Considering how much I like AC/DC I’m not sure I’ve listened to this album all the way through. I love the Bon Scott era and there are some albums from the Brian Johnson era that are stunning but, this one’s just too recent. Black Ice was really the last AC/DC album I really knew. I bought it, obviously, but I’m not enough of a super-fan to listen to this. I didn’t even put it on before writing this.
“You say that you want respect. Honey, for what?”
That sums up a lot of how I feel at the moment. Anyway, these communications are meant to be about the albums and what I think of them. I don’t think you can go wrong with ANY Bon Scott album. The way he sings, the lyrics he writes. You can feel the pain and love behind every song. I’ve been a pretty big fan of AC/DC since I was around sixteen years old. There’s something about that crunchy guitar sound and the delightfulness of Bon’s voice and cheek.
There were two of us at school who were really into AC/DC. We’d buy an album and then discuss it for ages. It was a common bond between us and none of the others. I shed a tear at the end of the Let There Be Rock video where the words “To Bon” come up on the screen at the end of the Paris show.
This is an excellent summer album. It has that lovely jauntiness where you can have this playing in the garden while drinking a large rosé. I can imagine the air around me warming my body as the sun dips below the horizon and Bon sings out about that Sin City and I slowly get drunk to remove myself from thoughts about anything specific. It’d be lovely. If I like sitting outside in the garden, which I don’t. Not sure why, I just don’t like it.
- Rock and Roll Damnation
- Down Payment Blues
- Gimme A Bullet
- Riff Raff
- Sin City
- What’s Next To The Moon
- Gone Shootin’
- Up To My Neck In You
- Kicked In The Teeth
I love that plodding bass of AC/DC. The way the bassist and drummer work to ensure the song gets where it needs to. Malcolm riffing away in the background making all the songs work well to compliment Angus being over the top.
Then there’s Bon. Such a cheeky, tortured chap. He was amazing. I wish I’d had the chance to see him sing live, to see AC/DC in those early days. But, I couldn’t do much about when I was born.
Nearly anything by AC/DC has to be on the good side of good. This album . . . . . . . I don’t know why but this album has a much dirtier, grungier sound than all the others especially those from the Bon Scott era. I think they turned the grit up and balanced the bass a little deeper. It’s got a gorgeous sound, which, the first time I heard it jarred me a little because it didn’t sound like AC/DC.
Whatever you think about the production you can’t argue with the writing. There is not a bad song on this album. In fact they still play fifty percent of these songs on stage now, Y years later where Y = current year – 1977.
“Go Down”, I explained to a class recently that while they think most rock and metal is about death and destruction most is about love and sex. This song encapsulates that.
“Dog Eat Dog”, feeling blue? Listen to this.
Then the masterpiece “Let There Be Rock” a biblical version of the history of rock. Such high energy and an amazing song. Everything about this should be taught in every school.
“Bad Boy Boogie”, what other song are you going to get an old man to prance around the stage and eventually reveal his arse to the crowd?
“Problem Child”, amazing song, aren’t we all?
“Overdose”, it’s sad.
“Hell Ain’t A Bad Place To Be”, reminds us all that we should be having fun and that heaven and hell are bullshit (that’s my own take on it).
“Whole Lotta Rosie”, holy fuck this is an anthem of a song.
Get this album, get anything by AC/DC before 1982. It such lovely summer sounding music and mostly about sex. FIVE stars.
This is a compilation so songs will be reviewed elsewhere.
- Shoot To Thrill
- Rock ‘n’ Roll Damnation
- Guns For Hire
- Cold Hearted Man
- Back In Black
- If You Want Blood (You’ve Got It)
- Evil Walks
- Hell Ain’t A Bad Place To Be
- Have A Drink On Me
- The Razors Edge
- Let There Be Rock
- War Machine
- Highway To Hell
This album has been with me throughout most of my life and I still rate it as one of the best albums I have ever heard. Blow Up Your Video came out in 1988 and the singles were released before then in the wonder-year of 1987. so, you love AC/DC and start looking up old albums. Then, the excitement that there are thirteen albums is palpable.
This is a best of the first few albums, and it fucking rocks. They hadn’t even released Highway To Hell yet and all the songs on here rock.
This album has healed me emotionally when I have felt broken. It has calmed me when I have been un-calm and it has restored me to who I am on many occasion. SR once told me to go and listen to “If You Want Blood”, it’ll make you happier. That was somewhere in the early 90s and I hadn’t realised its effect was so obvious.
I had to re-purchase this on music cassette because I had listened to my first version of this so many times the tape had stretched in places and it made the music sound wrong.
I’ve bought this on CD since. And then I ripped that to save onto an MP3 player. Then I used the CD to rip to a higher specification and it is now on the NAS Drive.
After you’ve listened to this a lot you can hear the smiles in the band, you recognise every note, you can imagine where they are on stage and what they are doing there.
For many years I had only seen the front of this album, the rear cover wasn’t part of the tape version I had. When I saw the back cover I wasn’t disappointed.
I dare you to find a song on this album that can be considered weak. I dare you.
It doesn’t seem fair to leave this to three words but seriously, that’s all that is necessary. This album contains my favourite AC/DC song – If You Want Blood (You’ve Got It), the heavy metal clashing of the opening riff makes my spine shiver. That and Night Prowler, the creepiest song ever, and this is just . . .
Debut international album.
This album. Is. Awesome.
I’m not sure if I’ve gone into my relationship with AC/DC before. My attention to them was first awakened by the song “That’s The Way I Wanna Rock n Roll” off the Blow Up Your Video album. When I found out there was a back catalogue of about 12 albums I was so excited. All that music to be consumed.
This album is their first major release. I believe that the track listing is different in Australia along with the cover. I have owned this on cassette tape, CD and now digitally. I didn’t buy much AC/DC on vinyl because I couldn’t carry around a record with me to listen as I moved.
AC/DC are masters of riff driven rock with a dirty guitar sound, perfectly crafted rude lyrics and brilliant accompaniment to balance out the sound.
It’s A Long Way To The Top If You Wanna (rock and roll) – fucking bagpipes.
Rock ‘n’ Roll Singer – includes the lyric “yes I are”, which I maintain is lyrical genius.
The Jack – better live as the lyrics are truer.
Live Wire – AC/DC Live video opens with this song. It’s a great sing along tune.
T.N.T. – riff-tastic.
Can I Sit Next To You Girl – pace change in the rhythm guitars is great.
Little Lover – “Killed me when I saw, The wet patch on your seat, Was it Coca Cola?”
She’s Got Balls – Opening riff just floors me. Lovely bass work. Beautiful.
High Voltage – Still played. Still loved. Like every song here.
This is an album to horrify the elders. To rip fear into grown ups. The lyrics are rude without being offensive [kind of] and the sound is pure dirt. Put it on. Play It Loud. Really Loud.
It’s an 80s album that begins with “F” from AC/DC. This means it’s not that good. Even the title track isn’t that great, but it is played as the last song at every concert.
I may be slightly out of touch here as when I bought this album I bought it on vinyl rather than tape like most of the other AC/DC albums I had. This meant I listened to it less that the others. I don’t really know the songs, they just don’t bother me.
Up front confession. I really like AC/DC. I always have. This album is far superior to Flick Of the Switch. I think the production has a better quality and the vocals are cleaner. Obviously most of the songs are about sex, as with every single AC/DC album ever.
A few years (many years really) I bought a couple of AC/DC VHS tapes. One was the video of them live in Paris, the ending of which I cried at. The other VHS tape was a collection of the videos from this album.
Fly on the wall – the anticipation for the start of the steady beat makes this song genius.
Shake Your Foundations – awesome riff and a real “boppy” feel.
First Blood – Good steady rock track.
Danger – Just don’t talk to strangers. A scary opening sound!
Sink The Pink – obviously it’s about playing a game of snooker/pool! A great song.
Playing With The Girls – good song with a rolling rhythm.
Stand Up – ingenious mix and arrangement with the kick drum.
Hell or High Water – The verse riff annoys me a little but the chorus riff is great.
Back In Business – A faster, almost ZZ Top, song!
Send For The Man – Good opening riff. The rest is OK.
There are three albums from the 80s for AC/DC which don’t reach the majesty of the 70s music. This is one of them. They all start with “F”.
I love AC/DC. Even the shit albums. This is one of those. There was a period in the 1980s when, after Back In Black, it all went a little sideways for AC/DC. But then, what would you expect with one of the top ten albums of all time behind them? Regression to the mean.
The songs on this album are solid AC/DC. They are well written and jaunty. There isn’t a song they play live though.
For sheer crazy you could try Bedlam In Belgium.
I would argue that Guns For Hire is a pretty good song, especially the opening few bars!