprised as I didn’t think I had written them.

Now I’m stuck. I’m going to have to go through all the album reviews to see where I finished the EBM stuff and then eventually, once I’ve finished my current plan of only metal reviews, I’ll go back and fill in all the music that I’d started but thought I’d not done.

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Aesthetic Perfection – O2 Islington

Last night I went to the O2 Academy in Islington with my niece to see Aesthetic Perfection. We drove into town as it just makes it easier to get home and not worry about running to get the last train. After arriving we had burritos for dinner and then headed to the venue.

Machine Rox were playing, this was a slight surprise as they weren’t on the bill as far as I knew but we watched them anyway.

Machine Rox
Machine Rox

I didn’t mind them. The singer owned the dress she was wearing and that was excellent. I couldn’t understand what she was singing though and that seems to be a bit of a flaw. The drummer doesn’t really do much and the guitarist is pretty cool in his silver outfit and lights on his head. They were OK.

Next up was Amelia Arsenic. I hadn’t heard of her before this series of concerts and so was curious. She came on stage and explained that her band were stuck in Cincinnati and she’d been hit by a car the day before. She had a computer set up to play the music and her performance was really good. I could understand what she was singing and really enjoyed the show.

Amelia Arsenic
Amelia Arsenic

I can’t remember how many tracks she sang but I was impressed. On my next pay day I think I’ll be buying some of her work. I don’t think there are enough female artists in this genre and it’s good to see more. She had a wonderful confidence and even came and sang the last verse in the crowd.

Priest were up next. I’m still not sure what to make of this band. I enjoyed it for a while and his signing impressed me but the songs didn’t vary much and were built around his seemingly classically trained voice. I thought I detected a slight French accent but I may have been wrong there. Apart from the outfits there didn’t seem to be much going on stage.

Priest
Priest

I’ve just checked and the band are from Sweden, so that explains why I thought they were French. I did like that the singer called themselves:

The Cybernetic Trinity known as Priest

It was a nice touch. I don’t think I’d need to see more of them though.

The headliners were Aesthetic Perfection. I’ve seen this band a few times and have always enjoyed the show. They were the second EBM type band that I started listening to and so are one of my original favourites along with Combichrist. Also, now that Joe Letz plays with AP I think that means I have seen him perform more times than any other musician.

Aesthetic Perfection
Aesthetic Perfection

I was curious to see how the band handled the new guitar influences on the new album but the keyboardist played the guitar on two songs and I think it worked. I like the new album a lot and so to hear the songs live was very exciting.

The band played a solid set and it was very enjoyable. It’s nice to be part of a crowd that really sings along and joins in. These guys are excellent showmen and the addition of Joe Letz brings the album sounds to life. I always think that live drummers add more to the sound than they cost. I really like it when electronic bands do that.

Classic Guitar Pose
Classic Guitar Pose

This gig was good fun and I enjoyed it immensely. AP are still one of my favourite bands and I will continue to see them when they come over. A good solid evening of music.

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Master Of Puppets – Metallica

It’s hard to write about an album which affected me so much. There are a few that have had that effect and the first three Metallica albums definitely gave me something new from music. This was a new style for me, I expect I listened to this in the late 80s after getting into Iron Maiden and AC/DC. The sounds of this album and the thematic experience were beyond my then understanding of what heavy metal was.

I used to think that Metallica took the “chug” sound and made it into a note. They took melody and turned that into rhythm. It felt like a whole new way of writing music and it shook me [but not all night long].

For music to be where it is today you have to have all the bands who now bore me. You have to have the big four. Without them music would be different. Although someone else would have got there, I’m not obsessive enough to think that the creativity of humans is so poor that only a few people are capable of changing the world. If not Metallica then another band. If not Picasso then another artist. That seems quite logical to me.

Every song on this album is an artwork. It is a classic. This is an album that should be owned and played by all. It’s stunning. Yet, now, it bores me. My music has moved on and while I can appreciate this album for the genius that it is I rarely play it and consider it almost a part of history. I would rarely seek this album out. I still play AC/DC and some other bands so I’m not sure what it is about this that does that.

If you asked me to list the top ten metal albums I don’t think this one would make it for me. I’d rather have the first Metallica album. I understand that is a controversial choice and I also understand why but the first album is raw. This album is somewhat polished and I’m not so keen on that sound. Which is ironic given my current propensity for electronic industrial music!

Go listen to this. It’s a classic. It’s just history now.

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Master Of Confusion – Gamma Ray

In reality this is a Helloween album. I think it’s Kai Hansen playing guitars and then the sound is more “Helloween”.

So, I’ve just been over to Wikipedia and I’m not sure what’s going on. This album is named for Gamma Ray on my music collection but it isn’t in the list of titles by Gamma Ray on their Wikipedia page. This means it might really be by Helloween [which is almost the same thing].

Fuck. It’s not on the Helloween Wikipedia page either. That’s me a bit bollocksed there then. Now the next thing is to search for the title rather than the band name. Perhaps I’ll try Kai Hansen.

Now I’m lost. It’s not on his page either.

The album is playing as I write this and bugger me if they haven’t covered “Death Or Glory” by a NWOBHM band which I’ve heard many times on a album collated by Lars Ulrich. However, the search isn’t going well to figure out this album because now I’ve search for “Death Or Glory” and all I’m getting is a song by The Clash and it’s NOT THAT ONE.

The next song has started and it’s a ballad bullshit thing. It’s called Lost Angels and sounds like it too.

Right, I’ve solved the Death Or Glory problem, it#s by a band called Holocaust, of course it is.

Back to searching for the album artist that I’m listening to at the moment. This review is causing pain and effort. Originally I was just going to write:

It’s typical Helloween and I haven’t listened to it much.

Jesus! That took some time. But now I’ve found it. The album is actually an EP with only a couple of new songs and some live versions of other songs. Here’s the Wikipedia page. Oh, it has three sides to the EP. Because, of course it does.

My next challenge is to try and find the NWOBHM compilation that Lars Ulrich put together as there’s a load of great songs on it.

MasterOfConfusioCover.jpg
By Source, Fair use, Link

On my previous communication I forgot to mention that I have finally completed the L section of the reviews and now I’m on the M bit, I mean I know it’s obvious but it feels like an achievement.

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Maiden England ’88 – Iron Maiden

Honestly, I bought this a few years back because it’s a recording of the first concert I went to. Except it isn’t. I saw Maiden on 10th December 1988 at Wembley Arena and it was spectacular. This recording is them at the NEC in Birmingham. I think I’ve played it once.

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Lovesexy – Prince

Wow, two albums in the “L” section of this as I trawl through my stuff alphabetically. The main this I remember about this album is that it was recorded on a tape which had Bon Jovi and then went straight into this. I’m not sure they go together but that tape was a product of its time, around 1990 in my lifescale.

There are two songs which strike me as best on this album and they would be: Alphabet St and Lovesexy. I don’t listen to this album often, it is however most definitely a summer sound. It’s worth a listen.

As I had a taped copy of this originally from SR I didn’t know the format of the album and when I got the CD version I was annoyed that the whole album is listed as a single track. I spent quite a while finding software to break the album into individual tracks but I go there in the end. I now have this as a digital copy on the NAS. It’s there forever. Unless there’s an EMP, in which case we are all fucked.

I can remember this tape playing as I drove cadets to a band competition in the late 1990s. I had this playing in the minibus and we were all singing along to Bon Jovi and then Prince started playing. I quite liked the contrast but it was not universal!

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Loveless – My Bloody Valentine

I got this after a friend recommended it as a highly rated album. I knew it wasn’t metal but I wasn’t sure what it was. I can tell you that I would describe it as haunting blurry music with distortion. I can’t decide if it’s actually any good. It sounds like it comes from the early 90s and they are a band trying to make a name for themselves as being different and not the usual Manchester lot.

I guess that first paragraph is rather vague but I have listened to this quite a bit and it might possibly be summer music but it’s not one I rush to. I also haven’t looked up anything on Wikipedia [which I will do after publishing this] so I can’t be held accountable for anything I’ve said which accidentally is true.

It’s worth a listen but probably best while high?

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Love Symbol – Prince

I don’t thin that as a metal head it’s wrong to really like Prince. This album comes after Diamond and Pearls and was when he changed his named to a squiggle.

There is a level of funk in this album which is delightful. I don’t listen to this album as much as Diamonds and I think that’s because the latter has more of a personal connection, I did see Prince on tour at Earls Court.

Turn the bass up and play this loud on a sunny day and it can’t do anything but brighten your life.

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Look What The Cat Dragged In – Poison

I can remember a poster of the singer of Poison on the wall in our sixth form centre at school and I couldn’t tell if he was a he or a she. It’s good that these things matter less these days and most people don’t really care, be what you want to be. I haven’t seen Poison and that may be a good thing, I dread to think what the audience would be like.

This is classic terrible 80s rock and it’s brilliant. This is an horrific look at the culture of cock-rock and what it does to a generation. I love this stuff but at the same time I can inform you that it is terrible [sorry Pom].

This album has some classic songs on it and everyone would be singing along.

My problem now is trying to imagine four chaps in their sixties with balding heads running around in drag-queen make up singing these songs. It was and is a product of its time and is a bloody good examples of that time.

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Lodestar – Lodestar

This band was a spin-off from Senser. The singer and a couple of others created this album and toured for a while in 1996 or so. I can’t remember when I bought this album. The wiki page for them seems to indicate they are a prog-rock band but it’s not as boring as prog rock and quite upbeat. I enjoy it and some of the songs run through my head now and then, the sign of a good album. It’s worth a listen.

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Lving Proof – Live In Chicago – Wishbone Ash

I bought this album because I heard somewhere that the lead singer of Iron Maiden said that this band were one of his influences.  I have listened to it and quite enjoyed it, but it is generally slow and not metal. It’s good for having on in the background on a summer’s evening while sitting outside.

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Nachtmahr – Electrowerkz

Last night was a chance to listen to some classic Austrian Industrial music at Electrowerkz. It’s in Torrens Street, Angel, which is a tiny little cul-de-sac with a smart pub at its entrance and an Alien-themed industrial-alternative club for other people at the other end.

I think last night was the forth time I’ve got clothes on and ready in another person’s driveway. I park in spaces that people don’t use, but I’m not a thief, I pay for the privilege to keep my car there.

First band on at Electrowerkz was Dunkelsucht. This probably translates to either dark thoughts or depression. I’m not sure and in this day and age it’s terrible that I haven’t looked up which it is. Maybe I’m too lazy. OK, I just went and did it and it apparently means Dark Investigated. I suspect not!

Dunkelsucht
Dunkelsucht

This band comprised a male singer and a female computer controller type person. They are from Switzerland and I quite enjoyed them. It seemed quite pop-like to me, but I suspect that in reality it’s quite heavy stuff? I’m never sure and I hate the fact that it’s all so subjective. I wrote in my notes that it was OK, they had good beats and I enjoyed it overall. I did find that in the middle of a few songs it suddenly went strange with melodies that seemed out of place.

The next band on were DKAG and I’ve seen them before a number of times. Smith and I stayed in the bar. I spent thirty seconds watching them, just to check they were the same. There’s a limit to how much I can take. I’ve kinda come to the conclusion that I really enjoy about forty five minutes of any band and show but after that I start to get bored because all the songs sound the same. I think that’s either because I enjoy M’era Luna and the shorter sets that I generally see there or the causation is the other way around and I just find shorter sets more interesting.

The headliners were Nachtmahr. As with the last time I saw them here there were only two of them. The singer, Thomas Rainer, and the computer controller were all by themselves. I know there were about five people on stage at M’era Luna although two of those were female stage show actors.

Nachtmahr - March 19
Nachtmahr – March 19

Nachtmahr played for a solid ninety minutes and if I’m honest I only started to struggle in the last fifteen or so, even given my rant a couple of paragraphs ago. They were pretty good, but I don’t think Rainer is a natural frontman. To me he looks like he’s playing an act, which all singers are to an extent, but he seems uncomfortable with it. I don’t mind that though. I’ve paid to see a show and I don’t want my musicians to look like they aren’t enjoying it.

Hello Crowd
Hello Crowd

This set had a load of classic songs you would expect to hear. I enjoyed it a lot.

What I found most interesting at the venue was that I would say it was easily a 50-50 split in the sexes of those attending. There was also a wide age spread from around 18 to around 65 from the looks of the people I saw. It was quite probably the most diverse audience I have seen yet for a gig. It was such a nice atmosphere, really enjoyable. A good night.

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Live In The Raw – W.A.S.P.

Ah, when I was young W.A.S.P. were seen as a dangerous band. They were edgy and scary. We heard rumours they threw raw meat into the crowd and they swore a lot. Nowadays I look at things like that and yawn. I mean, it’s all been done hasn’t it? Every generation has to find their edge and music performances get reinvented all the time.

When I saw Slipknot at Download in 2013 I thought it was going to be an edgy show, because Slipknot had that same feeling as W.A.S.P. – a band on the edge trying to go further than others and trying to make a statement. Now, their performance at Download was excellent and I was certainly made a stronger fan but was it edgy? Not really. The next morning in the B&B, I’m old and camping seemed a bad idea, there was a young couple talking about the performance and they were really impressed with the percussionists kit going into the air and turning while the guy played. This impressed me not as I saw Tommy Lee do that with the Motley Crue back in 1991 or so when they played Wembley Arena, but then, I reminded myself, I’m old.

If we want to see the proper shockers then I think we need to look at the generation before mine. Alice Cooper scared the world with his stage magic shows and ritual beheading. Throbbing Gristle combined music and performance art in the 70s with overtly sexual body mutilation. All this stuff is nothing new it’s just that every generation has to find their own way I guess.

I now inhabit a world of people who would be called freaks and perverts but I don’t really see it that way. It’s just people who dress a little differently and enjoy different things. What you may think as strange and shocking is just another person’s every Saturday night out. What I can say is that the community and safety in these environments is better than just walking down the high street on a Saturday afternoon. People’s inability for empathy and tolerance saddens me.

Long Beach Arena, for the final night of their 1986 87 world tour the most outrageous band in the world – W.A.S.P.

I’ve been told that this album was recorded while W.A.S.P. supported Iron Maiden on their world tour and I haven’t checked it but it sounds legit. What a gig that would have been! I first saw Maiden in 1988 and it was good but two years earlier and I would have seen W.A.S.P. rather than White Dwarf!!

W.A.S.P. were most famous to me as a teenager for two main things and they are both song based. One was the song officially called “Animal” but really it’s called “Fuck Like A Beast”, what an outrageous title! The song is so-so but it’s good fun. They also had a song called D-B Blues and while I have no idea what that is there was a line about pussy juice. I mean, how bad do you want to be? [It’s probably best to not mention the cover art for the song Animal].

I love that whole trashy 80s metal sound. I can’t help it. It does something to me. This live album has it in buckets. Plenty of simple chugging and gang vocals. I love it. I have played this album over and over and I definitely have it in different formats. I think it’s amazing.

You should get this album and play it loud while drunk on JD. It’ll really take you back to the 80s. As a native bass guitar player I like the steady combo of a bass and drums and this album has plenty of that. It works really well from a song construction point of view. I love rolling bass lines with drums blatting away being the force behind the main song. It almost doesn’t matter to me what the guitars do. It’s probably why I love AC/DC so much.

I’m not going to do a song by song breakdown of this album. There are some bad songs but mostly they are great and this has such a summer feel it’s good for playing in the garden while you relax on a nice summer’s day drinking Pimms or a bottle.

Now, W.A.S.P. have been accused of being named after a selection of religious idiots who are White Anglo-Saxon Protestants. Now, there may be a selection of people out there who would happily wear this label it’s quite likely they are racist pricks. This band can’t be accused of being like that, their singer is a native american FFS. The mainstream likes to pick on all of that which comes across as a little different and demonise it because it’s a good feeling to be outraged by something and when you get to middle age you can’t stand the fun that the youth have.

Go and stream this album or even better buy the damn thing and make sure that the artist gets a fair reward for causing you some moments of joy.

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Live MCMXCIII – Velvet Underground

I’m pretty sure a friend gave me this album after he tried to clear away some of his music. I have listened to the whole thing a few times and it is quite nice. It’s a live album recorded in 1993 which I think was long after the Velvet Underground had exploded. This is an album of early rock music recorded in the 90s and is pretty good. You can see how this band influenced an entire generation of music makers. It’s worth getting.

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Live At The Underworld – Senser

I saw Senser at the Underworld when they supported the mixer chap from Slipknot. That was the first gig I ever took my niece to. I think she enjoyed it. I’m not sure where this CD comes from, it might be an extra as part of a DVD I bought. I’ve not really listened to it. I like the studio stuff very much.

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