Master Of Confusion – Gamma Ray

In reality this is a Helloween album. I think it’s Kai Hansen playing guitars and then the sound is more “Helloween”.

So, I’ve just been over to Wikipedia and I’m not sure what’s going on. This album is named for Gamma Ray on my music collection but it isn’t in the list of titles by Gamma Ray on their Wikipedia page. This means it might really be by Helloween [which is almost the same thing].

Fuck. It’s not on the Helloween Wikipedia page either. That’s me a bit bollocksed there then. Now the next thing is to search for the title rather than the band name. Perhaps I’ll try Kai Hansen.

Now I’m lost. It’s not on his page either.

The album is playing as I write this and bugger me if they haven’t covered “Death Or Glory” by a NWOBHM band which I’ve heard many times on a album collated by Lars Ulrich. However, the search isn’t going well to figure out this album because now I’ve search for “Death Or Glory” and all I’m getting is a song by The Clash and it’s NOT THAT ONE.

The next song has started and it’s a ballad bullshit thing. It’s called Lost Angels and sounds like it too.

Right, I’ve solved the Death Or Glory problem, it#s by a band called Holocaust, of course it is.

Back to searching for the album artist that I’m listening to at the moment. This review is causing pain and effort. Originally I was just going to write:

It’s typical Helloween and I haven’t listened to it much.

Jesus! That took some time. But now I’ve found it. The album is actually an EP with only a couple of new songs and some live versions of other songs. Here’s the Wikipedia page. Oh, it has three sides to the EP. Because, of course it does.

My next challenge is to try and find the NWOBHM compilation that Lars Ulrich put together as there’s a load of great songs on it.

MasterOfConfusioCover.jpg
By Source, Fair use, Link

On my previous communication I forgot to mention that I have finally completed the L section of the reviews and now I’m on the M bit, I mean I know it’s obvious but it feels like an achievement.

Maiden England ’88 – Iron Maiden

Honestly, I bought this a few years back because it’s a recording of the first concert I went to. Except it isn’t. I saw Maiden on 10th December 1988 at Wembley Arena and it was spectacular. This recording is them at the NEC in Birmingham. I think I’ve played it once.

Lovesexy – Prince

Wow, two albums in the “L” section of this as I trawl through my stuff alphabetically. The main this I remember about this album is that it was recorded on a tape which had Bon Jovi and then went straight into this. I’m not sure they go together but that tape was a product of its time, around 1990 in my lifescale.

There are two songs which strike me as best on this album and they would be: Alphabet St and Lovesexy. I don’t listen to this album often, it is however most definitely a summer sound. It’s worth a listen.

As I had a taped copy of this originally from SR I didn’t know the format of the album and when I got the CD version I was annoyed that the whole album is listed as a single track. I spent quite a while finding software to break the album into individual tracks but I go there in the end. I now have this as a digital copy on the NAS. It’s there forever. Unless there’s an EMP, in which case we are all fucked.

I can remember this tape playing as I drove cadets to a band competition in the late 1990s. I had this playing in the minibus and we were all singing along to Bon Jovi and then Prince started playing. I quite liked the contrast but it was not universal!

Loveless – My Bloody Valentine

I got this after a friend recommended it as a highly rated album. I knew it wasn’t metal but I wasn’t sure what it was. I can tell you that I would describe it as haunting blurry music with distortion. I can’t decide if it’s actually any good. It sounds like it comes from the early 90s and they are a band trying to make a name for themselves as being different and not the usual Manchester lot.

I guess that first paragraph is rather vague but I have listened to this quite a bit and it might possibly be summer music but it’s not one I rush to. I also haven’t looked up anything on Wikipedia [which I will do after publishing this] so I can’t be held accountable for anything I’ve said which accidentally is true.

It’s worth a listen but probably best while high?

Love Symbol – Prince

I don’t thin that as a metal head it’s wrong to really like Prince. This album comes after Diamond and Pearls and was when he changed his named to a squiggle.

There is a level of funk in this album which is delightful. I don’t listen to this album as much as Diamonds and I think that’s because the latter has more of a personal connection, I did see Prince on tour at Earls Court.

Turn the bass up and play this loud on a sunny day and it can’t do anything but brighten your life.

Look What The Cat Dragged In – Poison

I can remember a poster of the singer of Poison on the wall in our sixth form centre at school and I couldn’t tell if he was a he or a she. It’s good that these things matter less these days and most people don’t really care, be what you want to be. I haven’t seen Poison and that may be a good thing, I dread to think what the audience would be like.

This is classic terrible 80s rock and it’s brilliant. This is an horrific look at the culture of cock-rock and what it does to a generation. I love this stuff but at the same time I can inform you that it is terrible [sorry Pom].

This album has some classic songs on it and everyone would be singing along.

My problem now is trying to imagine four chaps in their sixties with balding heads running around in drag-queen make up singing these songs. It was and is a product of its time and is a bloody good examples of that time.

Lodestar – Lodestar

This band was a spin-off from Senser. The singer and a couple of others created this album and toured for a while in 1996 or so. I can’t remember when I bought this album. The wiki page for them seems to indicate they are a prog-rock band but it’s not as boring as prog rock and quite upbeat. I enjoy it and some of the songs run through my head now and then, the sign of a good album. It’s worth a listen.

Lving Proof – Live In Chicago – Wishbone Ash

I bought this album because I heard somewhere that the lead singer of Iron Maiden said that this band were one of his influences.  I have listened to it and quite enjoyed it, but it is generally slow and not metal. It’s good for having on in the background on a summer’s evening while sitting outside.

Live In The Raw – W.A.S.P.

Ah, when I was young W.A.S.P. were seen as a dangerous band. They were edgy and scary. We heard rumours they threw raw meat into the crowd and they swore a lot. Nowadays I look at things like that and yawn. I mean, it’s all been done hasn’t it? Every generation has to find their edge and music performances get reinvented all the time.

When I saw Slipknot at Download in 2013 I thought it was going to be an edgy show, because Slipknot had that same feeling as W.A.S.P. – a band on the edge trying to go further than others and trying to make a statement. Now, their performance at Download was excellent and I was certainly made a stronger fan but was it edgy? Not really. The next morning in the B&B, I’m old and camping seemed a bad idea, there was a young couple talking about the performance and they were really impressed with the percussionists kit going into the air and turning while the guy played. This impressed me not as I saw Tommy Lee do that with the Motley Crue back in 1991 or so when they played Wembley Arena, but then, I reminded myself, I’m old.

If we want to see the proper shockers then I think we need to look at the generation before mine. Alice Cooper scared the world with his stage magic shows and ritual beheading. Throbbing Gristle combined music and performance art in the 70s with overtly sexual body mutilation. All this stuff is nothing new it’s just that every generation has to find their own way I guess.

I now inhabit a world of people who would be called freaks and perverts but I don’t really see it that way. It’s just people who dress a little differently and enjoy different things. What you may think as strange and shocking is just another person’s every Saturday night out. What I can say is that the community and safety in these environments is better than just walking down the high street on a Saturday afternoon. People’s inability for empathy and tolerance saddens me.

Long Beach Arena, for the final night of their 1986 87 world tour the most outrageous band in the world – W.A.S.P.

I’ve been told that this album was recorded while W.A.S.P. supported Iron Maiden on their world tour and I haven’t checked it but it sounds legit. What a gig that would have been! I first saw Maiden in 1988 and it was good but two years earlier and I would have seen W.A.S.P. rather than White Dwarf!!

W.A.S.P. were most famous to me as a teenager for two main things and they are both song based. One was the song officially called “Animal” but really it’s called “Fuck Like A Beast”, what an outrageous title! The song is so-so but it’s good fun. They also had a song called D-B Blues and while I have no idea what that is there was a line about pussy juice. I mean, how bad do you want to be? [It’s probably best to not mention the cover art for the song Animal].

I love that whole trashy 80s metal sound. I can’t help it. It does something to me. This live album has it in buckets. Plenty of simple chugging and gang vocals. I love it. I have played this album over and over and I definitely have it in different formats. I think it’s amazing.

You should get this album and play it loud while drunk on JD. It’ll really take you back to the 80s. As a native bass guitar player I like the steady combo of a bass and drums and this album has plenty of that. It works really well from a song construction point of view. I love rolling bass lines with drums blatting away being the force behind the main song. It almost doesn’t matter to me what the guitars do. It’s probably why I love AC/DC so much.

I’m not going to do a song by song breakdown of this album. There are some bad songs but mostly they are great and this has such a summer feel it’s good for playing in the garden while you relax on a nice summer’s day drinking Pimms or a bottle.

Now, W.A.S.P. have been accused of being named after a selection of religious idiots who are White Anglo-Saxon Protestants. Now, there may be a selection of people out there who would happily wear this label it’s quite likely they are racist pricks. This band can’t be accused of being like that, their singer is a native american FFS. The mainstream likes to pick on all of that which comes across as a little different and demonise it because it’s a good feeling to be outraged by something and when you get to middle age you can’t stand the fun that the youth have.

Go and stream this album or even better buy the damn thing and make sure that the artist gets a fair reward for causing you some moments of joy.

Live MCMXCIII – Velvet Underground

I’m pretty sure a friend gave me this album after he tried to clear away some of his music. I have listened to the whole thing a few times and it is quite nice. It’s a live album recorded in 1993 which I think was long after the Velvet Underground had exploded. This is an album of early rock music recorded in the 90s and is pretty good. You can see how this band influenced an entire generation of music makers. It’s worth getting.