Tag: music

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Reign In Blood – Slayer

So, I bought this album quite a while after getting Decade Of Aggression which is possibly the only Slayer album you need. I can imagine how, back in the eighties, this album would’ve scared the shit out of adults. It’s heavy, gross, disgusting and amazing.

  • Angel Of Death – a song about Mengele and the shit he did during the second world war. Look, the whole point of metal is to shock and make you think. This song is gross but amazing at the same time. It doesn’t celebrate gore it brings that knowledge to a wider world. This song creates pacifists.
  • Altar Of Sacrifice – Amazing and heavy.
  • Jesus Saves – that opening riff is heavy as hell.
  • Criminally Insane – more heavy stuff and a great opening.
  • Postmortem – amazing. Such a heavy riff and masterfully blends into the next song.
  • Raining Blood – awesome. Can you see what they did with the title of the album and the name of this song? Clever eh?

If you want to seriously damage all your body then get this album playing at full volume and let it assault you.

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Ready For This – Tim Minchin

This is a live album by the Australian musician Tim Minchin. I remember first seeing him on Channel 4 when I thought I was about to watch a stand up show and it turned out to be some guy not wearing shoes and playing music. It was funny and skeptical, I loved it. Tim Minchin is one of those people on the right side of stuff. He’s a science based comedian who speaks the truth about boobs. You definitely need to listen to any of his stuff.

I would recommend this album as it’s a good introduction to his music. The album does contain the song “White Wine In The Sun” which is guaranteed to make me cry. I have bought it as a single but I haven’t played. Minchin releases this song every christmas and the money raised goes to charity. Not only is he a brilliant song writer he is also an actor.

STORM

You need to listen to Minchin’s song called Storm. It might be nine minutes long but it is also brilliant. A discussion of evidence based science, relationships, and dinner etiquette. There’s a YouTube version that I show all my leaving classes in their last lesson. I’m trying to change the world a small bit at a time. Getting people to realise that humans are subject to so many biases. We need to work to overcome those biases and science is the best way to do that.

Cardinal Pell

Tim Minchin has also written a song called Come Home (Cardinal Pell). It’s not on this album but deserves a mention anyway. It concerns the terrible story of child rape in the catholic church and their systematic attempts to cover it up and protect those who are guilty of child sexual abuse. Cardinal Pell had claimed that he was too unwell to fly home to Australia to face criminal charges concerning child abuse. He has since faced trial and he is now in jail after being found guilty.

The systematic covering up and protection of child rapists by the catholic church is a heinous crime for which they deserve to crash into nothingness. I don’t care overly that they are wrong about god. But the whole system has been protecting child rapists for the last very many years and they need to fall. No, I’m not exaggerating. If you want to know why all the churches are closing and there are money worries in the church it’s because of the fucking money they are paying out [quite rightly] to all the victims of paedophiles that they are sheltering.

Just one US state, Pennsylvania, held a grand jury investigation of child abuse by the catholic church. IN THAT ONE STATE they found that 301 priests were sexually abusing 1000 children and were shuffled around in that area to save them being caught. It’s likely still going on and isn’t history. Fuck that organisation.

It’s not just the catholic church. Every organisation that runs has issues with sexual abuse. Every organisation that works with children has issues with child abuse. Those other organisations have done what they can to prevent it. It’s probably impossible to eliminate it but you don’t want to protect those fuckers. You have to have security procedures in place to minimise the risk. The catholic church has ACTIVELY covered up all the abuse. That church needs to die. Don’t ever give them any money.

Addendum

Last night I remembered a thing about this album that I love. It’s hidden within the lyrics to Prejudice, a song about prejudice. It’ll make you laugh, go and listen to it. Do you ever remember that saying your mum used: “sticks and stones may break my bones but names will never hurt me”? It’s a funny saying isn’t it. It’s pretty much telling you it’s OK for anyone to call you names because they don’t hurt. But here’s the rub: words hurt like hell. Tim Minchin updated the saying to a more realistic version:

Sticks and stones may break my bones but words can break hearts.

Minchin, T
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Randy Rhoads Tribute (Live) – Ozzy Osbourne

Here’s the thing. There are some bands and singers who are like classic movies or books. Everyone should listen to them / read them / watch them. Yes, some are shit. Yes, it is society telling you watch to appreciate and sometimes you can strongly disagree with society, but maybe you secretly understand why. Why is it that this film / book makes it into the list of greats or must-reads? Also, to be honest, I do think you should accept what you like and what you enjoy without the need to be shamed by society into thinking you are wrong. You are as you are.

Having said that, Ozzy is a national hero and it’s quite a surprise that the guy lasted as long as he has. Given the drugs, bats and alcohol it is unusual for someone to be as old as him. But, you see, we are now trying to understand survivorship bias. Just because Ozzy made it this far there are plenty of drug addicts that didn’t. They are dead. Just because Ozzy did those things doesn’t mean anyone can. Just because Ozzy with his horrific voice made millions and thrilled the fans doesn’t mean anyone can. We remember the hits but not those thousands of misses.

I don’t think this album will make you cry but you will appreciate that these rock stars are just humans and the note inside the album from Randy Rhoads’ wife is really touching. Zakk Wylde joined Ozzy after Randy died and if there’s one thing we now know it’s that you have to spell your name badly to be a rock guitarist. Start with that and then worry about the guitar thing afterwards.

This is like a greatest hits for Ozzy and it’s a great album. Worth playing many times.

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Rammstein – Rammstein

I do love Rammstein. I know I didn’t really rave about Mutter but this particular album is great. They really are master craftsmen of new German metal. I have no idea what they are singing and to me that doesn’t really matter. The music does enough for me.

  • DEUTSCHLAND – great opener. Lovely song. [probably about killing or something – I don’t do lyrics at the best of times].
  • Radio – these chaps are the best at writing brilliant melodies along with a special beat that makes you move.
  • ZEIG DICH – I’m not sure how this band do it. They make an up-tempo song that you think is going to roll along and then the bridge hits you in the face.
  • Auslander – This is one of those songs where I start thinking it should be a club track. I can imagine dirty nightclubs with all their dance beats playing and then someone puts this shit on and all of a sudden the whole club becomes metal fans. I think it’s also about immigration – but in a good way.
  • SEX – not sure if this is about the joys or the horrors of sex but it’s a bouncy song with superb riffs. Plus, everyone gets to shout out SEX which is fun.
  • PUPPE – Gosh this song starts out all lovely and gentle and you believe it’s going to be sweet and then BOSH it hits you straight in the face. Brilliant.
  • WAS ICH LIEBE – it’s perfectly good.
  • DIAMANT – Lovely and smooth. Could be about death and murder, I wouldn’t know.
  • WEIT WEG – It’s that little melody at the beginning isn’t it? I know a band are good song writers when they do something I wasn’t expecting but it fits the song and makes you think – wow, I’d never have thought to do that. Maybe my imagination is rubbish but there are only a few bands that surprise me.
  • TATTOO – The melody in the chorus is lovely.
  • HALLOMANN – This song rounds off a lovely album. I don’t think that any Rammstein album has disappointed me.

To tell you how good this album is can be summed up with the fact that their key changes don’t annoy me. I thoroughly enjoy this band. Their music is delightful. The live shows are stunning, full of theatre and sound perfect. I probably couldn’t rave enough about them.

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Quadrophenia – The Who

This is one of those albums that everyone goes on about. They also go on about the film. The problem is that I never really got the mods and rockers thing. It was slightly before my time and it all seemed rather silly to me. I can take or leave The Who. I’m just not fussed by them.

There are a couple of good songs on here. But other than that most concept albums always leave me a little cold.

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Rage Against The Machine – Rage Against The Machine

This might be a shocking admission but I’m not really bothered by this album. Something about it doesn’t quite work for me. I bought it after being amazed with the song “Killing In The Name Of”, which I first heard in its entirety on Radio 1 if you can believe that! There’s a couple of good songs on this one but largely I’m left feeling rather “meh”.

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Pyromania – Def Leppard

Def Leppard was one of my gateway bands into metal. If you read my Descent communication I expect they’ll be mentioned there. Def Leppard along with Bon Jovi and Guns ‘n’ Roses got me into guitar based music and this album was one of the special ones. The band had just hit it big with the Hysteria album and so I was seeking out whatever else they had done. The sounds of this album, its production, the guitar riffs, the drumming, all these things can make me feel a teenager again, fortunately without the emotional bullshit that goes with that period of time.

This is a great album. It is what it is. Very commercial rock. It turned this band into a massive hit across the pond. I don’t think it’s quite dinner party background music but it’s close. Non offensive rock. This band got lumbered with the NWOBHM label but they aren’t. The vocals are more haunting and the riffage doesn’t follow that BHM style. Def Leppard just happened to emerge at the same time.

  • Rock Rock (Till You Drop) – great upbeat song.
  • Photograph – remember those lonely times when all you had was a picture to look at and the knowledge that you’d speak in a couple of days at 6pm once the phone calls got cheap.
  • Stagefright – meant to start live, think it’s studio. Good rolling riff.
  • Too Late For Love – a ballad, still it is pretty good.
  • Die Hard The Hunter – not the best on this album.
  • Foolin’ – starts gentle. Gets better. Great cow bell use, that instrument always makes me laugh.
  • Rock Of Ages – starts with something backwards?? Proper radio rock. Has a good rolling bass with melodic vocals creating a great rhythm. Worth listening to.
  • Comin’ Under Fire – not the greatest on here either. Vocals well aligned but a little boring for me.
  • Action Not Words – formulaic rock. A good song but not top ranking.
  • Billy’s Got A Gun – good triples on the bass, song could do with being a little faster for my liking. Love the outro, when I first heard it I wondered about the effort that goes into creating a new melody or sound and how bands use that for just a couple of bars.

The singing in this album is great. The riffage is great. It’s a bloody good representation of that era of music. It also sold masses in the USA and made this band huge. I probably still prefer their first album though!

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Purple Rain – Prince

I’m not sure when I got this album. I’m not a massive Prince fan but I can definitely see that the guy was a genius. I mostly remember the albums: Diamonds and Pearls, Batman and Love Symbol. This one is a classic, I know that much, but I’ve just not really listened to it along with Love Sexy. I do feel slightly ashamed that I don’t know this album well. When Doves Cry and Purple Rain I am aware of and would recognise. Oh well. Such an interesting communication for number 1600 [the address of the White House on Pennsylvania Avenue].

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Psalm 69: The Way To Succeed & The Way To Suck Eggs – Ministry

This album is really called ΚΕΦΑΛΗΞΘ but Psalm 69 is much easier.

Holy Maloly. This album is a biggie. When you discover a new sound you want to keep buying and listening to it, get the most out of it. This was probably my first encounter with industrial metal.

JESUS BUILT MY HOTROD

Soon I discovered that this rock thing was true, Jerry Lee Lewis was the devil, Jesus was an architect previous to his career as a prophet. All of a sudden, I found myself in love with the world, so there was only one thing that I could do: Was ding a ding dang my dang a long ling long.

If Hotrod doesn’t get you rocking then there’s something wrong with you. You listen to that first because of the speed and the power and then you settle into the other songs and they hit you, slowly at first. It’s like a punch that starts a mile away and comes at you slowly over hours.

N.W.O. – Bloody amazing. The extended edition is better with about a minute of feedback before the main riff blasts in.
Just One Fix – I’ve got the extended edition of this and I just love the structure of the song. This is a nightmare song about drugs [probably].
TV II – Shouty and powerful.
Hero – Manic riffs and beats to bang your head.
Jesus Built My Hotrod – genius.
Scare Crow – a slow beat song to wake up the neighbours and bounce to.
Psalm 69 – Praise Jesus. An Epic.
Corrosion – Crazy sounds and drums, unique.
Grace – It’s noise, man.

This whole album is what happens when you have musical geniuses out of their heads on drugs and arguing. It’s great. Bloody marvellous.

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Powertrippin’ – Almighty

There was a period of time when The Almighty were the best british metal band out there. I thought they were great. I saw them three times. The best was probably when they supported Megadeth at the Cambridge Corn Exchange. Also I saw them when they supported Iron Maiden at the Cambridge Corn Exchange and they also supported Metallica and Megadeth at the Milton Keynes Bowl in 1993 (ish).

I don’t think I owned an Almighty album before this one. I have since bought a couple of extras but this one is very good. I bought it on CD back in the day and was pleased as there was a bonus disk of the band playing at Donington in 1992. This whole album is a good one. Well worth it. A good mix of acoustic and rock along with a few parts of thrash. The main riff in “Addiction” is super.

Favourites of mine are:

  • Jesus Loves You But I Don’t – a good break up song.
  • Powertrippin’ – (Hear the drummer get wicked)
  • Addiction
  • Takin’ Hold – (I watched a snail . . . . )

The bonus disc has a great short set from this band live at the Monsters Of Rock concert in 1992. The intro says enough:

Donington – Would you please welcome, from Glasgow, Scotland, the all-loud the all-wild the all-fucking-mighty.

Mr Announcer

The tracks from this make one of the best short live EPs I’ve heard. Decent rock and good crowd interaction.

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Practice What You Preach – Testament

Time to admit that although I have listened to this album quite a bit since owning it on a copied tape since I was about 18 there are only two songs that I can really remember. “Practice What You Preach” and “The Greenhouse Effect”. Sure, I’ve listened to the whole thing and I’ve enjoyed the album for many years but if you asked me which songs are on here those two would be your answer with some unqualified hand waving about the others.

I’ve seen Testament twice. Both times was pretty good. The first was alongside other greats of the 80s thrash revolution:

  • Suicidal Tendencies
  • Testament
  • Megadeth
  • Slayer

These four bands played a “Clash Of The Titans” tour and I saw them at Wembley Arena. I can still remember watching Testament and being excited at recognising the song “Practice What You Preach”. The other time I saw them was at Koko. Both times I was impressed.

This is one of those important albums where it helped forge the sounds in my head. It gave me breathing space and helped build the future mix of what I would like.

This album also contains a song about how humans are messing up the environment. This album was released in 1989. Climate change isn’t a new thing. It’s just been ignored by politicians for as long as we’ve known about it.

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Pure Devotion – Various Artists

I was given this album by a friend, Vince, in the early 2000s. Curiously it was Vince’s wife who gave me two CDs by Rammstein around the same time! Pure Devotion is a compilation album by various artists attached to the Pure Devotion record label. This addition to my collection was worrying. Having been a metal fan for all this time and only really liking guitars, drums and vocals this album started to bring in electronic sounds with an industrial vibe. Along with the bands Senser, Ministry and Nine Inch Nails this was the start of exploring another music genre.

This album is a great starter into industrial-electronic music.

  • Beers, Steers and Queers – Revolting Cocks – you know it’s probably good when you can’t tell which is the band name and which is the title. This is a brilliant song from the Revolting Cocks. Everyone should experience this at some point in their life.
  • Supernaut – 1000 Homo DJs – this band come up first on my list of iPhone music. I think people find it amusing. This is a cover of the Black Sabbath song and it’s great. They’ve given it that industrial twist.
  • No Name, No Slogan – Acid Horse – A classic beat and haunting melodies in the background. A deceivingly simple song.
  • Murder Inc. – Murder Inc. – A heavier guitar based song with excellent lyrics. Funny how so much music is written to protest the state of the world.
  • Teenage Mind – Hyperhead – This is a spooky early 90s sounding track with steady beats and a trance like quality. Delightful.
  • July – Chris Connelly – This is a great song with a simple but working chorus. This man has been involved with so many greats, he’s instrumental to the whole scene: Acid Horse, KMFDM, Ministry, Revolting Cocks, Murder Inc., PTP.
  • Faster Than Light – Lead Into Gold – Simple beats with sounds building up along with guitars and excellent vocals. What isn’t to like?
  • Rubber Glove Seduction – PTP – Samples, steady beats, an almost “Relax” vibe to it. You can feel the early beginnings of industrial and how it would move music on creating newer metal bands in the late 1990s.
  • Re-Release – Malhavoc – Speedy with a certain level of dischord and snarly vocals. This would get the pit going.
  • Conquer Your House – Excessive Force – More dance like than most of the others but with distorted vocals. This is good enough for me to buy one of their albums.
  • White King – Crow Force – A bit more rock with a rolling riff and faster beat.
  • Sympathy For The Devil – Skrew – A delightfully heavy version of the ‘Stones classic. Makes the song darker and more sinister.
  • Hoeda, Hoeda – Bomb Everything – A metal song with samples.
  • Ten Ground & Down – Pigface – Feels a bit 70s experimental.

This whole album is a great starter into electro-industrial.

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iVardensphere – Electrowerkz

Smith and I travelled to attend the Beat Cancer 2.0 festival last night. Last year we saw Freakangel play somewhere in east London and now the fund raising jaunt returned in a bigger venue and with eight bands. The gig was based in the large room downstairs at Electrowerkz and there was a small bar set up but there wasn’t really a lot of space. It looked like there was a wedding going on in the Tube Train room – you’ll know what I mean if you’ve been there.

So the music started about ninety minutes late. The organiser blamed Lufthansa as the headline band, iVardensphere, were in Germany at the beginning of the day and without planes had to get to London. They managed this and set up but the running order was late by a long way. I had an important event to attend the next morning and so while the event was scheduled to finish at midnight I didn’t mind that once the delay was announced it made seeing all the bands rather problematic. I guess most people attending didn’t have to march through a town in a Remembrance Parade eight hours later.

First band up were Drakenwerks who I had missed by turning up late to another gig when they supported Nachtmahr. My notes say that the band was made of a man and woman, they were OK and played upbeat electronics with a hint of EBM.

Drakenwerks - Electrowerkz
Drakenwerks – Electrowerkz

The lighting rig seemed to consist of single colour washes for each song. In the above I caught a “green” song.

Then there was Vain Machine. Two chaps from the USA and it was their first time in London. It was a bit too goth for me. They even played a terrible cover version of “I was made for loving you” by Kiss.

Vain Machine - Electrowerkz
Vain Machine – Electrowerkz

Then there was the band of the organisers. The people who run this charity gig had a band and they played. It was experimental bullshit. A wall of noise. It was terrible. They were called Bein-E. Their full name was a massive German word but I only saw it on one piece of literature and didn’t make a note of it.

Bein-E - Electrowerkz
Bein-E – Electrowerkz

Then there was Cygnosic. This band was much more upbeat. The vocals were “growly” and while I didn’t understand what they were saying it was an improvement on most of the previous bands. The only problem was that their songs had no variation within. The structure was a single unit and lasted three minutes and stopped. I needed some form of difference as the song progressed. Judging by the accent of the singer when he spoke the band were from Spain or maybe Italy or similar [if they are Portuguese then I’ve probably offended a whole country!].

Cygnosic - Electrowerkz
Cygnosic – Electrowerkz

It was now 23:00 and there were three bands to go. iVardensphere wouldn’t finish until around 01:30 and I had stuff I was required to do the next morning. I had to call it a day and drive home. I’m gutted, but at least I have seen the Sphere before. They were really good both previous times but I can’t change my schedule. I’ll see them again one day soon I expect.

I missed:

  • Nature Of Wires
  • C-Lekktor
  • iVardensphere

So, after all that I saw five bands of varying degrees of not-good and the one band I really wanted to see I couldn’t as I had to get home to parade the next morning in Maidstone. I was gutted but also aware of my commitments and limitations. It was good to see the Smith.

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Pure Cult – For Rockers, Ravers, Lovers and Sinners – The Cult

I bought this album, a massive two LP disk set in a box, back when I still had a record player. I suspect I got this while at university. I remembered The Cult from school where there were one or two songs that were pretty good, if a little pop. As this collection was meant to be the best of all worlds I chose to get it. I think they had a massive album called “Electric” or “Blue” or a combination of those, I’m not going to check.

Apart from listening to the more pop side of this album I don’t think I’ve really listened to the rest. This is possibly a failing on my side of the bargain but I guess they’ve already had my money, the failure is mine.

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Asteria

For the last few years I’ve really enjoyed the music of Faderhead. I was him/them play once at M’era Luna and it was an excellent show, a lot better than I was expecting, and I can’t wait to see them again some time. Because I enjoy the music and hope that Faderhead gets more success I’ve been contributing via Patreon to help out. I’ve also donated to Aesthetic Perfection over the years. I guess I’m in the fortunate position that I can offer a little bit and hope to enjoy the pay-off.

I donated some cash to help out with the costs of producing Faderhead’s latest album and my Patreon reward arrived yesterday:

Faderhead Asteria
Faderhead Asteria

This is a lovely touch and I’m happy to own a CD. This is probably my first CD in about four years as I download most of my music. Physical objects are good. Anyway, thanks to Faderhead.

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Powerslave – Iron Maiden

Well, what can I say? I’m pretty sure I first listened to this after I had poured over the detail in Live After Death. There’s something remarkably clean about a studio album once you’ve digested the live version. My experience with Megadeth recently went the other way, the live version from Argentina made me revisit all the songs with a fresh perspective.

I used to spend time as a teenager lovingly looking over the album covers of the Iron Maiden albums trying to memorise every detail. The Powerslave album is one of the best covers I have ever seen, maybe Somewhere In Time comes close but I really enjoy the colours of the Powerslave cover.


The body bags and little rags of children torn in two,
And the jellied brains of those who remain to put the finger right on you

Adrian Smith & Bruce Dickinson
  • Aces High – continuing the theme of Empire and the greatness of Britain this song extolls the virtues of the Few who defended our island whatever the cost may be. A great song even if the over-arching themes of this East End band are tired and colonial.
  • Two Minutes To Midnight – well crafted and one of the best. It’s written by Adrian Smith you see and that adds a certain level of clever to it. I’ve been fortunate enough to play this on stage with a bunch of better musicians.
  • Losfer Words – it’s an instrumental. It’s ok.
  • Flash Of The Blade – I guess it’s Bruce harking back to his upper class hobby of fencing. To be honest it’s a good song. Proper Maiden.
  • The Duellists – is an OK song over-shadowed by the rest of the album. Another Maiden song about fighting for things I don’t understand.
  • Back In The Village – The opening riff of this is amazing and I love it. The whole song is a return the the Prisoner theme of earlier tunes. It’s pretty good.
  • Powerslave – Everything about this song is amazing but [oddly] my favourite bit is the end. THIS is how you write the end to a song. Fuck all you who use fade out. Write a proper ending.
  • Rime Of The Ancient Mariner – It’s over thirteen minutes long but doesn’t really feel like it. I mean the opening riff sounds like The Flight Of Icarus but the rest of it chugs along giving all the time.

The top songs on this album are: 2 Minutes and Powerslave followed by Aces High and Back In The Village, although the field is crowded. Go and listen to this album. It’ll burn your soul [well, it won’t will it but you can claim such].

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Powerage – AC/DC

“You say that you want respect. Honey, for what?”

That sums up a lot of how I feel at the moment. Anyway, these communications are meant to be about the albums and what I think of them. I don’t think you can go wrong with ANY Bon Scott album. The way he sings, the lyrics he writes. You can feel the pain and love behind every song. I’ve been a pretty big fan of AC/DC since I was around sixteen years old. There’s something about that crunchy guitar sound and the delightfulness of Bon’s voice and cheek.

There were two of us at school who were really into AC/DC. We’d buy an album and then discuss it for ages. It was a common bond between us and none of the others. I shed a tear at the end of the Let There Be Rock video where the words “To Bon” come up on the screen at the end of the Paris show.

This is an excellent summer album. It has that lovely jauntiness where you can have this playing in the garden while drinking a large rosé. I can imagine the air around me warming my body as the sun dips below the horizon and Bon sings out about that Sin City and I slowly get drunk to remove myself from thoughts about anything specific. It’d be lovely. If I like sitting outside in the garden, which I don’t. Not sure why, I just don’t like it.

  • Rock and Roll Damnation
  • Down Payment Blues
  • Gimme A Bullet
  • Riff Raff
  • Sin City
  • What’s Next To The Moon
  • Gone Shootin’
  • Up To My Neck In You
  • Kicked In The Teeth

I love that plodding bass of AC/DC. The way the bassist and drummer work to ensure the song gets where it needs to. Malcolm riffing away in the background making all the songs work well to compliment Angus being over the top.

Then there’s Bon. Such a cheeky, tortured chap. He was amazing. I wish I’d had the chance to see him sing live, to see AC/DC in those early days. But, I couldn’t do much about when I was born.

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Power Of Lard – Lard

Strictly speaking this is an EP rather than an album and as such it doesn’t really belong in this section of the website, but who could resist? There are three songs on this EP and they are:

  • The Power Of Lard
  • Hellfudge
  • Time To Melt

For some reason, and probably racist ones, I had thought that this band was a quirky north England piss take punk band. But, after looking it up it turns out to be almost a superband! The first song comes in at over seven minutes and is really well constructed. Hellfudge is a good little rock song.

Time To Melt is a thirty minute tour de force. I’m not even sure I’ve ever listened to it all the way through.

Look, Al Jourgensen is on this album. That’s all you need to know.

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Pornograffitti – Extreme

Much like some smells this album, when I think about it , takes me back to a specific time and era of my life. This one takes me to around 1990 and Thornbera Road in Bishop’s Stortford. I can’t remember when I first heard of Extreme but this album made them big. It’s got some massive songs on it, probably ones I’ve over-played and so now just can’t be bothered with. I do remember them playing “Get The Funk Out” on TOTP and me being quite excited at how racy it was.

The massive songs on this were:

  • Get The Funk Out
  • More Than Words
  • Hole Hearted

Looking over the track listing I think it’s fair enough to say that this is a pretty good album but just one I don’t think I’ve listened to for twenty years.

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