The middle of August means it’s time to travel to Germany and attend one of the friendliest music festivals I know [I haven’t been to many but this one does feel like home]. On a Wednesday I travelled to see Smith in London town and we had dinner. I stayed over at his house as we had an early start to catch a flight to Hannover.
This year the flight was on time and we landed in Hannover and had plenty of time to get to our room. In fact, at one point we just sat by the river and let the world pass us by. In the evening we walked to the Maschseefest after a walk to get alcohol. We were both pretty tired having got up at 0400.
The Maschseefest, Hannover
Friday starts with a walk to the Bahnhof and then a train to Hildesheim. Once there we get the bus to M’era Luna. The whole experience is relatively painless. We find the tent and then chill because it’s been a long journey and not much happens on the Friday until the evening. I had some LED lights to light up the tent so we could find it once it was dark.
After I watch a band I note down a few comments on my phone. What you see below are those comments. On the Saturday the music we watched goes as follows:
re.mind – Main Stage – standard electronic. Singer wasn’t powerful but only ok. OK for a first band.
Steril – Club stage – upbeat electronic with some guitars. Much better than the first band.
Schwarzer Engel – Main Stage – Seen before. Metal.
Hell Boulevard – Main Stage – OK. Heavy rock. Keyboards in the background. Nothing special.
Centhron – Club Stage – Heavy as fuck bass and other motherfucking shit.
SPOCK – Club Stage – Excellent cheeky space based pop.
S.P.O.C.K.
Hamatom – Main Stage – Late on – technical issues. Good set. Lots of audience participation. Heavy metal. I enjoyed it.
Suicide Commando – Club Stage – Excellent set. Best band so far. Really enjoyed it.
Suicide Commando
The Sunday bands were as follows:
JanRevolution – Main stage – Better than yesterday’s first band. More upbeat. Enjoyable. I wouldn’t buy it.
Extize – Club Stage – Heavy dark dance. Actually good. I would buy.
Eden Weint Im Grab – Club Stage – Slow rock with violin and viola. OK.
Future Lied To Us – Club Stage – Really good electronic bouncy dance. Singer had energy but I didn’t like his voice. Really enjoyed the overall set though.
X-RX – Club Stage – Great energy. Very bass. Enjoyed it a lot.
Welle: Erdball – Club Stage – I was just getting into position for Combichrist. I didn’t like it. It was actually boring.
Combichrist – Club Stage – Elliott motherfucking Berlin! Amazing. The fucking best. An old school set.
Combichrist – Old School Set
Die Krupps – Club Stage – good. But not as good a previous times but enjoyable nonetheless.
Monday was all about getting home and leaving ML early to make the flight. We managed with plenty of time and it was interesting to see just how many people on the flight had come from the festival. Obviously I didn’t talk to any of them.
Last night Smith and I went to the Angel and our favourite little music venue in Torrens Street. I drove into the big smoke and parked in some driveway using the Just Park app. Now, let’s be clear, the app doesn’t park the car but it allows you to find a space that is convenient and, normally, quite local to your destination. It was a much nicer drive than on Wednesday when I met up with the Fulham Five for a leaving party – one of our number is heading to the US to live. There are now three of us in the USA and three and a half in the UK. Back to the gig.
First band on were Machine Vein. I spent most of the gig thinking they were j:dead because I wasn’t aware there were three bands on. While driving in to the gig I thought it would be funny to see Biomechanimal again as they have been support for many bands I have seen. It turns out that Machine Vein have some of the same members of Biomechanical. I quite enjoyed their set. It was heavy bass with tiddly sounds over the top. I had a good time.
Second band were j:dead and I thought I had seen them before somewhere, sometime, but now, having seen them I suspect not. I also thought I had some of their music on my phone but that was also not a correct thought. I think they pop up in a lot of the social media I have because of their close links to the EBM – Aggrotech genres. I didn’t find their set as much fun as Mechanical Vein but they were definitely a more polished live band to see, you could tell there was plenty of experience. I was also surprised they were British. Not sure why that surprised me but it did.
j:dead at Electrowerkz
Then we were on to Faderhead, a singer I had seen before twice at a music festival and one whose shows were great. I’ve even helped fund their albums at times and there are communications somewhere in this site. I’m quite happy to pay for things that make me happy, hence I even pay for free podcasts, I will recognise that being able to do that is from a position of privilege. So, Faderhead. I really enjoyed the show. It was great to see him in London and the crowd was pretty darn good. He has a load of songs that are really good for singing along with. Some of my favourites are “No gods, no flags, no bullshit”, “Destroy, improve, rebuild”, “Fistful of fuck you”, and “Swedish models and cocaine”.
Faderhead @ Electrowerkz
Earlier in the day Faderhead had said that he wasn’t feeling well and that his voice was struggling. I think this showed in the early songs and he clearly didn’t feel healthy-well. He sounded better about halfway through the gig and then his voice declined more towards then end. They had decided to put some extra ballads into the set to ease his voice and I didn’t mind this. Overall I really enjoyed the show. It was great to see them play a smaller venue and I look forward to seeing them again sometime.
Smith and I went to see perennial favourites Combichrist play at The Garage in Highbury last night. I’ve seen this band loads and really enjoy their gigs. The last one was in the Assembly Rooms in Islington and I wasn’t in the right place to enjoy the gig [and there was an annoying person in the pit]. It does feel like I see Combi about once a year which is nice. I drove and parked on someone’s drive near the venue while Smith got the trains [there’s an overtime strike on at the moment. I believe that if your system requires people to work beyond their standard contract hours to be efficient then your system has a problem]. After applying makeup we had a drink in a pub and then went to the venue.
The first band/artist on was Janosch Moldau. They were a singer/songwriter who played guitar while singing along to electronic music. It was ok as a starting act but I don’t really feel the need to see them again.
Janosch Moldau
The next band were Megaherz. This is a German band who I’ve seen a few times at M’era Luna in the past. In this August I saw their entire set and my comments were:
Megaherz – main stage – good German rock. Enjoyed it. Proper rain shower. Heavy rain.
Parish – this website
Their gig at The Garage was good fun. They put on the best show they could on the tiny stage. Having seen them play to 20,000 on a massive stage made the small stage seem really incongruous. They wore Kiss type make-up which meant they had black crosses of various types on their faces and white all around that. I’d made myself up with a “joker” type smile but in black.
Megaherz at The Garage
The headliners were amazing. I stood a couple of rows back in the middle at the front. I knew that at some point there would be a pit and I wanted to be on the edge of it. I wasn’t in the mood for full pitness but the odd bounce here and there I knew would be fun. Combichrist played well and they sang a number of crowd pleasers and I think there were two new songs, at least I didn’t recognise them. I’m still not sure about the whole move into a metal sound but it works and adds a little to some of the songs. Their Old School gig was the best I’ve been to.
Combichrist at The Garage
According to a website somewhere this was their setlist:
Blut Royale
Maggots at the Party
Modern Demon
Scarred
Get Your Body Beat
Can’t Control
Denial
Compliance
Heads Off
Fuck That Shit
Hate Like Me
Not My Enemy
Never Surrender
Encore – My Life My Rules
So, I had good fun and enjoyed the music. Somehow, a few days after now, I think I preferred the Megaherz set but that may be because I’ve seen Combichrist so many times. I think it’s nine times now. To give you some context there are bands I’ve seen once and am not that fussed about seeing again because, I’ve seen them, they don’t offer anything new.
Because I’ve seen Aesthetic Perfection a lot and also I’ve seen Combichrist a lot it turns out that members of those bands I have seen more than any other. Especially when the drummer from Combi moves to AP and the keyboardist for AP moves to Combi. I don’t know who I’ve seen most and to figure it out would require some hardcore research so I won’t really bother. I nice part of the gig was Elliot Berlin [formerly of AP] being carried by the audience to the bar at the back of the venue.
Last night I went to Electrowerkz to see a couple of bands as part of the Zero Day Festival the venue was running. It was nice to be back in London, I stared at some buildings as though I’d never been there before, some parts of London surely are pretty. This festival had a number of bands I wanted to see but none more important than Grausame Töchter. I’d been aware of this band for a while but had never had the opportunity to seen them before. I do love the Electrowerkz venue – I still don’t really know my way around and the place just feels “down to Earth”.
Classy Venue Warning
I drove to the Big City as trains are never as convenient and more expensive [that’s what privatisation does for you]. I found a car park and also chatted to reception to make sure they would be open when I returned. Then Smith and I walked down to the venue, a couple of minutes walk away. There was a band on as we arrived and so we watched them for a while. Patenbrigade:Wolff were on stage. They were dressed in orange boiler suits but in a road maintenance way rather than a scary-Slipknot way. I enjoyed this band and have since got two of their albums.
Patenbrigade:Wolff at Electrowerkz
The music was well constructed and had a good variation. One of the singers just seemed to spend most of the time drinking beer and dancing around. There was a female singer and that was a nice change to their set. Overall I was impressed enough to buy some merchandise. This is mostly because it’s a high-viz jacket and I might wear it at work.
Patenbrigade:Wolff at Electrowerkz
Next up was Grausame Töchter. I knew this was going to be a performance piece and I was looking forward to it. Their songs are super catchy and I think I’m probably happy I don’t know what the lyrics are about. Especially after some of their stageshow.
Grausame Töchter at Electrowerkz
I really enjoyed the show and the songs. Some aspects were very slightly disturbing but I guess that’s what good art will do. There was, at times, a naked woman on stage who, in the act, seemed to be forced into killing themself along with holding up placards with various sexual references. The backing singer of the band was a part of Nachtmarh when I saw them at M’era Luna this year. At the summer show she sprayed the audience with water from a water gun. This time she sprayed the audience with a white substance from a giant syringe.
Grausame Töchter at Electrowerkz
This show was great fun and I really enjoyed it for the visuals and the music. I knew it would be a “performance” and it turned out to not disappoint. Last on stage were [:SITD:] and they were pretty good. I didn’t enjoy them as much as the second act. For me they were a solid good set, I jus think they lack something in their stage show but each to their own I guess.
[:SITD:] at Electrowerkz
Overall an enjoyable evening. I beat the Google Maps time for getting home without actually speeding so that was nice. It took two thirds of the time to get home as it did to actually get to the parking spot. London is annoying at times. Anyway, overall, a really enjoyable evening and one that I’ll remember.
So, I went to see Combichrist. Originally the tickets were for 2020 but we all know the heap of shit that this world turned into in late 2019. It has taken two years and finally I got the chance to see this amazing band (again). Luckily for me I did see them at M’era Luna two weekends ago as they replaced a band who had pulled out. This was my first time at a venue called the Islington Assembly Room – it was easy to get to and seemed very nice inside. The floor was wood and bouncy – I suspect it has been used as a ballroom in the past. The floor got slippery as soon as there was some beer on it.
First band up was a French (?) female rapper called Mimi Barks. I really enjoy her show. I liked the music and her anger. She seemed fierce. Not only that but she was in the pit for Combichrist and also sang a song with Priest and the Combichrist finale.
Mimi Barks – Islington Assembly Hall
Next up were Priest who, as soon as they appeared on stage, I was convinced I had seen before. Smith couldn’t remember seeing them so I searched this website and found them! I had seem them with my niece one time when we watched Aesthetic Perfection. I will say that this time I thought the singing was better but overall I wasn’t that bothered by their show or music. Just not up to my incredibly high level of tastes!
Priest – Islington Assembly Hall
Then we get Combichrist. I did not recognise any of their first three songs, but then Throat Full Of Glass came on and I was happy. I was on the edge of the pit, I wasn’t quite feeling it as much as at M’era Luna. I think I would say that the pit was more violent and a harsher environment than in Germany and so I wasn’t comfortable getting in. Also, a big part of me just wanted to watch the show. There was a fat twat in the pit who was out of control – I had to move away from the edge of the pit because I was likely to sharply elbow him if he bounced into me. He was a grade A twat.
Combichrist – Islington Assembly Hall
Part of me finds it quite fascinating to watch bands up close because you start to see just how much of a job it is. You can see the musicians “acting” on stage, creating a show. I think I had always thought that they got excited for the music they were creating and lost control but that is the job for the audience. The band is there to create that atmosphere. Occasionally I see this in performers, there’s an almost dead look in their eyes, there’s only so much you can do night after night. At this gig I only really noticed this in one of the band members, I guess there’s only so much adoration you can cope with?
Anyway, Elliot Berlin was in the band and I’m a fan. He did two things I thought were amazing. During the very last song he crowd surfed while playing a big fat tom-tom. Earlier in the gig he had jumped off the stage and got into the circle-pit and played guitar while people moshed around him and that for me is the highlight of the show!
Elliot Berlin – Combichrist – Islington Assembly Hall
THREE YEARS. That’s how long it had been since I’d been anywhere other than the south east of the UK, Lincolnshire or Cornwall [which was twice this month]. Three years since Smith and I had travelled to Germany to see a collection of bands, dress in weird shit and have a great time. The wait was worth it. 2022 was a great year for M’era Luna and I had an amazing time. There was news to make this year’s event even more interesting: a band had to pull out and they were replaced by Combichrist!
The journey out to Germany went well. The Eurotunnel was on time and Smith and I made it to our standard hotel in Bochum with time to explore the centre of the city and get some food. Most of the centre looked like Harlow – a new town in the UK. But we did find a street with some life and many restaurants. It was a hot evening with temperatures hitting 30C. After food and a couple of drinks we headed back to cheap hotel and planned Friday.
We arrived at Hildesheim early and queued for entry into the camp site. Once in we chose a spot far enough away from the noise and close enough to the car. Then we went for a walk to see how the grounds had changed in the three years since we had been there. Friday night is normally disco night but we didn’t go to that. Instead we found a bunch of Germans who we knew and spent some time with them, drinking their beer. It was good fun. The real music started at 1100 on Saturday though.
As with previous years this is where I just copy my notes from my phone. I can’t remember every band or song. I can’t remember what I thought about them. So I make notes as I go and then regurgitate them here. What follows is pretty much, word for word, my notes. Occasionally I will add detail for particular bands as I have remembered more from those appearances.
SATURDAY
Enemy Inside – main stage -I enjoyed this. They had a female lead singer and it was rock/metal.
Enemy Inside – M’era Luna 2022
Rave The Requiem – main stage – I also enjoyed this, christian sounding metal. There were references to religious passages and I couldn’t tell if they were critical or supportive after that.
Ambassador 21 – club stage – industrial punk and was great. I really loved this show.
Ambassador 21 – M’era Luna 2022
Schattenmann – main stage – actually really enjoyable. Heavy songs. Singer had a chainsaw. Flames from front of stage.
OST+Front – main stage – Enjoyable, very similar to when we last saw them. German new metal. Female dressed in various outfits.
Lacrimas Profundere – main stage – Waiting for Faderhead tbh. Opening bars were really good. But everything else was not. Went to sit in the shade at Club stage.
Solitary Experiments – club stage – perfectly fine but his voice isn’t strong enough. A bit boring really.
Faderhead – club stage – AMAZING. Totally loved this. This was the best attraction on Saturday.
Faderhead – M’era Luna 2022
Blut Engel – main stage – halfway through when we arrive. Everything Is Black playing. Next song had 4 girls on stage. 4 songs then left to:
In Strict Confidence – club stage – 3 good songs.
Nitzer Ebb – main stage – probably great if you are off your head. Nice beat stuff. But boring live.
SUNDAY
Hell Boulevard – main stage – they sang hit me baby one more time.
Aeverium – main stage – elements of thrash, not really. But I enjoyed it.
Unzucht – main stage – Fuchs yeah. I do love a bit of Unzucht and they were really enjoyable. Great fun.
Feuerschwanz – main stage – medieval rock shit
Combichrist – main stage – Andy and I started the pit and it was good. Thank god. This made the weekend worth it. Totally loved the show.
Combichrist – M’era Luna 2022
Rotersand – club stage – amazing. Really enjoyable. People came and thanked us for starting the pit during the Combichrist show.
Rotersand – M’era Luna 2022
Nachtmahr – club stage – good show. Two dancers.
Eisbrecher – main stage – amazing show, really good fun.
And there we have it. A great weekend. Such a shame there were massive delays getting back into the UK but that’s the sort of shit we have to put up with now I guess a bunch of arseholes lied to us. One of the best bits of the weekend for me was Smith’s realisation that paying to have a shit in the posh loos was worth it and made things soooo much better.
Last night Smith and I went out! Out! To see a band! Well, two bands really but it was out and my first time in London since February 2020 when we saw Aesthetic Perfection. We got the train in and booked into our hotel room – proper full on night out! After getting changed we headed to Electrowerkz, which was quite close to the hotel and entered. I had forgotten my photo ID and the security people were very good at sorting that out as I had photos of all my ID on my phone, they accepted me fortunately.
Electrowerkz Welcome
I loved this touch of some old CRT showing a logo as we walked up the steps. It added to the feel of the place. We didn’t see the first two bands as we were drinking and chatting to the merchandise people. I think I bought some dog tags, but I have no idea where I put them, I’ll have to have a look shortly. I liked the few changes that had been made to the building and ambiance, the main floor looked really good.
Before The Crowds – Electrowerkz
Reaper is a band/person we had wanted to see for a long time as a couple of his albums are really good. A nice split between industrial and EBM. I enjoyed his set although I think there could have been some other songs added to make it greater but I guess you have to trust the artist and the things they want to play might not be what I want to hear.
Reaper – X-Junkie
I really enjoyed the Reaper set. It was about this time that I started to appreciate the new sound system in the room. I could hear all the nuance in the songs, which I knew quite well anyway, and this was a surprise as normally my hearing dies quite quickly into a gig and I can’t tell what’s going on apart from noise.
Nachtmahr – Electrowerkz
Nachtmahr were brilliant. They played a great set and the crowd really liked it. I don’t think this makes a top ten of gigs, but it’s definitely in the top half. I had a great time and danced quite a bit – I think the alcohol helped a lot with that. Overall this was a good gig. A couple of great bands and really good fun. Brilliant!
This is communication number 1977 and so in keeping with recent tradition I list below some events of that year:
Jimmy Carter pardons Vietnam draft dodgers.
The rings of Uranus are discovered.
Optical Fibre is used to transmit phone calls for the first time.
165 Killed in a fire in Kentucky.
Never Mind The Bollocks is released by the Sex Pistols.
I wrote recently about a damn good gig that I went to, Aesthetic Perfection, at the Lounge 666 or whatever it’s called. Because technology is so wonderful and lovely I can now show you a graph of my heart rate throughout that day.
Gig Heart Rate
There are three main aspects to this graph to chat about. The first is that low bit at the beginning. It’s me asleep. I’d have to compare it to my REM patterns to know what the little blips are in that section. Then, there’s me waking up at the little alarm clock symbol. The running man symbol is where I went for a run and the break in the graph is where I took my watch off for a shower. The low level preceding the first grey man is me driving my car into London for the show. The peak at the first grey man is me walking from where I parked the car to the venue. The next big dip is me eating food and so sitting down. Then, the bouncy bit is me bouncing at the concert.
The second grey man is me walking back to the car from the concert and then my watch thought I had fallen asleep because there’s a “Zzz” symbol. In reality that we me driving home from London and my heartrate stabilised because I wasn’t doing much. You can see that this resting heart rate is still higher than my normal sleeping rate. Finally the small peak just before the end is me walking from where I had to park the car in my village to my house.
This level of detail is pretty cool but I do wonder if it’s worth knowing? All that extra data I have about everything I do but does it change my life? I don’t know.
Given how close The O2 is to where I live this was the first time I had been there to see a concert. I went there a long time ago to see some tennis but this was the first music event. The “Millennium Dome” as it was known a long time ago was considered a GBP1 Billion white elephant in the early days of the Blair government. The display area was shit. I know, I went there. I never saw the “show” in the arena it was meant to be a bit like a circus – I guess there’s video of it but I care not. I’d also been a couple of other times most notably to see a Star Wars exhibition.
Anyway. Dave from work drove and we met up with Smith and Son. We ate. I drank. We entered the arena just after Behemoth had started.
Behemoth
I didn’t find them particularly good. They were quite boring. There wasn’t much dynamic shift to their songs and it was rather – meh. But still it was an opportunity to study the stage construction and layout of the arena. I noticed plenty of structural high beams, they were interesting, and the cable work holding up the PA system was impressive. Yep, that’s the sort of stuff I find interesting. I think it comes from having and engineering degree and thinking about how stuff works a lot.
The headliners were Slipknot. I was quite excited as I’d been listening to their stuff all week and I have to admit it’s pretty good stuff. It had also been quite a while since we had seen a metal headline act in an arena. Smith and I normally see either small bands in small venues or the classic M’era Luna festival in Germany.
The Stage and Slipknot
Slipknot were pretty darn good. They kept the crowd going and all their songs were great. I really enjoyed it. At some points the mosh pit extended two thirds of the way back on the standing area and I don’t think I’ve ever really seen that before.
It was curious to see adverts for Slipknot stuff on the large screens before the band. They were advertising Knotfest which is an open air concert to take place at the National Bowl in Milton Keynes. Then, there was Slipknot whiskey made in Iowa. I mean, sure, you can buy it if you want but are you into a band that much that you want all your kit branded that way? In my experience it’s best to like the music, enjoy the shows and then not worry too much about the other stuff. Buying into a band completely always leaves you exposed to being failed when they turn out to be cunts. Not saying Slipknot are, just saying some bands are.
The Crowd and Slipknot
There was also an advert for some cruise thing from Barcelona to Naples with Slipknot appearing on board playing two shows. You can pay to be stuck on a cruise [honestly sounds quite nice] and then in the evening there will be some gigs. That’s not so bad I reckon. The Norwegian Jade will be a floating music festival and decked out like a museum to this Iowan band.
Slipknot Cruise Price List
I don’t have this sort of money. The largest venue holds 2500 which is a reasonable size. It would be a pretty special time, but it is an outdoor venue and if the weather is shit you are screwed. Maybe the other bands would make it worthwhile? I don’t know. Maybe I’ll do this kind of thing once I’m retired.
Slipknot were pretty good on stage. There was the expected crowd interaction and I enjoyed it all. I don’t think I’m that fussed about seeing them again though. I think I am slowly seeking new things, new sounds or shows. My limit seems to be two times for seeing bands at the moment. I say this when I’m soon to see Aesthetic Perfection for the seventh time!
Good show. Good time. Enjoyed it. What more do you want?
Smith and I travelled to attend the Beat Cancer 2.0 festival last night. Last year we saw Freakangel play somewhere in east London and now the fund raising jaunt returned in a bigger venue and with eight bands. The gig was based in the large room downstairs at Electrowerkz and there was a small bar set up but there wasn’t really a lot of space. It looked like there was a wedding going on in the Tube Train room – you’ll know what I mean if you’ve been there.
So the music started about ninety minutes late. The organiser blamed Lufthansa as the headline band, iVardensphere, were in Germany at the beginning of the day and without planes had to get to London. They managed this and set up but the running order was late by a long way. I had an important event to attend the next morning and so while the event was scheduled to finish at midnight I didn’t mind that once the delay was announced it made seeing all the bands rather problematic. I guess most people attending didn’t have to march through a town in a Remembrance Parade eight hours later.
First band up were Drakenwerks who I had missed by turning up late to another gig when they supported Nachtmahr. My notes say that the band was made of a man and woman, they were OK and played upbeat electronics with a hint of EBM.
Drakenwerks – Electrowerkz
The lighting rig seemed to consist of single colour washes for each song. In the above I caught a “green” song.
Then there was Vain Machine. Two chaps from the USA and it was their first time in London. It was a bit too goth for me. They even played a terrible cover version of “I was made for loving you” by Kiss.
Vain Machine – Electrowerkz
Then there was the band of the organisers. The people who run this charity gig had a band and they played. It was experimental bullshit. A wall of noise. It was terrible. They were called Bein-E. Their full name was a massive German word but I only saw it on one piece of literature and didn’t make a note of it.
Bein-E – Electrowerkz
Then there was Cygnosic. This band was much more upbeat. The vocals were “growly” and while I didn’t understand what they were saying it was an improvement on most of the previous bands. The only problem was that their songs had no variation within. The structure was a single unit and lasted three minutes and stopped. I needed some form of difference as the song progressed. Judging by the accent of the singer when he spoke the band were from Spain or maybe Italy or similar [if they are Portuguese then I’ve probably offended a whole country!].
Cygnosic – Electrowerkz
It was now 23:00 and there were three bands to go. iVardensphere wouldn’t finish until around 01:30 and I had stuff I was required to do the next morning. I had to call it a day and drive home. I’m gutted, but at least I have seen the Sphere before. They were really good both previous times but I can’t change my schedule. I’ll see them again one day soon I expect.
I missed:
Nature Of Wires
C-Lekktor
iVardensphere
So, after all that I saw five bands of varying degrees of not-good and the one band I really wanted to see I couldn’t as I had to get home to parade the next morning in Maidstone. I was gutted but also aware of my commitments and limitations. It was good to see the Smith.
I guess it takes some commitment to drive 500 miles to get to a music event. This is the fifth time Smith and I have done this. It is possibly going to be the last for a while, we kinda feel we need to seek out new things, but we shall see. M’era Luna does have an excellent atmosphere and I think we’ll be back at some point in the future.
As is now the standard we left on the Thursday and drove to a hotel in Bochum. We should have got there in time to have a meal out and see the town but instead there were power issues with the Eurotunnel that delayed our journey on the train by three hours, that was quite frustrating, but we did walk a couple of miles along the main road and find zero bars. Yep, zero. There were two gambling dens but zero bars. I’m not sure if that’s the Germany I imagined.
Campsite Sky
Friday morning means driving the last two and a half hours to Hildesheim and getting to the festival. This part of the journey went well. The traffic was queueing to get into the car park and so Smith ran to join the queue to get us a decent tent spot. It’s quite amazing how quickly the massive campsite fills up with tents. I got parked and dragged most of the kit to the tent. After that, we chilled and wandered and thought about getting ready for the disco that evening.
Friday Night at M’era Luna
Tickets for the disco were different from years before, we had to buy a wristband which was the standard 5 Euros. As we arrived in the disco there was some decent heavier music being played and it was DJ’d by a guy from the band Unzucht. After a short while it did change style as someone else took over and the music went a bit shit. Smith and I had drunk quite a bit. He lost his glasses. It was about 0200 when we quit and I went for a shower. That night I wandered back from the showers down the runway to the tent, the air was warm and I was happy.
I guess you haven't lived until you've walked half a runway dressed in only a towel.
Saturday was going to be hard work. There is always one night when there’s a little too much alcohol consumed. Last year it was the Prodigy gig and Saturday night. This time we overdid it on the Friday! Hangover protocols were now in place. But, there were bands to see starting at 1100 and so things had to get ready. I sometimes feel I physically suffer for my art.
Saturday at M’era Luna
Saturday’s theme for me was future-dystopian-cyber outfit. This was pretty much all home-made and I was very happy with the results. Smith had problems with his horns and so I watched the first band by myself.
Null Positive – main stage. Female fronted metal band, bit like Arch Enemy. quite enjoyable. Two female”dancers” on stage, playing with smoke and fire.
The gas mask on my outfit was really pulling into my head and making me experience pain. Plus the hangover wasn’t helping.
Sudenklang – main stage. I didn’t write anything else here so I don’t remember how good or bad they were.
Centhron – hangar stage. Fast beats, bit boring. It was during this set that I decided to go and get rid of the gas mask. It was hurting me and the backpack was annoying. Also, it was a warm day and I had about three layers on. I returned to the tent [about 15 minutes walk away] to get changed into boring normal clothes. I had been photographed and so thought it time to feel comfortable.
Corvus Corax – main stage. Four bagpipers medieval/folk stuff. It’s basically metal but with bagpipes. It’s not very inspiring stuff and the singer was terrible but the Germans love this shit.
We heard Oomph! while we ate food and I don’t remember being impressed. It’s a terrible band name also!
Agonoize – hangar stage. Bit disappointing really, I had heard some of their stuff and I was hoping for a really “edgy” show. The singer squirted blood three times, he pretended to cut his wrist and let the “blood” spray out for most of the songs. Finished with Breathe as a tribute to Keith, but it was a terrible version.
Agonoize – Hangar Stage, M’era Luna
Lacrimosa – main stage. 1.2 songs. Yeauugh.
SITD – Hangar. solid but only got going after second singers song. Lead singer doesn’t know words to some songs and was reading. The sound at front not great, the system speakers are quite wide and so a lot of the dynamic was missing from being close to the front.
SITD – Hangar Stage, M’era Luna
Die Krupps – Hangar stage. Saturday headliners. We watched from slightly further back and the sound was much better. This band are really good and their show has been excellent every time I’ve seen them. I’d happily go and see them again. I’d recommend them to anyone.
Die Krupps – Hangar Stage, M’era Luna
That was the end of the Saturday for us. I think ASP were playing the main stage as we left, I wasn’t bothered at all about seeing him. It had been a long day. We had both had problems with the sun cream running into our eyes and causing massive hayfever type symptoms. Overall the music had been great but I felt dead.
Saturday Steps
From the above picture you can see I walked quite a bit that day. I also hadn’t slept much, which was going to be the pattern for the whole weekend really.
On the Sunday I woke to the sound of someone calling “Kaffee”. I popped my head out of the tent and had coffee poured freshly for me from one of the festival workers. He had a large backpack with a supply of drink and all the accoutrements on his belt for a perfect coffee and only 3 Euros. Bloody lovely.
It might be time to talk about the pooing situation at festivals. I mean, this shouldn’t be talked about but too make the process as easy as possible it takes planning and hard work. Firstly, eating vegetarian reduces the amount of time required in the portaloos. Next, pick your portaloos carefully. The ones on the runway are very busy and stink. I mean they stink more than others. So, go to the toilets in the car park. Leave the festival site and walk a bit. This needs to be planned for after waking and coffee. Next up, take the portaloo furthest west. The one in the east gets sunshine on it and heats up. This increases smells. So, to sum up, find the least used loos, and use the coolest one.
Getting ready on Sunday was easy, it was an old costume being recycled.
Sunday at M’era Luna
I kept the hood with me as the Sun was warm and I didn’t want to burn my skin.
Fear of Domination – main stage. Finish. Male and female singer. Good bass drop. Good solid set.
Fear Of Domination – Main Stage, M’era Luna
Yellow Lazarus – hangar stage. Ok. EBM but fast, not great. Two songs. It’s like Aqua (Barbie girl) on speed. Pretty sure we only caught a few of their songs.
Scarlet Dorn – main stage. Slow melodic rock with female singer. Keyboardist is from LOTL. This sort of music is fine in the background but it didn’t really rock.
At some point I went to get changed, again! It was another hot day and I wasn’t enjoying being in my costume. My head was sweating a lot under the gas mask.
Formalin – hangar stage. Live drummer. Keyboards. Singer. Pretty good. Very good crowd interaction. Good song dynamics.
Heldmaschine – hangar stage. Blue LEDs on costumes and drumsticks. Two guitars (one a lefty). Bass. Drums. Singer. Backing track somewhere.
I’m in there a few times, as is Smith, I’ll leave you to find it though. After this show I had to keep pouring water over my head to cool down. I think I had over done it. At least I didn’t get a cracked rib from the PIT unlike Smith.
Suicide Commando – hangar stage. Really good but I lefty feeling unwell. Sounds better a distance from stage, speakers too wide at very front. I needed cool air. Spotted the SITD guy in front of SC.
Suicide Commando – Hangar Stage, M’era Luna
VNV Nation – main stage for a few songs. Ok, but the gig at the Scala was amazing.
After this it was shower time and a walk down the runway. Then, Monday we just had to drive home. On the way we had planned to stop just into Germany for photos but because of the delays at the tunnel we chose not to. We had plenty of time on the return journey and so we stopped on that:
Wankum, De
I couldn’t tell you why we chose to stop here!
The excitement didn’t end in Germany! We got to the Channel Tunnel a few hours before our crossing and so paid a little extra to get home earlier than originally planned. This was good as Smith only had prescription sunglasses left after losing his in the disco and he didn’t want to drive home in the dark. As we approached the Maidstone junction on the M20 one of the front tyres blew and deflated quickly. This was very annoying. We managed to pull off the motorway and put the spare on. We were about three miles from my house.
I’ve had the car looked at and it it probably a tracking issue which caused the insides of the tyre to wear down too far. This will hopefully be fixed on Monday or Tuesday. I’m just glad that it blew where it did rather than 500 miles away in Germany. That would have been quite a shitter.
So, M’era Luna 19 was amazing and fun. It was also hard work and a challenge. Next year, we will see what happens. Maybe I’m too old for this shit?
Last Saturday I went to see Rammstein play their current set at the MK Stadium in Milton Keynes. It was bloody amazeballs.
Early Fire
I had spent the previous week at RAF Shawbury with a cadet camp which was already a brilliant week and I then topped it off with this brilliant show. I drove down from the West Midlands to Milton Keynes and met with Smith in a supermarket car park. This gig is an important one because he had brought his kids along, their first major gig. You could tell that there was a slight trepidation from the eldest [around 14] but the youngest displayed nothing but sheer excitement [around 12].
The support band were two women who played pianos on a stage just in front of our seats. It was nice but I didn’t really pay attention. I was suffering with the effects of being tired and so I read a book on the development of the pressure suit for high altitude flying published by Nasa. It wasn’t bad but I needed to rest!
Extinguishers?
Rammstein themselves were amazing. Absolutely amazing. The show they put on is remarkable and worth every penny of the 7500 for the cost of a ticket. There were the normal theatrics with lots of fire. And I mean lots of fire. There were black clouds bellowing over the stadium at certain points during the show and I wondered what it must look like to someone outside the stadium.
Angel Of Fire
There were many highlights. Every song had its own act. The keyboardist being burnt in a massive cauldron, the burning to death of a giant baby, the massive riding cock for the song “Pussy”, and flames shooting from guitars.
This might seem odd but the dance track halfway through made my night. That was the moment I thought “this is the best show ever”. One of the guitarists DJd while being lifted high above the stage and the other members of the band came on with suits that lit up along the limbs. They then performed a dance routine to an electronic version of thier own song. What balls, to make 30,000 metal fans listen and dance to electronic music. This band have it all.
This was the best show I have ever seen and is the third best gig I have been to. The Prodigy last year at M’era Luna may have been an excellent show, I don’t know I can’t remember any of it. This concert would have been top of the list had I been in the pit. You have to take whatever you can from a gig and I loved this but part of me hankered to be in the mild violence of the circle. I still had a great time. My top three gigs are: Combichrist Old School, The Prodigy and Rammstien – this one.
This Was Warm
This is the thrid time I have seen Rammstein and it was bloody brilliant.
“Did I mention? I’m seeing Rammstein in Milton Keynes this weekend.”
Last night I went to the O2 Academy in Islington with my niece to see Aesthetic Perfection. We drove into town as it just makes it easier to get home and not worry about running to get the last train. After arriving we had burritos for dinner and then headed to the venue.
Machine Rox were playing, this was a slight surprise as they weren’t on the bill as far as I knew but we watched them anyway.
Machine Rox
I didn’t mind them. The singer owned the dress she was wearing and that was excellent. I couldn’t understand what she was singing though and that seems to be a bit of a flaw. The drummer doesn’t really do much and the guitarist is pretty cool in his silver outfit and lights on his head. They were OK.
Next up was Amelia Arsenic. I hadn’t heard of her before this series of concerts and so was curious. She came on stage and explained that her band were stuck in Cincinnati and she’d been hit by a car the day before. She had a computer set up to play the music and her performance was really good. I could understand what she was singing and really enjoyed the show.
Amelia Arsenic
I can’t remember how many tracks she sang but I was impressed. On my next pay day I think I’ll be buying some of her work. I don’t think there are enough female artists in this genre and it’s good to see more. She had a wonderful confidence and even came and sang the last verse in the crowd.
Priest were up next. I’m still not sure what to make of this band. I enjoyed it for a while and his signing impressed me but the songs didn’t vary much and were built around his seemingly classically trained voice. I thought I detected a slight French accent but I may have been wrong there. Apart from the outfits there didn’t seem to be much going on stage.
Priest
I’ve just checked and the band are from Sweden, so that explains why I thought they were French. I did like that the singer called themselves:
The Cybernetic Trinity known as Priest
It was a nice touch. I don’t think I’d need to see more of them though.
The headliners were Aesthetic Perfection. I’ve seen this band a few times and have always enjoyed the show. They were the second EBM type band that I started listening to and so are one of my original favourites along with Combichrist. Also, now that Joe Letz plays with AP I think that means I have seen him perform more times than any other musician.
Aesthetic Perfection
I was curious to see how the band handled the new guitar influences on the new album but the keyboardist played the guitar on two songs and I think it worked. I like the new album a lot and so to hear the songs live was very exciting.
The band played a solid set and it was very enjoyable. It’s nice to be part of a crowd that really sings along and joins in. These guys are excellent showmen and the addition of Joe Letz brings the album sounds to life. I always think that live drummers add more to the sound than they cost. I really like it when electronic bands do that.
Classic Guitar Pose
This gig was good fun and I enjoyed it immensely. AP are still one of my favourite bands and I will continue to see them when they come over. A good solid evening of music.
Last night was a chance to listen to some classic Austrian Industrial music at Electrowerkz. It’s in Torrens Street, Angel, which is a tiny little cul-de-sac with a smart pub at its entrance and an Alien-themed industrial-alternative club for other people at the other end.
I think last night was the forth time I’ve got clothes on and ready in another person’s driveway. I park in spaces that people don’t use, but I’m not a thief, I pay for the privilege to keep my car there.
First band on at Electrowerkz was Dunkelsucht. This probably translates to either dark thoughts or depression. I’m not sure and in this day and age it’s terrible that I haven’t looked up which it is. Maybe I’m too lazy. OK, I just went and did it and it apparently means Dark Investigated. I suspect not!
Dunkelsucht
This band comprised a male singer and a female computer controller type person. They are from Switzerland and I quite enjoyed them. It seemed quite pop-like to me, but I suspect that in reality it’s quite heavy stuff? I’m never sure and I hate the fact that it’s all so subjective. I wrote in my notes that it was OK, they had good beats and I enjoyed it overall. I did find that in the middle of a few songs it suddenly went strange with melodies that seemed out of place.
The next band on were DKAG and I’ve seen them before a number of times. Smith and I stayed in the bar. I spent thirty seconds watching them, just to check they were the same. There’s a limit to how much I can take. I’ve kinda come to the conclusion that I really enjoy about forty five minutes of any band and show but after that I start to get bored because all the songs sound the same. I think that’s either because I enjoy M’era Luna and the shorter sets that I generally see there or the causation is the other way around and I just find shorter sets more interesting.
The headliners were Nachtmahr. As with the last time I saw them here there were only two of them. The singer, Thomas Rainer, and the computer controller were all by themselves. I know there were about five people on stage at M’era Luna although two of those were female stage show actors.
Nachtmahr – March 19
Nachtmahr played for a solid ninety minutes and if I’m honest I only started to struggle in the last fifteen or so, even given my rant a couple of paragraphs ago. They were pretty good, but I don’t think Rainer is a natural frontman. To me he looks like he’s playing an act, which all singers are to an extent, but he seems uncomfortable with it. I don’t mind that though. I’ve paid to see a show and I don’t want my musicians to look like they aren’t enjoying it.
Hello Crowd
This set had a load of classic songs you would expect to hear. I enjoyed it a lot.
What I found most interesting at the venue was that I would say it was easily a 50-50 split in the sexes of those attending. There was also a wide age spread from around 18 to around 65 from the looks of the people I saw. It was quite probably the most diverse audience I have seen yet for a gig. It was such a nice atmosphere, really enjoyable. A good night.
Smith and I traveled to the lofty intellectual heights of Islington last night to visit the Garage venue just outside Highbury station. On the bill were Lord Of The Lost, a German rock band, the venue was meant to be Electrowerkz but I think they sold more tickets than expected and they moved the gig to the Garage.
This was my third time at the Garage and again I was impressed. It’s smaller than I remembered, a nice, cosy (but not squashed) venue. I will say now that the sound in the place was pretty impressive and worked well. Probably better than Electrowerkz but I think this is largely to there being a little more space. Possible improvements would be a light beam a little further out from the stage to light up the bands a little more from the front rather than from a 3/4 position.
The second band were just finishing as we entered and they weren’t that impressive.
One of my favourites on as last support act were Unzucht. I’d seen them before at two M’era Luna festivals and I was looking forward to this.
Unzucht
They were good fun and played a decent set. They play a good hard riffage and then go and mess it up with an almost-ballad in the middle but I enjoy their style and it was good fun.
The headliners came on and I wasn’t really aware of the time but when I did look at my watch it was only 21:30 so for some reason there was an early curfew. It looked like they were setting up an urban-disco type thing.
Lord Of The Lost were good. It was a solid fun set and they seemed genuinely happy to be playing to a large-ish crowd.
Lord Of The Lost
I don’t really remember what songs they played but they started with “On This Rock” and ended with “La Bomba” which is always good for fun. Somewhere in the middle they played “Drag Me To Hell”.
It was a good evening and one that I ended too early really because I needed to be up early the next day [boo!]. Normally there would be more written here but I’m tired.
I spent a lovely amount of time with Smith at the O2 Forum in Kentish Town on Sunday. The event was the Black Celebration music festival of all types of dark music. Of most interest was the band Suicide Commando. The event was promoted by the Flag Promotions company who run so very many of the gigs and concerts I go to. Obviously my music tastes are aligned with some of theirs.
Black Celebration 2018
Here are my reviews of each band in order of viewing. As is my usual behaviour I write notes on my phone during or after each act to help me remember what I’ve seen. That is why the comments may be pithy or short.
Machine Rox – were first up. We arrived towards the end of their set as Smith and I were having make-up issues. But they were ok. My notes indicate the following: female singer, there was a guitarist but I couldn’t hear him.
Machine Rox
I liked the dancers who came on for the last song wearing outfits similar to the lead singer. It was a nice touch.
Next up were DKAG who are quickly becoming my most-seen band. They are supporting many bands over the next year. While the music is good there are no vocals and so unless I am wasted on alcohol I’m not that interested. I’m sure I’ve mentioned it before but I like crowd interaction from the band, I want to know that they are enjoying it. Two guys with their keyboards doesn’t quite hit the mark.
There was now a short dinner break for me. The local cafe was very welcoming and the food was nice. Recommended. It was Mem’s Cafe on Kentish Town Road.
The return to the Forum meant the last few songs from Sulpher. This band sounded good and heavy with a decent industrial feel.
Sulpher
My notes are: guitars and heavy stuff. A little bit of samples mixed in. We saw about 4 songs and it was alright.
Let me explain the “alright” comment. This means I enjoyed it more than a lot of others. While “alright” might not seem a glowing review it means that the music was OK, suitable etc. [I’m trying to renormalise the term AVERAGE and OK to mean what they really mean].
Empathy Test came up next. I have seen this band before although I couldn’t remember exactly where or when. Smith and I had a discussion about who the lead singer was. Once they were on stage I figured out that they had played Infest last year and I saw them there. Here’s what I noted at the time: only 20 seconds in and I was done. Remember them from Infest. Boring vocals and drone-like. Slow. Female drummer who looks like she’s concentrating too much. Well constructed songs but boring.
Suicide Commando rocked the venue. I don’t mind the graphic visuals of people with holes in their bodies where holes shouldn’t be. This band was really good. A real uplift from the previous band.
Suicide Commando
I still maintain that a live drummer rather than a machine or dead person makes such a difference to a gig. I really enjoyed Mr Commando!
My notes say only the following:
heavy, fast and dirty. Great.
More Suicide Commando
And then we get to Mesh. This might be the third time I’ve seen Mesh and they seem almost bored to be on stage. There’s not a lot of interaction. My only notes were:
Kinda boring
The Young Gods came on stage next. I knew nothing about them but I could see three white lights thinly blazing over the positions of the band on stage and I liked that set up. It worked really well. The first song was very Pink Floyd with a slow build up to not-a-lot and then a slow wind down. It felt like the crowd didn’t really know when the song finished. But, this band were older and clearly excellent musicians with that easy style of people who have worked together for so long.
The Young Gods
My scrawled notes say:
Interesting but not really my stuff. turning into experimental upbeat music. Still quite psychedelic. Good beat to some songs. Enjoyable.
Finally we had DAF. A band I had seen at M’era Luna and a band that didn’t impress hugely. I get it that without DAF and other older bands that my style of preferred music wouldn’t exist but I’m also allowed to find their stuff a little boring. I think I would be the same with Nitzer Ebb and other bands from the 80s and 90s. Smith and I stayed for a while but in reality we both had work the next day and long-ish journeys home. Maybe I’ll see a complete Deutsch Amerikanische Freundschaft set one day.
Throughout the rain I struggled yesterday to get to Angel. Well, it wasn’t a struggle but I wanted drama! Smith and I got to Angel with plenty of time for a few drinks before heading to Electrowerkz for an evening of music and atmosphere.
First band up on this quadruple bill was My Hysteria. They had a good solid beat but the songs were a little long and the singer needed more variation in his voice. He also didn’t manage to fit his audience participation in with the music but maybe that will change for him as the band progresses.
My Hysteria
Second band were called Matt Hart. That may have been the name of the singer, the guitarist or the band. I don’t know. I also missed the beginning of the set. My notes go as follows:
Singer. Guitarist. Heavy bass drum beat, samples. Heavy guitar. Not quite working. Not sure why. Needs a live drummer??? Distorted voice. Lacks an “energy”.
I guess that’s something they could work on as well. I do understand that this reviewing stuff is very subjective and so should you. We probably don’t like the same things. However, I do like a decent live drummer.
Matt Hart
Thirdest up was a band I had seen twice before. Biomechanimal are a regular support band over here and they played before the headliners. The main question is whether I thought they were any good. I’m not sure they were. My issues with this band are that the vocals are too distorted, I can’t hear the bass player and apart from the last two songs which were very “dance” the rest were a bit, meh. I have previously written about this band and commented then that I couldn’t hear the bass player. Disclosure: I play bass.
Biomechanimal
Finally we get to the German headliners. Shadows In The Dark or [:SITD:]. They were really good. I’d seen them at M’era Luna before. I like listening to their albums. I do think that their sound can get a little repetitive and so I thought it might be a bit like the Hocico gig. However, it was way better than that. The sound was very good. They proved that the right band in the right venue can be awesome. All their songs were enjoyable and the beat varied throughout to keep interest. It did not feel like an eighty minute set.
SITD
It was quite clear that the lead singer is suffering with his identity dealing with hair loss. I don’t think there’s ever any need to wear a beanie hat indoors. The main singer was reasonably energetic and even got down into the crowd to sing a verse and chorus of a song, a nice touch.
SITD
The [:SITD:] gig gets a solid 7.5 out of ten. I very pleasant and enjoyable evening drinking amaretto and cranberry juice. I definitely don’t have cystitis now!
One of my favourite times of year is when I drive the 798km to Hildesheim in Germany. It takes about a day to get there and a further day to return, however, it is so incredibly worth it. Smith and I go there to spend the weekend camping in a tent city of 20,000 people to watch bands and be a part of the atmosphere.
Thursday was the day to leave Kent around lunchtime, drive the short distance to the magical train where you put cars on board and it drives you underneath the English Channel. Once we arrived in France we set about navigating our way to Bochum which is where we have a stop for the night. We travel through France, Belgium and the Netherlands to get to Germany and I will be really fucking pissed off if next year we have to pay for visas to get through those. Also, I suspect that the “leaving the UK” system will be a crock of shit. Fuck Brexit.
Friday morning we woke early and headed to Hildesheim. It’s another three hours or so of driving and we wanted to get there before the campsite opened to try and get a good spot to stay. We’d filled up with fuel back in Bochum so we should be good for the rest of the trip. Once in Hildesheim we followed the SatNav to the festival and managed to find the normal entrance to the car park. This year the fields were dry and we were much earlier than other times and so able to park reasonably close to the festival. We got some bits together and then joined the 400m long queue to enter the campsite. We had about an hour before the campsite opened but the queue was long already. It took ninety minutes to get into the old Army Air Corps base.
Mera Site
The Google Map star in the field is where I parked the car. We then walked due south and the campsite started at the runway. The grass area to the north of the runway is all campsite. The festival pretty much all takes place in between four hangers, where the red cross is marked.
The Friday was spent chilling, looking around the Middle Ages market and generally getting used to what’s around. We also had to do another run to the car to collect more equipment. Around 22:00 we headed to the disco hangar.
Daniel Graves DJ-ing
The disco was good fun. Daniel Graves of Aesthetic Perfection spent an hour at the mixing desk and it was good to see him doing this stuff.
Ok, this isn’t a gif. It’s a video clip but you can at least see the colours. pic.twitter.com/cD9Wyyl5rA
At some point that night we went back to the tent but I have no idea what time that might have been.
Saturday started with getting dressed up for the day. I recycled a costume from a couple of years ago. I was planning to wear the coloured mask that day but it was quite heavy and not easy to carry [except on my head]. If I was going to dance and mosh then I wanted a simple costume. Therefore I went for the human butcher look again.
The bands on that evening were Ministry and Prodigy, I expected both of these to be really good and possibly ones I would dance along to. So, the following is a list of the bands seen and what I thought:
Whispering Sons – hangar stage – Goth. Androgynous singer. Goth indie. Songs were ok.
Erdling – main stage – German rock. Pretty good.
Cephalgy – hangar – heavy dance but not fast. Ok. Blonde keyboardist. Singer had shirt tucked into his jeans. Not great crowd interaction. Songs slightly too long? Left after about 5 songs. My anticipation for The Prodigy is immense.
Merciful Nuns – main stage – samey songs, but goth. Goth shit.
Eisfabrik – hangar stage – dance. Snowman on stage. I guess someone has to corner the snow market? Didn’t really watch it, just saw them on the screens from outside the hangar.
Rabia Sorda – hangar stage – best so far. Good solid rock set.
Lord Of The Lost – main stage – pretty solid set. The band did well.
Ministry – main stage – by this time I was drunk, had been for a few hours, but I have to say that Ministry were pretty amazing. I saw them about 20 years ago at Brixton and this was just as good, if not better. Smith and I were in the mosh pit for quite a bit of the set. There’s a live steam video and we appear a number of times. Just look for the two people dressed in white next to each other.
In the video you can see me and Smith at 18:42 in the middle of the screen. Look for the white and me clapping.
Next band up were In Extremo but I have written no notes about them so I can’t comment. I don’t remember a huge amount about the rest of the day/
The final band were THE PRODIGY. I was very pumped to see them. They were on stage for about 90 minutes but I will admit that apart from knowing it was amazing I have very little recollection of the event. I don’t think there is any video either which is a shame because I would love to see what songs they played and possible see me in the mosh pit. All I can say is that at then end of the set I was drenched in sweat and absolutely knackered. Smith lost his phone. I know I had an amazing time. I just don’t remember much of it.
The Prodigy
Once the set was finished and Smith had used my phone to cancel his handset and we spent a short while looking over the ground it was time to head back to the tent [a 12 minute walk] and then shower the make up off. The showers were open all night so that wasn’t too much of a problem and to be fair the showers are pretty good. The biggest problem for me now was making sure I didn’t have a monster hangover, my hangovers are legendary.
Sunday morning was a little rough and eventually I got up, had an intake of caffeine and tablets, there was a headache there, brewing, waiting for the right opportunity to strike and limit me to slow movements and quiet. I struggled through trying to get ready for the day, which meant mostly painting Smith.
So, here is the run down of the day, after we had been to the Info Point to see if a phone had been handed in.
Massive Ego – hangar stage -goth with a reasonable heavy but slow beat. British band. Buns on his head. Some of the longer deeper sung notes were not good. We saw this singer hanging around the main arena later on and that’s pretty cool,
FabrikC – hangar stage – heavy fast dance. Singer talks too much. Really heavy sound. No real singing and lots of samples from movies.
Aesthetic Perfection – hangar stage – really impressive again. Joe Letz on drums.
Rotersand – hangar stage – bloody brilliant, as usual.
Atari Teenage Riot – hangar stage – first two songs were really poor but after that it turned into high energy industrial punk. Pretty good.
Front 242 – main stage – really good sound. Songs were solid but very 242
Eisbrecher – main stage – A very good set. Impressive show. I liked the snow on stage.
Considering the amount of alcohol I drank on Saturday along with being drunk before midday, sobering a little and then getting drunk again, the Sunday went remarkably well. I didn’t have a headache, I did drink lots of water, I didn’t have any alcohol this day.
I think the show finished around 22:00 and then there were showers to be had. Monday morning was all about packing up, getting everything to the car, Smith going to the police station and then driving the 798km home. This was easily the best M’era Luna so far. My suspicion is that although I am into EBM now, I have been a metal head for over thirty years and this M’era Luna was more of that than goth.
Just so you can see, here are two diagrams that show how much I moved over the two main days of the festival.
M’era Luna Saturday
M’era Luna Sunday
I am already thinking about costumes for next year and looking forward to it!
Last night coincided with a charity gig in London and so I ensured my position was sufficient to be there. It took place at Zigfrid von Underbelly, in Hoxton Square, which is the basement of a steak house as far as I could tell. There were four bands and the money raised went to the Beat Cancer charity which is a pretty good cause. So, here’s my review:
The first band up played about five songs. It was mostly electronica with some signing. My notes say:
Two blokes, woman green hair. She looked nervous. Electronica. It was ok. Nothing special. Not my stuff but they interacted well.
When I say they interacted well I think I mean the main male signer was busy with the crowd but then he also organised the whole event.
DEP
The second band were called Room 1985 and it certainly felt like their set was 1985 years long. It was Indie mixed with prog rock and it was pretty boring. There were some lyrics but they weren’t interesting. I was polished but fucking dull. Of note was the guitarist who played left handed and a standard strung guitar upside down, that was quite cool. I did not take a photo of them.
NeonSol
Thirdly were Neonsol a Danish band which was mostly upbeat europop with a hint of electro, it was good dance stuff but not really dark enough. The “drummer” played roughly two pads on the machine and I wondered why he was there!
Finally Freakangel were on. I’d listened to their stuff over the previous couple of weeks and it was pretty good. A decent heavy guitar with aggrotech over the top. The shouty vocals work and I actually don’t mind them in this case.
Freakangel
Things of note were poor sound quality for the first 10 minutes. There was no guitar sound in the beginning and it was worrisome as there was definitely something missing from the sound. Just before the band Smith and I had gone outside to get some air but it was actually colder in the basement with people jumping around than outside [FYI it’s about 30C today]. I don’t know whether to mention the fact that the drummer was female, in this day and age it shouldn’t matter should it? Everyone can do whatever the fuck they want and it shouldn’t be a “thing”. I guess it’s still not that common. The audience was at least 50% female which does not happen within metal.
Freakangel were pretty good and I think I’d like to see them again in a slightly busier dedicated venue with decent sound.
Last night was one of those events I had been looking forward to for quite a while. Nachtmahr were playing a gig to celebrate 10 years in business and it was happening at Electrowerkz. I really like Electrowerkz, it’s a dingy little club in Angel with a small venue for concerts. I’ve been here before. This time I travelled with my niece and met Smith there.
Outside the door is a sign saying Hadley’s Hope. Inside it’s black and reminiscent of the landing site in the film Aliens, called Hadley’s Hope. There’s a bar decorated in a very Giger way.
Bands playing were:
Drakenwerkz
Biomechanimal
DKAG
Nachtmahr
We arrived near the end of the set for the first band so I shan’t comment. The Biomechanimal set was . . . not marvellous. They had a keyboardist pressing buttons on a bass guitar looking device, the bassist was busy but I couldn’t hear what she was playing and the singer was screaming so I couldn’t really hear what he was saying. I would say they were an industrial dance band with heavy overtones but I’m not sure they were any good. Fair enough if some people like their music but it didn’t really do a great deal for me.
Biomechanimal
Third band on the bill were DKAG, who I’ve seen before a couple of times. It’s very dance. Well constructed but a little boring with no lead singer to interact with. We went to the bar.
DKAG
Finally, Nachmahr were on. I saw them at M’era Luna a few years ago and was slightly underwhelmed. This time though they were great. One “programmer” and the lead singer is all it took. The music was hard fast beat Austrian industrial and it was great fun. Really enjoyed it.
Nachtmahr
Some songs are in German, some in English. Rainer spoke in both. This was well worth missing a multitude of fireworks and bonfires celebrating the state sponsored death of a Spanish Catholic. Over all this rated about an 8 on the official scale of 0-10. I thin kthe Combichrist gig a few years ago got a 9.9 from me and so using that scale gives this gig an 8.
After the final song the venue was shifted around a little to be turned into the Slimelight club. The bar downstairs was opened and the BBQ started. I took a picture of the full moon glowing through the roof:
Moon Glow
Finally, here’s a picture of three people at a bar:
![[:SITD:] at Electrowerkz](http://fooyah.net/wordpress/wp-content/uploads/2022/11/20221112_224007567_iOS-scaled.jpg)
