Tag: albums

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Line Infacted

I think I’m managing quite well with the suitable distribution of my income. A while back I wrote that I had stopped spending money on music streaming services and if I want some songs then I will pay for them properly. We all know that Spotify pay very little out to the artist for each play and it’s only the mega-hits that actually make any money. I’d try and link that communication here but the way I write the names of these communications means I might have zero chance of finding it. Here goes! I found it! The point is for more of my money to go to the artist. The website Bandcamp seems the best way of doing that short of Patreon or Venmo [which I have never used!].

This morning I have updated the music list on the iPhone contents page. Not that it’s easy to find the new stuff, there’s an awful lot of stuff listed. But I’ve recently bought a few albums and so I thought it was time to update it. There’s a definite theme within that music list of heavy metal, thrash metal and then German rock along with EBM and aggrotech. If you search that list enough you might even find some songs that could be considered “embarrassing”. Have a look and let me know if you find one. Anything from Top Gun does not count, obvs.

I’ve been listening to the music projects of two main labels over the last few years. Those labels are Infacted Records and Out Of Line Music. My most recent purchases are:

  • Deathless – Amelia Arsenic
  • Requiem for the Hyperreal – Shiv-r
  • Kill God Ascend – Shiv-r
  • That Annihilated Place – Pete Crane
  • Traumatized – Lights Of Euphoria
  • Dark Passenger – Decoded Feedback
  • Domination – Agrezzior
  • Sittenverfall – Schallfaktor
  • Judas – Lord Of The Lost

There’s quite a bit of a mix there from electronic to bombastic over the top operatic rock but it’s all good. Well worth a listen. If you like that sort of thing. I will say that the bass line from “To Love Is To Destroy” by Amelia Arsenic is DIRTY.

When I eventually finish the album reviews the idea is to go back and review every album I’ve bought in the last eight years or so. I’ve tried to avoid writing about all the EBM and Aggrotech in the reviews and I will eventually get around to writing about them. Oh, I’ve had both vaccination injections and am looking forward to being considered fully vaccinated in two weeks.

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The Golden Age Of Grotesque – Marilyn Manson

I quite like the music of Manson. That’s Manson with an M rather than Hanson with an H. I think this chap’s real name is Brian and he sure knows how to write a good song. Can I tell you the name of a single track on this album? Nope. I can tell you that it’s likely I wouldn’t skip a song if it came on. But this isn’t a band I seek out to play.

I’ve just had a look at the track listing and “This Is The New Shit” is a song I know along with Mobscene. Other than that I couldn’t tell you how these tunes go. I get what Manson is doing. He’s being provocative and pushing boundaries and anything that scares the boomers or adult generation is fine by me – yes I know I’m old but I’m still a rebel at heart. I have heard that recently Manson has been accused of being a dick and while I hope he hasn’t behaved like that – because it is wrong – I don’t think I hold up anyone to hero status because they pretty much always end up letting you down or become dicks.

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The Best Of 1980-1990 – U2

I think I bought this is around 1996 or so. I got this album in a moment of weakness I think. I don’t like U2. I don’t really like their music. I don’t really like them. I just remember having a conversation with MD after I bought it and he was surprised. I genuinely can’t remember when I last played this album.

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Skid Row – Skid Row

I’m not sure how I first found out about Skid Row but I do know that they were something to do with Bon Jovi. I suspect I saw them support a band and then I went ahead and bought their album. It is possible they supported Bon Jovi at Wembley Arena and then I saw Skid Row again supporting Guns ‘n’ Roses at Wembley Stadium. Look, this is a high quality cock rock album. It’s a great mix of late 80s riffage and attitude. It’s great. Sebastian Bach has a great voice or at least he did. He left under a cloud of non-disclosure-agreements and such like, I was never hugely interested in all the politics. I remember being slightly amazed by the bass player and the chain he had going from his earring to his nose ring, I always thought that was rather cool.

Big Guns – a classic. Proper rock intro to an album.
Sweet Little Sister – sexualising your younger sister, that’s what the 80s were about.
Can’t Stand The Heartache – showing the sensitive side with a sad song about falling in love with a wrong-un. Oddly it’s quite a nice upbeat song which feels cheery.
Piece Of Me – nice rolling bass riff to start and then continues to be a good song.
18 And Life – obligatory slow one about how shit everything can be for some and how you end up getting detained by the state.
Rattlesnake Shake – one of the weaker songs on this album but it’s still pretty good and fun.
Youth Gone Wild – I love this song, I mostly love the bang bang opening.
Here I Am – Lovely decent fast riff. Well structure quiet bit leading into a bluesy solo. Great.
Makin’ A Mess – fast paced twelve bar blues? Another proper sing along song on an album full of them. Has a really good middle eight with some slamming beats.
I Remember You – Bleaugh, obligatory ballad, a pretty good one though.
Midnight / Tornado – another weaker song, but it’s OK.

I really enjoyed seeing this band and I have always received a decent level of pleasure from the music of theirs that I own,

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Singles Original Soundtrack – Various

This is a hugely influential album to me. I don’t know when I bought it but I do remember laying on the floor in the dark with sunglasses on listening to Drown. I guess this album helped launch the Seattle scene into the world. I had seen Alice In Chains before and owned albums by them so this was an obvious extension. I have seen the film but I don’t know if I saw that before or after the soundtrack purchase.

Singles Soundtrack.jpg
By Source, Fair use, Link

This is a very summer album and one that fills me with optimism. So many of the songs have made me happy or stuck in my head. Some of the songs scare me into dark places.

Chloe Dancer/Crown Of Thorns is a song that is beautiful and haunting. This along with Drown makes for disturbed listening. This is an album I would consider putting on in the background of a dinner party. I’m not sure if that means a dinner party would horrify me or whether I consider this album to be one which is ripe for general consumption. I think none of the songs are potentially offensive.

The strange thing about the Seattle sound is that it pretty much leaves me cold now. I love this album and I really enjoy a few albums by Alice but overall a lot of this music didn’t really tingle my spine. Pearl Jam enjoyed massive success but just failed to do it for me. Soundgarden is the same. Nirvana was good fun while it lasted but I’m not an overblown fan and now I see the sound as tiresome. This is a shame but there’s only so much space in my head and heart and while this album sticks like sticky shit most of the rest of the upper north west productions have dripped off.

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Rosenrot – Rammstein

Look. I’ve said it before and I’ll keep saying it: Rammstein are amazing. I love it. I can’t get enough and it just stuns me all the time. The thing is, and this is mentioned elsewhere within these communications, I forget song names. Bands I have grown to like over the last twenty years or so, Rammstein included, have suffered from a case of me not having the time to stare at the album packaging. It’s worse these days as I rarely buy physical copies of music and rarely look at the actual titles of songs I hear. This along with a propensity to not really listen to the lyrics combines to mean I don’t know song titles. Unless the chorus is the title over and over.

I know the songs and I know which ones I like but naming them? Almost impossible.

Just go and buy everything by Rammstein. You’ll not regret it.

This Was Warm
This Was Warm
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Persistence Of Time – Anthrax

This was the second album by Anthrax that I bought after State Of Euphoria, which gets reviewed later. The problem is that I will compare it to Euphoria in this review! This album is darker and nastier than Euphoria. While I consider the first album a summer album Persistence is not a summer album. To me a summer album has a certain sound and feel to it, a lightness, a happiness, a breeze. Persistence doesn’t feel like that. It’s bloody good though.

I think I would have to say there isn’t a bad song on this album. There’s no song I would gladly skip, even the cover version is a rocking song.

“Time” and “Blood” are both good starters. “Keep It In The Family” is brilliant. “In My World” gives me chills. “Gridlock” is great. The way “Intro To reality” merges with “Belly Of The Beast” meant that for years I thought they were just one song.

“Got The Time” is that rare beast, a cover version that knocks socks off the original and a wonder to the ears, high powered and magnificent.

“H8 Red” was the first instance in my awareness of the number eight being used within a word, like in HATE, good song. “One Man Stands” is a good one. “Discharge” for some reason always makes me think vaginal but this is a great song.

Overall this album is a masterpiece. I love it.

Anthrax are the only band of the Big Four I’ve not seen live and that saddens me.

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Love Symbol – Prince

I don’t thin that as a metal head it’s wrong to really like Prince. This album comes after Diamond and Pearls and was when he changed his named to a squiggle.

There is a level of funk in this album which is delightful. I don’t listen to this album as much as Diamonds and I think that’s because the latter has more of a personal connection, I did see Prince on tour at Earls Court.

Turn the bass up and play this loud on a sunny day and it can’t do anything but brighten your life.

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Live In The Raw – W.A.S.P.

Ah, when I was young W.A.S.P. were seen as a dangerous band. They were edgy and scary. We heard rumours they threw raw meat into the crowd and they swore a lot. Nowadays I look at things like that and yawn. I mean, it’s all been done hasn’t it? Every generation has to find their edge and music performances get reinvented all the time.

When I saw Slipknot at Download in 2013 I thought it was going to be an edgy show, because Slipknot had that same feeling as W.A.S.P. – a band on the edge trying to go further than others and trying to make a statement. Now, their performance at Download was excellent and I was certainly made a stronger fan but was it edgy? Not really. The next morning in the B&B, I’m old and camping seemed a bad idea, there was a young couple talking about the performance and they were really impressed with the percussionists kit going into the air and turning while the guy played. This impressed me not as I saw Tommy Lee do that with the Motley Crue back in 1991 or so when they played Wembley Arena, but then, I reminded myself, I’m old.

If we want to see the proper shockers then I think we need to look at the generation before mine. Alice Cooper scared the world with his stage magic shows and ritual beheading. Throbbing Gristle combined music and performance art in the 70s with overtly sexual body mutilation. All this stuff is nothing new it’s just that every generation has to find their own way I guess.

I now inhabit a world of people who would be called freaks and perverts but I don’t really see it that way. It’s just people who dress a little differently and enjoy different things. What you may think as strange and shocking is just another person’s every Saturday night out. What I can say is that the community and safety in these environments is better than just walking down the high street on a Saturday afternoon. People’s inability for empathy and tolerance saddens me.

Long Beach Arena, for the final night of their 1986 87 world tour the most outrageous band in the world – W.A.S.P.

I’ve been told that this album was recorded while W.A.S.P. supported Iron Maiden on their world tour and I haven’t checked it but it sounds legit. What a gig that would have been! I first saw Maiden in 1988 and it was good but two years earlier and I would have seen W.A.S.P. rather than White Dwarf!!

W.A.S.P. were most famous to me as a teenager for two main things and they are both song based. One was the song officially called “Animal” but really it’s called “Fuck Like A Beast”, what an outrageous title! The song is so-so but it’s good fun. They also had a song called D-B Blues and while I have no idea what that is there was a line about pussy juice. I mean, how bad do you want to be? [It’s probably best to not mention the cover art for the song Animal].

I love that whole trashy 80s metal sound. I can’t help it. It does something to me. This live album has it in buckets. Plenty of simple chugging and gang vocals. I love it. I have played this album over and over and I definitely have it in different formats. I think it’s amazing.

You should get this album and play it loud while drunk on JD. It’ll really take you back to the 80s. As a native bass guitar player I like the steady combo of a bass and drums and this album has plenty of that. It works really well from a song construction point of view. I love rolling bass lines with drums blatting away being the force behind the main song. It almost doesn’t matter to me what the guitars do. It’s probably why I love AC/DC so much.

I’m not going to do a song by song breakdown of this album. There are some bad songs but mostly they are great and this has such a summer feel it’s good for playing in the garden while you relax on a nice summer’s day drinking Pimms or a bottle.

Now, W.A.S.P. have been accused of being named after a selection of religious idiots who are White Anglo-Saxon Protestants. Now, there may be a selection of people out there who would happily wear this label it’s quite likely they are racist pricks. This band can’t be accused of being like that, their singer is a native american FFS. The mainstream likes to pick on all of that which comes across as a little different and demonise it because it’s a good feeling to be outraged by something and when you get to middle age you can’t stand the fun that the youth have.

Go and stream this album or even better buy the damn thing and make sure that the artist gets a fair reward for causing you some moments of joy.

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