Back in the day I remember watching Chris Evans’ television show TFI Friday and I’m pretty sure I quite liked the show. It was a good mix of fun and frolics. One Friday though things were going to change. They showed a band called Slipknot. I think they played Wait And Bleed. I don’t know. All I know is that it was fascinating and amazing and such a different sound to anything else I had seen. Oh, they also wore boiler suits and masks but that didn’t bother me. There were probably complaints about the music but who cares. I bought the album and it was this one.
I listened to this album yesterday while I was experimenting with a computer monitor set up and it turns out that the last few songs aren’t that great. I’ve checked the track listing and there are some demo versions on my version of the album and so I won’t count those because Get This was there as a very pleasant surprise.
All you need from this album are the first five or six songs which is good because I didn’t really recognise any after Tattered & Torn. In my opinion everyone should have this album. I don’t think many will like it but it’s an important piece of art. It won’t make you feel good and it will assault your ears but you’ll be a better person once you’ve experienced it.
742617000027 – A nice start to this album because it sets the mood. (sic) – A pretty sweet song. This batters you brutally around the head. Wait, what’s that? Scratching in a metal album, what is going on? “Fuck You All”. Eyeless – Something about eyes I guess. I’m not a lyrics person but rather the beat, pace and riffage get me. This has a few greater moments. When you get to shout out “Nothing” and then “Motherfucker”. Wait and Bleed – look, some people love it. It’s a good song but it’s not up there. I’m not sure why it lacks for me but it does. I’m happy when they play it but there are others that are better. Surfacing – I love this song. It’s fantastic. I think I want it played at my funeral. Spit It Out – another great song. What is that sound at the beginning? This one makes two of my favourite songs called “Spit It Out”.
Fuck it all! fuck this world! Fuck everything that you stand for! Don’t belong! don’t exist! Don’t give a shit! Don’t ever judge me!
Michael Crahan / Christopher Fehn / Paul Gray / Craig Jones / Nathan Jordison / Corey Taylor / Mickael Thomson / Sidney Wilson
Whitesnake were MASSIVE in 1987. I’m really it’s David Coverdale and assorted guest members of the band, a bit like Megadeth being the two Daves and another two. What happened in 87? Well, Whitesnake created a fucking monster of an album which I haven’t written about yet. This album though was the next one. This is what happens when you employ Stevie Vai and let him “Vai-up” your sound. There is not a problem with Vai-ing up your sound and I guess this album stars the voice of Coverdale and the sounds of Vai. It’s a good, slutty album. It perfectly encapsulates what cock-rock and slut metal is completely. Songs about sex and easy women, headlining the Monsters Of Rock Festival and general classic 1980s sexism. You know that trope with a woman writhing around on the bonnet [hood] of a car? That was Whitesnake.
Let’s look at some of the song titles shall we?
Slip Of The Tongue Kitten’s Got Claws Cheap and Nasty The Deeper The Love Slow Poke Music
This album also has a remix of Fool For Your Loving because it’s a good song and nothing sells or makes an album better than you putting on a remix of an old hit. I don’t have a problem with it.
I never saw Whitesnake. MH, best mate at school, saw them before this album and after the 87 smash hit. The band had different members then. Check out the list of members on Wikipedia. Mind you, they did/do have Tommy Aldridge on drums and that guy is a legend.
When I bought this album I was initially disappointed. I felt that Skid Row had moved from the LA Sound to a heavier, deeper almost thrash sound. But, after all these years I recognise this as a great album. I prefer it over Skid Row with the heavier sound and lower cock-rock influences. I fondly remember seeing the band a few times in the early 90s and this brings me back to those times. Watching Sebastian Bach tell Brent Council to fuck off and then play “Get The Fuck Out” to a crowd of 60,000 in Wembley Stadium was great. The band had been warned not to play that song and Bach read out the letter to the crowd. Good times.
This is an excellent album and I enjoy it still. There are great songs, a ballad- cos that’s what rock does, and heavy not-quite-thrash songs.
Monkey Business is great. Slave To The Grind is great. Get The Fuck Out – is a song for 2020, and good. Riot Act would require a lot of mosh-pit. Mudkicker is heavy and bouncy.
Look, someone has put this on YouTube. I was there, man. Wait for the incitement to riot! But it was a great show.
“You’re standing too close what the fuck’s with you, you ain’t my old lady and you ain’t a tattoo, no need to whimper, no need to shout, this party’s over, GET THE FUCK OUT”.
Well, this is a biggy for me. This album was a large influence during my late teens and early twenties. I first saw Dan Reed Network when they supported Bon Jovi in Wembley Arena, I think. I enjoyed their set enough to then spend some money and buy Slam. I have played this album often. It is a mixture of rock and funk with some incredibly beautiful songs. I had a big urge recently to listen to this album and as I don’t have any analogue playing devices anymore I bought the album from iTunes. I guess one of the things about this collection of songs is that so many of them are just lovely, they send a shiver down my spine, they make me feel emotions which I would normally do my best to avoid. There’s quite a connection to SR also with this album. The Bon Jovi gig is memorable for getting a lift from a friend and them drinking cans of Guiness on the drive down the M11. This is a wonderful album.
I am pretty sure that I bought this album just for the songs “Just Like Paradise” and “Damn Good”. Both of these are great songs and wasn’t DLR in Van Halen? I haven’t listened to this in a long time.
The song Damn Good was once on a compilation tape that I owned produced by a friend back in the days when music cassette ruled. I can remember listening to that song in the music department at Leventhorpe. There was a funny record button on the tape player and when I pressed it the sound output decreased, but at the same time, while playing it recorded the microphone input over the song. It was a clever little tape player but it messed up my tape version of this song.
Turns out that today is Friday 13th. Not that I’m bothered by that. I’ve had some bad luck recently but if I linked that to a random date then that would really be pushing the causation correlation fallacy. My recent bad luck is mostly my PC blowing up but also my left leg refusing to work yesterday morning. So far today things have been OK.
Chillblast have sent me a new PSU for the PC and last night I fitted it. The PC powered up and all seemed good, so I powered it down and then cable tied everything in place within the PC cabinet. When I fitted an extra HDD to the PC shortly after it arrived I only had a blue SATA cable and that didn’t match all the other cables so I replaced that for a black one and now the insides of the PC look all lovely. More importantly I have a functioning PC and there doesn’t seem to be any damage from the explosion last week. It all seems to be working well.
Two albums were released today and I purchased them. I expect there were many more albums released that just these two but these were the only ones I cared about. I have, of course, bought the new AC/DC album, Power Up, because. I will listed to that later but I expect it to be full of solid AC/DC songs and definitely not a disappointment. GrooVenoM also released their latest album and I got that too. I like all their music, I do prefer the mix and sound of the first album but the band deserve my support. It’s a nice mix of everything I like and so sounds different and familiar at the same time.
Since my Minecraft server runs from my PC I’ve been doing other things on the PS4, which pretty much means I’ve been playing Gran Turismo Sport which I probably would have done anyway. I was racing with my Mazda and noticed that I had driven quite a distance in it!
If you look at the right hand side lower panel you can see I have driven 3,266 miles in this machine. I think it’s the car I have used most but I could be wrong. Perhaps I should look up the statistics for my Porsche also! I wondered then what my total distance within this one game was and went to my career summary:
21,669 miles in total when I took this screenshot. That’s not too shabby! I’m a little embarrassed of my Sportsmanship Rating because it has been up to a grade B but I’m not sure what happened there. I think I did quit an online race a couple of weeks ago after being forced off the track and ending up in last place but other than that I think my driving is generally OK. I’ll see if I can work to bring that rating back up a little.
I’m not sure how I first found out about Skid Row but I do know that they were something to do with Bon Jovi. I suspect I saw them support a band and then I went ahead and bought their album. It is possible they supported Bon Jovi at Wembley Arena and then I saw Skid Row again supporting Guns ‘n’ Roses at Wembley Stadium. Look, this is a high quality cock rock album. It’s a great mix of late 80s riffage and attitude. It’s great. Sebastian Bach has a great voice or at least he did. He left under a cloud of non-disclosure-agreements and such like, I was never hugely interested in all the politics. I remember being slightly amazed by the bass player and the chain he had going from his earring to his nose ring, I always thought that was rather cool.
Big Guns – a classic. Proper rock intro to an album. Sweet Little Sister – sexualising your younger sister, that’s what the 80s were about. Can’t Stand The Heartache – showing the sensitive side with a sad song about falling in love with a wrong-un. Oddly it’s quite a nice upbeat song which feels cheery. Piece Of Me – nice rolling bass riff to start and then continues to be a good song. 18 And Life – obligatory slow one about how shit everything can be for some and how you end up getting detained by the state. Rattlesnake Shake – one of the weaker songs on this album but it’s still pretty good and fun. Youth Gone Wild – I love this song, I mostly love the bang bang opening. Here I Am – Lovely decent fast riff. Well structure quiet bit leading into a bluesy solo. Great. Makin’ A Mess – fast paced twelve bar blues? Another proper sing along song on an album full of them. Has a really good middle eight with some slamming beats. I Remember You – Bleaugh, obligatory ballad, a pretty good one though. Midnight / Tornado – another weaker song, but it’s OK.
I really enjoyed seeing this band and I have always received a decent level of pleasure from the music of theirs that I own,
This is a hugely influential album to me. I don’t know when I bought it but I do remember laying on the floor in the dark with sunglasses on listening to Drown. I guess this album helped launch the Seattle scene into the world. I had seen Alice In Chains before and owned albums by them so this was an obvious extension. I have seen the film but I don’t know if I saw that before or after the soundtrack purchase.
This is a very summer album and one that fills me with optimism. So many of the songs have made me happy or stuck in my head. Some of the songs scare me into dark places.
Chloe Dancer/Crown Of Thorns is a song that is beautiful and haunting. This along with Drown makes for disturbed listening. This is an album I would consider putting on in the background of a dinner party. I’m not sure if that means a dinner party would horrify me or whether I consider this album to be one which is ripe for general consumption. I think none of the songs are potentially offensive.
The strange thing about the Seattle sound is that it pretty much leaves me cold now. I love this album and I really enjoy a few albums by Alice but overall a lot of this music didn’t really tingle my spine. Pearl Jam enjoyed massive success but just failed to do it for me. Soundgarden is the same. Nirvana was good fun while it lasted but I’m not an overblown fan and now I see the sound as tiresome. This is a shame but there’s only so much space in my head and heart and while this album sticks like sticky shit most of the rest of the upper north west productions have dripped off.
Way back in the past Adrian Smith decided to leave Iron Maiden and do his own thing. This was a little sad for me as I had always preferred Smith to Murray for some reason and I wondered what Maiden would do to replace him. Smith then went on to produce this solo album and I bought it, except that I didn’t really. At some point Jannick Gers joined Maiden and then Smith came back so now they have three guitarists. Not a classic line up but the longest running line up I guess.
Smith released the single Silver And Gold from the album Silver And Gold and I went to Our Price in the Harvey Centre in Harlow to buy the single on CD. In those days people weren’t trusted to browse real CDs and so the cases were in the shop and the CDs were kept in cardboard wallets in the back of the shop. I guess we were all thieving bastards back then. I took my CD case for the single up to the counter and the person went to the back to get the music disk. Once I’d paid my money and left the shop I looked inside the case and would you believe it?, the shop person had put the CD for the same named album in the case instead of the single CD. I had won “shopping”!
As an album this is, for me, OK. I don’t listen to it often and while I don’t mind it, it’s not something I normally seek out. Sometimes while I write these I have the album playing in the background but I couldn’t even be bothered to do that this time!
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