I bought this album so that I could have some Queensryche and I figured a live album would have the best collection of songs.
It’s ok. I listen to it occasionally.
"Nothing but the rain"
I bought this album so that I could have some Queensryche and I figured a live album would have the best collection of songs.
It’s ok. I listen to it occasionally.
I bought this album mostly for a digital version of the song “Crown of Thorns”. I’m pretty sure this song was on a tape that a friend, Mark H, made when I was at school. I might be mistaken though as the song appears on the “Singles” original soundtrack and this came out in about 1992 or so.
So, the album version of “Thorns” doesn’t have the “Chloe Dancer” part at the beginning which I really like. So I got the album for pretty much nothing. The singer is dead, AFAIK. I could look it up but that isn’t a concern with me here. I’m pretty sure the band were also part of the Seattle sound which influenced music for about 10 years [more later].
Are there any more songs of note? I’m not sure. I haven’t listened to this enough to know. I’ve grown out of the Seattle sound now and I don’t know if it’ll come back. This is another summer album and sound.
It is very hard to give this album enough credit and praise for just being brilliant.
I bought this when I was about 16 from the Our Price record shop in Jackson Square in Bishop’s Stortford. How do I remember? Well I was just very excited at owning this rather controversial piece of vinyl. I remember opening the album in the car on the way home with my dad driving and my sister in the back seat. I proceeded to inform my father of some of the lyrics that were printed on the record dust cover. Also I have the original album cover, which the record label changed after a while over complaints about the subject matter. Funny, but I never really saw what the picture depicted, I just thought it was a good cover. So, the songs:
Such a seminal album and one they could never really live up to afterwards. I reckon the teenage angst and drugs made this perfect. Very much a “summer” album, more on that later.
I have been a little obsessed with Apocalypse Now! since I first watched it in my second year at university. I bought the soundtrack after Ades told me he had seen it in HMV in Oxford Street. This time being the early 90s there was no email really, no mobile phones that were cheap or small and no tweets! To find an album you had to search through record shops!
Ades informed me he had seen this and I rushed off to the tube station and got to HMV. I bought it. Happy person!
What I would really like is a full length version of The End by The Doors with all the naughty words in but I can’t find it so I’ll just have to cope with the version on this album.
To appreciate the album you need to be a fan! Considering I only watch the film when I’m feeling a little messed up it shouldn’t surprise you that the soundtrack isn’t played that often but it is an important part of my collection!
Reaper – a band I found out by searching for more aggrotech. I like this album, it’s got a dirty dance sound (that’s more an unclean sound rather than lots of songs to which you can dance dirty). There isn’t much in the way of vocals and what lyrics there are seem to be from movie soundtracks. Obviously it’s all rather dark and gory. That just makes it all the better.
HELLectro!
I knew of Faith No More from their hit song “Epic” and so asked for this for a present. ER bought it for me, I think for an Xmas in the early 90s. I think it was one of the first CDs I owned, even before I had a CD player. I know ER was rather distraught at the pictures of hanging cow carcasses on the inside cover.
This album provided a great deal of the soundtrack through my second and third years at university. I saw the band one when they supported Guns ‘n’ Roses at Wembley Stadium.
My favourites from this one are:
All in all this is an excellent genre-busting album. Not quite metal and not quite anything else.
This is the first album by Metallica that I really heard. I was in the lower sixth form at secondary school and was already into Iron Maiden and AC/DC. Someone introduced me to the song “One” from this album and I never looked back. I have a copy of “One” the single on music cassette (cassingle) the cover of which might have a burn hole in it!
This was Metallica’s first studio album since their bassist, Cliff Burton, died. Although they released an EP and it had a good mix with the bass nice and loud this album turned Jason Newstead down. You can barely hear him. It’s a shame as he’s a good player.
“Blackened” is your classic metal/thrash environmental protest song. Hey, it happened a lot in the 80s, we were concerned about that sort of thing. Not that anyone actually did anything. It’s surprising how far humans have come in the last 30 years. Now we have people denying it actually is happening!
The song “. . . And Justice For All” is alright but I find the opening quite childish. “One” is brilliant although just an updated “Fade To Black”. I really like “Harvester of Sorrow”, just really appreciate its pace and riffs. The last three songs I can live without. I’m pretty sure they only wrote “Dyers Eve” so that they still sounded fast. The problem is the best songs are written at the end of your teenage years and after that it’s all about growing up! The anger gets replaced with money and comfortableness!
It’s not a bad album and not Metallica’s worst but it’s not in the top four.
This is a thrash album. During the mid to late eighties there were a number of bands who changed the sound of metal. Metallica and the rest of the big four are considered the trailblazers. I found Sacred Reich while on holiday in Saint-Jean-de-Monts during 1990. One day while walking in the town we found a market and one of the stalls was selling music cassettes.
I bought this album purely on the front cover and it being surrounded by other bands to whom I listened. After a few listens on the car stereo and possibly a Walkman the album really grew on me. I think I recognise it as brilliance now. I love all the songs, even 31 Flavors! Recently I downloaded a digital version and it’s now on my iPhone. I find this album particularly calming and often its mood matches mine perfectly. There might only be eight songs but they are all good.
Given that this album was released in 1990 I consider the political messages of the song Crimes Against Humanity rather prescient. The song is about humans polluting the Earth and although this was a major concern in the 80s it is more of a concern now with anthropocentric global climate change affecting our planet! Sacred Reich aren’t the only band to criticise human pollution, Testament and Metallica have also written songs much to the same effect.
I downloaded this album in the last year or so. I first saw the Black Crows at the Monsters of Rock festival in 1991. They opened the show to be followed by Queensryche, Mötley Crüe, Metallica and AC/DC. I was really impressed with them and bought their first album.
I became aware of this album in my last year or so of living in London. I remember seeing posters in tube stations of the cover of the album. If you are unaware it is a close up of a woman’s bikini bottoms with some pubic hair showing. I understand it caused some controversy in the USA when It was issued and the record company had censored covers ready!
I never got around to buying the album in 1995 or so as I was moving out of the blues/hard rock genre into a more rap/metal mix (Senser and Faith No More). I was quite happy just listening to the band’s first two albums.
As for now, I’ve listened occasionally to this but nothing stands out. I might need to listen to it more but as I mentioned before most new music just sits on the edges of my memory core and doesn’t sink in. There are some exceptions, mind!
I saw Wolfsbane support Iron Maiden at some time, I think. I’m trying to remember how I got into them but apart from possibly seeing them as support I have no idea. I bought this EP (kinda) on music cassette originally. It is easily the best British Heavy Metal album of the early nineties. There might only be six songs on this record but they are seriously worth having.
My personal highlights from the track listing are:
The only slightly wobbly song is Hey Babe and that’s still good in comparison to all the other stuff out there. Seeing Wolfsbane live was great and I think I saw them at The Marquee many moons ago. Apart from the song Manhunt on another album it’s just worth getting this EP.
It took me a while to find this on CD. When I was going through a phase of digitising my collection and replacing all my music cassettes and vinyl albums I searched for Kathy Wilson everywhere. I think I finally bought it from an Italian trader on eBay. The volume is a little quiet but then I think that is how the early CDs were made. In recent times it appears that they have cranked up the volume. In reality they’ve just added 5 to all the volume levels, I’m not sure you get better sound quality.
There are two bands I consider to be the lead players in the aggrotech / hellectro sound. Combichrist and Aesthetic Perfection. One of the saddest things about me finding this style of music is that I started with the best two bands and the rest just don’t quite match up. More in later editions of album review.
All Beauty Destroyed is an awesome album. The beat is perfect for running. The tunes are memorable and the lyrics freak me out. It’s perfect. Favourite songs are:
If you don’t want to kill yourself before listening then this could help you on your way. It’s a fresh approach to dance music with catchy upbeat tunes and samples and then some sick and gravely vocals over the top. It’s all rather over the top and brilliant. It’s emotional gone crazy.
I bought this album from iTunes during a “catch up with bands I used to like” phase. I had already downloaded the album “Black Gives Way To Blue” by Alice and decided to see what else they had. I like the slowness of the songs and the haunting vocals. This album didn’t disappoint but it’s not one I know backwards.
I’m pretty sure that all the new music I listen to just sits in the top of the memory part of my brain and I find it hard to deeply learn these songs! All the stuff I’ve been listening to for the last thirty years is stuck in there, unwilling to budge. Maybe my brain has filled to the point of only superficially remembering new things and only long learnt memories are able to be retained.
After The War by Gary Moore was bought for me as a vinyl album for my seventeenth birthday by SJR. Not sure why some album gifts and purchases really stick in my mind but this one does. Obviously, I taped the album so I could listen to it on my Walkman cassette player while at school and work and eventually I bought the album from iTunes to digitise my collection.
I don’t like the iTunes album because it starts with a non-vinyl appearance of Dunluce, Pt 1. This kinda ruins the opening of the album for me, although I won’t delete it. I don’t think this album has a bad song on it. I like them all. Interestingly I had never really heard any Led Zeppelin before this album and the song Led Clones which was meant to sound like them started me investigating who Led Zeppelin were and what their music was like.
This is just a good British rock album by an excellent artist.
I honestly have no recollection of purchasing this album. Considering there is only ONE Motorhead album worth owning I’m surprised I’ve got this one. Maybe I got it to have the studio versions of some Lemmy classics:
That’s it. That’s the great songs on this album. It’d be better to just have the ONE album.
NO SLEEP ‘TILL HAMMERSMITH
Strictly speaking this is an EP and so does not qualify for my “Album information” section but I am going to write about it anyway.
Icon of Coil are one of the projects of the main protagonist of Combichrist, Andy LaPlegua. I am still in a phase of really enjoying the “hellectro” and “aggrotech” sound and Icon of Coil were listed on Wikipedia as an influence on Combichrist. So I downloaded this EP. What struck me firstly about it was it has much more of a clean dance feel to it that the Combichrist material. The EP consists of two songs and three re-mixes of Accerss and Amplify. I don’t often listen to the EP as a stand-alone source of music but I do hear the songs now and then while I’m listening to an aggrotech shuffle when I’m on a run. Ultimately it’s well constructed music but just not quite my type. It’s not so bad that I’ll skip the songs when they come on though!
Saw KMFDM at the O2 Academy in Islington. Small venue but nice and close to transport.
KMFDM were very good. Loud and funky the band played a good mixture of old and new. I’m not sure about some of the music being samples and recordings but I think I can cope with it if it’s occasional. They started with DIY and played Kunst third. Many hits followed and the atmosphere was as expected.
For someone used to the heavy metal crowd it was quite clear that I had crossed into a newer and different genre. Some members of the audience were not metal fans and were a little more extreme and edgy in appearance. The very tall man in the dress and make up, the other man in a dress and pink hair and the man who looked like a stereotypical butch lesbian with orange hair. I’m just glad these people have somewhere to call home.
Sheep on drugs were ok but Explore were awful, just not my scene or anyone else’s I think.
In my last communication I stated that I thought the difference between my two relative frequencies was not significant. I think I have now performed a test, but whether it is valid or not can be up to you.
If Heavy Metal focuses on the dark side of life then there should be many references to to Hell in the song title. Conversly, there should be only a few references to the term Heaven in song titles. If this is the case then it could be expected that the frequencies of each would be independent of each other, assuming the subject matter for songs is random and the use of words follows this.
My Calculations follow, but essentially I have found that, at a 5% significance level, the distribution of Hell and Heaven is random and that the frequency of hell is close enough to the frequency of heaven for this to be so.
I am fully aware that I have really pushed the limits of my significance test and it probably doesn’t even work properly for this type of problem. But, my happiness about this communication remains about 75% (+- 3% for 95% confidence level).
I’ve been thinking about the dark nature of heavy metal music and I am not sure that the reputation is deserved!
My hypothesis is that heavy metal music and hard rock is not at all as bad-ass as people think. I predict that the number of song title references to Hell will be fewer than those that reference Heaven. At the time of writing this is just a confirmation bias speaking.
Assuming that my music tastes for heavy metal and hard rock are reasonably consistent with the music genre and assuming that I have a random collection of this type of music in my library I will perform a count of the words in the song titles of my library.
This really is being done live. I don’t know the results at the moment. Here goes:
Heaven:
So that’s 21 song titles that include the word Heaven out of around 5000 songs in my library.
Now for Hell:
So that’s 26 references to Hell in a song title out of about 5000 songs in my library.
Now, I have no idea if that a significant statistical difference. It doesn’t seem so to me. It also appears from the titles of some of these songs that perhaps the context in which the title is used might be more important. A couple of the Heaven songs seem more to do with the dark side that good stuff and some of the Hell songs come from sayings.
I don’t think any conclusions can be drawn from this initial study. Perhaps with a research grant I’d be able to investigate the context of these words within the Heavy Metal form and get a good answer.
Rock On!
This is not a communication about the TV show Reaper, although I thought that was good fun. It is also not about Mr Grimm as what could I say about death? It is definitely not about the rock classic “(Don’t fear) The Reaper” by Blue Oyster Cult. This communication is about the rare ambiguity that occurs in iTunes.
I rather like the music genre of Aggrotech or as it is also known – Hellectro. There is a band called Reaper who have released some music and recently it appeared that is was quite cheap on iTunes so I downloaded all of it.
The problem is that when I played back the EP “Monsters in my head” it was quite clearly a different genre of music. It was more electro than hellectro. Perhaps this was an early Reaper piece but I had my doubts. A little bit of Internet research and I discovered that there were two Reapers of similar music but different enough for me to spot. Bugger. “Monsters in my head” is a little too clean for me.
So I checked the other Reaper downloads and it turns out that the Reaper album “Gardens of Seth” is by a metal band and definitely not anything whatsoever to do with Aggrotech. The ban might be Italian, definitely not from an English speaking country. As it stands “Gardens of Seth” is rather outdated and has a rather late eighties sound. It is quite good at what it is but not quite what I want. Perhaps I will listen to it more when I’m having an Iron Maiden revival.
The moral of this communication is that you should check discographies on the Internet before downloading songs by an artist whose tunes so far you have rather enjoyed.