If you saunter over to this page you can see my iPhone music library. I haven’t been able to find a dynamic music counter that updates this site with a played list. I will admit to not looking too much or far for one though. You may be interested to see this list which [in poor contrast] shows how often I have played certain songs on my phone since I last had to fix the library.
A couple of things to notice. The old car would start music off from the first song in the library so the top two AP songs are possibly a little high in play-count but they are good songs nonetheless.
There’s only some metal in there. :-(. I don’t recall playing Disturbed that much but I am probably wrong.
While driving on my own in the car I tend to listen to podcasts rather than music. It keeps my attention more than music and informs and teaches me at the same time.
This is just a quick one really. You grow up knowing that certain bands are very influential. You hear about them and then you listen to them. For me The Doors were meant to be really good but I just don’t like their material, I mean I understand how and why they were such an influence but I just don’t like their stuff. The Beatles are another band who pretty much leave me cold!
The Rolling Stones are a little bit different. I like their music. But then, I don’t have all their albums, just this. And, this is meant to be the best of all their stuff covering seven years. So it’s not really surprising that it is full of very good music.
All of the songs on this album are very good. It should really be in every collection, much like the White album, which I don’t have.
A particular favourite here is Sympathy For The Devil. It builds brilliantly and is crafted so very well [unlike the Guns N Roses version which is shit in comparison]. Whenever I hear this song it reminds me of a couple of overnight parties we had next to the river Stort in Pishiobury Park in Hertfordshire. We pretty much stayed up all night drinking, playing cricket and generally having a laugh and I remember putting this song on the music player just as the sun was rising and a mist was settling over the river. It’s a very atmospheric song and this was the perfect use for it.
I bought this on vinyl originally. The cover of the Devil chaining a priest and drowning him was probably quite shocking for the time. I probably bought it because of the cover and it was in the heavy metal section of the record shop. Back in those days we couldn’t pre-listen or try a song, only the posh shops did that. I bought records on the cover and recommendations of friends.
Ronnie James Dio’s voice is strange, I wasn’t aware of his history with Black Sabbath and I still haven’t listened to any of his stuff with them, but I can see how he could follow Ozzy. I’ve just looked up that the guitarist was Vivian Campbell which explains a lot. I first heard of him when he worked for Whitesnake and the 1987 album.
Holy Diver has lyrics, but I don’t really pay attention to the lyrics. For me music is the riff, rhythm and tune of the vocals. This is an excellent 80s rock album with a perfect combination of sound and feel. It’s great. I can imagine a crowd of 80,000 all jumping in time to the heavy crunching riffs.
I can remember once being on Imperial College Radio and commenting that I thought Rainbow In The Dark sounded a lot like Living On Video. I had phone calls objecting but I maintain I was correct, or at least correct about the keyboard riff.
Rainbow In The Dark
Living On Video
Do you know what? I was right! Yes, for some reason I have both. I think I bought Living On Video as a single before I developed my love for screaming loud guitars.
It doesn’t seem fair to leave this to three words but seriously, that’s all that is necessary. This album contains my favourite AC/DC song – If You Want Blood (You’ve Got It), the heavy metal clashing of the opening riff makes my spine shiver. That and Night Prowler, the creepiest song ever, and this is just . . .
I’m not sure if I’ve gone into my relationship with AC/DC before. My attention to them was first awakened by the song “That’s The Way I Wanna Rock n Roll” off the Blow Up Your Video album. When I found out there was a back catalogue of about 12 albums I was so excited. All that music to be consumed.
This album is their first major release. I believe that the track listing is different in Australia along with the cover. I have owned this on cassette tape, CD and now digitally. I didn’t buy much AC/DC on vinyl because I couldn’t carry around a record with me to listen as I moved.
AC/DC are masters of riff driven rock with a dirty guitar sound, perfectly crafted rude lyrics and brilliant accompaniment to balance out the sound.
It’s A Long Way To The Top If You Wanna (rock and roll) – fucking bagpipes.
Rock ‘n’ Roll Singer – includes the lyric “yes I are”, which I maintain is lyrical genius.
The Jack – better live as the lyrics are truer.
Live Wire – AC/DC Live video opens with this song. It’s a great sing along tune.
T.N.T. – riff-tastic.
Can I Sit Next To You Girl – pace change in the rhythm guitars is great.
Little Lover – “Killed me when I saw, The wet patch on your seat, Was it Coca Cola?”
She’s Got Balls – Opening riff just floors me. Lovely bass work. Beautiful.
High Voltage – Still played. Still loved. Like every song here.
This is an album to horrify the elders. To rip fear into grown ups. The lyrics are rude without being offensive [kind of] and the sound is pure dirt. Put it on. Play It Loud. Really Loud.
This is the second album released by Def Leppard and the first by them to be reviewed in these communications. Of the four albums by Def Leppard that I know this is probably the weakest. It does have a lot of reasonable songs and the sound of the guitars is a decent 1980s sound which I like. I’m not quite sure what’s missing.
All the songs have good energy [apart form the ballads]. The beat is up tempo. It is well produced. But it lacks. Especially when comparing to the albums either side in release order. It’s probably the Def leppard last album I would choose to play unless I really want some quality 80s rock. You’ll have to wait for my review of On Through The Night but given how anthemic it is this album leaves me wanting.
This is the first Rammstein album I have reviewed in these communications and I will tell you that it leaves me feeling quite excited. I was first given this album and another in the early 2000s. Listening to the heavy German sound was so different, so exciting and refreshing. The clear crispness and utter heaviness was astounding. I didn’t care that I couldn’t understand what was being said, I’ve listened to English speaking singers and not had a clue!
Rammstein are a band where you can start right at the beginning and just keep working through their albums. There isn’t a bad album.
Herzeleid came out in 1995. It doesn’t show. Buy this, give the band some of your money and enjoy.
I originally had this album on vinyl. I can remember looking at it in the shop and wondering if it will be any good. It had an odd double jacket which I think was just because the branding of the band had changed over time. That was all I knew when I got it.
I think this is a great album. It’s very operatic hardcore German metal. If you like Helloween then you’ll love this. Largely because one of the Helloween members went on to create this band. The whole album has operatic themes and great riffs and remember-able hooks to the choruses.
Heading For Tomorrow
Lust For Life, Heaven Can Wait, Space Eater, Money, Freetime and Heading For Tomorrow are all great songs. Just bloody brilliant.
Every now and then I buy a Motörhead album and pretty often I am disappointed. There is a good reason for this. “No Sleep ‘Till Hammersmith” is a live album that will [eventually] be reviewed here. I will let you know now it’s the dog’s bollocks, an absolutely brilliant album. And that’s where the problem lies. All other Motörhead albums are going to pale in significance.
As far as I can make out this is a compilation album, probably to make a quick profit for those liking the whole “Ace Of Spades” thing. The track listing has some very good songs, but when you have already heard them on the aforementioned live album these songs seem a little bit tame.
I suggest you just get No Sleep ‘Till Hammersmith.
I actually bought this on CD. I remember liking the song being played on TV and the radio and thought I’d get the whole album. I did like the characters in the videos and how they looked quite anime.
I think if I played this album I would recognise a couple of songs but I’m pretty sure I’ve only ever used it as background music, it’s not something I’ve listened to actively.
These two albums are instrumental calming albums from the beast that is Nine Inch Nails. I listen to these when I’m writing reports at work or marking stuff. It makes a very good background noise to block out other distractions. I would recommend these albums to anyone. It’s just good stuff.
I grew up in the 80s. I remember the 70s but from the age of 8 to 18 the primary decade was the 1980s. Those formative years when music tastes settle in and I was living through the 80s! You know when you get a “Greatest Hits Of The 80s” album or CD or stream that stuff now and you think, “Wow, what a decade to live through music”. Well, I’d like to remind you that you have 30 of the very best songs and maybe a couple that are a bit shit. If that’s the best a compilation compiler can come up with then it really is evidence that the rest of it was shit. As an example, Vienna by Ultravox didn’t make number one in the once relevant charts. It was held off by John Lennon (which I guess is fair enough) and then Joe Dolce’s song “Shaddup You Face”. You see, it was shit.
Music tastes change bit by bit but the stuff that still affects us is the stuff we obsessed over as teenagers. People ten years older than me at work love Pink Floyd and easy 70s rock. People ten years younger than me look back in fondness at the utter shit that was Oasis. And so it’s clear I can’t help liking 80s rock. I’ve written about my descent into metal. It started with Bon Jovi, headed through Mötley Crüe into Iron Maiden, AC/DC, Metallica, Megadeth and Slayer.
I have change recently and it’s weird. I’ve headed to industrial. Electronic stuff with a nasty edge. I wouldn’t be too fussed about attending a metal festival although I’d go if the right bands were playing.
Looking back at the 80s rock scene now and thinking about what they were actually saying about women and I am horrified. You could argue that it was just the scene and in reality they were nice people but the misogyny was rife and that enters culture and then behaviour. Perhaps the world was more misogynistic then anyway, I don’t know, whatever it was it shouldn’t have been. I don’t think I ever really thought I was sexist, or that I could be like that but I endorsed a culture of that behaviour by buying the music and playing the songs and liking the music.
I really like this album. I can’t help it. I’m programmed to like it. It’s such a part of my youth. I saw the Crüe once at Wembley Arena and it was a great concert. See this page for the concert list. I love the sound of the guitar, I love the galloping bass, the drums and even Vince Neil’s voice. It’s just a fucking shame it’s all sexist. I still like it. Damn [exasperation].
Wild Side – fantastic, upbeat, riff-tastic.
Girls, girls, girls – so good and so bad. In the video they had a hot tub in the back of a limousine.
Dancing on glass – good.
Bad Boy Boogie – good “rocky” song, but AC/DC already have a song called this and it’s better.
Nona – There is ALWAYS an incredibly shit song on every Crüe album. This is the one here. Perhaps they let the butler write a song?
The rest are all pretty good songs although the ballad they wrote for the charts is pretty poor “You’re All I Need”, bleaugh.
So, when I saw them at Wembley Billy Idol came on at the end, clearly off his face, and they sang Jailhouse Rock. There’s a live version of it on this album and it seriously starts with Vince saying:
We’re recording live right here tonight. And I think you’ve got to fucking jive. ‘Cos we’ve got some bad beat boogie woogie for you boys”
They actually kept that on the album! Metal it isn’t. 80s rock it is. I wish forgiveness for the decade in which I matured and the shit I like listening to now.
Last night I took a little journey to The Garage in Islington to watch Aesthetic Perfection. Now, Mesh were the headline band and I had listened to them in advance and I didn’t like it or find it particularly interesting. I was primarily there to see Aesthetic Perfection and to take my niece out for her birthday. It is a good thing that AP tend to tour once a year because that makes her presents easy to organise. This is the second time she has seen AP and my fourth.
The first band on were called Empathy Test, which I have a suspicion is a reference to Blade Runner and Do Androids Dream Of Electric Sheep? However, they weren’t much to my liking. There was a singer, two keyboard – programmer types and a drummer. All their songs were well constructed and perfectly fine but not enough to get me going.
Empathy Test
Next up were Aesthetic Perfection. I like the Garage as a venue, the roof is nicely curved and I remember seeing Front Line Assembly here a few years ago. The sound was impressive and clear with a stage and rig more suited to music production than Electrowerkz, although Electrowerkz wins in coolness of a venue.
Aesthetic Perfection
Because this was an acoustic set there wasn’t a drummer and I missed that a bit. I do think that a live drummer adds quite a bit of organic sound to a set. Now, I know they started with Antibody and played more songs but I can’t remember what all the songs were. I should have written them down as they played. The set was good, but missed Spit It Out and Motherfucker, which are songs I do enjoy.
What was nice about AP being second on the bill was that I could get home at a sensible time, but not sensible for a Sunday. It was a very good gig, not quite as good as at M’Era Luna last year but still pretty good. The rest of the Garage seemed to appreciate it also. Especially as I think AP’s music is a little more harsh industrial that the electronic of Empathy Test and Mesh.
Daniel Graves – AP
Final band on last night were Mesh. Obviously many of the crowd had come to see this band, there were lots of Mesh t-shirts being worn. I decided to listen to a couple of songs. The first was OK and the second was just OK. I didn’t think it was anything special but I did like the stage set up. They had four 1m square LED screens made to look like a mesh of wires which was quite clever. It wasn’t enough to keep me there. We left.
Mesh
In the picture you can see two of the large LED mesh based displays.
It was a very nice evening. We will hopefully see Aesthetic Perfection again next year.
A weekend during August meant it was time to travel to Germany again and the beautiful town of Hildesheim. In 2015 Smith and I went to the M’era Luna festival. This year we had tickets earlier, the tunnel booked earlier and also a plan! Except the plan had to be adjusted as Smith was flying into Brussels on the Friday morning. I spent the Thursday evening packing the car ready for the weekend and got up early on the Friday to head down the M20 to the Channel Tunnel. Last year there were problems with Operation Stack and this year the M20 was fine although the scene of a fallen pedestrian bridge a few weeks later.
I don’t care how old you are if you wear a baseball cap while driving you are a knob.
After the tunnel I headed to Brussels, which wasn’t that far off the route we needed to get to Hildesheim. There are two main motorway routes that head to the industrial heartland of Germany’s Ruhr Valley and one goes via Brussels, the other via Antwerp. So the first three hours of the journey were completed on my own, with podcasts and talking books for company [I don’t do music on long journeys].
Smith sent a message saying he’d meet me in P1 level 3. Well, I wondered while traversing the Ring if that is what the signs on approach to the airport would say or would they be in another language or missing entirely. Fortunately they did and we found each other easily. A quick adjustment on the iPhone Googlemaps app and we were heading to Hildesheim past Leuven.
Not a great deal of note happened along the way until we got close to Bad Oeynhausen when the app was telling us that there was a 90 minute delay and would we like to go a different route? Well, yes please. So we left the A2 motorway, where speeds reach in excess of 110mph, and headed cross country to Hamelin and then Hildesheim. I think that all in all the journey was about eight hours, which isn’t that bad for five hundred miles. All we now had to do was load up the trolley and walk about a mile from the car to the festival entrance, find a spot to camp, put up the tent, eat food and drink. We camped almost exactly as we did last year, about as far from the main festival as possible. This meant it was reasonably quiet and the toilets weren’t over run.
Runway 07
Friday evening meant wine, Jägermeister and Absinthe. This was possibly a little silly as Saturday was quite hard work for me. Although there is no live music on the Friday evening there is a disco in one of the hangers and plenty of stalls open along with the Medieval Village where you can practise your ax throwing, should you want to.
The weather wasn’t as hot this year compared with 2015. The forecast had 25C or so which suited me fine, the 33C of last year was too much. The night was good and Saturday morning meant a walk along the runway to showers and coffee. Not at the same time but I needed both. The shower marquee was pretty good and had lovely hot water to clean away the hours of travel yesterday. The queues for coffee were pretty long and I wondered whether it was worth bringing a stove to make a coffee each morning but it feels quite sophisticated drinking coffee in the morning sun on the taxiway of an airfield waiting for the outfits and music.
M’era Luna is cheap enough that if you just come along to display your costume and make up abilities then you don’t have to worry about the music. With Download coming in at about GBP200 the GBP80 for M’era Luna seems a bargain. It’s also small enough to feel cosy and pleasant. Getting ready for the day’s activities this year was a little more time consuming this year as Smith and I had plans for costumes, also it appeared there was a naked selfie competition on WhatsApp with a group of friends started by Walshe! These photos still exist in the ether but they are not going to be published anywhere public.
I should probably get on to the music with that being the reason for driving five hundred miles an’ all. But first there was getting an outfit on! Because Suicide Commando wasn’t playing on the Saturday it meant we dressed in white shirts [shock horror!] and Ayria ties bought when we saw her play at Electrowerkz.
And so on to the music. I seem to recall saying last year that the little details disappear from my mind and so what follows is mostly just a list with my thoughts at the time. Some of my favourite bands will appear with more details. There are two stages at M’Era Luna, the main stage and the hanger stage.
Saturday
Shaargot [main stage] – good industrial metal.
Vlad In Tears [hanger stage] – shit.
Erdling [main stage] – goth. shit.
Time for lunch.
Gothminster [main stage] – killing a zombie on stage during the first song. Bat ventriloquism in the second. What the fuck is going on? Left to the hanger stage.
Gothminister
A Life Divided [hanger stage] – caught the last song. pop metal.
Chrom [hanger stage] – the first band I was really looking forward to. I liked the music but they were boring. A shame.
Chrom
Stahlmann [main stage] – dressed in silver. female guitarist. slow goth rock. couple of faster ones, ok.
Noisuf X [hanger stage] – three blokes. White shirts. Two drumming. Heavy EBM. Good.
Cassandra Complex [hanger stage] – listened to this stuff before we went. Sounded ok. Turns out that live it’s just goth shit.
Oomph!
Oomph! [main stage] – Good German pop rock. 2 guitars, keyboards, percussion, drummer. Bass and singer.
Hamatom [hanger stage] – from outside hangar. Faster metal. Masks. Ok. A little derivative! Should be more dangerous given masks.
Apocalyptica [main stage] – Pretty good given it’s men with cellos. Too many Metallica covers.
[:SITD:] [hanger stage] – Solid good set. This was actually a pretty good set and they played well. Very good to finally see this band.
[:SITD:]Die Krupps [hangar stage] – Fuck yes! Playing metal pipes. Breaking guitars. Industrial well done.
Die Krupps
VNV nation [Main stage] – 1 song. Boring. I’ve listened to a lot of this at home and I like it. But only at certain times. It’s gentle music. The sort to put on when having dinner.
Hocico [Hanger stage] – Actually pretty good. Big sound. Two percussionists with black Angel wings!
Sisters of Mercy [main stage] – Bad. Dull.
And there ends the first day at M’Era Luna festival 2016. It was a good day. Plenty to see and the surprises of the day were Hamatom and Oomph! for me. I enjoyed both. Not to say I hated all the others, I just liked these two more. Oh, and Die Krupps were pretty awesome along with [:SITD:]. Hocico made a better impression that when I saw them previously at Electrowerkz, but still didn’t quite manage brilliant.
Morning time means the usual hunt for coffee. Showers and packing up the tent. Sunday’s plan was to pack up camp and then drive a couple of hundred miles after the last band. We had a date with Eurotunnel at about midday on Monday and we definitely wouldn’t make it if we left Monday morning. We walked the mile or so to the car and then got dressed in the costumes. Again we were dressed in white.
Me The Tiger [hanger stage] – Pretty good. One song. Good.
Aeverium [main stage] – Female main singer, sexy. Heavy. Male singer. Good contrast.
Rabia Sorda [hanger stage] – Rock, a bit pop? Guitar with keyboard sounds over top. Ok. Nothing special.
Rabia Sorda
Heldmaschine [hanger stage] – Ok. Industrial. Correction very good.
Centhron [hangar stage] – Live bassist. Good. Shame we left early.
Combichrist [main stage] – Darn good. Pit. I’ve seen this band many times and they haven’t failed to impress although I do prefer their earlier electronic work! [go to 3:24 in the video and there I am!]
Zeromancer [hangar stage] – Sat at back. Sounds ok.
Eisbrecher [main stage] – Drunk girl talk, orange hair. Late on stage. Very good. Speaks too much. Liked the set and the black suits. Left early to see:
Suicide Commando [Hangar stage] – Live drummer. Excellent. Including song: Die Motherfucker Die.
Suicide Commando
In Extremo [Main stage] – 1 song. Fucking medieval rock.
Had cup of tea. Listened to Within Temptation. Went and got some food. Left.
We travelled just inside Belgium and parked the car up and slept for a few hours before waking, driving to a service station for coffee and then getting to Calais for the Eurotunnel and home. We chatted about music and costumes for next year. I’ve got some ideas but I need to learn about mammal skulls first.
It’s hard to sum up the entire weekend. Almost every aspect of it was brilliant. The journey, the chatting, the alcohol, the food, the vegan food server with her lovely freckles, the coffee, the costumes, the music, just being away and feeling like I was at home.
There may be more to add to this but it has taken a long time for me to get around to writing this so I will publish this communication. Changes and added bits will be noted as such.
A NFL backup quarterback, Colin Kaepernick, has been shat on by the country of the USA because he failed to stand up while the national anthem was played before a game. He was protesting something, here’s a link. It would appear that you can say things but refuse to stand for a song and everyone hates you.
I don’t stand for the national anthem. I’ve been to sports events, NFL, at Wembley Stadium and I have remained seated during the national anthems. This is mostly a recent decision and by recent I mean over the last ten years. We stand to show respect I think. But I don’t know what I am respecting. I certainly don’t love this country, I don’t know what I would be loving. I don’t see why standing is a protocol.
On certain events at work we will sing the national anthem. I don’t. We also have a song associated with work. That I do sing. I can see that community in a more tangible sense, I know what it stands for, I know the history. I feel it’s a community I am a part of and can be involved in. I don’t really see that with the country.
I don’t see why I should have to stand. I don’t do it as a protest, I do it because I don’t understand patriotism and I don’t understand the values of a country.
Popped over to Electrowerkz last night to see 3Teeth play. There were support bands but I didn’t watch them due to spending time in the bar chatting to people. The support were:
Stereo Juggernaut
Deadfilmstar
Ventenner
3Teeth were on from 22:00 hours and I was quite impressed. They played a solid set. The first three songs were probably the best and I am sure that once they have created more music the rest will be as strong.
3 Teeth
Oddly I got admonished by a man for talking too loudly in the main performance room! Very strange, the sound of the band was perfectly loud enough!
There’s a couple of gigs coming up soon so look to see what I think of them.
I will soon be heading off to Europe for a weekend of music. I’ll be heading to Hanover for a German goth music festival.
Hanover
It’s quite a long journey, but one I am looking forward to very much. I always find the journey to be a lot of fun. Obviously not as much fun as actually getting to your destination but still a major part of the whole experience.
Smith and I went out to find some noise. Our initial heading was to the World’s End pub in Camden and the Underworld venue where a Japanese band were playing a two hour concept album. Can you believe it, the place was full. We weren’t allowed in. That was a shame so we went in search of food and ended up at a terrible Chinese buffet place. It looked ok from the outside but Smith couldn’t find much food that he liked. I liked nearly all of it. After that we returned to the World’s End. The Underworld club night was due to start at 23:00 but the music looked a little popular and boring. They were going to play some Arctic Monkeys FFS.
So, we decided to walk to Electrowerkz in Angel. It was about a 40 minute walk. It’s alway nice to walk around London, it feels more organic and natural compared to hopping onto a tube train. I guess I should have been surprised at how many people we saw standing around in parks playing Pokemon.
Now, we knew there was an event on at Electrowerkz, we just didn’t know what sort of music it would be. The current music taste of DBL-MF is industrial electronic. Almost everything else doesn’t matter. But, as we walked down Torrens Street we could hear noise and it seemed good. GBP15 lighter after paying to get in and we went into the downstairs music room. The band playing were called Bad Guys.
So, as you can see, two double guitars, no bass player, a drummer and a singer. It was rock type stuff. It was tolerable although the vocals were shit. After they had finished we had some drinks and pondered the nature of the post-referendum country [we are fucked] and what the next band could possibly be like.
Pigs pigs pigs pigs pigs pigs pigs were on stage at 01:00. Two guitarists, bass player, drummer and singer [who also played a synth which I couldn’t hear]. They weren’t great. They were energetic and played well but it was screamy shouty music and it bored me.
The two bands that we saw were ok. Nothing great. Nothing special and not my current taste in music. It’s quite difficult to find aggrotech on a usual night out in London, Slimelight is almost the only club night and that’s fortnightly on a Saturday. The crowd was a metal crowd. People dressed in denim and dark t-shirts. It was like being in a house that you’ve just sold and are waiting to move to your new home. The furniture was normal and in the right places but your new home awaits and it’s more exciting and a fresher place to be. I much prefer and feel more at home with the “alternative” crowd who attend AC and Slimelight.
Thank goodness there are trains every hour from Victoria towards Gatwick. That meant we could get home. There’s something quite wonderful about walking through the capital early in the morning, it doesn’t ever sleep.
Added 12:09 18 July:
It struck me that this communication is titled “The Cosmic Dead”. Well, they were the band on at 02:30. We didn’t stay that long, we didn’t think it would be worth it. All of my gig communications have been titled the Headline band so this one did the same. I’ll do similar with Mesh when I see them because I’m really going to the gig to see Aesthetic Perfection.
Smith and I went to see Ayria play at Electrowerkz in The Angel last night. The standard room was used for the bands and the bar at the back was open but only with one person serving which seems about two too few! We had actually caught a train from Purley to St Pancras and so the venue was only about a fifteen minute walk from the terminus.
When we arrived a KLOQ were already playing.
Kloq
This band were pretty good. The singer could sing, which is not necessary in this genre, more of an advantage. They had a live drummer and bassist. All other noises were produced by a computer. They were a bit dancy but very enjoyable. Andy and I both liked them a lot. I’d happily see them again.
Next up were a band called Inertia. They were a project of the drummer from Killing Joke. Now, I have seen Killing Joke and they were pretty good. However this side project were not good. They weren’t terrible but the style of music mostly left me cold. There was a guitarist, the drummer, a singer and the programmer. The guitars were too much and there was too much noise and sound. The first two songs had a slow walking keyboard riff that irritated me a lot.
Inertia
I thought the singer was a bit weak and needed to be much more powerful to compliment the sound of the rest of the band. We left them playing. It was that boring.
The headline act was a Canadian female singer called Ayria. I would describe her stuff as quite pop-like but with the slight edge that means she plays places like Electrowerkz and not the Smash Hits Pop Party [possibly showing my age there].
She was much better than the other two bands. She had two musicians with her who both seemed to be really enjoying themselves. It’s odd but watching musicians enjoy themselves makes the whole thing much more enjoyable for me.
Ayria
All her songs were great and she didn’t talk a great deal, if at all, in between the songs. She did a great job and it was very enjoyable.
After the gig all the bands were hanging around and I accidentally hip-bumped Ayria later on in the evening. Electrowerkz turns into Slimelight club at 23:00 and so Smith and I hung around for a while. We sampled some lovely cocktails and chatted to some of the bods who attend these events.
Fortunately for us there are trains from Victoria to home once an hour through the night. This means it’s possible to get back without having to use stupidly expensive taxis. All in all it was a very good night out.
Took my sister to see God Module at Electrowerkz near The Angel in London. There were three bands playing and they were all actually pretty good unlike last time. Unusually the room on the ground floor was used as the venue, I’ve been in here before but have only experienced the first floor performance room for gigs. The sound was good and the room was just the right size. There were the usual freaks and geeks floating around all evening.
First band on were Die Kur. They had a very heavy metal sound with some synth stuff. Most enjoyable. My one concern was that the songs seemed a little too start-stop and a little short. Other than that they were very enjoyable.
Die Kur
Second band on the bill were DKAG. It was three blokes with Apple Macs on stage “playing” stuff. It was interesting as my sister spent a while asking “what is going on”, she’s quite a metal/rock fan really. After a while she was dancing and enjoyed it. It turns out I had seen this band before, I though I recognised them and actually searched on this site to see if I had seen them. It turned out I saw them with Combichrist a few years ago.
DKAG
Finally God Module came on. I’d spent about a month listening to their stuff a lot and although I like it and it’s my sort of stuff a lot of the songs seemed similar. The sound and structure of the music was pretty much the same for every song. Also, the singer had a distortion effect on his voice.
One of the things about the ground floor room is that there isn’t a backstage. The bands had to walk through the audience to get to the stage which leant a kind of common touch to the evening. All the band members were milling around in the bar area after the gig, they were very approachable. Not that I did. I like to think I don’t fawn and hero worship, but I think I probably do to a certain extent.
God Module
God Module did what they do very well. The singer is possibly the largest man I have ever seen in a band and he didn’t really move around that much [too much inertia]. But they played a few songs I kinda recognised and the crowd loved them. It was ok for me.
Electrowerkz has gone somewhat upmarket as the gent’s loos had this in them by the sink:
Roses
I’m looking forward to my next gig, which I hope to get out to soon. I must get looking for stuff to see and listen to. My sister liked the evening but preferred the metal sound of the first band. Maybe she’ll convert in time!
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