Tag: music

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Look What The Cat Dragged In – Poison

I can remember a poster of the singer of Poison on the wall in our sixth form centre at school and I couldn’t tell if he was a he or a she. It’s good that these things matter less these days and most people don’t really care, be what you want to be. I haven’t seen Poison and that may be a good thing, I dread to think what the audience would be like.

This is classic terrible 80s rock and it’s brilliant. This is an horrific look at the culture of cock-rock and what it does to a generation. I love this stuff but at the same time I can inform you that it is terrible [sorry Pom].

This album has some classic songs on it and everyone would be singing along.

My problem now is trying to imagine four chaps in their sixties with balding heads running around in drag-queen make up singing these songs. It was and is a product of its time and is a bloody good examples of that time.

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Lodestar – Lodestar

This band was a spin-off from Senser. The singer and a couple of others created this album and toured for a while in 1996 or so. I can’t remember when I bought this album. The wiki page for them seems to indicate they are a prog-rock band but it’s not as boring as prog rock and quite upbeat. I enjoy it and some of the songs run through my head now and then, the sign of a good album. It’s worth a listen.

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Lving Proof – Live In Chicago – Wishbone Ash

I bought this album because I heard somewhere that the lead singer of Iron Maiden said that this band were one of his influences.  I have listened to it and quite enjoyed it, but it is generally slow and not metal. It’s good for having on in the background on a summer’s evening while sitting outside.

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Live In The Raw – W.A.S.P.

Ah, when I was young W.A.S.P. were seen as a dangerous band. They were edgy and scary. We heard rumours they threw raw meat into the crowd and they swore a lot. Nowadays I look at things like that and yawn. I mean, it’s all been done hasn’t it? Every generation has to find their edge and music performances get reinvented all the time.

When I saw Slipknot at Download in 2013 I thought it was going to be an edgy show, because Slipknot had that same feeling as W.A.S.P. – a band on the edge trying to go further than others and trying to make a statement. Now, their performance at Download was excellent and I was certainly made a stronger fan but was it edgy? Not really. The next morning in the B&B, I’m old and camping seemed a bad idea, there was a young couple talking about the performance and they were really impressed with the percussionists kit going into the air and turning while the guy played. This impressed me not as I saw Tommy Lee do that with the Motley Crue back in 1991 or so when they played Wembley Arena, but then, I reminded myself, I’m old.

If we want to see the proper shockers then I think we need to look at the generation before mine. Alice Cooper scared the world with his stage magic shows and ritual beheading. Throbbing Gristle combined music and performance art in the 70s with overtly sexual body mutilation. All this stuff is nothing new it’s just that every generation has to find their own way I guess.

I now inhabit a world of people who would be called freaks and perverts but I don’t really see it that way. It’s just people who dress a little differently and enjoy different things. What you may think as strange and shocking is just another person’s every Saturday night out. What I can say is that the community and safety in these environments is better than just walking down the high street on a Saturday afternoon. People’s inability for empathy and tolerance saddens me.

Long Beach Arena, for the final night of their 1986 87 world tour the most outrageous band in the world – W.A.S.P.

I’ve been told that this album was recorded while W.A.S.P. supported Iron Maiden on their world tour and I haven’t checked it but it sounds legit. What a gig that would have been! I first saw Maiden in 1988 and it was good but two years earlier and I would have seen W.A.S.P. rather than White Dwarf!!

W.A.S.P. were most famous to me as a teenager for two main things and they are both song based. One was the song officially called “Animal” but really it’s called “Fuck Like A Beast”, what an outrageous title! The song is so-so but it’s good fun. They also had a song called D-B Blues and while I have no idea what that is there was a line about pussy juice. I mean, how bad do you want to be? [It’s probably best to not mention the cover art for the song Animal].

I love that whole trashy 80s metal sound. I can’t help it. It does something to me. This live album has it in buckets. Plenty of simple chugging and gang vocals. I love it. I have played this album over and over and I definitely have it in different formats. I think it’s amazing.

You should get this album and play it loud while drunk on JD. It’ll really take you back to the 80s. As a native bass guitar player I like the steady combo of a bass and drums and this album has plenty of that. It works really well from a song construction point of view. I love rolling bass lines with drums blatting away being the force behind the main song. It almost doesn’t matter to me what the guitars do. It’s probably why I love AC/DC so much.

I’m not going to do a song by song breakdown of this album. There are some bad songs but mostly they are great and this has such a summer feel it’s good for playing in the garden while you relax on a nice summer’s day drinking Pimms or a bottle.

Now, W.A.S.P. have been accused of being named after a selection of religious idiots who are White Anglo-Saxon Protestants. Now, there may be a selection of people out there who would happily wear this label it’s quite likely they are racist pricks. This band can’t be accused of being like that, their singer is a native american FFS. The mainstream likes to pick on all of that which comes across as a little different and demonise it because it’s a good feeling to be outraged by something and when you get to middle age you can’t stand the fun that the youth have.

Go and stream this album or even better buy the damn thing and make sure that the artist gets a fair reward for causing you some moments of joy.

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Live MCMXCIII – Velvet Underground

I’m pretty sure a friend gave me this album after he tried to clear away some of his music. I have listened to the whole thing a few times and it is quite nice. It’s a live album recorded in 1993 which I think was long after the Velvet Underground had exploded. This is an album of early rock music recorded in the 90s and is pretty good. You can see how this band influenced an entire generation of music makers. It’s worth getting.

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Live At The Underworld – Senser

I saw Senser at the Underworld when they supported the mixer chap from Slipknot. That was the first gig I ever took my niece to. I think she enjoyed it. I’m not sure where this CD comes from, it might be an extra as part of a DVD I bought. I’ve not really listened to it. I like the studio stuff very much.

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Live at Drury Lane – Monty Python

This is an album of a live comedy show. By Monty Python. At Drury Lane Theatre.

It’s fucking genius. I loved this after I bought it in my late teens and I listened to it a lot. I hadn’t really ever seen Monty Python on television and so this record of sketches really made me laugh and imagine the action on stage. The songs are still brilliant and I listen to it still.

I once tried to decode the Bruces’ Song and I played it over and over trying to work out the lyrics. I think I drove my mum mad with the repeating Aussie music. The best part of this was that I didn’t even really know a lot about philosophy and I certainly didn’t know what all the main players were called.

There is something special about the craziness of the action and the sheer stupidity of this album.

“Albatross”.

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Live After Death – Iron Maiden

In this ongoing slow series of album reviews we have reached all those that begin with “Live”. So we now get an eclectic mix of albums recorded live although I don’t think we will cover the best live album, which is probably No Sleep ‘Till Hammersmith by Motorhead. I’m not sure how long this project is going to take. This series of communications started on 29 April 2013 and it’s nearly six years later and my music tastes have moved on. This list doesn’t include any albums I’ve purchased since 2013 and there’s a whole new genre to explore and explain. Anyway, onto Live After Death.

This album ROCKS. The gatefold sleeve was amazing and the images convinced me that Iron Maiden could put on a show. Even though all these songs are live and so will be individually reviewed elsewhere in this site this probably deserves some of its own mentions. This double album was recorded in Long Beach Arena and Hammersmith Odeon. Just the idea of having a job where you play an arena in California seemed amazing to me as a teenager. Of course, I also bought the video and watched it over and over.

I’m reasonably sure that W.A.S.P.s Live In The Raw was recorded on the same tour and that album is pretty amazing too. They supported Iron Maiden.

One of the appeals of this music is that it scares your parents. It’s a way of rebelling. It’s new and for you only. While at the same time being what all your mates listen to as well. You don’t want your parents to like this stuff and you want to make that break of the parental bond and music is one way of doing that. Before I was ten I grew up on a diet of ABBA and Jean Michel Jarre. While this is not bad music, I’d even say it’s bloody good, it wasn’t what I was after. I’ve talked about my descent into metal elsewhere and so will save you that story.

Iron Maiden had a monster on their album covers and the detail in the artwork was incredible. We all liked trying to find some new part of the image that no-one else had seen just to stand out, just to impress and show how much we concentrated on the art. Then there’s the stories of devil worship and Satan. The idea that this music was evil itself. I mean that’s bullshit but the puritanical press loved ranting about how this music was ruining the mind of children. The dying age of stiff-upper-lip and backward-repression of feelings and conformism was breaking as a new generation found their feet and wanted to make their mark. This happens all the time. I look at it now and think that I am just not that fussed by the new music. I have my niche and am happy to stick in it.

I think the bigger problem might be that trying to convince me your are weird or different is going to take some doing. I’ve been there and see it all. I’m still part of this counter-culture. I still go to club nights which would be considered “seedy” and rebellious. I mix with people whose day jobs are professional but who live in the boundary of conformism as we struggle to fit in to everyday society. What I do know about this culture is that I’ve never met an idiot or arsehole. Everyone seems to appreciate everyone else and people don’t make judgments. The society is more tolerant by definition and it survives and thrives because of that. It’s a microcosm of a better world where people are treated with respect and trust.

Back to this album. It kinda works on a sense of patriotism and harking back to the good times when Spitfires ruled the air and Britain worked to defeat evil [not my choice of words really and I struggle with the idea that the state can ask me to die for the state]. We start with Churchill’s fight them on the beaches speech with the sound of Rolls Royce engines in the background and BLAM – Aces High blasts out from the speakers.

After that we get one of my favourite Iron Maiden songs, Two Minutes To Midnight and its anti-war message. The lyrics in this astound me.

The body bags and little rags of children torn in two
And the jellied brains of those who remain to put the finger right on you

These aren’t nice lyrics, they aren’t meant to be. They also don’t glorify war in the way that the popular press might have you believe about metal and heavy rock. It’s a song against war.

The Trooper is a classic. Along with Revelations I heard this album before I had Piece Of Mind. The live version of Revelations is better than the studio version by a long way. Again, lyrically it’s amazing.

The Flight Of Icarus is boring.

Rime Of The Ancient Mariner is a good song and deliberately long. It build the atmosphere for the whole song and comes crashing down at the end.

Powerslave I love. A brilliant song and a masterpiece in how to end a piece of music. I’ve always felt that fading a song out is a lazy way of ending a song but I don’t think you can get better than the last two minutes of this song as a way of exploring how to finish a masterpiece.

All the other songs are from the first three albums and by default are the best that Maiden have to offer.

Number Of The Beast, Hallowed Be Thy Name [at about 150 bpm], Iron Maiden, Run To The Hills [a song explaining the mas slaughter of native Americans by white men], and then finally Running Free with its extra long audience participation which Dickinson manages with sheer aplomb.

The only problem with this album is that Sanctuary isn’t on it. But you can get it elsewhere. This is a stunner of a show.

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Licensed To Ill – Beastie Boys

I bought this album on a day trip to France with my secondary school. I remember that I was worried the album would be in French, I was somewhat naive. Can you imagine a band attempting to re-write every song for an album in the native language of every country where they wish to make a release?

This album came out and the band caused a fuss because people over the country started stealing VW symbols from the front of cars to wear on necklaces. Yes, that was a real thing in the mid-to-late 1980s. I never stole a car badge and I’m not quite sad enough to dress up as band members however, I did dress in a way to fit in with the metal crew, I dressed to fit. Teenagers, struggling to be different by rebelling along with all the others.

“Fight For Your Right” blazed through the sound waves and I remember being excited at this odd combination of heavy guitars and rapping over the top. It was good and worked really well. For similar amazement see the review of the album Judgement Night. Then, “No Sleep Till Brooklyn” happened and it’s simple beat with crushing guitars and stupid solo was another breath of fresh air. The album had to be bought.

“Rhymin and Stealin” was my first and terrible introduction to Led Zeppelin. It had a drum beat sampled from Led Zep IV and I didn’t know that at the time. I wasn’t aware that bands would steal music or samples from other bands and recycle them. When I first listened to Led Zep IV I was rather shocked that the drum beat had me thinking of a rap band a further twenty years into the future.

There’s some classic 80s sexism in this album and I’m pretty sure, while it was a product of its time, it shouldn’t be erased from existence, all of these things need to be understood in the context of the zeitgeist.

If you like your singers white and shouty along with simple heavy guitars, stupid lyrics, and fun samples then this album is for you.

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Liberation Transmission – Lostprophets

This is really hard to write and I’m not even sure what I’m going to say. I really like the music of this band and I even went to see them at the Brixton Academy over ten years ago on a really fucking hot summer’s day. It was intensely hot inside the theatre and was a complete test of stamina. It was a really good show and I had a great time. There are four albums by these guys. But I’m still not sure what to write. I’m not sure I even reviewed The Fake Sound Of Progress. There’s a possibility the reviewing system is a little broken as all the albums starting with “The” may have been reviewed already or they may be coming when I get to the Ts. I might have skipped “Fake Sound” deliberately.

There’s some explanation needed here although I’m still struggling with all of it really. Firstly, this is a really good album. I really like it and I thought the Lostprophets brought something new to the table in terms of sound and popular metal / rock.

BUT

The singer is a convicted paedophile. If it’s ok to list the types of bad there is then he is pretty much down at the bottom as a complete sick-fuck. I haven’t listened to a single song by this band since that happened. I don’t even know if it’s OK to listen to their music. I don’t know if it’s OK to admit really liking the songs. I don’t know if it’s OK because the singer is a sick-fuck. It distresses me, just writing this is hard, because I know it’s easy to be taken out of context. It’s easy for something to think the wrong thing about my intentions. But, at the time I thought this was a good band. I guess they still were. It’s just the singer is a sick-fuck.

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Let There Be Rockgrass – Hayseed Dixie

Ever wanted your heavy metal and rock to be a little more . . . redneck? This is the album for you. I’m not sure I could go and see them live, this is definitely an album of piss take which just happens to have allowed the band to make a decent living I guess. It’s like the album I have of Metallica songs played as lullabies. Here’s the track listing:

  • Dirty Deeds Done Dirt Cheap
  • Fat Bottom Girls
  • Whole Lotta Rosie
  • You Shook Me All Night Long
  • I Believe In A Thing Called Love
  • Ace Of Spades
  • Detroit Rock City
  • Corn Liquor
  • Feel Like Making Love
  • Walk This Way
  • Centrefold
  • I’m Keeping Your Poop
  • Highway To Hell
  • Will The Circle Be Unbroken

A couple of things to note. I spelt Centrefold correctly for UK usage. I’ve not listened to “Will The Circle Be Unbroken” but I suspect that it’s about a jerk-circle.

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Let There Be Rock – AC/DC

Nearly anything by AC/DC has to be on the good side of good. This album . . . . . . . I don’t know why but this album has a much dirtier, grungier sound than all the others especially those from the Bon Scott era. I think they turned the grit up and balanced the bass a little deeper. It’s got a gorgeous sound, which, the first time I heard it jarred me a little because it didn’t sound like AC/DC.

Whatever you think about the production you can’t argue with the writing. There is not a bad song on this album. In fact they still play fifty percent of these songs on stage now, Y years later where Y = current year – 1977.

“Go Down”, I explained to a class recently that while they think most rock and metal is about death and destruction most is about love and sex. This song encapsulates that.

“Dog Eat Dog”, feeling blue? Listen to this.

Then the masterpiece “Let There Be Rock” a biblical version of the history of rock. Such high energy and an amazing song. Everything about this should be taught in every school.

“Bad Boy Boogie”, what other song are you going to get an old man to prance around the stage and eventually reveal his arse to the crowd?

“Problem Child”, amazing song, aren’t we all?

“Overdose”, it’s sad.

“Hell Ain’t A Bad Place To Be”, reminds us all that we should be having fun and that heaven and hell are bullshit (that’s my own take on it).

“Whole Lotta Rosie”, holy fuck this is an anthem of a song.

Get this album, get anything by AC/DC before 1982. It such lovely summer sounding music and mostly about sex. FIVE stars.

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Sleepless Night

Every now and then over the last nine years or so, since I’ve had an iPhone I’ve been trying to find the audio of a song called “Sleepless Night” by Dokken. It had to be the live version from the album “Beast From The East”. I’ve reviewed this album elsewhere on this site and you can read that here. It looks like I wrote that review in 2013! So, this morning, I once again did a search for the audio of the song Sleepless Night (live from Beast From The East).

I found a version! This song wasn’t on the CD release version of the album when I bought that and so all I had was the record version and the tape I had made of it. I found the song on YouTube and I have no idea if it is there legally or not but now at least I can listen to it while it remains on that site. I’ll just have to figure out how to find a decent CD copy of the song for quality ripping purposes.

You can listen here for now if you want, until it gets taken from YouTube. Listen for the pause just after the solo and then wonder at the screech as George Lynch re-enters the main riff. I love that bit.

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Led Zeppelin IV – Led Zeppelin

Of all the Led Zeppelin albums this one is the biggy in my mind. It is the first I listened to and I was blown away by how complex it is and just how much this band influenced later music. I can’t remember the last time I listened to it. My tastes have moved on and I am in another world altogether. The current plan is to review all the albums from before my current aggrotech phase and then go back and review all those I have bought since then. It’s a project.

Led zep 4 – not a bad song on it. Ground breaking and stunning.

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Led Zeppelin II – Led Zeppelin

Of the Led Zeppelin albums I own, and hopefully they’ll be done soon, this one I’ve listened to least. Looking at the track listing I can only remember what one song sounds like and that one is “Whole Lotta Love” which is iconic enough to be known without this album along with being a theme from the television show about music.

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Led Zeppelin I – Led Zeppelin

This could cause some controversy but I’m not fussed. Opinion is just that. There are critics out there whose job it is to justify their thoughts and these are the people to rate the “excellence” of all forms of art. Whether I agree with them or not doesn’t really matter. I do think that there’s something important about the idea of learning how to appreciate certain aspects of art. It’s hard for me, as a layman, to see how a movie has been put together and what was difficult with it although that might still not make it “good”.

I don’t know how much we can standardise our subjective thoughts. We might take expert opinion and use many of those to form a consensus about certain issues, that seems a sensible approach. Suppose we asked the population the question “what is the best food?”. You might imagine many many types of answers to this and I would need clarification because sometimes a burger is what you need and sometimes cheese on toast is required. These views across the population could possibly be why this country is in this particular political state at the moment. Maybe we shouldn’t ask the population its thoughts on things as the population is quite often wrong.

The plebiscite was wrong about proportional representation and the “leaving the EU” question. In fact, most people didn’t vote. That is what is amazing. This country is heading towards a cliff top at full speed because it is the “will of the people”. Well, fuck you. It was the vague idea of about 35% of the voting age population. The rest of the lazy cunts didn’t vote. People didn’t know what they were voting for. People don’t understand the issues because it is really fucking complicated. Don’t ask the people! We have an elected representation of (hopefully educated and intelligent) people who we let make these decisions based on our behalf. Even when some are wankers, some are thick, some are motivated by unreasonable needs and some are just plain corrupt.

This brings me to this and the next few albums. Because I have been reviewing these albums in alphabetical order by album title it means that most artists are spread out throughout this website. But there is Led Zeppelin who named their first four albums (maybe more) numerically. This means there follows two more communications about the same band. This is slightly annoying.

Led Zeppelin lie in that circle on the Venn diagram of bands I know needed to exist to create the music that inspired all the music that I like but at the same time I find them a little boring. This boredom is precisely because they inspired my kind of music. My kind of music has moved on, it’s evolved, it’s become dirty and dark and is allowed because bands were magical in the early 70s and 80s. Along with Black Sabbath, Led Zeppelin inspired the heavy metal bands that formed ten years later. All music is traceable along the ages.

This album has some excellent songs on it. It is historically important. It is highly rated by critics and is important in the history of music. It is summer music. I don’t play it that often.

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Lean Into It – Mr Big

This, as far as I know, was the second album by Mr Big. They were a supergroup. They had a massive hit with the dong “To Be With You” which is the last song on this album. Can I remember any of the other songs? Not really. I think the album is fine for a US rock band. It’s just never really hooked me in.

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Laughing – Re-Animator

I’m pretty sure I got this album sometime in my third year of university. Although I can’t remember the specifics I do suspect it was in the “metal” section at a music shop. Obviously this was in the days before streaming and even previewing an album. What you bought was what you got.

I’m not sure this is a serious album. I mean musically it’s pretty good and the songs are good but there are plenty of songs with humour in them and start with clips of audio from film etc. If you like heavy slow paced thrash metal then this is a good album for you, assuming that you don’t mind the odd piece of fun.

The following songs are stuck in my head, even after twenty (or more) years.

  • Rude Awakening
  • Kipper ‘n’
  • Research – has French spoken at the beginning
  • Another Fine Mess
  • Monkey See, Monkey Dance
  • Don’t Patronise Me

I guess you could stream this album now, for nothing, listen to it and then dismiss it. Over the last few months I’ve come back to the idea of paying for music properly! Sad old me and my liberal sensitivities.

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Fleisch – Fire

Fleisch were the main band in the venue Fire last night. They are an industrial metal band from somewhere up north. The first band though were called AlterRed.

I honestly can’t remember a huge deal about AlterRed! I don’t remember hating it but I don’t remember being incredibly impressed. It was watchable. I think Smith and I gave it about a 3/10 score, although the grading system for watching bands isn’t as rigorous as the cinema review section of this site.

I didn’t take any photos during the gig, it wasn’t that sort of place so I have found a music video and you can judge for yourself:

The only other band playing that night were Fleisch. There were better and rated at about a 5/10 by Smith and me. I’m not sure the sound was super brilliant and I certainly didn’t get a Rammstein feel, which they claim but it was a good performance. What I don’t understand is the need for separate bass tracks in the backing track and also a bass player, one or the other folks. Your sound doesn’t need two lots of deep sounds, one will do.

Here they are, again, no photos from me:

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