While this album exists in my collection and I probably paid money for the CDs I don’t think I’ve ever listened it.
Live at Drury Lane – Monty Python
This is an album of a live comedy show. By Monty Python. At Drury Lane Theatre.
It’s fucking genius. I loved this after I bought it in my late teens and I listened to it a lot. I hadn’t really ever seen Monty Python on television and so this record of sketches really made me laugh and imagine the action on stage. The songs are still brilliant and I listen to it still.
I once tried to decode the Bruces’ Song and I played it over and over trying to work out the lyrics. I think I drove my mum mad with the repeating Aussie music. The best part of this was that I didn’t even really know a lot about philosophy and I certainly didn’t know what all the main players were called.
There is something special about the craziness of the action and the sheer stupidity of this album.
“Albatross”.
Live After Death – Iron Maiden
In this ongoing slow series of album reviews we have reached all those that begin with “Live”. So we now get an eclectic mix of albums recorded live although I don’t think we will cover the best live album, which is probably No Sleep ‘Till Hammersmith by Motorhead. I’m not sure how long this project is going to take. This series of communications started on 29 April 2013 and it’s nearly six years later and my music tastes have moved on. This list doesn’t include any albums I’ve purchased since 2013 and there’s a whole new genre to explore and explain. Anyway, onto Live After Death.
This album ROCKS. The gatefold sleeve was amazing and the images convinced me that Iron Maiden could put on a show. Even though all these songs are live and so will be individually reviewed elsewhere in this site this probably deserves some of its own mentions. This double album was recorded in Long Beach Arena and Hammersmith Odeon. Just the idea of having a job where you play an arena in California seemed amazing to me as a teenager. Of course, I also bought the video and watched it over and over.
I’m reasonably sure that W.A.S.P.s Live In The Raw was recorded on the same tour and that album is pretty amazing too. They supported Iron Maiden.
One of the appeals of this music is that it scares your parents. It’s a way of rebelling. It’s new and for you only. While at the same time being what all your mates listen to as well. You don’t want your parents to like this stuff and you want to make that break of the parental bond and music is one way of doing that. Before I was ten I grew up on a diet of ABBA and Jean Michel Jarre. While this is not bad music, I’d even say it’s bloody good, it wasn’t what I was after. I’ve talked about my descent into metal elsewhere and so will save you that story.
Iron Maiden had a monster on their album covers and the detail in the artwork was incredible. We all liked trying to find some new part of the image that no-one else had seen just to stand out, just to impress and show how much we concentrated on the art. Then there’s the stories of devil worship and Satan. The idea that this music was evil itself. I mean that’s bullshit but the puritanical press loved ranting about how this music was ruining the mind of children. The dying age of stiff-upper-lip and backward-repression of feelings and conformism was breaking as a new generation found their feet and wanted to make their mark. This happens all the time. I look at it now and think that I am just not that fussed by the new music. I have my niche and am happy to stick in it.
I think the bigger problem might be that trying to convince me your are weird or different is going to take some doing. I’ve been there and see it all. I’m still part of this counter-culture. I still go to club nights which would be considered “seedy” and rebellious. I mix with people whose day jobs are professional but who live in the boundary of conformism as we struggle to fit in to everyday society. What I do know about this culture is that I’ve never met an idiot or arsehole. Everyone seems to appreciate everyone else and people don’t make judgments. The society is more tolerant by definition and it survives and thrives because of that. It’s a microcosm of a better world where people are treated with respect and trust.
Back to this album. It kinda works on a sense of patriotism and harking back to the good times when Spitfires ruled the air and Britain worked to defeat evil [not my choice of words really and I struggle with the idea that the state can ask me to die for the state]. We start with Churchill’s fight them on the beaches speech with the sound of Rolls Royce engines in the background and BLAM – Aces High blasts out from the speakers.
After that we get one of my favourite Iron Maiden songs, Two Minutes To Midnight and its anti-war message. The lyrics in this astound me.
The body bags and little rags of children torn in two
And the jellied brains of those who remain to put the finger right on you
These aren’t nice lyrics, they aren’t meant to be. They also don’t glorify war in the way that the popular press might have you believe about metal and heavy rock. It’s a song against war.
The Trooper is a classic. Along with Revelations I heard this album before I had Piece Of Mind. The live version of Revelations is better than the studio version by a long way. Again, lyrically it’s amazing.
The Flight Of Icarus is boring.
Rime Of The Ancient Mariner is a good song and deliberately long. It build the atmosphere for the whole song and comes crashing down at the end.
Powerslave I love. A brilliant song and a masterpiece in how to end a piece of music. I’ve always felt that fading a song out is a lazy way of ending a song but I don’t think you can get better than the last two minutes of this song as a way of exploring how to finish a masterpiece.
All the other songs are from the first three albums and by default are the best that Maiden have to offer.
Number Of The Beast, Hallowed Be Thy Name [at about 150 bpm], Iron Maiden, Run To The Hills [a song explaining the mas slaughter of native Americans by white men], and then finally Running Free with its extra long audience participation which Dickinson manages with sheer aplomb.
The only problem with this album is that Sanctuary isn’t on it. But you can get it elsewhere. This is a stunner of a show.
Licensed To Ill – Beastie Boys
I bought this album on a day trip to France with my secondary school. I remember that I was worried the album would be in French, I was somewhat naive. Can you imagine a band attempting to re-write every song for an album in the native language of every country where they wish to make a release?
This album came out and the band caused a fuss because people over the country started stealing VW symbols from the front of cars to wear on necklaces. Yes, that was a real thing in the mid-to-late 1980s. I never stole a car badge and I’m not quite sad enough to dress up as band members however, I did dress in a way to fit in with the metal crew, I dressed to fit. Teenagers, struggling to be different by rebelling along with all the others.
“Fight For Your Right” blazed through the sound waves and I remember being excited at this odd combination of heavy guitars and rapping over the top. It was good and worked really well. For similar amazement see the review of the album Judgement Night. Then, “No Sleep Till Brooklyn” happened and it’s simple beat with crushing guitars and stupid solo was another breath of fresh air. The album had to be bought.
“Rhymin and Stealin” was my first and terrible introduction to Led Zeppelin. It had a drum beat sampled from Led Zep IV and I didn’t know that at the time. I wasn’t aware that bands would steal music or samples from other bands and recycle them. When I first listened to Led Zep IV I was rather shocked that the drum beat had me thinking of a rap band a further twenty years into the future.
There’s some classic 80s sexism in this album and I’m pretty sure, while it was a product of its time, it shouldn’t be erased from existence, all of these things need to be understood in the context of the zeitgeist.
If you like your singers white and shouty along with simple heavy guitars, stupid lyrics, and fun samples then this album is for you.
Alita: Battle Angel
I’ve been to see the film Alita: Battle Angel at Rochester Cineworld cinema. It was a clear day and one where I actually managed less than 2000 steps so that’s quite impressive. I’ll tell you what’s not impressive: this film. But first, before I moan about this film I need to cover the height of the river. It was high when I went into the cinema, high enough for me to assume the tide was high. The river was lower when I left so that fits with my assumption. I wonder if the amount of rain affects this part of the river which is mostly tidal.
I rated this film on the IMDB site and there is a guide to the rating system, see this communication.
I rated Alita: Battle Angel (2019) 4/10 #IMDb https://t.co/A6xGWCsWuw
— Ian Parish (@iparish) February 10, 2019
I’d had some hope for this film given it was written by James Cameron but I did know it was directed by Robert Rodriguez, when I saw his name in the credits an awful lot of this made sense. Apparently this film is based on a Manga series and I guess it shows to a certain extent. I like Manga and I like Manga films. Akira is a film I have seen numerous times and there are Manga Blu-ray in my collection. I love what comics do to film. However, this film was shit.
Virtually every plot line of this film was cliche. I couldn’t really see anything new. I got bored about half way through and after that I just kept moving in my seat and wondering when the film would finish. It is not a good film.
I’ll tell you what irritated me most. And that’s apart from the superfast battle scenes [which I’ve moaned about constantly within these communications, just because computers mean we can doesn’t mean we should] and stupid games of rollerball, the terrible dead daughter plot line, the weird emotionally dead like father, the strange nurse, the stupid fucking love interest, the murderer father who isn’t, the references to characters I didn’t understand, Jennifer Connelly is still very attractive which didn’t annoy me but just wanted to hide that fact in text, the poor plot, shit cybernetics, high-tech but poor society, falling rubbish from the sky city, and the what is that jewel in her head???????
I’ll tell you what irritated me. The URM irritated me. The United Republic of Mars might have sounded cool in the test rooms but it’s a stupid acronym and should never be spoken of again. Each time a character said it, URM, it sounded just like a natural pause in their speech. Stupid.
What is it with people falling in love in these films, being betrayed and lied to and then they continue to do their best for these people. If you get betrayed or lied to move on. Tell that person to jog on. Get them out of your life they aren’t worth it. You’ll be happier in the end. These stupid films and their infatuations. She’s a teenage girl with her first crush and yet she’s prepared to die for the twat? Get real, dump the loser and get yourself a decent lad who’s not going to lie or cheat. I was happy when he died. It gave her the chance to get on with her plans.
Why does Alita have to “win” her way to the massive city? She’s an URM [?] battle warrior, she could just go and destroy it. Oh, how I hated this film. why does her heart pump liquid? She’s a cyborg, why would it do that? It seems quite inefficient to me. Why is her heart “heart” shaped? Why is it in her chest? Why is there a panel that opens easily to her heart when it’s her power source? Why isn’t it the most protected part of her body? I hated it.
Get online and watch Rollerball and The Running Man I can assure you those films will give you better ideas of the future than this pile of poo.
Liberation Transmission – Lostprophets
This is really hard to write and I’m not even sure what I’m going to say. I really like the music of this band and I even went to see them at the Brixton Academy over ten years ago on a really fucking hot summer’s day. It was intensely hot inside the theatre and was a complete test of stamina. It was a really good show and I had a great time. There are four albums by these guys. But I’m still not sure what to write. I’m not sure I even reviewed The Fake Sound Of Progress. There’s a possibility the reviewing system is a little broken as all the albums starting with “The” may have been reviewed already or they may be coming when I get to the Ts. I might have skipped “Fake Sound” deliberately.
There’s some explanation needed here although I’m still struggling with all of it really. Firstly, this is a really good album. I really like it and I thought the Lostprophets brought something new to the table in terms of sound and popular metal / rock.
BUT
The singer is a convicted paedophile. If it’s ok to list the types of bad there is then he is pretty much down at the bottom as a complete sick-fuck. I haven’t listened to a single song by this band since that happened. I don’t even know if it’s OK to listen to their music. I don’t know if it’s OK to admit really liking the songs. I don’t know if it’s OK because the singer is a sick-fuck. It distresses me, just writing this is hard, because I know it’s easy to be taken out of context. It’s easy for something to think the wrong thing about my intentions. But, at the time I thought this was a good band. I guess they still were. It’s just the singer is a sick-fuck.
Let There Be Rockgrass – Hayseed Dixie
Ever wanted your heavy metal and rock to be a little more . . . redneck? This is the album for you. I’m not sure I could go and see them live, this is definitely an album of piss take which just happens to have allowed the band to make a decent living I guess. It’s like the album I have of Metallica songs played as lullabies. Here’s the track listing:
- Dirty Deeds Done Dirt Cheap
- Fat Bottom Girls
- Whole Lotta Rosie
- You Shook Me All Night Long
- I Believe In A Thing Called Love
- Ace Of Spades
- Detroit Rock City
- Corn Liquor
- Feel Like Making Love
- Walk This Way
- Centrefold
- I’m Keeping Your Poop
- Highway To Hell
- Will The Circle Be Unbroken
A couple of things to note. I spelt Centrefold correctly for UK usage. I’ve not listened to “Will The Circle Be Unbroken” but I suspect that it’s about a jerk-circle.
Let There Be Rock – AC/DC
Nearly anything by AC/DC has to be on the good side of good. This album . . . . . . . I don’t know why but this album has a much dirtier, grungier sound than all the others especially those from the Bon Scott era. I think they turned the grit up and balanced the bass a little deeper. It’s got a gorgeous sound, which, the first time I heard it jarred me a little because it didn’t sound like AC/DC.
Whatever you think about the production you can’t argue with the writing. There is not a bad song on this album. In fact they still play fifty percent of these songs on stage now, Y years later where Y = current year – 1977.
“Go Down”, I explained to a class recently that while they think most rock and metal is about death and destruction most is about love and sex. This song encapsulates that.
“Dog Eat Dog”, feeling blue? Listen to this.
Then the masterpiece “Let There Be Rock” a biblical version of the history of rock. Such high energy and an amazing song. Everything about this should be taught in every school.
“Bad Boy Boogie”, what other song are you going to get an old man to prance around the stage and eventually reveal his arse to the crowd?
“Problem Child”, amazing song, aren’t we all?
“Overdose”, it’s sad.
“Hell Ain’t A Bad Place To Be”, reminds us all that we should be having fun and that heaven and hell are bullshit (that’s my own take on it).
“Whole Lotta Rosie”, holy fuck this is an anthem of a song.
Get this album, get anything by AC/DC before 1982. It such lovely summer sounding music and mostly about sex. FIVE stars.
Led Zeppelin IV – Led Zeppelin
Of all the Led Zeppelin albums this one is the biggy in my mind. It is the first I listened to and I was blown away by how complex it is and just how much this band influenced later music. I can’t remember the last time I listened to it. My tastes have moved on and I am in another world altogether. The current plan is to review all the albums from before my current aggrotech phase and then go back and review all those I have bought since then. It’s a project.
Led zep 4 – not a bad song on it. Ground breaking and stunning.
Led Zeppelin II – Led Zeppelin
Of the Led Zeppelin albums I own, and hopefully they’ll be done soon, this one I’ve listened to least. Looking at the track listing I can only remember what one song sounds like and that one is “Whole Lotta Love” which is iconic enough to be known without this album along with being a theme from the television show about music.
Led Zeppelin I – Led Zeppelin
This could cause some controversy but I’m not fussed. Opinion is just that. There are critics out there whose job it is to justify their thoughts and these are the people to rate the “excellence” of all forms of art. Whether I agree with them or not doesn’t really matter. I do think that there’s something important about the idea of learning how to appreciate certain aspects of art. It’s hard for me, as a layman, to see how a movie has been put together and what was difficult with it although that might still not make it “good”.
I don’t know how much we can standardise our subjective thoughts. We might take expert opinion and use many of those to form a consensus about certain issues, that seems a sensible approach. Suppose we asked the population the question “what is the best food?”. You might imagine many many types of answers to this and I would need clarification because sometimes a burger is what you need and sometimes cheese on toast is required. These views across the population could possibly be why this country is in this particular political state at the moment. Maybe we shouldn’t ask the population its thoughts on things as the population is quite often wrong.
The plebiscite was wrong about proportional representation and the “leaving the EU” question. In fact, most people didn’t vote. That is what is amazing. This country is heading towards a cliff top at full speed because it is the “will of the people”. Well, fuck you. It was the vague idea of about 35% of the voting age population. The rest of the lazy cunts didn’t vote. People didn’t know what they were voting for. People don’t understand the issues because it is really fucking complicated. Don’t ask the people! We have an elected representation of (hopefully educated and intelligent) people who we let make these decisions based on our behalf. Even when some are wankers, some are thick, some are motivated by unreasonable needs and some are just plain corrupt.
This brings me to this and the next few albums. Because I have been reviewing these albums in alphabetical order by album title it means that most artists are spread out throughout this website. But there is Led Zeppelin who named their first four albums (maybe more) numerically. This means there follows two more communications about the same band. This is slightly annoying.
Led Zeppelin lie in that circle on the Venn diagram of bands I know needed to exist to create the music that inspired all the music that I like but at the same time I find them a little boring. This boredom is precisely because they inspired my kind of music. My kind of music has moved on, it’s evolved, it’s become dirty and dark and is allowed because bands were magical in the early 70s and 80s. Along with Black Sabbath, Led Zeppelin inspired the heavy metal bands that formed ten years later. All music is traceable along the ages.
This album has some excellent songs on it. It is historically important. It is highly rated by critics and is important in the history of music. It is summer music. I don’t play it that often.
The Favourite
Yesterday I took a saunter over to Rochester so visit the cinema. I’d been looking at what’s on during the week and there wasn’t a huge amount that impressed me. But, I decided to go and see an historical drama. I don’t really like any form of period dramas. The idea that someone has scripted what *might* have happened and been said really bothers me. It moves those imaginations into the common collective about what really happened. It seems that these sorts of things are really popular with The Crown on Netflix and other things always being watched on classic television. I don’t mind fiction period drama as much, although I’m still not keen, because you can say what you want, it’s your story.
I noted that the tide was pretty low as I arrived at the cinema. Lots of the mud bank on the west of the river was showing and the boats seemed below average protuberance. As is usual I rated the film on IMDB, there’s a system so perhaps you should read this communication which explains that.
I rated The Favourite (2018) 6/10 #IMDb https://t.co/nDhHJwpg0U
— Ian Parish (@iparish) January 19, 2019
While watching I normally fixate on three or four things and try to remember them to write here. This isn’t perfect and I often forget what I was going to say. I guess I could take a note book into the theatre but I’m quite convinced that would be rude and somewhat professional, I don’t want to raise these reviews of movies to a level where object criticism could be placed at me. These reviews are mine they don’t represent any form of global ratings. If you know me then they probably make sense, if you don’t then your experiences of a movie could be vastly different to mine.
For the first thirty minutes or so of this film I didn’t even think about what to write here. That probably means the film was pretty good. If it was terrible I would have been pondering my context of this communication for a long time. I wasn’t really sure where this film was meant to be set or when Queen Anne reigned over us. A quick Wikipedia reading left me to understand that the action takes place at Kensington Palace and she was queen at the start of the 18th century. I am slightly worried that this communication will descend into a rant about society, hierarchy and the feudal system but I will do my best. You can read previous film reviews to see what I mean.
My short summary about this movie would be thus:
More lesbianism than I was expecting.
There should be other things to say about this film and so I shall put them here. I had three main points to say once I left the environs of the cinema. Firstly, not knowing anything about the movie on the way in I was slightly surprised at the level of lesbianism contained within.
Next, there were quite a few establishing shots where a fish eye lens was used, which in itself is fine but then they moved the camera and it felt like watching a VR film somehow and if the shot had gone on much longer I think I would have felt slightly sick.
The next thing that surprised me, but I guess shouldn’t have, was the fair usage of the word “cunt”. I am not bothered by usage of this word and it is interesting knowing the general reaction of the populace now compared to what was probably common usage three hundred years ago.
This film was probably more “arty” than it needed to be. There were plenty of lingering, holding shots that could be different and I guess the director wanted to make a statement. I’m not sure what the intention was but a statement was made. At times the soundtrack consisted of quiet repetitive sounds that slowly increased and stayed in the scene minutes more than would normally be expected. This was slightly irritating and a purely artistic choice, possibly one that I would not have made. It made it feel quite “my first art film”.
A quick read of Wikipedia about Queen Anne and you can see how much of this film is fiction. How much of it is speculation rather than being a well sourced historical film. I would rather have an as-close-as-possible film than this, but I guess it made a good story. Queen Anne is a fascinating subject and more complex than could be shown on film. I will state that Olivia Coleman was stunning and her facial acting in one scene was outstanding, you can read the emotions and thoughts of this queen perfectly, it was all so subtle.
This is the second film with Rachel Weisz in period costume that I have seen in the last year. I don’t think that’s enough for a trend but given I didn’t know she was in the film I think I’m excused.
A lot of the filming was done at Hatfield House, which I have never been to see, but my mate’s mum used to work there so I’m claiming a personal connection to that. It turns out that Abigail Masham is buried in a village near where I grew up, High Laver, and so I think I will visit the grave and see the church as it turns out that John Locke is buried there too.
Lean Into It – Mr Big
This, as far as I know, was the second album by Mr Big. They were a supergroup. They had a massive hit with the dong “To Be With You” which is the last song on this album. Can I remember any of the other songs? Not really. I think the album is fine for a US rock band. It’s just never really hooked me in.
Laughing – Re-Animator
I’m pretty sure I got this album sometime in my third year of university. Although I can’t remember the specifics I do suspect it was in the “metal” section at a music shop. Obviously this was in the days before streaming and even previewing an album. What you bought was what you got.
I’m not sure this is a serious album. I mean musically it’s pretty good and the songs are good but there are plenty of songs with humour in them and start with clips of audio from film etc. If you like heavy slow paced thrash metal then this is a good album for you, assuming that you don’t mind the odd piece of fun.
The following songs are stuck in my head, even after twenty (or more) years.
- Rude Awakening
- Kipper ‘n’
- Research – has French spoken at the beginning
- Another Fine Mess
- Monkey See, Monkey Dance
- Don’t Patronise Me
I guess you could stream this album now, for nothing, listen to it and then dismiss it. Over the last few months I’ve come back to the idea of paying for music properly! Sad old me and my liberal sensitivities.
Bumblebee
The other day I went to see the Michael Bay film Bumblebee at Rochester Cinema. On the way to the cinema the tide was low, but was lower on the way out, possibly at a minimum, all the mud banks were showing. Out in the river there’s a crane on a barge! A proper crane with wheels and stuff, just sitting on a large barge. I do love the big stuff we make. So, I started looking for a satellite picture of the mud flats at the edge of the river and ended up getting excited about the historical photographs available in Google Earth. I probably owe them something for using these clips.
If you move slightly further east from this picture you can see the Shorts Brothers Flying Boats resting on the river Medway, that must’ve been such an amazing sight. Sunderlands taking off from the Medway before Shorts was relocated to Northern Ireland.
Next up are the 60s decade of sex and drugs and rock and roll. No motorway though.
The original Medway motorway bridge opened in 1963 and on closer inspection I think the construction work in the photograph is the building of the supports.
By 1990 you can see the bridge and then the area that will be reclaimed for the entertainment complex.
In this photograph the cinema and nightclub are there, along with the new Channel Tunnel Rail Link bridge for the high speed train network and another road bridge. I think the original is also being “beefed up”.
The bridges are complete and it looks like there is a trail bike track the other side of the railway.
This last picture has the new housing estate in the Medway Gate. I’m not sure what their sunlight is like as they live in the bottom of a pit.
Back to the process of writing this film review. I rated the film on IMDB, as usual, and there’s a communication buried in this site to explain the rating process. I tweeted this result, because it makes this site look prettier than me just writing the result.
I rated Bumblebee (2018) 4/10 #IMDb https://t.co/7HMrwujRr6
— Ian Parish (@iparish) December 28, 2018
Well, this film was the usual mess of a Michael Bay film. It starts somewhere and leads us in the knowledge of how Bumblebee and the others got to Earth along with some stuff about saving the world. It really wasn’t an interesting film and I got bored with the middle hour. Worth a watch if you want to complete your set of Transformers movies. But much like the very first movie the transformers were too “busy and quick”.
Would robots fight each other the same way that humans do? Would they try to hit each other about the head until they pass out? Would they have a voice module in the same place as a human? Would they have independently developed bullets and missiles that look like our Earth weapons?
I think not.
Fleisch – Fire
Fleisch were the main band in the venue Fire last night. They are an industrial metal band from somewhere up north. The first band though were called AlterRed.
I honestly can’t remember a huge deal about AlterRed! I don’t remember hating it but I don’t remember being incredibly impressed. It was watchable. I think Smith and I gave it about a 3/10 score, although the grading system for watching bands isn’t as rigorous as the cinema review section of this site.
I didn’t take any photos during the gig, it wasn’t that sort of place so I have found a music video and you can judge for yourself:
The only other band playing that night were Fleisch. There were better and rated at about a 5/10 by Smith and me. I’m not sure the sound was super brilliant and I certainly didn’t get a Rammstein feel, which they claim but it was a good performance. What I don’t understand is the need for separate bass tracks in the backing track and also a bass player, one or the other folks. Your sound doesn’t need two lots of deep sounds, one will do.
Here they are, again, no photos from me:
Aquaman
I’ve got to stop doing this. I think to myself that I’ll go to the cinema and there’s not a lot on that I want to see so I go see the superhero film. Even though I know superhero films annoy me. Even though I know I don’t like them. Even though while I can appreciate the canon, I don’t care. Film versions annoy me. There was even a guy in the cinema wearing a jacket with patches all over it, each one was a superhero patch. Gosh I hate these films.
I rated Aquaman (2018) 4/10 #IMDb https://t.co/PiPc3tyOpb
— Ian Parish (@iparish) December 24, 2018
That score isn’t really a surprise is it? This film is about privilege, it’s about the firstborn child born to a queen out of wedlock who then claims the throne to be his own. If this was a true patriarchal society then the half-breed usurper wouldn’t have any grounds for complaint. This, once again, is a film to reinforce the idea of our position in society is one we are born to. I don’t want to rant again like one of my recent movies and so I shall pour a glass of red wine instead. Read my rantings here.
There were two female characters? Out of thousands.
One of the women imprisoned the father into a daily ritual of being at the dock at sunrise just in case she came back. What utter psychological abuse.
This is another film about how beating up people and asserting your physical strength over every other aspect of your personality will win. What a load of bullshit. It was annoying and stupid.
Die Hard 30th Anniversary
Last night I went to the cinema in Rochester [not in Rochester] to see the latest action film release – Die Hard 30th Anniversary edition. This was an utter delight but there are conventions I need to follow here and although I broke them for the review of Skyscraper I shall not be doing that now.
It was dark driving along the promenade road but I could see the state of the tide reflecting lights from the houses and boats on the other side of the valley. The water was not covering the mud flats at the edges of the river and so that tide was definitely not in.
I also rated this film on IMDB and there’s a communication that deals with the rating system, you should probably read it and the follow up.
I rated Die Hard (1988) 8/10 #IMDb https://t.co/RhFmtENJpF
— Ian Parish (@iparish) December 22, 2018
What is there to say about this film? It’s iconic and brilliant. It has so many moments that are captured in the collective psyche that there were many times the entire audience [the cinema was full] giggled or laughed or just huffed a sound of appreciation at the film. It’s worth watching and seeing over and over.
Yippee ki-yay
Killing Joke – Killing Joke
This is the last of the “k” albums. I got this album after getting Pandemonium by Killing Joke which is an awesome amazing album. This one though excites me less so. I don’t often listen to it but there are some highlights.
Requiem, Wardance and The Wait are all excellent songs and The Wait has been covered by Metallica so that gives you an idea of the influence of this band and their music.
Mortal Engines [1400]
Before you read this review of a terrible film please be aware this is published Fooyah.net communication number 1400!
This afternoon after a break of quite a while I went to the cinema. The last film I saw was First Man and that was pretty shit. When I was browsing which film to see this weekend there weren’t really any that moved me but out of all the choices I chose the one with massive cities roaming the Earth. Normally about this time I also mention the state of the tide. It’s one of those things that has developed over the last few years, I mention Rochester or wherever else I went and then I also comment on the tide. I think it was low, but when I was driving along the road I did see a lovely lighting of the river:
This picture perfectly sums up what the view looked like. The sun was glowing through the clouds and created a great light, but you’ll have to trust me as you can see that I took the photo with perfect timing to block the sun with the CCTV warning sign. What a terrible photograph!
I also rate all the movies I see on the IMDB website. There are warnings and you should read this communication which deals with how that rating system works.
I rated Mortal Engines (2018) 6/10 #IMDb https://t.co/xPUKyH8AEk
— Ian Parish (@iparish) December 16, 2018
I’m not sure that 6/10 is right. This film left me feeling oddly empty. It didn’t do anything for me. Let’s get a few things out of the way first this movie is based on a stupid, but fun premise. The story was full of clichés. The love story was boring. The terminator was a bit of a surprise and didn’t really fit in any of the plot. In fact it could have been removed and the story would have worked perfectly well. This movie even had a “I’m you father” moment. What shit!
Overall this film was quite boring and dull. It did nothing to excite me or make me feel there was danger or any imposing sense of doom. Terrible. Normally when I see a film I get snippets of sentences and words I am going to write in this communication. Not a lot came to me during this film. The only thing that did bother me was the suspension on these cities. It seemed impressive to be smooth enough to keep the buildings standing through all manner of surfaces and turns.
Perhaps this film should be interpreted through the lens of Brexit and political leadership. A massive city [London, for it is she] is heading to destroy the known world and ruin everything the world has because the “leader” is determined that his mission must succeed. The “leader” is willing to ensure that his plan works at all costs. He is willing to destroy the peaceful land-dwellers using a weapon of ultimate power. The city can’t be turned and must be kept on course no matter how deranged the plan.
This film also illustrates the problem with “class” and being born to the right family. It’s not really dealt with towards the end of the film but it is very clear early on that people born below should stay there and have nothing to do with the leadership of the city. We have that in our own society. This is built into our collective psyche from a young age. We are bred to accept our position and that those who come from certain families are there to serve the country and look out for us.
Think about how many fairy stories and pantomimes have someone born to rule who gets lost and resumes command once their birth story is discovered. Think how many princesses end up poor and in the shit until their true identity is discovered. Think how many poor people are only allowed to get to power if they are beautiful and marry a prince. Think about all those Disney cartoons designed to keep women and the lower classes away from dreaming about doing good and ruling.
Then, you have the royal family. From an early age we look in awe at these people. These poor fucks, whose own human rights are abused, are born into such a one-way life that they don’t dare escape. The role of these people is to rule over us. We fawn over their lives and loves and we have books about their children and photographs in all the newspapers. Their weddings and childbirth are treated like national celebrations because we have even more people to rule over us. It is in our nation’s psyche to be subservient to those in authority. Look at the power projecting from all the TV shows about the royals. Those gold trappings, the army, the flypasts, the glitz, the carriages, the clothes the fucking bullshit. It’s all designed to enforce their position and authority over us plebeians.
The houses of parliament are designed to keep reminding us that they have the power. That they deserve the power. That we are subservient to them. Nothing has made this clearer to me over my existence than the petty bullshit infighting in parliament over this Brexit bullshit. A broken system of representatives who are failing to do the best for the country as a whole. They’ll be ok in the end. I’ll be ok in the end as I have a decent profession. But it will fuck our country over. I mean we already have millions in poverty and families relying on foodbanks. This country is a disgrace and the time for revolution is nigh.
I honestly have come to the conclusion that we need riots and mass civil disobedience to force a change in the way this country is governed. We need to remove the barriers to social progression. We need all people to be represented equally and we need those in charge to do what is right for the country as a whole and not just play bullshit games with the future of the country because it serves their own egotistical ambitions.
But this won’t happen. Not here. We aren’t citizens. We are SUBJECTS. We have been trained to obey and follow the rules. We all believe that those in power are there because it is their right. That they will do the best for us. Look at the last two years. What a shit-show.
I read recently that one of the main reasons the first world war ended was that there are a massive popular uprising in the German empire and that the Kaiser resigned because of that. The next day the war ended. It wasn’t anything to do with us winning or being better than the Germans. It was because their people decided to revolt. Do you know what our ruling classes did? They forced our society to become more observant of the ruling classes and forced large parades on the people to force the masses to forget about revolution. It happened in Russia, in France many times and Germany. We were next but it was all suppressed. The ruling classes held us down and created more generations of subjects. Women only got the vote because they fought for it. Our collective experiences as SUBJECTS forces us to accept these pathetic imperialist ways.
Look at our national obsession for stately homes. I go around them and my anger increases all the time. These massive houses built on the profits of the poor and downtrodden. All that money used for a few while the many have to accept their fate to living a life of shit and misery while the ruling classes continue to benefit.
While I’m on this I’ll have a side swipe at religion. Mostly because it reinforces this whole idea that there is a plan for us. That there is destiny and no matter how shit life is down here once you die and, as long as you’ve followed their rules, you get to live forever in heaven where the big boss will rule over you. Religions are great. It’s how you keep the power. It’s how you enforce the populace to be subservient to you.
In summary. We are screwed because we so readily accept the idea of class and being born to elevation.
God, I’m such a lefty on some matters that it surprises me so much. I thought we were meant to become more selfish and cunty [sorry, I spelt conservative wrong there] as we got older. All I see more and more is the delusion our people are under and the pain and suffering of those oppressed by the rulers of this land.
And O you mortal engines whose rude throats/Th’immortal Jove’s dread clamors counterfeit