This album, this debut album is shocking. It’s a collection of noises from the collective called Throbbing Gristle. This album was so influential with artists producing electronic music along with the rest of their back catalogue. When you listen this album you become hypnotised by the noise and curiosity of what is going to happen. The track listing is as follows:
- Industrial Introduction
- Slug Bait
- Slug Bait
- Slug Bait
- Maggot Death
- Maggot Death
- Maggot Death
There’s an utter fascination that draws over me whenever I listen to this band. I think a part of it is the horror of the sounds. Then there’s the wondering what’s going to come next and finally there’s the intrigue of who and what created these sounds. When you listen to Throbbing Gristle you might not enjoy it [I do] but you end up knowing you have experienced. If you can, it’s worth the listen, but be warned.
This is number 1904 and so here’re a few things that happened in the year 1904 when the year 1 is what some people consider to be when JC was born but it wasn’t and that kinda messes everything up:
- Roger Casement publishes an account of Belgian atrocities in the Congo.
- The British defeat Tibetan troops.
- The SS Norge sinks killing 635.
I have tried with Muse. I have tried to listen to it and feel good things about the music. But I have failed every time. I can’t stand it. I think it’s the singer voice. I’m not really sure. It just leaves me cold.
So, this is communication 1902. So, what happened in that year of the common era?
- A snowstorm in Japan kills 199 during a military training exercise.
- A stampede at the Shiloh Baptist Church in Birmingham Alabama, kills 115.
- The first Borstal opens in Borstal, Kent, UK.
I bought this because a big part of me wants to really like Faith No More. But, it doesn’t quite do it for me. I’m not sure why. This is a solid album but not one I would play too often. I’m not even sure if I’ve played past the first two songs, I’m writing this review on reputation alone!
As this is the 1898 communication here’s a few things that happened in 1898:
- Henry Lindfield is the world’s first automobile fatality on a public highway in Purley.
- Bava Baccaris massacre.
- The Curies discover radium.
- Establishment of the Republic of Negros.
Blow Up Your Video came along as my awareness of AC/DC grew and I really liked the album. I seem to remember being in Jersey and having it on tape although I mostly bought records, music cassettes were a popular portable method for listening to music. The Razor’s Edge was the second album released by AC/DC after my consciousness was raised. It’s an excellent album and has a number of great songs.
- Thunderstruck – everyone knows this song. It’s a great song. The video is excellent. A great opener and worth the hype.
- Fire You Guns – another high speed brilliant song.
- Moneytalks – It does doesn’t it, but also another single and a great song.
- The Razor’s Edge – brilliant, well crafted.
- Mistress For Christmas – a fucking terrible song made for the xmas market but it’s kinda cheeky also and makes me laugh. I suppose you have to be good at song writing to be able to write this stuff.
- Rock You heart Out – proper high speed rock.
- Are You Ready – a live classic and classic AC/DC. I’m running out of superlatives.
- Got You By The Balls – not the best AC/DC song with balls in the title but still a great song.
- Shot Of Love – not sure about this one.
- Let’s Make It – AC/DC songs are pretty much all about sex. All of them.
- Goodbye and Good Riddance to Bad Luck – it’s ok.
- If You Dare – fantastic riff work.
There’s an awful lot of good on this album and not a lot of shit. It’s well worth owning and playing. Everyone sings along with AC/DC right?
Mr O bought this for me and it’s very different but also very excellent. Radio sounds and news items and speeches set to wonderfully gentle music. Very different from what I would normally listen and quite fantastic.
I think I’m managing quite well with the suitable distribution of my income. A while back I wrote that I had stopped spending money on music streaming services and if I want some songs then I will pay for them properly. We all know that Spotify pay very little out to the artist for each play and it’s only the mega-hits that actually make any money. I’d try and link that communication here but the way I write the names of these communications means I might have zero chance of finding it. Here goes! I found it! The point is for more of my money to go to the artist. The website Bandcamp seems the best way of doing that short of Patreon or Venmo [which I have never used!].
This morning I have updated the music list on the iPhone contents page. Not that it’s easy to find the new stuff, there’s an awful lot of stuff listed. But I’ve recently bought a few albums and so I thought it was time to update it. There’s a definite theme within that music list of heavy metal, thrash metal and then German rock along with EBM and aggrotech. If you search that list enough you might even find some songs that could be considered “embarrassing”. Have a look and let me know if you find one. Anything from Top Gun does not count, obvs.
I’ve been listening to the music projects of two main labels over the last few years. Those labels are Infacted Records and Out Of Line Music. My most recent purchases are:
- Deathless – Amelia Arsenic
- Requiem for the Hyperreal – Shiv-r
- Kill God Ascend – Shiv-r
- That Annihilated Place – Pete Crane
- Traumatized – Lights Of Euphoria
- Dark Passenger – Decoded Feedback
- Domination – Agrezzior
- Sittenverfall – Schallfaktor
- Judas – Lord Of The Lost
There’s quite a bit of a mix there from electronic to bombastic over the top operatic rock but it’s all good. Well worth a listen. If you like that sort of thing. I will say that the bass line from “To Love Is To Destroy” by Amelia Arsenic is DIRTY.
When I eventually finish the album reviews the idea is to go back and review every album I’ve bought in the last eight years or so. I’ve tried to avoid writing about all the EBM and Aggrotech in the reviews and I will eventually get around to writing about them. Oh, I’ve had both vaccination injections and am looking forward to being considered fully vaccinated in two weeks.
As I wait for the hottest day of the year, so far there will be warmer I think, I ponder the human experience of enjoying music and sounds. How is it that certain sounds or combinations there of can affect us emotionally? How is it that I like the music I do and not anything else? I have very little brain-time for other forms of music and as much as I know they exist I care not. I think this should be left for another day, there’s music to discuss:
W.A.S.P. were one of those bands that always seemed scary and on the edge of what was acceptable. I felt that they pushed the boundaries of acceptability and purposely went out to shock. I’ve never seen W.A.S.P. live and I should have last October but – Covid – and I still want to see them. I thin it’d be great. Their music has a proper 80s L.A. feel to it. And it also has swear words. Plenty of swear words that offend the older generation. Songs like Animal, Mean Man, DB Blues these are all great if a little immature.
The Headless Children was the first studio album by W.A.S.P. that I bought. It’s also the best studio album by them. Clearly Live . . .In The Raw is the best album. The Headless Children was the result of what happens when you quit drugs but still write good songs. It’s an amazing album.
I can even cope with Forever Free which came on while I was in the car the other day and I didn’t skip it as I would with most ballads.
I’ve got a few Anthrax albums and while I know this one is a good listen I couldn’t tell you what songs were on it or how any of them go.
I quite like the music of Manson. That’s Manson with an M rather than Hanson with an H. I think this chap’s real name is Brian and he sure knows how to write a good song. Can I tell you the name of a single track on this album? Nope. I can tell you that it’s likely I wouldn’t skip a song if it came on. But this isn’t a band I seek out to play.
I’ve just had a look at the track listing and “This Is The New Shit” is a song I know along with Mobscene. Other than that I couldn’t tell you how these tunes go. I get what Manson is doing. He’s being provocative and pushing boundaries and anything that scares the boomers or adult generation is fine by me – yes I know I’m old but I’m still a rebel at heart. I have heard that recently Manson has been accused of being a dick and while I hope he hasn’t behaved like that – because it is wrong – I don’t think I hold up anyone to hero status because they pretty much always end up letting you down or become dicks.
I’m not sure when I first heard this or when I bought it or how I got into Nine Inch Nails. I do know that this album is really important to Smith because of when it came out and what he was listening to in those days. It has less importance for me. That said this is an album of industrial metal that is well worth getting and absorbing. All the songs are multi-layered and every one has a hook for you.
All tortured souls need to have this album. As do all normal folk.
While writing this I’ve been listening to the album and it’s got me thinking why songs are three minutes long. Not all the songs on this album are that long but, in general, why are songs 3 minutes long? Is it that for some deep psychological reason that is the music average of humans? Is it because that’s where the technology was limited in the early days? Films are kinda ninety minutes long. Is that because of technological limitations or is it because that’s a bladder length? I wonder if it’s to do with the standard reel length of old cinema projection systems? We know that CDs hold the amount of data that they do because of how long one of Beethoven’s things is [could be Mozart]. There are too many things that seem to be standardised and the reasons could be lost in history. I think it’s time for me to do some research.