Dr Feelgood – Mötley Crüe

For whatever reason I really love the 80s metal/rock stuff. I’ve watched documentaries where it’s explained that it was nasty, drunk and misogynistic. I actually agree with all of that. Mötley Crüe were the worst of the bunch really, the album “Girls, Girls, Girls” pretty much sums up that era. It’s hard not to like stuff when it moves you. I think feeling moved by a song is a base emotion, possibly based on some early learnt patterns, but mostly something to do with real unconscious stuff. It’s hard to get away from what moves you like that.

Dr Feelgood is a damn good album. The production is clean and heavy. The riffs are all good it’s just a quality cock-rock album. My favourite songs of this group are: Dr Feelgood, Kickstart My Heart, She Goes Down and finally “Don’t Go Away Mad (just go away)”.

Pretty much every Crüe album has a bad song on it. They’ve always recorded one song that just doesn’t fit with the rest of the album and, for me, this is their first album where every song is valid and fits. “Without You” is a ballad, but well written, I just don’t like it much anymore.

 

Spider-Man 2

I had a bit of a Spider-Man marathon recently. On Friday evening I watched The Amazing Spider-Man on 3D Blu-Ray and I enjoyed it. I found the new actor far better than Tobey Maguire who just annoyed me. I rated this film an 8 on the understanding that I will probably watch it again (mainly with my sons). See this communication for an explanation of my rating system.

I mainly watched the first (new) film because I went to see the second film at the cinema. I, again, rated this new film an 8. I enjoyed it and this film goes to show how you make a good super-hero film.

I won’t give too much away except to say that I found it rather curious that every product within the film was made by Sony. Some people might be thinking that because Sony paid for this film it allows them to place products [it does].

I won’t go into the organ-destroying acceleration experienced by the people that Spider-Man saves by swinging and catching them, also the conservation of momentum law seems to have been forgotten. Mind you, the film is about a man who can walk up walls.

 

Transcendence

I had expected worse. I think there are some films where the tag line needs to be:

Better than the trailer suggests

I think the best film I saw which was let down by a terrible trailer was the Road To Perdition.

Transcendence wasn’t the worst film I saw this weekend. It was a well made and glossy film and there was lots of stuff. The overall plot line was pretty good for the first half of the film and then it went bad. At lots of points I found myself thinking “what?”, “how” and “why?”. I just didn’t get it. I could write the plot flaws below, but I don’t often do spoilers. It would be best for you if you just watched The Lawnmower Man from the early 1990s.

I gave this a 4 on IMDB. See this communication for my rating system.

Noah

“Woo hoo. Father, woo hoo.”

These were my first words I ever spoke on stage when I was 11 years old. I had previously played the villain in a version of Cinderella for my primary school but this acting job was at a “proper” dramatic society show.

I think I played Japeth, the son of Noah, in the stage play Noah by Andre Obey. I vaguely remember that I stood off-stage-left when I spoke these words. Those words are pretty much all I can remember of that experience. I was in other productions, maybe more later, but this was my first. The programme is probably somewhere in my loft or at my parents’ house. I had a couple of folders where I kept mementos of all my appearances and shows in which I was involved.

As for the film I saw in the cinema, it was shit.

The Winter Soldier

The full title of this film is:

Captain America: The Winter Soldier

I just couldn’t be bothered to title this communication properly. I’ve rated this film as a 6 on IMDB. I went to see this at Rochester cinema, my regular Cineworld venue, curiously most films I’ve seen there recently have been in the odd-numbered theatres, whereas last night I was in screen 2. I had to turn left going into the main corridor which was a little strange [left being even screens, odd being right].

I enjoyed the film. It was a good superhero film. It’s not my favourite genre as I find that the universe tweeks to create the film normally surpass by suspend-disbelief barrier. I am always willing to accept a tweek or two to a universe rules to allow a film to tell its story. Faster-than-light travel, instantaneous communications, super-strength, people flying, gods etc. Superhero films sometimes require too many tweeks to force the story and it ruins the overall effect, for me.

Overall, the plot of the film was (just) believable. I’m not one for massive conspiracies, mostly because organisations are made from humans, but the ideas behind this film seemed reasonable. The action scenes were fine, nothing stunning, they just seemed to be going through the motions. I say this with a caveat: a well made action film looks seemless and as though it’s going through the motions, whereas a poor action film highlights how hard it is to make a seemless action film. I say this because I quite like a well-made bad film, they are cute and funny, but there is a big difference between a good bad film and a bad film. Hmmm, not sure I can explain it very well, I’ll have another go another time.

I felt that this film was not just an action film. It was a story of the last 15 years of world politics [I might be reading too much into this]. A massive new Washington DC organisation [DHS] wants to protect the world from the people who disagree with they way that the World Council [USA] runs things. This is to be done using the Insight program which will eliminate all threats before they actually happen [Iraq and Afghanistan]. This is ultimately a BAD thing and so the freedom fighters [liberals] try to make sure that the system fails. This film is a critique of US and allies’ policies over the last fifteen years.

Look, this film was good fun. Worth watching. It felt quite long, which isn’t a bad thing. I like getting my money’s worth when I see a film, as long as it all fits together and this one does. Overall I would recommend this to other people to see.

Laughing
I sometimes [and only sometimes] laugh out loud in the cinema. It would appear that I find some things funnier than other people as I am the only person who laughs out loud. Is it right to laugh when no-one else does? I don’t really care. I’m not going to change, especially when I laugh at a reference to another film that others don’t seem to get.

Flinch-Gasp
Years ago when I saw The Passion Of The Christ I could hear others in the cinema flinching and doing that intake of breath whenever Jesus was beaten or whipped or whatever else happened to him. I was quite unmoved by this for the following reasons:

  • It was a movie and so NOT REAL
  • The story of the passion is not mentioned in the bible, and so is just tradition.
  • Jesus (most probably) did not exist and so neither did his suffering [the contemporary documented evidence for the big JC is non-existent]

Recently when I saw 12 Years A Slave there was the same phenomenon when the people were being whipped. This time I understood and agreed with the sentiment a little more. At least there is documented evidence for this appalling behaviour. I didn’t really do the gasping flinch though.

In the movie last night we see a scar on the Black Widow of where she was shot. Someone did the flinch-gasp. Seriously? In a made up film about a made up universe where a superhero gets shot and recovers someone thought the sight of a scar was enough to warrant making a flinch-gasp? Arrrrgh.

Other People
Why go to the cinema to eat? It is something I don’t understand, especially when the food substances are wrapped in noisy packets. I think that Sartre was correct:

L’enfer, c’est les autres

Divergent

This film was a good watch. I enjoyed it although I am slightly wearisome with the dystopian future that we see. There are many stories from film and books that have this sort of future Earth. It seems quite clear to me that we are going to ruin the planet, our fiction and imaginative writers can only see bad things in the future. They look at society now and extend and widen the gaps and you end up with the world of Divergent or The Hunger Games. Wherever we look the goodness of humans is outweighed by the selfishness and greed of the few who “lead”.

So, this was a pretty standard film given the current fashion for trilogies of YA Fiction. It starts with a young girl who doesn’t fit. She then cheats the system and uncovers a massive conspiracy which she then defeats. She gains quite a bit of street-cred on the way. That, is pretty much it. There’re a few set pieces to show the world of in all its glory. Overall, it was enjoyable and fine. It was not brilliant. For a dystopian future world I still think Blade Runner is the best, or Akira if you like that sort of thing.

YA Fiction. The first time I saw that I had to look it up. Apparently it stands for Young Adult fiction. I think it pretty much covers all those stories that are aimed at teenagers but are actually read by adults on the daily commute (but with a different dust jacket). Isn’t it weird that books aimed at teenagers contain the elements of “not fitting” and “breaking the system” and “following your heart”.~

I rated this film a 6 on IMDB, but to understand what this means you need to read my communication about film ratings.

Five Finger Death Punch

I snuck into London last night to see Five Finger Death Punch at The Forum in Kentish Town. Curiously Kentish Town didn’t look as Kent-like as the name implies. Here’s a power station viewed from the fast train from Ebbsfleet to St Pancras [who was a Roman convert to Christianity and beheaded for his belief].

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I had a pleasant walk from the London terminus to The Forum, about 40 minutes, and waited in The Assembly Rooms for Smith. Once he had arrived we chatted and ate. The queues to enter the auditorium were large, but gave us time to digest the contents of the flyers we were handed before discarding them in the traditional manner.

The first band on were called Pop Evil. They played ROCK. It was ok. Not to my current tastes but they were a good warm up band.

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Then, on came Upon A Burning Body. A band from Texas. They played pretty good music although I couldn’t understand most of what the singer sang. This didn’t worry me, I don’t really do lyrics. Although I wouldn’t go out of my way to see this band again they were pretty good over all. I liked the suits they wore.

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During their set all the lights stopped working and they carried on while lit from torches held by security and the guys in the “desk-in-the-middle”. The pit opened up in front of me and it was quite funny to see this close. Young men running in circles and generally pushing into each other. The atmosphere was one of comradeship as when someone fell down after being hit, they would be helped up by everybody. I saw a couple of rugby tackles and at some point it turned into a competition to see who would be the last man standing. Then, it went wrong. A short tubby man decided he was going to hit with his hands. He threw a punch and got warned to stop by most in and around the circle. He had gone too far. You don’t intentionally hit people in this small world of machismo. Then he threw another punch, caught a chap on the chin and stood gloating. About five guys rushed at him, pushing him to the floor and then two of them dragged the guy to the side and security. I didn’t see him again. As much as most people would look in horror at “the pit” it’s actually a safe place where, if you accept the rules, you will be looked after and everyone has the same needs.

Five Finger Death Punch burst onto the stage playing “Under and Over It”. There was energy and excitement. They played well and have a good stage presence. I was really impressed at Download last year and so was looking forward to this. They played songs. I don’t know the names of the songs. I just recognise them. I’m pretty sure my head is full up and can’t learn new song names. Also, the way I listen to music has changed. I no longer sit in my bedroom staring and the record sleeve, I play music while running, driving or working.

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It was a solid gig. They played well. They played 3 ballads too many. I hate ballads. The atmosphere gets lost and the energy of the room fades during ballads. Also, as a rock child of the eighties, ballads were how bands promoted themselves. They had their place but are not necessary anymore.

The set finished at 22:30. This made the FFDP stage time about seventy minutes which was rather short. I was hoping to hear four more hard and heavy songs when the houselights went up. I was left feeling a little disappointed. They didn’t quite “bring the house down” in my opinion. A big problem for me was the singing of the chorus to Champagne Supernova by Oasis. I never liked Oasis. I think they wrote poor songs, sang badly and were hyped in a battle with a group of real intelligent people who could write songs. Don’t be a metal band and then play some Oasis. They were shit. It’s shit and it makes you shit.

FFDP2

Need For Speed

I rated this film on IMDB as a 4/10 using my new guidelines to rating films, discussed here.

This was a bad film. Let me try and explain my choice of words there. The script was bad, the acting was bad, the racing was comical, the plot was appalling and the geography was bad. The scenery was gorgeous and Michael Keaton was brilliantly over the top. Otherwise, this was in general a bad film. I wanted it to end after about an hour and it didn’t, it kept piling up the turds for another 70 minutes! Yes, this is a long, tedious bad film.

I shall now go into some more detail. Like most things in life we like to focus on the bad things and rant and moan and yet don’t commit the same dedication to the good things. My good reviews on this site are probably pretty short, while the bad ones just let the venom flow.

I fully understand that this movie is based on a game franchise and I have played a version of the game [Carbon I think] which was quite good fun. I’m more of a circuit racer than street racer as I don’t like the unpredictable. It’s why I never really got on with Mario Karts as I hated being in the lead and then some crappy mushroom hitting me and making me last. If it’s a driving game then I like driving and not being t-boned from out of nowhere.

The characters were pretty one-dimensional. There was a successful racer, Dino Brewster, who had left town and raced at Indy but was a bit of a cock. Well, those people exist. The reason he left town was because he was better driver at the time than the main character, Tobey Marshall. There’s a race. There’s a failing company and a last chance at redemption and getting the company going again. It seems that Tobey isn’t very organised or clever. He wins a race. There’s a death. Tobey goes to jail. Tobey gets released and immediately jumps bail to enter a race on the other side of the country. Oh god, it’s bad writing this, making me relive the film. I’ll cut to the chase and keep it simple.

They don’t where seat belts while racing. Now, you can’t get decent feedback from the car unless you are tucked in nice and tight.

Every corner requires oversteer. This isn’t the fastest way to get around a corner. Yes it looks flash but to win you need to go fast and sliding isn’t fast.

Geography. One moment we are in Detroit and then we are in the Grand Canyon [looking remarkably like Pixar’s Cars scenery] and then they are flown by helicopter to the Bonneville Salt Flats a mere 500 miles away. Really? Maybe I’m being too much of a realist?

The cars were quite nice but let down by deliberately jogging the camera while racing to make you think they were going faster than they really were. You know the simple tricks to make you worry about the speed limit:

  • Camera down by the road
  • Shaking
  • Endless gear changes
  • Filming close to increase the pan speed
  • Smoke from spinning wheels
  • Noise

Curiously most of the cars in the final race were European. There was a Saleen and possibly another US car but it seems that we Europeans have the best aesthetic appeal when it comes to cars.

The Ford-Shelby Mustang was interesting but then if you are renovating a car you don’t fit it with a HUD or Recaro seats, you make it like as it was intended to be. Oh, and the JUMP!! The Mustang was clearly heading for a major front axle bend when it landed. It’s like the old Dukes of Hazard when their car would launch and then obviously land at such an angle as to break the car in half and then in the very next shot Luke and Bo (?) would be seen driving normally.

If you have a USA Police Car chasing a Koenigsegg then, let’s face it, the Koenigsegg is going to win and at the same time it will speed away from the police, especially around corners. The film had police cars easily keeping up with the Koenigsegg. That’s not really how it works.

I’ll explain the biggest problem. I didn’t LIKE any of the characters. They were pretty much all arseholes.

It’s interesting now that when I see a film I form sentences that will eventually appear on this website. I try to remember my thoughts as the film develops and then commit them to this website. How did this film go? I remembered a lot and I’ve had to try and stop myself from filling pages about how bad this film was. If you want a car chase watch The Blues Brothers.

The Monuments Men

A Nice Little Film

These are the words I text Smith just after seeing this film. I really enjoyed it. If this film had a purpose then it showed man’s duty to protect culture and the importance that should be placed on it. It also showed camaraderie and dedication to a cause that is “just”.

You quickly forge the cast and the “big” scenes seem to just fit but I can see that they took a lot of work. The film had scenes from the Normandy Landings to Paris, the Battle Of The Bulge, St. Lo, etc. To get the “look” of the film right was a huge amount of work and probably un-noticed by most.

There were no overblown heroics and I had expected some time spent on “basic” training with the laughs thrown in but this was avoided too. As I said earlier:

A Nice Little Film

I now have some more places in Europe to visit. I have been to Bruges but I didn’t know that the statue of the Madonna and Child was there. Time to return I think. I will say one thing and I have to blame the culture of the 1980s: I was half expecting some of the cast to find or say they were searching for the “Fallen Madonna With The Big Boobies”. Such was the influence of ‘Allo ‘Allo on my childhood. Damn!

I did watch a trailer for this and I’m pretty sure that there were a few lines in the trailer that weren’t in the main film. That’s good. I hate seeing all the “big” bits of a film in a trailer and then the actual film fails to overcome my expectations. Comedies struggle with this, they put the funny lines in the trailer and then there’s nothing left for the main film. An exception to this was The Heat with Sandra Bullock. I didn’t see this at the cinema because it looked as though they had put all the funny bits in the trailer. I was wrong. This film had me laughing out loud ALL the way through. It was far better than the trailer.

Rant:

I really should try and avoid films the first few days that they are released. People in the cinema with loud sweet packets are REALLY ANNOYING. I nearly turned around and told these people to “fuck off”. Any food taken in to the cinema should be something that is quiet to eat or access. There is no need to take noisy packets of food into a cinema. It just shows what anti-social pricks you are. If you want to eat food while watching a film do it at home. You are probably too fat anyway and so shouldn’t be eating more food anyway.

End of rant.

Robocop

I saw this at the local IMAX. I knew nothing about it when I went and only a vague memory of the original film and thinking it was a good film.

This film was a 12A certificate. The original was an 18 (and directed by Paul Verhoven). So, it was clear that there was not going to be the same amount of violence or language involved in the new film.

[Note: I have since watched the original again and the new film stinks in comparison to the old one (which I consider a classic, probably due to where it appeared in my lifetime)]

Overall, the new film was rubbish. There were some nods to the original but they were poorly done. The news-caster opening the film and being generally very republican and Fox News about it all was there in the original but more cleverly done 20 years ago. I don’t think the news section added a thing to the film whereas it gave a much better view of the future world in the earlier version.

The original film had more menacing corporate politics, more menacing criminals and a far better plot line. This latest version of the film was too politically correct. Murphy’s wife gave consent for him to be turned into Robocop in this film and knew about him. When Robocop tries to overcome his programming in the new version we just see him flash loads of video over his display. In the original you can see a man dehumanised and then struggle with memories and his inevitable return to humanity. His wife and child have gone. He’s left alone. The original film makes more of the “struggle” to overcome his computer identity.

To improve the new film there were certain aspects that needed to be included. Murphy spinning his gun after shooting is surely a pre-requisite. That and the ED-209 saying “you have 20 seconds to comply”. I missed these as I thought they were certain shoe-ins.

So, as a film for the latest generation who can’t cope with the 80s excess this is a very neutralised version. Less language, less nasty. It’s a shame, but then they probably wouldn’t make any money if it was an 18 certificate.

The final scene of the film, much like this final paragraph, was a waste of time.

Lone Survivor

It’s an American war film made with plenty of US military backing.

It was interesting to see a war film in the cinema again after such a long time. It was ok. It was trying to play on the heartstrings. Clichéd it was.  I got the idea that the SEALs were hard and “superhuman” from the opening and after that the action went on to prove it. The result of them following the rules of engagement was lots of pain and death, but we have rules of engagement for a reason.

Ultimately this film fails to deliver any critical view of a “just” war (hence the military backing) and just provides action based on real events with photos of people who are now dead as a coda.

Entertainment this is. Art or discussion forming it is not.

The Railway Man

I normally don’t wait too long before writing these “reviews” of movies in case my opinion is coloured by talking it over with other people. “Review” is a rather loose concept. I write exactly what I think. It doesn’t mean anything in the real world.

The Railway Man was a good film. Much like “12 Years A Slave” everyone should watch this. The brutality of the Japanese army and what they did to the slaves they used to build the railway through Thailand and Burma (Myanmar) is terrible. Everyone should understand how man can treat man if he is conditioned to do so [see Evil below].

Ultimately this film is not as much of a downer as “12 Years”. The theme running through the film is the terror of war and how people are affected by post traumatic stress disorder. BUT the ultimate theme of this film is forgiveness. This is surely man’s greatest asset. The ability to forgive, not to forget but to understand the terror of other times and then to forgive and allow peoples to work together to reconciliation. We are not different as human beings. Whichever part of the world you come from, whatever your religion (or none), whatever your abilities, whomever you support in sport and whatever the colour of your skin (and all the other different ways we segregate ourselves) we are the same. We are NOT different races. We have different cultures. We are raised differently. In the end, however, most of us would forgive and learn to live with our mistakes and work to correct future issues. Ultimately I believe that humans should and eventually will do good for each other.

To be good to each other we have to overcome inbuilt prejudices. We are tribal creatures and fiercely territorial. We want to be in gangs and to feel surrounded by people who think the same as us. We are animals who yearn for togetherness and knowingness of familiarity. To trust and like others we have to leave behind eons of evolution and hard-wiring in our brains. We have to constantly battle our thoughts and work to make sure that we can be the best we can and do good to others.

We would not fight and kill and maim each other if we could all sit around a camp fire and chat and make food for each other, become a single society. Religions, governments, sports teams, schools, villages, music, politics, practically all aspects of human behaviour involves us being in “like” groups” and forces us to “be on one side or the other”.

I repeat: We are all the same. We are not races.

Human beings need to get together and sit. Face to face. Talk. Consciously overcome the inbuilt prejudice and work together. Work together for the common good. To make the world a better place for the entire human race.

Look around the corporations and governments and see if you see that happening anywhere. I would be most surprised.

If we can learn to forgive and learn to listen to each other and help each other then we might have a chance on this little rock orbiting the Sun.

Hmm. That went a little left-field. Oh well.

After watching this film I read a comment on IMDB. The person said in the “trivia” section that the film uses the compressed time technique as in reality it took a couple of years between meeting and marrying. Apart from a few special films I think all films use compressed time. Does this commenter write this is all film trivia sections?

The film uses compressed time to speed up the story. Eric Lomax and Patti Wallace did meet in 1980, but in reality they didn’t marry until 1983. Eric didn’t learn that Takashi Nagase was still alive until 1993, and they finally met in 1995.

Evil
This should really be a longer communication by itself and maybe I will write one someday. For now I would like to say that I don’t like the media describing someone as “evil”. Considering the world is over seven billion humans there is plenty of scope for all manner of people. Most will fit into the constraints of society and some will not. Some people do terrible things because they don’t know any better, these people should be helped. Everybody else probably does terrible things because of greed or jealousy and many other reasons. These people are probably quite rational and know that what they are doing is wrong and so they should be punished within the bounds of what that society thinks is suitable. By society here I mean the laws of the land [as agreed by elected representatives] and not just what the victims think should happen, perhaps that is another communication to write: The problem of laws and society.

I am not claiming that this is a complete dichotomy. I am oversimplifying the issues to make a point. My basic view is that people either do bad things and know they shouldn’t or a smaller proportion of people do bad things and don’t know any better.

When people who commit terrible crimes are labelled as EVIL by the media it infers that these people are not rational. That these people have been inhabited by EVIL and it has been there since birth. EVIL is a religious term. EVIL means it’s ok to seek revenge in a terrible manner as there is nothing that can be done for that person. EVIL means we don’t have to examine the REASONS behind what that person did. We don’t have to look for excuses, we don’t have to seek rational arguments why they behaved that way, we can just accept that they are EVIL and should be treated as such. Labelling people as EVIL removes the responsibility to ask why and allows us to ignore reasons why.

This whole communication came from the Japanese doing terrible things to other people during the second world war. Should the wrong doing be punished? YES. Did some of the soldiers enjoy what they did? YES. Were many soldiers acting on orders and their society telling them to be brutal? YES.

Should we forgive and understand? Most Definitely.

Out of all this we must LEARN and REMEMBER what happened. We should aim to become better people. We should aim to do good for all.

Once again. We are ONE human race. We are the same.

12 Years A Slave

This is a very powerful film. It was very hard, as a “modern” person with mostly liberal values and also someone who has no belief in god but believes we should do good to each other, to understand that this film was mostly true. The treatment of the millions of people who were considered slaves and of those who are slaves in our current times is shocking.

It is hard to imagine a time when the LAW of a land allowed the OWNERSHIP of people by other people. This film should be seen by everyone, it should be required viewing, it is very good.

It was interesting to see the stylistic additions to the film. The long shots of the Louisiana countryside and calming times of clouds. This was in stark contrast to the violence and conditions within which the slaves were kept.

In one scene a female slave is whipped. This is a graphic scene. My emotional reaction to this was far more than my reaction to the similar scenes in the film The Passion Of The Christ. I think I reacted more because this happened to real people over and over in a barbaric system of legalised slavery. The mutilation of Christ in the Mel Gibson film didn’t bother me. There’s not a great deal of evidence for it [in fact there isn’t any good evidence for the existence of Christ himself].

Overall this is a film worth seeing or if you don’t want to see it you should be forced to.

American Hustle

I left a little earlier today to get the to cinema and compared to yesterday I got there during the adverts, but this was, apparently a popular film, and I had to sit right at the front. Actually, I didn’t have to sit there, there were spaces towards the back but the whole front row was free and it was easier to sit there than to hunt a spare seat surrounded by people I wouldn’t mind being surrounded by.

An interesting thing about sitting this close is that I could see the pixels in the projection and this was a little disconcerting. I could only see them if I looked for them otherwise I let the film take me over. Curious to see the workings of digital projection this close compared to proper film.

American Hustle is an American crime film in the vain of Goodfellas. I enjoyed it a lot. The acting was brilliant. All the way through I was trying to work out who the lead actor was and when the credits rolled I was surprised as I hadn’t recognised him. To be honest I’m pretty bad a recognising film type people and that is subject of a future post. I didn’t recognise Jennifer Lawrence until about 3/4 of the way through the film. It was her eyes that gave her away!

I have noticed that this has received good reviews from the critics and that is very good. The film is well made, acted and shot. It is all in all: good. Is it a classic? No, because there are other films that have done this with better or equivalent results. I guess it’s Goodfellas for the 2010s generation.

My one problem is that I need to like the characters in a film to truly like it. I’m not sure I really liked these people. Although I really wanted to know the end of the story I didn’t care one way or another for the people [apart from the son]. They weren’t the most likeable people. The other character I actually liked was Stoddard Thorsen, the middle manager in the FBI. His story about ice-fishing was brilliant, a lovely little plot device.

The film opened with the words:

Some Of This Actually Happened

Well, that’s nice dear. It’d be more interesting to know which bits were real and which bits weren’t. Thanks, Wikipedia, for giving us the details.

Yes, this is a good film, but it left me feeling slightly empty.

Don’t Look Back – Boston

I bought this on my Boston phase. I bought up all their stuff as I really liked “Foreplay – Long Time” from Rock Band on the Playstation. Any Boston album is very well written and just what you want. I’m pretty sure this is stuff someone not into rock would cope with playing in the background. More driving music. See Boston review.

Divine Intervention – Slayer

I bought this on the back of Slayer’s earlier music from the 80s and although I play this now and then there isn’t a track on it that I can remember. It all rather mushes into one song by the end. Sorry.

For Slayer brilliance you need to get Decade of Aggression. Simple.

Dirty Deeds Done Dirt Cheap – AC/DC

Firstly let me announce that I think AC/DC are one of the best bands ever [40 million copies of Back In Black sold]. I love the raw rock sound and the cheeky lyrics. I remember being 17 years old and discovering that there were thirteen AC/DC albums and just being excited at the thought of owning them all. I probably had three albums at that time, Blow Up Your Video being my first.

This album, from 1976, has an excellent ensemble of songs by the gritty Aussie [although there is an argument to say they were British] band. Not a single bad song. Some excellent songs.

  • Dirt Deeds
  • Love At First Feel
  • Big Balls
  • Rocker
  • Problem Child
  • There’s Gonna Be Some Rockin’
  • Ain’t No Fun
  • Ride On
  • Squealer

Big Balls is hilarious although Wikipedia claims it has controversial lyrics but it depends whether you have a dirty mind or not. I’m pretty sure this song is about a costume party [NOT].

Rocker takes the power riff and makes you bounce.

Squealer has a brilliant bass riff and is an altogether brilliant song, for some reason I love it.

Ride On makes me cry.

10/10 for this one.

Dirty Cash – Reaper

This isn’t really an album. It’s more an EP. Of the eleven songs on the album, seven are the same song just re-mixed. I really like the other Reaper stuff and this is ok. It’s more commercial and less dark/devil-ish. Not really my kind of electronic music but ok nonetheless.

I hope to see Reaper at some point in the future. His songs really mix the darkness and sex.

Dirt – Alice In Chains

I loved Alice in Chains when I was younger. I still do, but I do think that they haven’t moved on musically. Their latest albums sound very similar to the early stuff.

I bought this at university after seeing Alice in Chains twice in the early 90s. I saw them support Iron Maiden and also support Megadeth. I’m pretty sure both concerts were at the Cambridge Corn Exchange, a great small venue.

This album is just brilliant from start to finish. It’s haunting and cunning. There is not a bad track on this album. You should buy it, or download it, or whatever you do to get music. Spotify? Is that the new thing? Nothing else to say.

 

 

 

It’s worth 10/10.

47 Ronin

I booked a ticket for this film and thought that the showing time was 18:20. I finished editing my website earlier at 18:15 and left to get to the car, which is never parked close to my house. On the way I looked at my reservation time for the cinema and it said 18:15 showing. This meant I had 5 minutes fewer to get to the cinema than I had thought and I was already late.

It turns out I got to the cinema and in my seat with two trailers to spare. Pretty efficient timing! I managed to miss the adverts and other trailers. While I’m waiting for the film I don’t watch the screen anyway. I read a book on my Kindle app on my phone. I’m currently reading about NASA’s contributions to computational fluid dynamics over the last 50 years. Fascinating.

The film, 47 Ronin.

This is based on a true story, which I’ve just found out [thanks Wikipedia]. It’d be more interesting to create a film about the discovery of this story and its manipulation over time to create societal values. Anyway, this film was ok. Just ok. I haven’t rated it on IMDB yet but when I do it will be a 6/10.

Keanu Reeves. Why? I’m amazed that this guy gets paid for doing what he does. I don’t think I’ve seen him act yet. Well, maybe in Bill and Ted’s? Is he the big name there because everyone else is Japanese and no-one will know them? Or perhaps it’s because he has black hair. Whatever, a good actor he is not. Fortunately the story did not need him to act  he just had to stare.

The rest of the cast were good. I particularly liked the witch. I thought she was brilliantly seductive.

Problems [potential SPOILERS]

  • Lazy editing, or possibly for an American audience. We see the wolf’s eyes and a bit later the witch. Later when Keanu recognises the witch we get a flashback. SERIOUSLY? Are the audience that stupid that they won’t remember the eyes from earlier. I nearly screamed out.
  • I don’t know where it was filmed but it was stunning and I hope that it wasn’t CGI. The locations were brilliant although at times the backdrops used for studio shots were a bit obvious. See below more details.
  • MAGIC. Is it necessary to have magic? Isn’t this a good enough story without magic? If I realise I’m watching a fairy tale then I can cope with magic but this seemed a little annoying. The film would have been far superior with a better script without magic but then the effects probably wouldn’t have been needed.
  • Alien creatures? Really. Lizard people living in an enchanted forest? And, the TEST. Poor writing. It was obvious. Have another go at this one people.
  • Dutch Island was cool and I liked the idea but it probably never happened. I have been reliably informed that it existed, thanks Pom, although its depiction in the film was nothing like the real thing.

Overall this is a film for the modern generation who have loved the Lord Of The Rings and want more of the same. This could have been a brilliant film but failed.

Moral Rights
So much of the film relies on the Japanese codes of honour and trust. I found myself drifting off halfway through into thoughts of moral truths. We, as a society need moral codes and this film and story are there to inform us of these values. We should be truthful, we should be honest, we should care and we should keep our honour. These values come from us being humans and tribal creatures rather than from any book or religion. Religions and their books [and politicians or any two-bit celebrity] seem to be allowed to have their views on moral rights and wrongs. I find this amusing. Surely it’s up to society to decide? For example, when did what the Prime Minister earns become a benchmark for peoples salaries? Blah, blah, blah. Time to stop.

Locations
Have checked with IMDB for the locations of filming and I feel cheated.
Ronin Locations