"Nothing but the rain"
This album was part of the “catch up with what bands I used to like have been doing” phase from about a year ago. I had thought that Alice were dead, much like their singer but then this was released in 2009 with a new singer.
I’m amazed at how good his voice sounds and how much like the original he is. It is very much an “Alice” album. Slow, heavy, melodic and haunting. It’ll freak you out. Well done Mr Alice.
This album came along with “A Bit Of What You Fancy” when I downloaded it from iTunes. It really bugs me when joint albums are downloaded. I don’t like them being stored on my phone as one album so I mess with the properties to make them into the original versions.
I’ve not listened to this album.
At sometime in the sixth form someone saw The Quireboys support another band. That’s all the memory I have about why I would know this band. I bought this album on vinyl and I would classify it as good old fashioned British pub rock and roll. This album is well worth a listen. I like the melodies and the singing. This is definitely a summer album. I can imagine playing this in the garden with the sun glaring down and saturating the whole village in glorious shine.
I listened to this album so much in my formative years that I think all the songs are ingrained. My favourites are:
This was a great purchase.
You go through life aware of some bands who really influenced other bands or perhaps they were there at the beginning. Then, you hear a collaboration song by that artist and think, hey, that’ll be good.
It’s ok. I’ve listened to it twice. Probably won’t listen to it again. Not fussed by it.
If it is screwed up dance music with a twisted feel then this is the right place to come. Part of my journey into aggrotech, this album was the first Suicide Commando album I downloaded. It’s really good. All the songs have a great beat and excellent melodies. Some might find the content and vocals a little distressing but then perhaps that is what some art is about.
Much like some comedians try to “push” the boundaries and you sometimes find yourself laughing at things you find repulsive I think it’s like that for all art. There are those who like to think they are pushing the boundaries of taste and I guess they do. If you can cause a bit of controversy and get people talking then you have done your job. Can I often see what these people are trying to do? Yes. Do I find it bothersome? Sometimes but then that’s the point isn’t it? I also recognise it for what it is, people trying to shock. I used to think that I didn’t really have limits, but it might be an age thing or it might be that I do have limits but never really recognised them before.
I saw a band recently, Sheep On Drugs, they were ok, but they were also trying to be arty. They burnt paper with words printed on it and also ripped their t-shirts off. The female member of the group had black tape over her nipples and then sprayed black paint on her torso. Did I find it interesting? Not really, more a curiosity. What was she trying to say? Was I shocked? No, not really. Having read the transcripts of the of the COUM TRANSMISSIONS [and they did it 30 years ago!] I don’t often find lightweight stuff like this shocking.
Anyway, back to the music. I like this album. It’s good. It also falls into the category of new and my poor memory doesn’t bring the songs into my head from a list of titles but when I hear them I recognise them. Perhaps that is a problem with listening to things while I run. I can’t see the artist, what the song is called or the cover work. Years ago, I would listen while thoroughly reading and taking in the album artwork. not anymore.
Hey, I like this. OK?
The continuance of the transformation started by such electronica bands as Throbbing Gristle. The Revolting Cocks took samples and an industrial sound a little further and produced an album of lovely political songs that challenge perceptions of music.
Personal highlights:
This band led into Ministry, Nine Inch Nails and todays shouty metal. It’s very good.
This is a collection of songs by Tygers of Pan Tang. They were a NWOBHM band and very good. The overall sound is great and just the sort of stuff I like. That’s it.
So, there’s a band called Anthrax who did a song called Anti-Social. Then after a few years of listening to it I found out it was a cover version by a band called Trust. This was about 1989. Did I try and find out about Trust? No. I left it another 20 years before thinking about it.
So, I saw a band called Treponem Pal and while investigating them I find out about a band called Trust who are connected to them. So, I decide, I will download the “Best of”.
It’s in French because they are a French band. That seems fair enough. Also, they are connected to early AC/DC and Iron Maiden. That’s enough for me.
“Anti-Social” is an awesome song. Anthrax made it their own but the Trust version is better. The French language makes it all the better.
“Police Milice” – great.
“Le Mitard” – with quotations from Jacques Mesrine.
Les Brutes – about oppressive regimes.
So, this is a band with a NWOBHM sound and political lyrics and themes. Brilliant. Oh, don’t forget the cover of “Ride On” by AC/DC. It’s all brilliant.
I bought this on CD as I had a gatefold album on vinyl also called the best of Michael Schenker. Michael is the brother of Rudi who is one of the guitarists in the Scorpions and Michael played with them for a while but he’s also played with UFO and MSG. I really like the sound of 70s rock and this has lots of that. The riffs are really good and the songs are well written.
My highlights are:
It’s all real proper disco rock and very much a summer album. There’s something about the guitar sound which is lovely. It has that under-produced sound, probably due to the equipment of those days. Much like black and white movies tell us that the world only got colour after the second world war, we only got good sound for music during the 1980s. Mind you, most of the music produced in the 80s was rubbish!
Also, Michael is a blue-eyed German blond. He’s a good poster boy for rock music.
I’m pretty sure that albums by The Doors are bought because people think they should own them rather than want to own them. I’ve got LA Woman on vinyl and this on CD. I think that, along with The Beatles, they are over-rated.
It’s something I might play every couple of years when I’m sitting in the garden and it’s sunny. It’s just not me, but I can’t bring myself to delete it. Why?