Johnny English Strikes Again

Well, today I took a trip to the Cineworld cinema in Harlow. Not the one in the Harvey Centre but the one on the edge of town. I can’t remember the last time I went to Harlow town centre but I’m pretty sure I thought it was shit. Harlow, you see, is a new town. It’s a classic example of 1960s urban planning with a concrete town centre to boot. It may have improved I guess but don’t know because I didn’t go there.

The cinema I patronised was close to the river Stort but that isn’t tidal. In fact there are no tidal reaches close by so I can’t give you a decent idea of where the tide was at. I can tell you it is pretty much a full moon out this evening. Also, a new one for me in the 40 odd years that I’ve lived and moved around this part of Essex I actually saw deer in the first field coming out of the village.

I should probably get on with the film and the review type stuff. I rated this film on IMDB and there’s a communication here detailing the scoring process. You can even search in the little box on the right to see more reviews and things or use the drop down menu directly below my header picture. I tweeted my IMDB score:

So, as you can see, 4/10 is a pretty pants score. There’s been a few others recently that scored that and there’s even a film where I went completely away from this trusted format. Why did this film get a 4? Mostly because it was shit.

I did like the idea that they were trying to train Johnny English into understanding that the world has moved on and that women can have jobs of power although they could have gone into this much more. The idea that women should be treated the same as men, although it probably doesn’t work so well in this movie franchise compared with Bond because Johnny English is generally a fool whereas Bond is full of misogynistic toxic behaviour that deserves to be corrected and then consigned to the rubbish heap of shit things.

No, this film was pretty shit. Other people in the cinema laughed plenty and I chuckled a couple of times but it wasn’t far enough on the dinosaur discovering a new world idea and it wasn’t enough Mr Bean.

The Predator

This glorious afternoon I opted to stay in a darkened room and watch a film. The room was screen 7 at Rochester Cineworld cinema. You see, when you have a subscription you need to make sure you go enough to make that worth while. I could have stayed at home and learnt the songs for the next Disaster Area gig but I chose not to.

I failed to notice the state of the tide on the way to the cinema and it is quite unlike me to do that. Ever since I started mentioning it I have been a little obsessed although it is a quick and easy way to connect with nature, the sun and the moon. The tide was low when I left the film.

I rated this film on IMDB using the system explained within the words of the communication called IMDB Ratings.

This film was quite terrible. I only stayed until the end to see what would happen. I’m a big fan of the original movie Predator. It had Arnie and an alien and a misfit group of hard-core homo erotic troopers who all died one by one until Arnie had beat up the alien enough it decided to nuke itself out of existence.

This film had a misfit bunch of soldiers who were all bad men and heading to prison [I think, I’m not sure why they were all in the same bus]. There was a chap with Tourettes so that rude things could be said and blamed on Tourette’s syndrome when really he just said the toxic-masculine bullshit that the script writers really wanted to say. I’m pretty sure he had some stuff to say about “eating pussy”. It’s a shame because the actor playing the Tourette’s chap is really good and could probably pull that character off in a serious film.

There was a kid with ASD or high functioning autism. He seemed to cope pretty well when all the guns started going off. There was a brilliant throwaway line that autism is the next evolutionary level to let the movie goers know that this kids was the future.

There was a female scientist, a kind of Tia Carrere clone, who apparently:

“wrote the book on evolutionary biology”

I always thought that was Charles Darwin. When we first meet this actress she looks EXACTLY like a make-up advert with her head turned 1/4 on and hair flawlessly flowing down her shoulders. It was pissing ridiculous.

I looks as though the script writers just had gaps in the script with the words “insert science sounding shit here”. On that train of thought apparently a helicopter can “track another helicopter’s frequency”. Jesus.

It was disclosed that the Predator had been before in 1987 and another year. Predator 2 was in 1990. I’m not sure what year they said because they then claimed that it was coming to earth with an increasing frequency which is a pretty spectacular claim to make given just three datum points. Also, the predator was being chased to Earth and crash landed so I’m not sure that “intention” could be claimed.

This movie was enough for conspiracy dicks. It had secret aliens, a massive under dam base where thousands of people work on alien artifacts and secret government organisations run by a young man who seems to have extrapolated way too much from the limited data available. Also, this movie had

GUNS

Now, I know the original was full of guns and macho bullshit but it was an Arnie film. What the fuck did you expect? In this film it shows the American obsession that violence can cure anything. The gun can kill all things and rectify the problems facing the country. Got an alien dog running at you which doesn’t go down with a couple of bullets? Just shoot more bullets at it. This movie does not celebrate genius or alternative thinking. It celebrates a culture fantasising completely over small arms, and sometimes bigger weapons.

Arnie used his ingenuity to harm the Predator enough. This movie uses guns.

So, the primary female character explains at one point that the Predator left her alone when she was completely naked in the decontamination room. Does this come back to be used? Does this have any explanation later in the film. No! Because, fuck you. Don’t expect us to tie together all the plot points or even let this film make sense.

Save you money. Find Predator with Arnie on a streaming site and watch that. It’s awesome.

Ant-Man and the Wasp

Earlier today I went to the Cineworld cinema in Rochester to see the film Ant-Man and the Wasp. I’m not really into superhero movies, they bore me and are too outrageous. I was curious to see what I would think of this one. There are some administrative duties I must attend to first though. The tide was pretty full when I got to the cinema, maybe just before high tide. On the way out the river was definitely flowing towards the see and the tide had turned. I rated this movie on the IMDB website and there’s a guide to those ratings within this communication which was written over four years ago!

Well, as you can see I rated this film well. I would watch it again. It had just the right amount of character and humour to make everyone likeable, even the Ghost. I don’t have any real problems with any of it. I recognise there must be many plot holes and don’t get me started on being able to shrink smaller than the molecules of which you are made but I liked it all.

The were even TARDIGRADES ffs. Those little beasts are mean motherfuckers! I really did enjoy this film. Well worth a watch.

My main criticism would be that the Ghost character could have been more developed. I would like to see a film with just her in it. The Ghost was played by Hannah John-Kamen who also stars as Dutch in Killjoys. As a superhero, whether good or bad, the Ghost had a wonderful costume and interesting back story.

If you do see this film, make sure you stay around to see that little bit after the first set of credits. It tied in very nicely with another film. Very interesting.

Avengers: Infinity War

After hearing from plenty of people that Infinity War was really good I thought I should go and see it. Even when I have said “I don’t like superhero movies anymore” they still seemed insistent that this film was worth it. So I went to Rochester to see Infinity War. The tide was waning but still quite high at 19:00 last night.

Rochester
Rochester

Once I came out of the film I rated it on IMDB, as is my custom. I had to think a while because I was thinking about what single number could offer my sum total of thoughts and sometimes that’s a hard thing to do. There’s a communication somewhere about what these numbers mean.

There are two versions of this review. The first, tldr, is below:

Whatever.

 

The second is more subtle but will make a mild attempt to expand on my thoughts in the tldr version:

The first ten minutes had me confused that I was watching the wrong movie. It started with a fight off world straight away and I was a little lost. After that the pattern was

  1. Have a scene with a few quips.
  2. Have a big fight.
  3. Repeat.

Thanos seems to have a rather Malthusian view of the universe and I have to say I agree with him. I would go further than halving the population though because EXPONENTIAL GROWTH. He sets out with a good plan.

The glove is just a glove.

About three of the male characters had beards and I COULDN’T tell them apart. I think that one is on me, I really struggle with faces sometimes.

Is one of the stones the All Spark from the Transformers movies? Have I spelt that correctly?

I don’t think nano-tech works the way the film shows it happening.

Were the dog things from Resident Evil??

Bashing people into buildings is really important.

Also, this film shows us that hitting people is important and fighting is the solution to everything.

I could have quite happily left this movie as I didn’t care about anything in it.

Rampage

Went to the cinema this evening to see Rampage. Now, I hadn’t seen any of the trailers – I don’t tend to watch them. All I had was the film poster. Before the film I went for a walk along the wharf, not a Worf that would be weird, and noted that the tide was neither in nor out. There was a low level bubbling sound from the mud banks slowly draining their contained water, it was a relaxing sound.

Tidal Medway
Tidal Medway

As is usual I rated this film on IMDB. You should see this guide to the system within this communication.

It was a terrible film and got worse as it went on. I didn’t even notice one of the main plot points although the camera shot at that exact spot struck me as strange but I didn’t work out why they had done that. I had to ask my neighbour at the end of the film how the antidote got into George.

Chicago didn’t look a whole lot different at the end of the film. Still a trashy place.

The tide was in when I left. The water level was higher than two hours previously.

President – Season 45

The ebb and flow of the tide continues as I watch the latest season of President, the virtual reality television show. This ground breaking production has, over 44 seasons, had its ups and downs. Here’s a small review:

I first became aware of the world of President during season 39. The scriptwriters had been slogging out the device they called the Cold War but the ratings must have dropped so they decided to fill the lead role with someone who was a washed up actor, it was considered as good as the genius of Birdman in its day. Hollywood just loves stories about Hollywood and actors.

Season 40 saw a thawing in the Cold War story and, when viewing figures dipped, the writers orchestrated an assassination attempt, borrowing from some of the highlights of seasons 16, 20, 25 and 35. As a brave turn the writers wanted to include a line about the decay of mental abilities in old age, raising awareness and so had the development of a President in early stage dementia. In a meeting about diversity the writers had created a strong female character but had her only as a senior world leader elsewhere, they didn’t believe the viewership was ready for the idea of a strong woman in the main part of their story. Using the internal rules of the series developed somewhere around season 33 they had to change lead actors and so the next President Season 41 was produced.

A war abroad wasn’t enough of a revolutionary choice to keep Season 41 alive but their special effects of burning oil fires encompassing a whole desert deservedly won awards and helped create a new industry. The audience was tired of wars overseas and the ratings dived. The woman leader of a small island was replaced by a grey, dull man and there didn’t seem to be anything special in the pipeline.

A change of writers saw a new team take the helm of USS White House [the studio’s nickname for the show]. What happened during Season 42 was the creation of a few long burning story lines to arc over many seasons. These initial moves were complete sideline plots. A story about banking regulation and development of a terrorist organisation from the past highlights of secret CIA funding in a sandy country.

These slow fuse stories were kept ticking over while they used the salacious details of sexual abuse of power in the White House to keep the ratings up. They even had 42 in court and accused of lying. Another peace keeping mission in a foreign country kept the gun-nut viewers happy with newsreel shot showing camouflaged men shooting.

The genius of this season was to place the lead character as a caring democratic fan while at the same time writing in an economic boom giving the opportunity for easing of the financial rules and sucking up to big business. The internal struggles of the writers to create a person who could brag about helping and caring while ruining the regulation that keeps the populous safe and licking the dicks [and clits] of rich people showed as they tore themselves apart and a team of new writers was brought in.

The original writers moved to another studio and set up the show “PM” where they created a leader of a small island who, during a financial boom, broke down regulation to allow more financial flexibility for business. Brilliantly, being Hollywood, they created a vain man obsessed with his image in the media. As I said earlier, Hollywood loves stories about Hollywood.

While the anti-climactic ending of this season developed the writers went for familial connections and had President 43 be the son of President 41. He came along to finish the work his daddy had started in season 41.

Only a few months into Season 43 the writers, with the stable old white man in the big job, went brave. They destroyed a group of iconic buildings on the New York set. They killed thousands in a highly rated episode for its terror and horror. These scenes would be played over and over raising so much money for the studio. At the same time they embedded their lead in the place of innocence, a primary school. This superposition garnered many awards, especially with the written reaction of the President, we can see his brain unable to cope with the news that his country is under attack. This story line had started with Season 41 and the war in a sandy place. His daddy’s war.

Now, the audience seemed ready for a long and messy overseas war. The writers worked hard on creating the evidence from past seasons but they just didn’t have the excellence in the team and they fell short. None of the claims made by the lead characters in President or PM [now running a joint storyline] held up to scrutiny when looking at the back story. The public were annoyed that new plot lines just appeared and hadn’t been developed within the franchise. Hollywood was accused of making-shit-up. This is, to be fair, their job but the public still moan about the lies told within the President universe and the way many smaller characters were written out of the series through deaths in those wars in more sandy places. Filming in deserts seems easy enough.

The last ditch attempt to overcome this viewer anger was to create unrest in the President universe by using a new plot device on the actions of financial de-regulation of earlier seasons. A western world financial crash towards the end of Season 43 caused massive personality hardships for the lead characters and a new approach was needed to get the ratings back.

Season 44 was ground breaking. A black actor was cast as President. The writers had discovered a seam of pure viewing gold. Having 44 working tirelessly and seeming to do good in the world, balancing intelligence and humour while being photogenic helped. They even created a lasting, genuine bond between 44 and his second lead, who, to keep the racist viewers happy was white. Keeping the soap opera theme going they brought back the wife of 42 giving the senior characters oestrogen along with colour. Every now and then the racist-side characters would mimic the accusations of some of the viewers and pipe-up in the calling for proof that this man was eligible for the main job. They kept this theme running using ingenious plot devices of stupid business leaders and a dodgy news channel called Fox, because it’s one letter away from Fux, created as an internal joke a couple of seasons ago.

The writers plan was to have the economy improve over time and the wars to end slowly. There was still some torture and wrongful imprisonment, but they figured that it would only raise the viewing figures as people wondered whether the new black demi-god would fall from grace. Unfortunately the viewers don’t like characters being nice, they don’t like stable. The audience wanted scandal. The writers tried to raise figures by killing the leader of the terror attack from the beginning of Season 43 but the studio declared it wasn’t enough.

There were hints of the crazy to come as Season 44 marched towards the now standard season ending climax when the next lead character is revealed. All along the discussion process they had placed a well qualified woman against a fucking moron of a woman-abusing racist. This person had been a low, rarely occurring character during previous seasons best known for excluding black people from his properties during Season 38 and then more recently as an horrific television host with a glamorous wife whose show was glimpsed on the screens in the background of family discussions moving forward the main story line. He had even had some role in the undermining of 44’s leadership as a habitual user of the newly developed plot device of social media.

Only history and the release of minutes of meetings will determine who the fuck ordered the JUMPING SHARK. Someone ordered the writers to appeal to the dumbest arseholes in the viewership by having the orange monkey win the competition to be the next lead in Season 45.

The whole world of viewers, followers, and critics alike raged at the placement of an idiot in charge of the USS White House in the current season. Suspicion is abound that the writers had been meeting with the rival team over at PM and had used their idea of a shitstorm of plots where the small island votes to leave a community and club worth much in financial and social terms to themselves but they were too short-sighted to see it. The PM writers had gone with a script of chaos and the ratings just leapt.

So, now we have Season 45. After jumping the shark the writers are working hard keeping the crazy going. Now, the whole world is watching and the viewing figures are higher than ever. All the talk around the world at the water-cooler, or shared kettle, is about what will happen next in this crazy universe of President Season 45.

To list all the crazy so far would be impossible but having a lying, sexual abusing, bullying racist as their lead means the writers can do whatever they want. The only limit is their imagination. They’ve had the President say that racists are fine people, the President accuse his accusers of lying, a whole range of actors brought in to some senior roles, a dick-size battle played out internationally, collusion and collaboration with a foreign power, speeches of ramblings and unintelligence, bragging of power and general fuckery.

Whatever follows in the next season is going to be a downturn. They can’t maintain this level of crazy for ever. The viewers will get tired of it and this critic looks forward to the next season of President being humdrum and quiet with a return to social caring.