I bought this on CD thinking I would listen to it lots because I really like NIN. I haven’t listened to it.
Choices
Tomorrow we faces choices. Everyone gets the chance to have their say and express what direction they want this country to go. You can vote for whomever you want. That’s the point of free elections in this country.
The theory is that you should vote for the person in your constituency who you think most closely represents your views and who you think can best express those views in parliament. Ideally you would vote for a candidate who you think is best for your area even if they went against your overall politics for the country. You are choosing who you want to represent your views to the Palace Of Westminster. It’s easy isn’t it?
The problem is that the theory doesn’t really match up with reality. People end up voting for the leader of the party that they most identify with. OR they end up voting for someone because they detest the other. It’s worrisome and I keep trying to tell myself that I don’t care but, annoyingly, I do.
For many years I voted for the person I most wanted to represent my views. I had many arguments with Smith about tactical voting and that it was wrong and that we should vote properly. I mean, I once voted Not-Tory in the constituency of Westminster where the tory majority was about 20,000. To be fair, my vote didn’t matter at all but I did think that my views were counted. I don’t feel like that anymore.
The current first past the post system is flawed. All voting systems are flawed but some are less flawed. In some ways we had the referendum on voting systems and people elected to stick with the FPTP system. People are stupid.
I am now resigned to voting tactically even when I belong to a different political party. I’m voting to ensure the country has the best chance for proper social change, support for everyone, protecting the future and essentially being a humanist. I will admit there are some problems with the party leaders but one is much less worse than the other. To me, and my bloody empathy, the choice is clear.
Do what you want. Choose what you want. That’s the point.
I’m slowly getting used to the idea that most people don’t agree with me. I don’t think I’m wrong, I don’t think they are wrong, I’m just more right.
I expect to wake up Friday morning and be sad at what this country is.
Powertrippin’ – Almighty
There was a period of time when The Almighty were the best british metal band out there. I thought they were great. I saw them three times. The best was probably when they supported Megadeth at the Cambridge Corn Exchange. Also I saw them when they supported Iron Maiden at the Cambridge Corn Exchange and they also supported Metallica and Megadeth at the Milton Keynes Bowl in 1993 (ish).
I don’t think I owned an Almighty album before this one. I have since bought a couple of extras but this one is very good. I bought it on CD back in the day and was pleased as there was a bonus disk of the band playing at Donington in 1992. This whole album is a good one. Well worth it. A good mix of acoustic and rock along with a few parts of thrash. The main riff in “Addiction” is super.
Favourites of mine are:
- Jesus Loves You But I Don’t – a good break up song.
- Powertrippin’ – (Hear the drummer get wicked)
- Addiction
- Takin’ Hold – (I watched a snail . . . . )
The bonus disc has a great short set from this band live at the Monsters Of Rock concert in 1992. The intro says enough:
Donington – Would you please welcome, from Glasgow, Scotland, the all-loud the all-wild the all-fucking-mighty.
Mr Announcer
The tracks from this make one of the best short live EPs I’ve heard. Decent rock and good crowd interaction.
Regular Visitor
This year I have been travelling to the Cambridgeshire Lincolnshire borders to stay at the sleepy extension to Wittering village. This compound used to fly Harriers until that type was grounded due to budget cuts. For now, RAF Wittering is home to 5AEF flying Grob Tutors and the A4 Force, the base is home to a massive logistical section of the UK armed forces.
Most RAF bases have a gate guardian. A retired aircraft looking out over the entrance to the base, guarding the way. At RAF Wittering the gate guardian is, fittingly, a Harrier. This year I have spent more time at RAF Wittering than I have visiting family. I’ve been there for overnight trips to take cadets flying with 5AEF and I’ve been there over weekends to help out CE SATT develop their SAAI course.
I am very happy to say that I am now a qualified SAAI which means I will now be used extensively to train and test cadets and adult volunteers on weapon systems. This journey has been quite a long one, starting five years ago and gradually building up experience and waiting for the correct timings to fit into life. The hard work hasn’t stopped yet. I now have to plan and create more lessons along with learning another weapon system so that the progressive training will continue next year.
It Was Better Than That
The other night the colours on display in the sky stopped me in my tracks and I just stared. The red was so deep and rich, contrasted with the black of the approaching night. I tried to take a photograph that would capture the hues but I don’t think it really does the sunset justice. Photographing atmospheric events is tricky and probably requires a deep investment in time and getting the DSLR out. I took this photograph with my iPhone and while the camera is good it’s not great. Also, I don’t do much in post. I like the shot to work. The things I will do are crop and maybe white balance adjustment. I rarely use filters as they seem to be a little “cheat”.
This view is in stark contrast to the view this morning through the window of . . . . nothing. There is fog out there and my normal uninterrupted view of around ten kilometres of countryside is reduced to 0.05km.
Practice What You Preach – Testament
Time to admit that although I have listened to this album quite a bit since owning it on a copied tape since I was about 18 there are only two songs that I can really remember. “Practice What You Preach” and “The Greenhouse Effect”. Sure, I’ve listened to the whole thing and I’ve enjoyed the album for many years but if you asked me which songs are on here those two would be your answer with some unqualified hand waving about the others.
I’ve seen Testament twice. Both times was pretty good. The first was alongside other greats of the 80s thrash revolution:
- Suicidal Tendencies
- Testament
- Megadeth
- Slayer
These four bands played a “Clash Of The Titans” tour and I saw them at Wembley Arena. I can still remember watching Testament and being excited at recognising the song “Practice What You Preach”. The other time I saw them was at Koko. Both times I was impressed.
This is one of those important albums where it helped forge the sounds in my head. It gave me breathing space and helped build the future mix of what I would like.
This album also contains a song about how humans are messing up the environment. This album was released in 1989. Climate change isn’t a new thing. It’s just been ignored by politicians for as long as we’ve known about it.
Pure Devotion – Various Artists
I was given this album by a friend, Vince, in the early 2000s. Curiously it was Vince’s wife who gave me two CDs by Rammstein around the same time! Pure Devotion is a compilation album by various artists attached to the Pure Devotion record label. This addition to my collection was worrying. Having been a metal fan for all this time and only really liking guitars, drums and vocals this album started to bring in electronic sounds with an industrial vibe. Along with the bands Senser, Ministry and Nine Inch Nails this was the start of exploring another music genre.
This album is a great starter into industrial-electronic music.
- Beers, Steers and Queers – Revolting Cocks – you know it’s probably good when you can’t tell which is the band name and which is the title. This is a brilliant song from the Revolting Cocks. Everyone should experience this at some point in their life.
- Supernaut – 1000 Homo DJs – this band come up first on my list of iPhone music. I think people find it amusing. This is a cover of the Black Sabbath song and it’s great. They’ve given it that industrial twist.
- No Name, No Slogan – Acid Horse – A classic beat and haunting melodies in the background. A deceivingly simple song.
- Murder Inc. – Murder Inc. – A heavier guitar based song with excellent lyrics. Funny how so much music is written to protest the state of the world.
- Teenage Mind – Hyperhead – This is a spooky early 90s sounding track with steady beats and a trance like quality. Delightful.
- July – Chris Connelly – This is a great song with a simple but working chorus. This man has been involved with so many greats, he’s instrumental to the whole scene: Acid Horse, KMFDM, Ministry, Revolting Cocks, Murder Inc., PTP.
- Faster Than Light – Lead Into Gold – Simple beats with sounds building up along with guitars and excellent vocals. What isn’t to like?
- Rubber Glove Seduction – PTP – Samples, steady beats, an almost “Relax” vibe to it. You can feel the early beginnings of industrial and how it would move music on creating newer metal bands in the late 1990s.
- Re-Release – Malhavoc – Speedy with a certain level of dischord and snarly vocals. This would get the pit going.
- Conquer Your House – Excessive Force – More dance like than most of the others but with distorted vocals. This is good enough for me to buy one of their albums.
- White King – Crow Force – A bit more rock with a rolling riff and faster beat.
- Sympathy For The Devil – Skrew – A delightfully heavy version of the ‘Stones classic. Makes the song darker and more sinister.
- Hoeda, Hoeda – Bomb Everything – A metal song with samples.
- Ten Ground & Down – Pigface – Feels a bit 70s experimental.
This whole album is a great starter into electro-industrial.
Le Mans ’66
I took a recent trip to see a film. I decided I needed to get out and do something and I also wanted to go somewhere new-ish. So, rather than journey over the Medway to Strood I went a little further and made Bluewater my destination. Now, this could have been a terrible decision as it’s the end of November and therefore well into the Christmas shopping season, I don’t do well in crowded places full of people buying shit for a stupid human festival. I have no idea of the state of the tide for my film trip. I didn’t purposely look at the river to observe the tidal phase but I did see a boat on another boat which I will try and get a photograph of next time.
After seeing the film I rated it on IMDB and there is a guide to the rating system in this communication. Then my phone tweets the result as well, such is technology nowadays.
I rated Le Mans '66 (2019) 6/10 #IMDb https://t.co/lELqm9XHWo
— Ian Parish (@iparish) November 27, 2019
So, what did I think of the film? I enjoyed it. There was the right amount of humour [at least I laughed] and I liked the cars. I wasn’t aware of the life of Phil Hill although I had heard the name before. This film really highlighted his racing career and how he was as a human being. It clearly showed the idea of man and machine as one, racing as fast as possible. The relationship between Hill and Shelby was great to see, as was the battles they faced with the bureaucratic monster that is Ford. There were a few liberties taken with the real story and the film version, but I can live with that.
The race tracks looked bloody amazing. I’m really impressed how, with tons of cash, you can turn the race tracks back into their 60s counterparts. It was nice to see Willow Springs in real life having raced around it in games for many years.
This film highlights some of the main issues with filming racing cars or people driving fast. Firstly to make the scenes look as though they are happening fast the camera is placed down close to the road, this gives the impression of speed because we are accustomed to seeing the road move from a greater height. You’ll see this all the time when cars race in film and it makes me giggle a little when you know they are only doing 40mph but acting as though it’s 100mph.
The second thing is that directors would like us to believe that you can always put your foot down more and there’s always another gear to change into! This isn’t the case. Race drivers use all the gears all the time and will generally be driving as hard as possible. Now, there may be times when they “go EZ” but this still requires the use of all gears but generally they will change at lower revs and avoid full throttle but they are still driving fast. I blame it all on the Fast And The Furious.
Overall, an enjoyable film about those Yanks winning something four times but never before or since in the 87 runnings of the race.
Atlas Rising
Last weekend the Lord Mayor of London had a show, much like the Lord Mayor has a show every year. I wasn’t aware of it as I just happened to glance at 360Radar and see an A400 flying low over the City. A couple of messages later and I learn it’s to start the show. I have never seen the show, even when I could have been part of it. The A400 then turned east and stayed low to avoid all that traffic heading into Heathrow. It flew about three miles from my house and I managed to snap a little picture of it.
iVardensphere – Electrowerkz
Smith and I travelled to attend the Beat Cancer 2.0 festival last night. Last year we saw Freakangel play somewhere in east London and now the fund raising jaunt returned in a bigger venue and with eight bands. The gig was based in the large room downstairs at Electrowerkz and there was a small bar set up but there wasn’t really a lot of space. It looked like there was a wedding going on in the Tube Train room – you’ll know what I mean if you’ve been there.
So the music started about ninety minutes late. The organiser blamed Lufthansa as the headline band, iVardensphere, were in Germany at the beginning of the day and without planes had to get to London. They managed this and set up but the running order was late by a long way. I had an important event to attend the next morning and so while the event was scheduled to finish at midnight I didn’t mind that once the delay was announced it made seeing all the bands rather problematic. I guess most people attending didn’t have to march through a town in a Remembrance Parade eight hours later.
First band up were Drakenwerks who I had missed by turning up late to another gig when they supported Nachtmahr. My notes say that the band was made of a man and woman, they were OK and played upbeat electronics with a hint of EBM.
The lighting rig seemed to consist of single colour washes for each song. In the above I caught a “green” song.
Then there was Vain Machine. Two chaps from the USA and it was their first time in London. It was a bit too goth for me. They even played a terrible cover version of “I was made for loving you” by Kiss.
Then there was the band of the organisers. The people who run this charity gig had a band and they played. It was experimental bullshit. A wall of noise. It was terrible. They were called Bein-E. Their full name was a massive German word but I only saw it on one piece of literature and didn’t make a note of it.
Then there was Cygnosic. This band was much more upbeat. The vocals were “growly” and while I didn’t understand what they were saying it was an improvement on most of the previous bands. The only problem was that their songs had no variation within. The structure was a single unit and lasted three minutes and stopped. I needed some form of difference as the song progressed. Judging by the accent of the singer when he spoke the band were from Spain or maybe Italy or similar [if they are Portuguese then I’ve probably offended a whole country!].
It was now 23:00 and there were three bands to go. iVardensphere wouldn’t finish until around 01:30 and I had stuff I was required to do the next morning. I had to call it a day and drive home. I’m gutted, but at least I have seen the Sphere before. They were really good both previous times but I can’t change my schedule. I’ll see them again one day soon I expect.
I missed:
- Nature Of Wires
- C-Lekktor
- iVardensphere
So, after all that I saw five bands of varying degrees of not-good and the one band I really wanted to see I couldn’t as I had to get home to parade the next morning in Maidstone. I was gutted but also aware of my commitments and limitations. It was good to see the Smith.