"Nothing but the rain"
This album was part of the “catch up with what bands I used to like have been doing” phase from about a year ago. I had thought that Alice were dead, much like their singer but then this was released in 2009 with a new singer.
I’m amazed at how good his voice sounds and how much like the original he is. It is very much an “Alice” album. Slow, heavy, melodic and haunting. It’ll freak you out. Well done Mr Alice.
This album came along with “A Bit Of What You Fancy” when I downloaded it from iTunes. It really bugs me when joint albums are downloaded. I don’t like them being stored on my phone as one album so I mess with the properties to make them into the original versions.
I’ve not listened to this album.
At sometime in the sixth form someone saw The Quireboys support another band. That’s all the memory I have about why I would know this band. I bought this album on vinyl and I would classify it as good old fashioned British pub rock and roll. This album is well worth a listen. I like the melodies and the singing. This is definitely a summer album. I can imagine playing this in the garden with the sun glaring down and saturating the whole village in glorious shine.
I listened to this album so much in my formative years that I think all the songs are ingrained. My favourites are:
This was a great purchase.
You go through life aware of some bands who really influenced other bands or perhaps they were there at the beginning. Then, you hear a collaboration song by that artist and think, hey, that’ll be good.
It’s ok. I’ve listened to it twice. Probably won’t listen to it again. Not fussed by it.
If it is screwed up dance music with a twisted feel then this is the right place to come. Part of my journey into aggrotech, this album was the first Suicide Commando album I downloaded. It’s really good. All the songs have a great beat and excellent melodies. Some might find the content and vocals a little distressing but then perhaps that is what some art is about.
Much like some comedians try to “push” the boundaries and you sometimes find yourself laughing at things you find repulsive I think it’s like that for all art. There are those who like to think they are pushing the boundaries of taste and I guess they do. If you can cause a bit of controversy and get people talking then you have done your job. Can I often see what these people are trying to do? Yes. Do I find it bothersome? Sometimes but then that’s the point isn’t it? I also recognise it for what it is, people trying to shock. I used to think that I didn’t really have limits, but it might be an age thing or it might be that I do have limits but never really recognised them before.
I saw a band recently, Sheep On Drugs, they were ok, but they were also trying to be arty. They burnt paper with words printed on it and also ripped their t-shirts off. The female member of the group had black tape over her nipples and then sprayed black paint on her torso. Did I find it interesting? Not really, more a curiosity. What was she trying to say? Was I shocked? No, not really. Having read the transcripts of the of the COUM TRANSMISSIONS [and they did it 30 years ago!] I don’t often find lightweight stuff like this shocking.
Anyway, back to the music. I like this album. It’s good. It also falls into the category of new and my poor memory doesn’t bring the songs into my head from a list of titles but when I hear them I recognise them. Perhaps that is a problem with listening to things while I run. I can’t see the artist, what the song is called or the cover work. Years ago, I would listen while thoroughly reading and taking in the album artwork. not anymore.
Hey, I like this. OK?
So, there’s a band called Anthrax who did a song called Anti-Social. Then after a few years of listening to it I found out it was a cover version by a band called Trust. This was about 1989. Did I try and find out about Trust? No. I left it another 20 years before thinking about it.
So, I saw a band called Treponem Pal and while investigating them I find out about a band called Trust who are connected to them. So, I decide, I will download the “Best of”.
It’s in French because they are a French band. That seems fair enough. Also, they are connected to early AC/DC and Iron Maiden. That’s enough for me.
“Anti-Social” is an awesome song. Anthrax made it their own but the Trust version is better. The French language makes it all the better.
“Police Milice” – great.
“Le Mitard” – with quotations from Jacques Mesrine.
Les Brutes – about oppressive regimes.
So, this is a band with a NWOBHM sound and political lyrics and themes. Brilliant. Oh, don’t forget the cover of “Ride On” by AC/DC. It’s all brilliant.
I bought this on CD as I had a gatefold album on vinyl also called the best of Michael Schenker. Michael is the brother of Rudi who is one of the guitarists in the Scorpions and Michael played with them for a while but he’s also played with UFO and MSG. I really like the sound of 70s rock and this has lots of that. The riffs are really good and the songs are well written.
My highlights are:
It’s all real proper disco rock and very much a summer album. There’s something about the guitar sound which is lovely. It has that under-produced sound, probably due to the equipment of those days. Much like black and white movies tell us that the world only got colour after the second world war, we only got good sound for music during the 1980s. Mind you, most of the music produced in the 80s was rubbish!
Also, Michael is a blue-eyed German blond. He’s a good poster boy for rock music.
I’m pretty sure that albums by The Doors are bought because people think they should own them rather than want to own them. I’ve got LA Woman on vinyl and this on CD. I think that, along with The Beatles, they are over-rated.
It’s something I might play every couple of years when I’m sitting in the garden and it’s sunny. It’s just not me, but I can’t bring myself to delete it. Why?
I bought this when I was going through my 80s rock revival. I saw them once and I really appreciate the cover to the “Hooked” album which I have as a picture disk.
I think this album is ok. I’ve not deleted it from my phone but I don’t play it a great deal. It’s too easy listening! Not a lot else to say, it’s alright.
Mark Hodges persuaded me to buy this album shortly after my sixteenth or seventeenth birthday. I had some record vouchers and wanted new vinyl. I’d only been into decent music for a short while and so it was important to make the correct choices.
This is a gatefold live album recorded in Japan. The cover illustration is a picture of a whole back tattoo. I really like the sound of a four piece band when the guitar does a solo. I like hearing the rhythm section keep the beat going while the guitarist just goes off on one. The sound of this album is perfect.
When I bought this on CD it didn’t come with my favourite song, “Sleepless Nights” and I’m a bit annoyed about that. For the last twenty five years the middle section of that song has stuck in my brain. George Lynch’s guitar makes an awesome screeching sound and it has sent shivers down my spine since around 1988.
My highlights on this album are:
Mr O would say this is an album of pure cockrock and he wouldn’t be wrong. The 1980s produced some great sounding bands and I’ve spent quite a bit of time and money buying proper versions of the albums friends had taped for me.
This was the return of Meat Loaf. I’m pretty sure that after having one of the all time greatest selling albums he ended up skint, although I would imagine that Jim Steinbeck who actually wrote the songs is rather well off. I could be wrong on this matter and I can’t be bothered to check.
“I’d do anything . . . . “ was the main single released from this album and it’s a good song but it was over played in the 90s. I can’t remember another song from this album. It probably plays well though. I imagine 50 year old men driving their Rovers listening to this, or the presenters of Top Gear.
In the fourth year at school I used to quiz Michael Francis about a band I knew called Bachman-Turner Overdrive. He did seem aware of them and their one main hit which is also one of their worst songs! The reason I would quiz him is that he was the music guru. Every class must have one and he was ours. He regularly bought NME and we would look at the charts and wonder at the music. I hadn’t really reached my musical maturity. Anyway, I can remember seeing an album in the charts that had been in the charts for nearly 10 years! This always struck me as an administrative error. What sort of music would stay popular for that long? The answer is, of course, Bat Out Of Hell.
I can’t remember when I bought this, but I did get it on music cassette. After 1995 I lost the cassette and I think I have finally figured out that I left it with RC. I didn’t mind too much but every now and then you need some operatic rock. The riff of the title song would play in my head and eventually I bought the CD version when digitising my collection.
Bat Out Of Hell – a song that is 9:50 long. It was always a good song to play at Imperial College Radio to give you some time to make a coffee and visit the gents! Not only that but it is a great song. I
really like the 70s sound of rock and this takes it to a whole new level. Operatic themes and ear crunching riffs. “Paradise” and “You took the words” are a couple of my favourites. The CD version I have includes the song “Dead Ringer For Love” which I am pretty sure isn’t on the original release. But every song here is a stunner. It’s retro and fantastic. Well worth listening to. Very much a summer album. Just had a closer look at my iPhone and I can see that I have the wrong artwork associated with this album. That’s something to change this evening!
I bet you say that to all the boys!
There are some excellent and classic AC/DC but this album is not one of them. I could probably count the number of times I have played this using my thumbs! Hey, it’s still AC/DC and just what they always write. The video for “Cover You In Oil” is rather amusing.
I bought this on music cassette from the Our Price in Harlow, the one by the bus station as there used to be two of these stores in Harlow. At the time I was working for a company called Cossors Electronics which then became part of Raytheon Marine. The company made monopulse secondary surveilence radar equipment and other military stuff. Mr Cossor was one of the pioneers of cathode ray tubes! [Harlow is the home of fibre optics] I used to either cycle in to work or take the bus. This explains why I would have been near the bus station in Harlow. I would regularly by albums on tape because I could then listen to them on my rather excellent Aiwa walkman [because you care about these things it was an AIWA HS-PX410, there’s a page on these lovely machines here].
Now, I’d had the Dokken album Beast From The East for a couple of years and so I knew I liked their music. The Beast album was a live album recorded in Japan and full of classics. When I first put Back For The Attack into my walkman I was blown away by the guitar sound George Lynch had created for the opening “Kiss of Death”. It was loud, heavy and just really powerful. Don Dokken’s vocals smooth this out to produce a wonderfully mellow rock sound. Many of the songs do have a ballad feel to them but they are still great. My favourites are:
“Mr Scary” is a brilliant instrumental. It has a great main riff with a perfect introduction and build up of the main tune. The double bass drum fits perfectly and the bass playing is good. I really like it as a song and it’s one of those that pops into my head quite regularly.
“Sleepless Nights” includes the brilliant moment of the live album where Lynch makes an excellent sound with his guitar. For a few years I couldn’t tell what he was doing but after hearing this studio version I have concluded that he was playing two or three notes at the same time. In this recording he plays a sustain high note and starts the main riff below that, the live screech is him emulating this. It’s my favourite Dokken moment but on a different album.
Also on this album is the song Dream Warriors which was written for one of the Nightmare on Elm Street films. I don’t know which as I’ve never seen any of them [I could Google it but why?].
News just in:
@CornishPom: @iparish Nightmare on Elm Street 3: Dream Warriors. A return to form after the disappointing NOES 2: Freddy’s Revenge.
Axis of Evil – Suicide Commando
Those crazy Belgians have a lot to answer for. I found this artist while looking for more aggrotech and hellectro. I’m pretty sure I looked on Wikipedia for associated acts and probably looked through iTunes to see related acts from Combichrist. Axis of Evil is full of dance beats, samples and club style synth sounds with some lovely disturbing lyrics over the top.
To start an album with the worldwide statistics on suicide is a brave move and one that works. Just a glance at the song titles will inform you of the style and mood of the music. Strangely I find this stuff quite upbeat and happy. It’s definitely my kind of stuff.
These pretty much sum up this album!
Audioslave – Audioslave
This is the first album by Seattle supergroup Audioslave or Rage Garden / Sound Machine as they possibly should be known. I don’t remember why I bought this on CD or when but I have a feeling I saw the video on TV at some point and thought it would be worth a punt. It turned out to be a good purchase and I went on to buy all the Audioslave albums.
The opener “Cochise” is a superb rock song, great guitars wonderful vocals and the video is pretty good too. Every song on this album is good. Some of the guitar solos don’t fit the songs and this bothered me until I found out that the guitarist was Tom Morello and then it all made sense. He’s such an experimental guitarist that his sounds really don’t fit the mainstream rock.
This is an album I’d have on in the car if there were non-rock fans in the car. I think it’s an album that everyone can enjoy and not just the hardcore metal fans. It’s about as easy listening as I get, even with the “out there” solos.
This is a very good heavy metal album. I got it after a recommendation from Andy Smith. It’s very good to run to and has some cracking riffs. I’d be tempted to get some more stuff by Disturbed but I think it may be a bit the same. I’m currently seeking new sounds and experiences. As this is a newer album and discovery by me the standard “not sinking in” argument applies to my knowledge of this band. I know it’s good, I know I like it and I know I like playing it. Can I remember any of the songs or how they go? No.
I’ve been a big fan of Senser since my third year at university and Andy gave me some tapes with their songs. The album Stacked Up is still one of my favourites but this is about the album Asylum.
I have bought all the Senser albums, although there is one coming out soon which I think they are funding through an innovative route. This album is pretty good. However, Kerstin Haigh does all the singing / rapping as the main lead singer / rapper was off doing some solo projects and things with other bands.
Ah, the long song. This album has a long special song at the end. It’s 24:58 long. It that necessary? I like how bands mess around with these things but I don’t always think the results prove it worthwhile.
There are two versions of this album. This one and the remix. The remix has a far more interesting cover but let’s move on.
This is a really good album and the start of me heading into a more industrial sound rather than the clean produced stuff that I had previously liked. I don’t think there are any bad songs, although I don’t listen to it enough to know the names of all the songs. One of the issues with playing music on the iPhone is that I generally don’t know what the song is called. Back in the days of proper records I would read the dust cover from top to toe and make sure I knew the name of every song.
Highlights are:
“Real Solution #9” has a sample of one of the Charles Manson killers giving an interview about her victim on TV in the 80s. Interesting use of counter culture.
Rob Zombie and Marylin Manson toured together recently and I considered going but £60 for seeing two bands I’m not that fussed about seemed a lot of money. I didn’t go.
I bought this album so that I could have some Queensryche and I figured a live album would have the best collection of songs.
It’s ok. I listen to it occasionally.