"Nothing but the rain"
I have tried with Muse. I have tried to listen to it and feel good things about the music. But I have failed every time. I can’t stand it. I think it’s the singer voice. I’m not really sure. It just leaves me cold.
So, this is communication 1902. So, what happened in that year of the common era?
I bought this because a big part of me wants to really like Faith No More. But, it doesn’t quite do it for me. I’m not sure why. This is a solid album but not one I would play too often. I’m not even sure if I’ve played past the first two songs, I’m writing this review on reputation alone!
As this is the 1898 communication here’s a few things that happened in 1898:
Blow Up Your Video came along as my awareness of AC/DC grew and I really liked the album. I seem to remember being in Jersey and having it on tape although I mostly bought records, music cassettes were a popular portable method for listening to music. The Razor’s Edge was the second album released by AC/DC after my consciousness was raised. It’s an excellent album and has a number of great songs.
There’s an awful lot of good on this album and not a lot of shit. It’s well worth owning and playing. Everyone sings along with AC/DC right?
Mr O bought this for me and it’s very different but also very excellent. Radio sounds and news items and speeches set to wonderfully gentle music. Very different from what I would normally listen and quite fantastic.
Not sure I’ve ever put this on to listen to. Some songs may have come up in a shuffle I suppose.
666. An obscure reference from the drug induced writings of a crazy man and two thousand years later we have people concerned about a number causing bad shit. I know the religious have issues with reality but it makes me laugh just how much they think writing a particular thing or saying a thing can affect the physical world. It’s a bit like them believing that wishing really hard actually does anything.
I’ve had this album since I first got into metal all those years ago. I didn’t get it when it came out, my development occurred a few years after that but by 1988 I was a fully fledged member of the Maiden fandom and totally loved everything they did. This album with Clive Burr on drums is still amazing and something that stands up to time. I know I’m going to be slightly controversial when I say there isn’t a duff song on here as I know there are friends of mine who feel quite strongly about some of them:
I bought this album either before or just after I saw this person at the Underworld. This man is the DJ person who appears with Slipknot but this album is not Slipknot. I quite like it as something different but it’s not my usual style.
Now, I know that The Sickness is an awesome album, and it’ll be reviewed later in this series. This particular album I am less sure of. I don’t think I’ve played it that much. The best thing about Disturbed is the singers voice. It’s very distinctive and really makes every song much better than it actually is.
I think I’m managing quite well with the suitable distribution of my income. A while back I wrote that I had stopped spending money on music streaming services and if I want some songs then I will pay for them properly. We all know that Spotify pay very little out to the artist for each play and it’s only the mega-hits that actually make any money. I’d try and link that communication here but the way I write the names of these communications means I might have zero chance of finding it. Here goes! I found it! The point is for more of my money to go to the artist. The website Bandcamp seems the best way of doing that short of Patreon or Venmo [which I have never used!].
This morning I have updated the music list on the iPhone contents page. Not that it’s easy to find the new stuff, there’s an awful lot of stuff listed. But I’ve recently bought a few albums and so I thought it was time to update it. There’s a definite theme within that music list of heavy metal, thrash metal and then German rock along with EBM and aggrotech. If you search that list enough you might even find some songs that could be considered “embarrassing”. Have a look and let me know if you find one. Anything from Top Gun does not count, obvs.
I’ve been listening to the music projects of two main labels over the last few years. Those labels are Infacted Records and Out Of Line Music. My most recent purchases are:
There’s quite a bit of a mix there from electronic to bombastic over the top operatic rock but it’s all good. Well worth a listen. If you like that sort of thing. I will say that the bass line from “To Love Is To Destroy” by Amelia Arsenic is DIRTY.
When I eventually finish the album reviews the idea is to go back and review every album I’ve bought in the last eight years or so. I’ve tried to avoid writing about all the EBM and Aggrotech in the reviews and I will eventually get around to writing about them. Oh, I’ve had both vaccination injections and am looking forward to being considered fully vaccinated in two weeks.
I really like the music of Ministry since I first heard “Jesus Built My Hotrod”. There’s a great element of chaos in the songs which I enjoy. They are pretty damn good live too. This album is the third in the series of Uncle Al Hates GW Bush. Quite a few musicians are on the left of politics and Al is there too. Maybe it comes from accepting the strange and odd, accepting those who are different, being more tolerant and having an education? I don’t know. I suspect there are definitely right wing musicians out there, much as there are right wing people in society at large. I think my view is mostly that those on the right are distrusting of difference and broadly selfish – they expect that people should be able to sort themselves out. My view is that I’m trusting and accepting of differences along with understanding that people need help and I’m happy to do my bit.
Can you imagine what Uncle Al has thought about the Trump years? I mean, it is arguable that GW was the worst president ever and entirely useless and thick. Then, Trump came along and makes GW look like a fucking saint. Can you imagine how shit you have to be to make GW look good? Bush Jr was fucking terrible. An absolute shit president. New levels of shitness have to be used when describing Trump. If you want to elevate Trump to some level exceeding “really shit” then I think the education system has failed. It’s like thinking that Johnson in the UK is a trustworthy sensible bloke. We are in the same situation this side of the pond.
I’m not sure of any song particularly sticking out on this album but I do like the sound of Watch Yourself. I’ve been listening to Ministry while playing Minecraft as the both go together. I do wish that Uncle Al would keep going but everyone dies at some point.
See if you can spot me in the crowd.
As I wait for the hottest day of the year, so far there will be warmer I think, I ponder the human experience of enjoying music and sounds. How is it that certain sounds or combinations there of can affect us emotionally? How is it that I like the music I do and not anything else? I have very little brain-time for other forms of music and as much as I know they exist I care not. I think this should be left for another day, there’s music to discuss:
W.A.S.P. were one of those bands that always seemed scary and on the edge of what was acceptable. I felt that they pushed the boundaries of acceptability and purposely went out to shock. I’ve never seen W.A.S.P. live and I should have last October but – Covid – and I still want to see them. I thin it’d be great. Their music has a proper 80s L.A. feel to it. And it also has swear words. Plenty of swear words that offend the older generation. Songs like Animal, Mean Man, DB Blues these are all great if a little immature.
The Headless Children was the first studio album by W.A.S.P. that I bought. It’s also the best studio album by them. Clearly Live . . .In The Raw is the best album. The Headless Children was the result of what happens when you quit drugs but still write good songs. It’s an amazing album.
I can even cope with Forever Free which came on while I was in the car the other day and I didn’t skip it as I would with most ballads.
I’ve got a few Anthrax albums and while I know this one is a good listen I couldn’t tell you what songs were on it or how any of them go.
I quite like the music of Manson. That’s Manson with an M rather than Hanson with an H. I think this chap’s real name is Brian and he sure knows how to write a good song. Can I tell you the name of a single track on this album? Nope. I can tell you that it’s likely I wouldn’t skip a song if it came on. But this isn’t a band I seek out to play.
I’ve just had a look at the track listing and “This Is The New Shit” is a song I know along with Mobscene. Other than that I couldn’t tell you how these tunes go. I get what Manson is doing. He’s being provocative and pushing boundaries and anything that scares the boomers or adult generation is fine by me – yes I know I’m old but I’m still a rebel at heart. I have heard that recently Manson has been accused of being a dick and while I hope he hasn’t behaved like that – because it is wrong – I don’t think I hold up anyone to hero status because they pretty much always end up letting you down or become dicks.
I’m not sure when I first heard this or when I bought it or how I got into Nine Inch Nails. I do know that this album is really important to Smith because of when it came out and what he was listening to in those days. It has less importance for me. That said this is an album of industrial metal that is well worth getting and absorbing. All the songs are multi-layered and every one has a hook for you.
All tortured souls need to have this album. As do all normal folk.
While writing this I’ve been listening to the album and it’s got me thinking why songs are three minutes long. Not all the songs on this album are that long but, in general, why are songs 3 minutes long? Is it that for some deep psychological reason that is the music average of humans? Is it because that’s where the technology was limited in the early days? Films are kinda ninety minutes long. Is that because of technological limitations or is it because that’s a bladder length? I wonder if it’s to do with the standard reel length of old cinema projection systems? We know that CDs hold the amount of data that they do because of how long one of Beethoven’s things is [could be Mozart]. There are too many things that seem to be standardised and the reasons could be lost in history. I think it’s time for me to do some research.
I liked this when it came out and I think I even ended up with two copies on CD for some reason. I don’t listen to this now . . . . . . . .
I was really into The Prodigy when they released Jilted Generation and then when they put out Fat Of The Land I was super excited, such a marvellous album. This album was released after those and not one that I bought at the time. I was persuaded back to Prodigy by Shredder and so I got this album to catch up. I honestly don’t think I’ve played it all the way through but individual songs will have been played when my phone is on random shuffle. Here’s the thing. The Prodigy are excellent and the time I saw them at M’era Luna is in the top three for gigs.
Great Stuff.
I think I remember that this album was bought for me by JH. I’m embarrassed to say that I don’t think I’ve listened to it. I think generally I’ve moved on and have discovered enough Maiden. The albums produced after the 80s don’t have anything new for me. I know there are a few good songs post 90 by Iron Maiden but I’m not that bothered to discover them. I’m currently going through an “industrial” phase along with aggrotech and EBM. Sometimes I’m sad that the older music doesn’t bother me anymore but at the same time the discovery of new bands really thrills me. I am about to look up one of my current favourite music labels and see what bands on there I’ve not heard before and see if I can buy something.
I had this album playing in the background yesterday to prepare for writing this communication. It was a W.A.S.P. album and that’s pretty much it. When I was younger W.A.S.P. were a bit of a shock band. They went out of their way to be controversial with their music and their antics. I suppose they were a bit like the Alice Cooper of the 80s but without the higher levels of fame. There are two albums by them that are stunning in my opinion and they are Live . . . In The Raw and Headless Children. I think when you are a stupid teenager this stuff seems edgy and amazing especially the songs: Mean Motherfucking Man, Animal [Fuck Like A Beast] and even D.B. Blues. Don’t get me wrong all of those are very good metal songs in their own right but are made better by shock value. In my current age it’s just rather hard to be shocked.
As for this album, I don’t remember what it was like. It’s W.A.S.P. sounding and therefore listenable.
I saw Coal Chamber at Download in 2013 and I remember thinking they were ok. I did note that they had a female bass player and I was impressed with her leather coat. Now, before I Google images to see how my memory matches up to reality we could have a discussion about how memory works. But maybe I’ll leave that for another time. The short version is that memory doesn’t work the way you think it does and is quite fallible.
OK, so it wasn’t a leather coat but rather a denim outfit. I was close. I suspect I conflated my memory of Coal Chamber and Gary Moore from a Wembley Arena gig back in the early 90s when he came on stage in a glorious long leather coat.
You know when you buy a “best of” and then you do sometimes wonder. If this is the best then was is the rest like? I would say the first four songs on here are really good. But after that I’m not that fussed by them. I think it might be something to do with the sound of this band. It has a Korn feel to the sound and I’ve never quite got on with that. I’m not sure why given that I have been having an industrial revival recently. The overall sound of this band just misses me.
The song Sway contains lyrics from the 1984 single “The Roof Is On Fire” by Rock Master Scott and the Dynamic Three. I guess for shocking the establishment it works perfectly.
I think I bought this is around 1996 or so. I got this album in a moment of weakness I think. I don’t like U2. I don’t really like their music. I don’t really like them. I just remember having a conversation with MD after I bought it and he was surprised. I genuinely can’t remember when I last played this album.