This is going to be a terrible review of this album. I’ll explain why in a moment. I wrote about Crunch much earlier on in this series of reviews and my gut instincts are still the same. At some point soon I will write about “Stand In Line” which is amazing – I love it. I was given a tape of this album in the late 80s and I have always enjoyed it.
I would describe this music as a cross between Yngwie J Malmsteen and Megadave. You have that speed melody and heavy crunching guitars at times. Sometimes the riffs sound almost Dio like, especially “Rat Race” and “You Are The Fire”.
This album is quite poor and derivative. It’s been done better elsewhere. I was listening to it while writing this but I am more looking forward to the next album review!!
I got this album, I don’t know when. I have seen them live. But they are OK, just not really for me. I do like the heavy riff in the title track but other than that, I couldn’t tell you much about this album.
I bought this because Xentrix were a band who I had listened to in the early 90s. I think I had a music cassette by them and it might have been a live album. I don’t think it was brilliant but it was ok. I’m not sure I’ve listened to this album although I did see Xentrix live two summers ago.
Communication number 1668. Here’s what was happening in England during that year; lots of people were born and lots died, Newton created a reflecting telescope, the British East India Company took control of Bombay by “Royal Charter”, William Penn was imprisoned for writing a pamphlet attacking trinitarian doctrine.
Schematic is a decent album by Senser. It’s worth getting. Am I aware of any of the songs in particular? No. But this is worth owning if you like their particular brand of rock.
When this is published on this site this will be communication number 1667. Here’s what was going on in England in 1667. The Dutch sailed up the Medway and destroyed part of the English Navy. The Dutch attempt to sail up the Thames but don’t make it. The Dutch then land in Suffolk but are beaten back. In July the Second Anglo-Dutch war is ended by treaty. Paradise Lost is published, I know nothing about this book. Robert Hooke was being a genius.
I’ve had this album on in the background while I wrote the previous communication and I have to say, it’s just a metal/nu-wave album. The song Fuck Reality is quite funny I guess.
This is really an EP and came as an extra CD with Jar Of Flies by Alice In Chains. I bought this in the early days of CD players. If you want to listen to this properly then you need to be drunk, lying on the floor and wearing sunglasses in the dark. I can’t think of a better way to experience this.
Haunting.
That pretty much describes this album. It has all the classic vocal styles of Alice along with decent acoustic sounds followed by grunge/Seattle sounds. It is a masterpiece.
Well, what is there to say about an almost perfect album? This is an amazing collection of songs. Rust In Peace ends the current run of “R” albums and there have been some monsters here:
Rammstein
Randy Rhoads Tribute
Reign In Blood
Reise, Reise
Resident Evil
Ride The Lightning
Rio Grande Blood
And so now to the last “R”.
This album starts with the magnum opus that is:
Holy Wars . . . The Punishment Due – such an energetic song that will blow you away. It just keeps getting better and better. Mercy killings, mercy killings, killings, killings.
Hangar 18 – a very good song with a hilarious video. I mean, it isn’t true but the song is good. As far as I know they even wrote a follow up song but at least this isn’t that terrible song by ‘tallica. The change of pace / riff / syncopation half way through the song really gives me the shivers.
Take No Prisoners – power blasting through the bass bins. Amazing. High speed riffage. Lovely. Fast chord work. Cool. A fast bouncy verse that leads to speed changes. A pluckying bass line. This sound would pound you live.
Five Magics – more head hitting openings with a lovely melody on the bass. The introduction is two minutes long and then you get the main part of the song. The riff in the last minute of this song will have you running into the rest of the pit.
Poison Was The Cure – Another bass opening [good old Dave], then a high speed twisty verse with crazy riffs.
Lucretia – For some reason I don’t like the opening of this song. But I will say that once the main riff starts this is bloody amazing. There’s something special in the bouncy quality of this whole album. It would be brilliant to attend a concert where they played this whole album. The middle section of this song is so lyrical without any lyrics. Love it.
Tornado Of Souls – The way this song opens and just keeps the energy going means I get blown away every time I listen to it.
Dawn Patrol – There’s always one song that’s quite left-field on MegaDave albums and this is that one. But, it’s amazing. Creepy and dark. Foreboding. Brilliant.
Rust In Peace . . . . Polaris – Gosh how I wish that in the last thirty years since this album was released that our nukes had been destroyed and humankind had finally decided that having the power of fission/fusion bombs was beyond the responsibility of any single country or person. But that hasn’t happened. This song is the final flourish to an album that would still make a list of great ones. A lot of other albums I own are in the “I know it’s brilliant and was necessary to move music along but I no longer like it” category. This one is still in the real list.
Well. This is just good old-fashioned rock. It’s like AC/DC but not quite as good. If you are fifty and haven’t adjusted your music tastes in thirty five years then you will love this.
Look. I’ve said it before and I’ll keep saying it: Rammstein are amazing. I love it. I can’t get enough and it just stuns me all the time. The thing is, and this is mentioned elsewhere within these communications, I forget song names. Bands I have grown to like over the last twenty years or so, Rammstein included, have suffered from a case of me not having the time to stare at the album packaging. It’s worse these days as I rarely buy physical copies of music and rarely look at the actual titles of songs I hear. This along with a propensity to not really listen to the lyrics combines to mean I don’t know song titles. Unless the chorus is the title over and over.
I know the songs and I know which ones I like but naming them? Almost impossible.
Just go and buy everything by Rammstein. You’ll not regret it.
This is gritty and fun. I don’t think I have deliberately listened to it but these songs definitely come on in a shuffle and I quite enjoy them. After the quite polished sound of the first album the Beastie Boys have definitely come on.
Considering how much I like AC/DC I’m not sure I’ve listened to this album all the way through. I love the Bon Scott era and there are some albums from the Brian Johnson era that are stunning but, this one’s just too recent. Black Ice was really the last AC/DC album I really knew. I bought it, obviously, but I’m not enough of a super-fan to listen to this. I didn’t even put it on before writing this.
I bought this album because I felt that I should like Jane’s Addiction. I bought Strays by Jane’s Addiction and I think I remember liking that. We will find out once we get to the “S” section of these album reviews. I have to say I have played this album one and a half times and I don’t like it. It has no good features. Yeah, I know it was raved about but I don’t like it.
So, I’ve been playing this recently and I really like it. There’s a particular level of noise and industry to it. This is an album well worth getting [if you like industrial metal and hate Bush Jr].
Writing this in the middle of a spell of self-isolation is strange. I’m not sure if I’m going to write a communication covering what I think of the current Covid-19 nightmare we seem to be in. I’ve started writing something, not sure it’ll be coherent at all. Anyway, back to what I think about Ride The Lightning.
This album is a MONSTER. It’s raw and powerful.
Fight Fire With Fire – amazing opening track Lovely.
Ride The Lightning – possibly about being electrocuted in the chair. I don’t know, I don’t listen to lyrics.
For Whom The Bell Tolls – look, it has a bass guitar melody. What more do you need. Brilliant song.
Fade To Black – what all the latter Metallica songs are based on and they can fuck off. This is an amazing song.
Trapped Under Ice – freezing. Dying. Horror.
Escape – Possibly the least interesting song on here. But it’s still good.
Creeping Death – Jesus, this is an amazing song. One of the times I saw Metallica they opened with this and it is a stunning song. Die, Die, Die, Die, Die.
The Call Of Ktulu – an instrumental. Still great. SR was playing this once on the balcony of her holiday apartment in the Canary’s and it got strange looks. I don’t know why it’s genius.
This is an amazing album and it has that power to keep being great all this time later. I won’t pass on any of these songs when they crop up.
This is the third album by supergroup Audioslave that I have reviewed here. The other two can be found by searching but they cover Audioslave and Out Of Exile. This is another excellent album. I don’t know how they do it but Audioslave have managed to write three excellent albums.
I do consider these albums good dinner music. I think they would be suitable to play while having dinner with a group of friends. Now, I do suspect that I’m wrong about this because I know that my tastes don’t really match up to normal. For instance, yesterday, I was at one of those large indoor play parks and they were playing music, probably to cover up the sound of the screaming. I will admit that the music was all quite fun, disco hits from the 70s and a few modern hits but mostly it was unoffensive and quite boring. Everyone should be pushing the boundaries. I do feel sorry for my kids sometimes; who else has a dad who plays Grausame Töchter regularly in the car rather than Heart and similar bullshit.
Genesis Breyer P-Orridge has died. I don’t often write about particular deaths on here because when you read those pieces it’s more of a shout by the writer about themselves rather than the person. This is going to be like that. I pretend it’s about Genesis Breyer P-Orridge but in reality I write about me.
I first came across Throbbing Gristle in the early 2000s. A friend talked about them and I was curious. So, I have some of their music. I listened to it. It hurt. But I liked just how different it was. Then I heard about COUM Transmissions and the ICA installation called Prostitution. When I read descriptions of that show I was fascinated and amazed at the same time. The undercurrents of sedition were real and the establishment didn’t like any of it. I do believe we can thank those early artists who “rebelled” for our liberties today. They planted the seed. The mold breakers have been there in most ages and they push the boundaries allowing people to feel more normal.
The ninety eight percent of you out there who fit the norm of our current society never have anything to fear except your normality being threatened. What you don’t realise is that the other two percent don’t share your views and want to be different and want to feel comfortable in their own skin. Those people with different feelings and needs should be listened to. They should be allowed to exist and feel normal because that is a basic human right.
Genesis Breyer P-Orridge kept pushing those boundaries to the end. I am sad they have died. I am also sad that as I grow older more of those who influenced me die. It’s inevitable and a reminder that one day I too will cease to exist.
Long live the boundary pushers, for the sake of all of us.
There’s something about buying up classic artists and music by those bands who influenced you. Black Sabbath are, really obviously, such a major influence on everything that it’s important to know the history.
I saw a Black Sabbath cover band at a venue in Gillingham, the name of which escapes me and I will enter it here [] once I remember. I wasn’t really expecting much other than an enjoyable evening, this was likely somewhere around 2004. I had too much beer and might have felt a little rough but the main memory of that evening was just how heavy Black Sabbath’s music was. It was slow and hard with excellent grinding riffs. Far better than listening to them on tapes from the mid eighties.
I’ve probably only listened to this album twice or so. I can’t remember much about it. It’s probably really good.
I’m not sure which came first. Did I see the film and then decide that the music was pretty good or did I take a punt on the album anyway? Given the film was 2002 and I haven’t looked around a record store since the mid nineties I suspect I went to see the film and decided the music had earned the chance of my attention. I can still remember one part of the film where I said to LB that the dead person’s eyes were about to open but she still shouted “fuck me” in the cinema. Forewarned isn’t always forearmed.
This album reinforced my liking of quite a few bands including Slipknot, Marilyn Manson, Fear Factory, Rammstein, and Coal Chamber are on there but the rest of their stuff doesn’t do it for me.
If you want dirty metal and an excellent collection of songs to make your head hurt then get this album. It gets a full recommendation from me.
Looking through all the “R” albums I can see some amazing things in there. Reise, Reise is one of those good ones. It must be because it’s by Rammstein and they haven’t written a thing I don’t like. They are proper music gods. There’s a gorgeous sound with Rammstein that works so well. It’s an excellent mix of ragingly heavy guitars with rolling bass lines and keyboard work that just fits. Go and buy anything by them.
Reise, Reise – sends shivers down my spine and is beautifully written.
Mein Teil – A good one to shout out.
Dalai Lama – A nice slow heavy riff with a bouncy beat. It might be about that dude, it might not. I’m not really into ly
Keine Lust – Oh gosh. Go and see the video for this one. It’s fantastic. There’s a brilliance associated with Rammstein songs that blow me away. This is a great song.
Los – A nice and gentle song with a rolling bass riff and gorgeous high pitched melody thing.
Amerika – A cash cow.
Moskau – I think this has some Russian people on it. Maybe from Pussy Riot. I don’t know what it’s about but I don’t think you can sing about Moscow and be praising of the regime. Maybe it’s positive about the population there. It’s an OK song.
Morgenstern – Choral opening. A great start-stop riff to beat you up. Once the beat and riff goes continuous it’s glorious.
Stein Um Stein – starts quietly but will blat you in the face.
Ohne Dich – get those lighters in the air. It’s a lovely song.
Amour – Deep voiced love story??
I love Rammstein and all their music is beautiful. Everyone should get these albums.
