Tag: review

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Alien: Covenant

On such a lovely weathered day I thought the best place to be was in the dark, air conditioned atmosphere of a cinema. I did have a lovely run earlier today and managed 7 miles or so.

So, off to Rochester cinema I went. Worriedly. The last film I saw I walked out of. I’m not sure if that was because the film was truly terrible or maybe I was just having a minor head-fuck moment. It was with trepidation that I entered the theatre this time. I was also worried because Ridley Scott’s last foray into the Alien series had distressed me so much.

This film was largely OK. Hence I rated it a 6 on IMDB.

So, in more detail here’s some thoughts after I steal quotations from some source. If you read my Prometheus Arrrgh communication you will understand what I was worried about. I have since heard people say that Ridley Scott makes gorgeous films, but when he’s been given a shit script, it’s still a shit script.

Finally we have much more involvement of the synthetic human and he has gone mad. This pleased me because the entire series should have been about the relationship that humans have with the alien within their system, within humanity itself.

There were still some issues with this film. You don’t land on a new planet without surveying it THOROUGHLY. You’d also check toxicology reports etc. Humans are quite fragile really!

Now, if I ignore all that, I will admit that the rest of this film was pretty darn good. Really it was an horror film and an awful lot of it was filmed in the dark. Don’t wear sunglasses in the cinema, you won’t see a thing! There was gore and the Alien and stuff.

In all honesty, this film is nowhere near as good as Alien. It’s almost a cross between Alien and Aliens. I fully recommend that you go out and buy Alien and watch that instead.

Oh, and how to kill an Alien? Blast them out into space. EVERY TIME.

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The Fate Of The Furious

I sauntered to the Cineworld cinema at Rochester last night and I should have left home earlier as parking is really busy on a Friday night. You circle the car park waiting to see people walking away from the cinema to their car and then you hope to get to the lane where they are parked before another circling car does. It’s like vultures and carrion. It doesn’t really help the there are plenty of people who can’t park and leave gaps way in excess of necessary.

I went to see F8, or Fast and Furious 8, or The Fate Of The Furious. I expected it to be shit. I rated it on IMDB but I had to refer back to this communication to look up what this score should be. I tweeted this opinion too:

I think this film was utter shit. I physically left the cinema before thirty minutes was up. Emotionally I think I’m still in there, I can’t believe how shit this was. I was mentally prepared for a slickly filmed, well written piece of crap which would have garnered a reasonable review but this was . . . . . not that film.

I have watched the first and possibly second second film in this franchise. I can’t remember. I do know that while the first film was not a good film it was watchable and a good piece of entertainment. F8 was a far cry from watchable. Maybe I’m a film snob? Bollocks to that, I am a film snob. I do expect films to at least put some effort into the script and characters. Maybe I shouldn’t have gone to see this particular film? But I am able to like these films and see them for what they are. Why this one made me leave the showing I don’t know.

I have now walked out of two films at the cinema and considered walking out of only one other. Van Helsing was so bad I thought about leaving but I didn’t want to disturb the other guy sitting in the row of seats. The Lion, The Witch and the Wardrobe was the other film I actually left. I wasn’t enjoying it but hadn’t considered leaving it until my guest asked me if I was enjoying it. “No” I replied. “Shall we leave?” came the response. This was a startling revelation, I had never really considered leaving before. We left.

F8 started out with a red car driving along what looked like the Florida Keys and then we were in Cuba. I don’t know if there’s a road like that in Cuba but there definitely isn’t a land link between the Keys and Cuba. Oh well, I can chill out. Havana looked lovely, even if it was in fraternity house party mode. I doubt it’s like that really. We start with a car race along a “Cuban Mile”. Whether that is like a Cornish mile I don’t know. It did seem to be quite a distance. Apparently you can take any old piece of shit car and race it against the best on the island, break it, set it on fire, perform a J turn and reverse FASTER than a fast car going forward and win a race. Just before you are going to launch into the sea you jump out of the broken car and roll along the floor with no injuries. Fuck you movie.

I did like the CGI waves that crashed into the sea wall as the cars came on to the promenade. But it must have been a freak wave because there were no more large waves crashing and in all the other shots the sea was rather calm. Maybe the intended audience isn’t expected to notice these things. Am I too snobby about movies? Up until now I hadn’t thought about leaving. Even Vin Diesel’s dumbstruck stupid acting face didn’t make me want to leave.

The following dialogue made me want to puke, it went a little something like this:

“Hey, you really won the race in that heap of shit car. You must be awesome.”

V.D. wry smile [no actual face movement]

“You can have the keys to my car and my respect.”

V.D. “I don’t want your car, your respect is enough.”

INSERT RED ALERT WARNING SOUND

Who wrote this shit? It’s utter machismo bullshit. This film should have been named “Bullshit cars and bullshit stereotypical hard men who are real men, none of that namby-pamby emotional stuff that was made for girls”. Maybe I have anger issues?

Now, I’m not sure what happened next but at some point there was an association football match between two girl teams and one of them was managed by The Rock. God, this film was lazy. The Rock’s team performed a version of the Haka before playing their match and the other team looked on as though they had never seen this or known about it. Now, if a team has rituals you would KNOW about it. You would be prepared and you would have measures in place to counter the rituals. One of the girls in pink [because hard teams are in red with a dragon and soft pussy girly teams play in pink] says “I don’t want to play anymore”. Did they employ a ten year old to write this script. Screw you movie!

We need to steal an EMP from some place in Germany. Quick, call a group of people who can drive really fast! This movie was so lazy they didn’t even want to attempt a heist sequence. We join the knobs as they are running away having already stolen the EMP. Oh and for information EMP stands for Electro-Magnetic Pulse. You have to add bomb or weapon to the end of EMP for it to make sense in terms of the movie. Also, obviously if you design an EMP weapon it can be lifted by a single person and has EMP written in massive font over its surface.

All of the chasing police are wiped out by a demolition ball swinging from what must be the world’s tallest infinite crane in the world as the bottom arc was perfectly parallel to the road. Perhaps this movie wasn’t for me. Perhaps I need to chill. I am writing this about twelve hours after starting to watch this movie and it is STILL annoying me intensely. I need to get out and have a run.

Somewhere in the thirty minutes I watched there was a car that ACCELERATED from 200mph to enter the back of an aeroplane while it was flying along a run way with the rear ramp down. Note to the producers and script writer. Some cargo planes could fly along a runway at 120 knots with a headwind. Also, how do cars somehow enter a run way on an airport in modern Germany? I thought we had tightened up things like fucking airport fences since all the bad people in the world keep trying to put bombs on planes.

All I needed now was a final trigger to make me walk out of this movie. I even had to disturb two people in my row. I actually considered their viewing pleasure but I reached a point where I couldn’t cope with the shit any more.

The Rock ends up in a bizzarre prison in a cell opposite cockney hard man Jason Statham. So, there followed a load of bullshit “I’m harder than you” dialogue and, surprise surprise, all the locks in the prison suddenly fail and all the prisoners break out and start fighting. I got up, gathered my coat and left. Best decision that day.

I am sad I didn’t see the submarine chasing cars over sea ice, but I’ll stream just that bit another time. This film was terrible. I’m trying to go meta and work out why I reacted so badly to it. The length of this communication worries me. Is something wrong? Normally I can end these reviews in a few paragraphs. “Fucking bullshit” would have worked for this film but it annoyed me. The utter laziness of the script and the machismo crap that reinforces all the stereotypes that modern liberal society is trying to remove. This is a film for reassuring the masses that it’s ok to be an arsehole. It’s ok to be a twat. It’s ok to fight. Pink is a girly colour only for pussies and muscles win over.

I hold out hope that towards the end of this movie the style changed and it reflected upon itself and had a different message. The world should be ashamed of this shit.

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Monster Trucks

I went to see Monster Trucks at Rochester Cineworld Cinema. It’s a kids film. I rated it (surprisingly high) on IMDB and you should read this before taking my ratings seriously.

You know what? This film was alright. It was a bit like an earthly version of Transformers. There was a young man who was obsessed with trucks but also quite intelligent and a young woman trying to impress him. I’m not really sure. There was also some step-dad stuff along the way with Danny Glover playing a scrap metal merchant in a wheelchair.

There were monsters. But, of course, they were mostly friendly. Apart from the physics of crashing down a hill and crushing your vertebrae this film was mostly good fun.

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Life

I took a break from building the Lego monster to visit Rochester cinema and watch the film Life. I rated this film on IMDB and you can see a guide to my ratings within this communication.

I spent a lot of this film wondering what to write. I’m still not sure. One of the ways I interact with films is to consider what I write here. It allows me to collect my thoughts and experience the film as something more than just a cinema trip. I am nearly at the point when I am going to take a pad and pen into a film to note down my thoughts as the film rolls. What is written here is normally a collection of illiterate thoughts after the fact. My musings are filtered through the cold process of entropy increasing. Occasionally I add an extra thought here or there when I realise I’ve missed an important point I wanted to make, hence a note pad would be a good idea. I don’t want to write notes on my phone because that’s likely to get me kicked out or would, at the very least, be quite anti-social in the darkened environment of the cinema.

You know what? I’m still not sure what to write. There are some science issues and orbital mechanics things that annoyed me a little but I don’t think they spoiled the film for me. Overall it was quite a good watch. This was essentially Alien but on the International Space Station. It wasn’t really as suspenseful as Alien, but then I do love Alien and Aliens. I did find this ultimately quite not-frightening.

Right [collects thoughts]. This film was fine. I like space stuff and this film had space stuff. Yep, that’s it. Fine.

Now, some bits a pieces with potential SPOILERS.

The ISS had to “catch” the mars probe? Not going to happen.

The life form was very aggressive, I don’t think this type of life form could exists on a planet. It would have to compete for food and resources and it would use them all very soon. Oh, shit, like humans on Earth. Wow! perhaps I missed that metaphor.

The Martian soil didn’t float about.

They found a single microscopic cell out of all the junk they brought in from the probe.

The Soyuz launched to boost the ISS to “deep space” would not have enough fuel. The film mentioned “deep space” a few times as though it’s easy to get there. It’s not. The energy required is immense. We have never, so far, sent a human to deep space. We haven’t even sent a human out of the Earth’s gravity well. We have sent some probes out beyond Earth’s grip but nothing that could sustain human life. I guess the film was set in the future so maybe they can have that one.

The Soyuz docked at a closing velocity that would have destroyed both machines.

There are probably other issues but I don’t want to come across as petty or pedantic. I am both. This film was largely: fine.

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Kong: Skull Island

I took a birthday trip to see Kong: Skull Island at the Rochester Cineworld Cinema. If you don’t know me by now, then you’ll never, ever know that I rate my movies on the IMDB website, but there’s a catch. I explained my rating system here, but I think scores have been creeping recently so I may have to redefine the system. Watch this space. When I decide my score I tweet it, which leads to a quite nice embedded format:

I had originally scored this as a 6, but upon reflection it didn’t deserve to be rated that highly, hence my change of mind.

Because, this film, was, shit.

SPOILERS ahead.

The script was appalling, lazy, stereotypical bullshit. Samuel L Jackson’s eyes got too much screen time. The film makers can’t count helicopters.

The monsters looked brilliant. I’m not really aware of the mythology around the Kong character but in this film he seemed to be more of an accidental benevolent monster type thing rather like Godzilla than all out terrible monster. I guess it’s OK because he fell in love with Brie Larson, who didn’t get smashed to death inside Kong’s hand while he ripped the brain out of a two legged lizard thing. It was irritating that Brie Larson seemed to spend all her time with a bag strap over her chest to enhance her breasts, this wasn’t needed, it seemed sexist to me.

The characters were terrible. War mad generals, smooth calm SAS member, crazy scientist with stupid theories, tribe who don’t speak. It was lazy terrible bullshit.

I can suspend my disbelief for gigantic monsters on an island surrounded by a perpetual storm. That bit was fine. The rest of this was bollocks.

It’s the little things. Little things that shouldn’t be things I have to write about. Like helicopters that materialise from nowhere. On the ship travelling to Skull Island there were, quite clearly, one Chinook, one Sea Stallion and four Hueys. All of a sudden when they take off to head to Skull Island the Hueys had babies and there were eight of them!! I have no idea where they came from. I also don’t know where the helos at the end of the film came from unless the US Navy had a task force nearby.

Oh, the Hueys had tape players and speakers. I can’t quite decide if this was an homage to Apocalypse Now! or just a plain bullshit rip off. The shots were almost exactly the same.

If you want a film with rebellious music, at least make the music decent. There was a ton of decent stuff around in the 1973 setting.

The two chaps who had crashed on Skull Island in the opening sequence made a boat out of aircraft parts. The team spent about a day turning this hulk of 29 year old metal into a working boat by turning some bolts and waggling some leavers. They made a metal thing work smoothly after 29 years in a humid environment. They must be geniuses. Oh and then, when they get the engine running it pops away smoothly and quietly in the background. Let me tell you that there are NO aero engines that run “quietly” in the background. That engine would have been producing in excess of 900bhp and no silencing. The makeshift boat would have torn itself apart.

According to the Wikipedia page I missed the post-credits scene where other monsters are revealed to the viewer. I don’t care.

If I wanted to be very extremely generous I could claim that the film was a complete metaphor for the USA’s battle against terrorism with Kong representing the terrorists. But I don’t want to be generous with this film.

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Gojira – O2 Forum

I don’t understand the Sunday night gig thing. I do know that the law changed a while back to allow dancing and music for public entertainment on Sundays but I don’t understand why so many gigs are now on Sundays, in London. Can’t the cities in the rest of the country have the Sunday gig? Sunday nights out are a big inconvenience.

First band up were already playing when Smith and I got into the venue. They were called Car Bomb and they were shit. Some of the crowd really liked them, but I couldn’t get on with their music. There didn’t seem to be any method or pattern to it at all, there wasn’t really any good riffing or beat.

Car Bomb @ O2 Forum
Car Bomb @ O2 Forum

There’s a possibility I’m too old for the newer styles of metal like core-metal and nu-metal. Code Orange were the next band. They had a drummer singer and a bassist who ran around and got the crowd going but who didn’t sing. There was also a female guitarist but I’m not sure if mentioning that is sexist or not. They were much better than the first band and they actually had some songs that had a good rhythm. I’ve got written down that they were core-metal with some good riffage. I don’t think this is my thing.

Code Orange @ O2 Forum
Code Orange @ O2 Forum

And we come to the finale. Gojira are a French metal band along the lines of Mastodon but less pretentious? I have listened to some of their stuff and think it’s better than Mastodon.

Gojira @ O2 Forum
Gojira @ O2 Forum

The sound was BIG. The light show was excellent. There was a video backdrop and it fitted very well with the songs and general atmosphere. The crowd was heaving and packed.

More Gojira @ O2 Forum
More Gojira @ O2 Forum

This was a good gig and it was nice to get back to the heavy metal sound.

Unfortunately I felt incredibly rough during the show and I left early. It had been a long weekend with lots of travelling. I feel bad for leaving Smith there, but I needed to get into fresh air and home. At least I saw the first half of the show. Gojira seemed overwhelmed at the support they had in London.

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Logan

In an unusual move I went to the cinema this morning to an 11:00 showing! I’d already had a run so I figured why not? I won’t embed that here, you can search my Twitter timeline if you want to see that. As is usual I rated the film on IMDB and for an explanation of the rating system you should read this communication.

So, I enjoyed the film. It was pretty violent and very well done. It wasn’t that violent given what I have seen in the past but I guess for a 15 it was impressive.

 

WARNING there are SPOILERS from HERE.

 

I don’t like superhero films. Or mutant films. Most of them are rubbish. This one was good but not brilliant. I’ve seen people raving about it and I think that’s mostly the rubbish they’ve been fed over the years colouring their view. 

I need to add that the whole idea that the kids would be safe once they “crossed the border” was odd given that the company chasing them was perfectly happy to blow shit up in Mexico and the USA and so probably wouldn’t mind popping into Canada. 

It was lovely to see Richard E Grant being evil.

This film was going to be rated 6/10 but I have given it 8/10 because of the major deaths that take place in the film. I though it was important to give those characters some honour.

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Hidden Figures

Last night I went to see Hidden Figures. It has been a while since I’ve been to the cinema as things are just a little busy at the moment. I’m sure I’ll catch up in the next month or so. I’ve had a recommendation to see Logan and given my general dislike of superhero films it will be interesting to see it.

I went to see Hidden Figures. It is customary for me to rate films on IMDB and I did so.

Perhaps you should read my reasoning behind my ratings, although I have to admit the logic is shifting slowly over time, as should be expected I guess.

Hidden Figures was a good film. It was about some of my favourite topics; space, rockets, maths, civil rights, humanity.

Quite a broad range of topics there, but this film managed them all. This was the story of three mathematicians at NASA. That doesn’t sound particularly impressive until you suddenly say BLACK FEMALE mathematicians at NASA in the early 1960s. Everyone should see this film, it has the right amount of everything, really worth while.

It stuns me to see how different people were treated. God, people can be fucking assholes.

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Hacksaw Ridge

I went to the cinema by the river Medway [Rochester] and watched Hacksaw Ridge. I rated it on the IMDB website and as ever you should read this communication about my rating system.

My general overview is that I won’t watch this film again. I enjoyed it but I am thoroughly depressed at man’s ability to kill and destroy each other. I do understand that at times it is necessary to do these things but I wish it wasn’t.

If you want to see a boot camp sequence then you only need watch Full Metal Jacket. There was a lot of soap opera joyness about the USA scenes. I will say that Hugo Weaving was fantastic as the father, he really showed the horror of coping with war. I am not sure that his friends would have been buried in the hometown but I could be wrong.

When we get into battle this film blows you away and I almost cowered waiting for the calm. The noise and assault was impressive. The battle scenes are brilliantly horrific and scary. Fuck war.

This was a “true story” and the interviews at then end played out some of what we saw. This is worth a watch.

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T2 Trainspotting

18. It was a proper 18 film. These are quite a delight because you get proper violence and language and sex. These films are grittier and more interesting than those certified below 18. When I think about it, you don’t get many horror films that hit the 18 mark anymore, I wonder if that’s because the market for those types of films is really teenagers. I’m pretty sure that some films change certification over time. Alien was an X on release [over 18] but is now a 15 on DVD release, people’s sensitivities get less as society evolves.

So, I went to the cinema at Royal Tunbridge Wells, it’s an Odeon, or the one I went to is, there may be other cinemas available. The cinema has an Italian restaurant on the mezzanine floor, which was nice and saved having to go to a big-chain-edge-of-town restaurant. Here is my rating which I score on IMDB and you should read this communication if you don’t get how my system works.

I really enjoyed this film. It was funny, touching and terrifying at the same time. I thoroughly liked the original and this is a good follow on. T2 shows how films can be sequels without just re-running the original film. There were plot points that were similar but you can watch this without knowing the original.

The film looked great and the soundtrack was excellent as expected.

It is quite scary just how much the actors have changed while also looking exactly the same, the cutting from one film into another deals with this brilliantly. There is liberal use of the word “cunt” by Begbie and at times I almost needed subtitles for him.

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An IMDB Ratings Update

Many of the communications within this domain are based on films I have seen or television episodes. Whenever I go to the cinema I rate the film on the IMDB website. You should see this communication which will explain my scoring rationale. A good thing about the IMDB site is that you can download your data.

So, here’s an idea of what how many times I have used each score.

Now, the odd scored films are a worry and definitely against my general rules. The film that scored 9 was The Imitation Game and the shittiest film that scored a 1 was God’s Not Dead 2.

The mean score of my ratings is 6.36 and this compares to an IMDB rating mean score of 7.05. I don’t know what this tells us.

The top of the table is here:

I’m not convinced that the TV Episode and TV Series scores should be in there, but can’t be bothered to remove those rows from my spreadsheet. Now, I know you want the list of the bottom films so here they are:

A couple of religious films at the bottom, possibly not a surprise, but then maybe they could have made good religious films instead. I’m not against religious films, they are just badly made. And then there’s the Sci-Fi. It’s a shame that some Sci-Fi is terrible, but terrible exists in all genres.

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Holy Diver – Dio

I bought this on vinyl originally. The cover of the Devil chaining a priest and drowning him was probably quite shocking for the time. I probably bought it because of the cover and it was in the heavy metal section of the record shop. Back in those days we couldn’t pre-listen or try a song, only the posh shops did that. I bought records on the cover and recommendations of friends.

Ronnie James Dio’s voice is strange, I wasn’t aware of his history with Black Sabbath and I still haven’t listened to any of his stuff with them, but I can see how he could follow Ozzy. I’ve just looked up that the guitarist was Vivian Campbell which explains a lot. I first heard of him when he worked for Whitesnake and the 1987 album.

Holy Diver has lyrics, but I don’t really pay attention to the lyrics. For me music is the riff, rhythm and tune of the vocals. This is an excellent 80s rock album with a perfect combination of sound and feel. It’s great. I can imagine a crowd of 80,000 all jumping in time to the heavy crunching riffs.

I can remember once being on Imperial College Radio and commenting that I thought Rainbow In The Dark sounded a lot like Living On Video. I had phone calls objecting but I maintain I was correct, or at least correct about the keyboard riff.

Rainbow In The Dark

Living On Video

Do you know what? I was right! Yes, for some reason I have both. I think I bought Living On Video as a single before I developed my love for screaming loud guitars.

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High Voltage – ACDC

1976.

AC/DC.

Debut international album.

This album. Is. Awesome.

I’m not sure if I’ve gone into my relationship with AC/DC before. My attention to them was first awakened by the song “That’s The Way I Wanna Rock n Roll” off the Blow Up Your Video album. When I found out there was a back catalogue of about 12 albums I was so excited. All that music to be consumed.

This album is their first major release. I believe that the track listing is different in Australia along with the cover. I have owned this on cassette tape, CD and now digitally. I didn’t buy much AC/DC on vinyl because I couldn’t carry around a record with me to listen as I moved.

AC/DC are masters of riff driven rock with a dirty guitar sound, perfectly crafted rude lyrics and brilliant accompaniment to balance out the sound.

It’s A Long Way To The Top If You Wanna (rock and roll) – fucking bagpipes.
Rock ‘n’ Roll Singer – includes the lyric “yes I are”, which I maintain is lyrical genius.
The Jack – better live as the lyrics are truer.
Live Wire – AC/DC Live video opens with this song. It’s a great sing along tune.
T.N.T. – riff-tastic.
Can I Sit Next To You Girl – pace change in the rhythm guitars is great.
Little Lover – “Killed me when I saw, The wet patch on your seat, Was it Coca Cola?”
She’s Got Balls – Opening riff just floors me. Lovely bass work. Beautiful.
High Voltage – Still played. Still loved. Like every song here.

This is an album to horrify the elders. To rip fear into grown ups. The lyrics are rude without being offensive [kind of] and the sound is pure dirt. Put it on. Play It Loud. Really Loud.

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Assassin’s Creed

I went to see Assassin’s Creed at Rochester Cineworld. As is customary I have rated this film on IMDB and shared it via Twitter. For a discussion of my rating system please read this communication.

I honestly don’t know where to start. It was shit. Terrible. Really bad. There are places and times for a good old discussion about “The Problem Of Evil” and how freewill is involved [but not] but this film is not one of those places.

But then it was based on a game. Which I haven’t really played. Which, as far as I know, is quite good.

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High ‘N’ Dry – Def Leppard

This is the second album released by Def Leppard and the first by them to be reviewed in these communications. Of the four albums by Def Leppard that I know this is probably the weakest. It does have a lot of reasonable songs and the sound of the guitars is a decent 1980s sound which I like. I’m not quite sure what’s missing.

All the songs have good energy [apart form the ballads]. The beat is up tempo. It is well produced. But it lacks. Especially when comparing to the albums either side in release order. It’s probably the Def leppard last album I would choose to play unless I really want some quality 80s rock. You’ll have to wait for my review of On Through The Night but given how anthemic it is this album leaves me wanting.

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Herzeleid – Rammstein

This is the first Rammstein album I have reviewed in these communications and I will tell you that it leaves me feeling quite excited. I was first given this album and another in the early 2000s. Listening to the heavy German sound was so different, so exciting and refreshing. The clear crispness and utter heaviness was astounding. I didn’t care that I couldn’t understand what was being said, I’ve listened to English speaking singers and not had a clue!

Rammstein are a band where you can start right at the beginning and just keep working through their albums. There isn’t a bad album.

Herzeleid came out in 1995. It doesn’t show. Buy this, give the band some of your money and enjoy.

This band a is dangerous and great fun.

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Silence

I sauntered out to Rochester cinema last night to see Silence. I have, of course, rated this film on IMDB and you should read this communication about my rating scale. I went to see a showing that had the programme start at 20:40. This was a late night for me!

So, this was a long film, but didn’t actually feel that long. I enjoyed it a lot. I would recommend you see it. I am not sure I would watch it again, but it deserves an 8 on my scale. It is a thoughtful, slow, beautiful film with lots of torture and suffering.

I was mildly amused at the beginning of the film as right at the point that its name glares across the screen SILENCE there is no audio from the film but the doors to the auditorium were open and the noise of people outside in the foyer filled our room.

Having done a little Wikipediaring I have found that this is based on an historical fiction novel about the treatment of Roman Catholics in Japan during the 17th century. You will not be surprised to find that I do not understand that people would rather die through torture than recant their belief in a [possibly mythical] Jew from the middle-east who was likely a naughty boy. However, this is what they did and they died for their faith. As have many before and since. This, I can’t compute.

This film is worth watching. I will be watching Ghost In The Shell today because there is a live action version out soon!

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Heading For Tomorrow – Gamma Ray

I originally had this album on vinyl. I can remember looking at it in the shop and wondering if it will be any good. It had an odd double jacket which I think was just because the branding of the band had changed over time. That was all I knew when I got it.

I think this is a great album. It’s very operatic hardcore German metal. If you like Helloween then you’ll love this. Largely because one of the Helloween members went on to create this band. The whole album has operatic themes and great riffs and remember-able hooks to the choruses.

Heading For Tomorrow
Heading For Tomorrow

Lust For Life, Heaven Can Wait, Space Eater, Money, Freetime and Heading For Tomorrow are all great songs. Just bloody brilliant.

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Grind Ya Down – Motörhead

Every now and then I buy a Motörhead album and pretty often I am disappointed. There is a good reason for this. “No Sleep ‘Till Hammersmith” is a live album that will [eventually] be reviewed here. I will let you know now it’s the dog’s bollocks, an absolutely brilliant album. And that’s where the problem lies. All other Motörhead albums are going to pale in significance.

As far as I can make out this is a compilation album, probably to make a quick profit for those liking the whole “Ace Of Spades” thing. The track listing has some very good songs, but when you have already heard them on the aforementioned live album these songs seem a little bit tame.

I suggest you just get No Sleep ‘Till Hammersmith.

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Gorillaz – Gorillaz

I actually bought this on CD. I remember liking the song being played on TV and the radio and thought I’d get the whole album. I did like the characters in the videos and how they looked quite anime.

I think if I played this album I would recognise a couple of songs but I’m pretty sure I’ve only ever used it as background music, it’s not something I’ve listened to actively.

Isn’t some Blur member in the band?

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