What Value – Life?

Where this communication ends up I don’t know. It’s a theme I’ve been thinking about for a while now and I’m not sure what my conclusions are. I think about this whenever I watch a film with an aircraft crash or if I visit the Survival Equipment chaps at an air force base although it doesn’t just apply to flying stuff. Let’s see what happens.

There have been two crashes of the Boeing 737 Max 8 aircraft where everyone on board was killed. Straight after the second airlines started to stop using the aircraft and then eventually the FAA and CAA decided to withdraw the airworthiness certificates of those aircraft. The underlying thinking here is that you can’t have an aircraft type which regularly crashes killing people. It is a requirement of the manufacturer to correct any faults in the aircraft type. Society has a lower limit to what it expects the death rate for flying to be, whether most participating in that society understand that or not. The regulators have stepped in. Another pressure is that the market would stop choosing the 737 Max and Boeing would die if they didn’t make the changes. Society and capitalistic market forces require the product to work well. Human life has a value and should be cherished.

I’m old enough to remember the Herald Of Free Enterprise ferry disaster. I can still remember my dad telling me about it when he picked me up from cadets that evening. I remember feeling sick. I’m not sure why this affected me more than an aircraft crash but it did, maybe because I’d never heard of a ferry disaster before. There were issues with the ship’s operation procedures and the resulting investigation made recommendations which improved the safety for ferries in this country and around the world. The ultimate thinking here was that human life has a value and we should do all we can to preserve it.

In 1986 the space shuttle Challenger [rather the Space Transport System] launched and then blew up about a minute into its flight. This killed all seven astronauts on board. Nasa stopped all flights and investigated the disaster. There are, I guess, many pressures here: government funding, shuttle cost, human life, public relations, the cold war. It was deemed necessary for the programme to be paused while changes were made to ensure the safety of the astronauts. The lives of these people was important and nobody wanted to experience the “ultimate sacrifice”. To those youngsters out there who need to know, there is a phrase in my circles: “Space is hard”. Yes, space is hard. It’s complex and difficult and there will be sacrifices [just think about that word there!].

It would seem that companies like to try and cost cut to maximise profit and so the market forces only come to bear after a particular problem catches them out. So human life to companies is cheap, until they have to make changes I guess. My evidence for this is the General Slocum disaster in New York. A fire caused the Slocum to be abandoned. Most members of the public on board couldn’t swim, it wasn’t a common thing in 1904. Some of the life preservers were wired in place, maybe to stop them being stolen. The life preservers were meant to have cork of a certain volume in them to maintain buoyancy on humans. This cork was meant to be solid chunks and the amount was measured by mass. The life preserver manufacturer had chosen to use granulated cork as it was cheaper, but because it didn’t meet the mass requirements they then used metal bars hidden in the vest to bring the mass up. When humans jumped into the water the cork bubbled out of the vests as it wasn’t in large lumps and then the people were dragged under the water by the metal bars. 1021 people died that night. I guess afterwards there were investigations and corrections put in place to save this happening again on this scale. The city decided that human life is precious.

In the 1960s the Chevrolet Corvair had a design flaw that meant its handling could be unsafe. The company only started to rectify this after the problem was made public and even then it initially decided that the extra safety features should be “optional” and a paid extra on the model. This time a company succumbed to public pressure and eventually the Corvair was produced with suspension similar to contemporary designs. In this case human life was deemed to be precious but only after the flaw was made public and pressure was applied to the company.

When I visit the Squippers on an RAF base it becomes quite clear that the whole purpose of the military system is the protection of life of people within that particular branch of the military. The safety equipment designed to help a fast jet pilot in the case of a problem is impressive. The aim is to preserve the life of the pilot or aircrew in as many situations as possible. It doesn’t always happen but effectively the aircraft is expendable and the life is not. The motivation for this could be that aircrew are hard to find and cost a lot of money to train but the principle is the same, there is a value to the human life and it should be preserved.

So, governments and companies place a value on human life and it is generally seen to be a bad thing for people to die because of bad design or systemic issues with the rules and management of a system. If there are rail crashes then they are investigated. All shipping accidents are investigated and rules put in place to make sure those type of accidents either don’t happen again or the risk of them happening again is reduced to an “acceptable” level.

The rules governing the use of roads by people with vehicles have developed over time and change on occasion to make the roads safer. Deaths on UK roads have decreased over time and seem to have settled to around 1100.

There are probably many factors in this. I mean, when I was a child seatbelts WEREN’T compulsory to wear. Can you believe that? It was decided that people could choose for themselves whether to wear a seatbelt or not. There is only one problem with that: people are stupid. The best thing for a car would be to wear a five point harness and make sure it’s tight. But that is quite a hassle. Volvo invented the three point harness and gave away the technical rights to the whole industry. This means we have seatbelts in cars that, while they aren’t the safest, they are the best balance between safe and convenient.

When you get into a car you ACCEPT the risk that driving on the roads brings. You accept the balance between getting somewhere in comfort and the risk that you might not arrive. Now, you might not be aware of this, but it is what you should be thinking. Driving, or to an extent existing, means you implicitly accept the associated risks. If driving was an activity supplied by a company you would have to sign a disclaimer each time you decided to go somewhere. You decide to accept the implicit social contract every time you do something like driving or getting on a train etc.

The value of human life is not measurable. Current society tries to do the best for the people within that society. It tries to educate. It tries to help. It tries to save.

Except it clearly doesn’t.

Individuals on the whole are largely selfish and lack empathy. I mean this from a point of view of looking at individuals within a system. I’m not talking about you. I’m talking about a single person within a system, within society. Our system of collectivness means that we each have our freedoms within that social construct. We chose what to do with our own lives [we don’t really as free will is an illusion but that’s for another time], we can spend money how we want, we can arrange our time how we want. There are restrictions within that. I hope that everyone pays their tax [they don’t] and many of us have to work to get money to pay for the things we use but generally we have a certain amount of freedom.

This freedom leads to us not caring or thinking about others as much as we should. We all vote or feel empathy for the latest finalist on Britain’s Got Talent because their gran died when they were young and the zit on their nose lasted for ten years but we lack the empathy for people around the world who have oppressed lives. We don’t care collectively about the thousands of people dying in wars [Yemen] or those being abused by their own governments or those systematically killed through religion or lack of action of governments. We don’t care about the critical underfunding this country has had for over ten years now causing deaths and poverty on a massive scale. We don’t care about people more than one degree of freedom away from us. We don’t seem to care about people dying. Why do we lack this empathy? We don’t seem to care about the child-rape cabal headquartered in Rome.

It seems that some systems and social constructs are there to help us survive. They are there to save life and preserve humans. Lives are values in a social structure. But, as individuals, we seem not to care. Maybe it is too much for individuals to take on the world and do the “right thing”. There is only so much an individual can do to make changes.

In this country people still vote Tory even though their policies over the last ten years have led to the UK having a need for FUCKING FOOD BANKS. Let’s get this straight. FOOD BANKS. Places where people who can’t afford FOOD can go and get food. FOOD BANKS. There’s a lack of empathy for these people. As long as I am comfortable I don’t need to think about the lives of others and help them.

Damn, I’m not sure where this is going. My starting point was that human life is precious and yet in so many ways we don’t value it and people are dying through so many preventable causes but it’s not visible, so we don’t know or care about it. Maybe I need to lay out my arguments a little better. This communication seemed to end in a rant about selfishness and lacking empathy. It started well but ended up as a grumpy old lefty moaning.

I’ll come back to this.

Once More ‘Round The Sun – Mastodon

I got this album because I went to see Mastodon play at the Brixton Academy. I was quite impressed with the album, it’s complex and has a unique style. I don’t think I’ve really listened to it since I went to the gig though.

A strange thing popped out of this for me, I think the drummer sounds a lot like Nicko McBrain when he drums. I’m not wordy enough to be able to explain but there’s something in the complexity of the fills and rolling beats that reminds me of Iron Maiden.

This album is worth listening to. I’m not sure I’d buy any more from this band though.

Dora and the Lost City of Gold

I went to see this film because it’s the summer holidays for me at the moment. It is slightly ridiculous that I have only worked through August in about five of my years. It’s an interesting thing that for me the summer only starts at the end of July, when teachers talk about “the summer” we don’t meant the meteorological summer. Just for giggles I think the following are my five years of working in August:

  • Post GCSE I worked on a farm driving tractors.
  • Between lower and upper sixth form I drove tractors.
  • Post A Level I worked at Cossor Electronics for a year until I went to university (two summers).
  • I was one of the student union officers and so worked the summer of 1994 in Beit Quad, Imperial.

Back to format now. The tide was on its way in and was covering most of the mudbank but the grass on the bank was still visible, it wasn’t visible on the way home. I didn’t see the seal from last time but it didn’t matter. The weather was really nice and the who vista was very pretty.

After watching this film I rated it on IMDB and there’s a communication which discusses the scoring criteria here. It is then usual for me to embed the tweet:

My web editing software doesn’t really like pure HTML being entered and for a long time it would warn me of errors, but my code was correct. I use WordPress btw.

So, the film. I really enjoyed the whole thing. It was good fun. There were many nods to the cartoon series it made it fun. It was really a more modern Goonies [which I can’t remember so will have to dig out].

Once Upon A Time . . . . In Hollywood

I recently went to see the latest Tarantino film at the Cineworld cinema in Not-Rochester [it’s really in Strood, a bit like Sainsbury’s Larkfield is really in Aylesford]. Apparently this is the ninth film from Tarantino and I’m just going to have a look. I make it ten but only if you count Kill Bill as two films, I mean, they were released separately. Here’s the list of his films I’ve seen:

  • Reservoir Dogs
  • Pulp Fiction (I can’t really remember much about this one)
  • Kill Bills
  • Django Unchained
  • And now Once Upon A Time . . . In Hollywood

I’m not sure if I should go ahead and watch more of his films. I’m certainly not part of the “Tarantino’s great” movement. I like the films and see them for what they are.

As I drove along the riverside I checked to see what the tide was doing. Well, I mean it never really is doing much, it’s more slowly wandering around rather than having visible changes but I looked to see where the river was compared to the riverbank. The river was very low which means the tide was “out” or “low” depending on how you want to phrase that. There was a drone flying around over the marsh area and I’m curious about what it was doing. There was also a seal resting on the edge of the marsh area, possibly after having a big swim. Maybe the drone and the seal are connected? I don’t know.

After the movie and a little extra time to mul this film over in my head I rated the film on IMDB, as is custom. Then I tweet the thing. It looked a little something like this:

I have a feeling that a lot of this film was just showing off. It made the whole thing look amazing and Tarantino has created a faithful reproduction of Hollywood but there were some scenes where I just thought it was gratuitous money. Here I’m thinking of all the scenes with massive backgrounds and time-correct cars and posters. I mean, the effort is astounding but it is also very proud as a film of managing to look so real.

As is usual with a Tarantino film the music plays a very key part and his motif is obvious all the way through this film. Most scenes carry music over from one place to another. I found the reproduction of sound a little annoying as the soundtrack was loud and punchy when in a car the sound would have been terrible. If you go to all that effort to reproduce massive backgrounds and freeways full of period cars then maybe the sound of the car stereo should be exact?

I liked the idea of the faded actor still trying to make his mark in Hollywood. I thought Leonardo DiCaprio was amazing in this movie. He managed to convince me fully. There has been some controversy about Margot Robbie’s role having so little to say and almost being a pin-up in the movie. I’m not sure I felt that. It is true she had little of a speaking role in the movie but the film was mostly about Rick and his fight in Hollywood.

As the climax of the film approached I was actually worried that it would glorify the Manson murders. I hadn’t read anything about the film, I’d only seen the trailers, and it wouldn’t have been right for any Tarantino violence glorification. Then, it ends the way it does. It was at that point I understood what Tarantino was doing. I had thought he was trying to write an historical document to give us the facts about the case but what he did was pure Hollywood. The film ended in classic Tarantino violence but at a level that worked perfectly in the film.

I possibly underrated this film slightly. Maybe it should have been an 8. I’m still thinking about it and that’s a good thing, it means the film affected me in some way. I did go down a bit of an internet rabbit hole after this looking through the Wikipedia articles on the Manson murders and the people involved. It was during this that I realised the band Kasabian named themselves after one of the Manson family. There are lots of bands, seemingly innocuous, who are named after awful things; Rammstein, Spandau Ballet and many more.

I’ll tweet again if I decide to increase the score on this film. I’ll add that tweet below so keep an eye out. Remember to keep looking at this terribly boring website.

On Through The Night – Def Leppard

I had this album copied on music cassette at first. I can’t quite remember who I got it from but it was possibly the chap who I had planned to see Def Leppard with in 1988. There were two of us at school who liked the band and I was meant to go and see them play at the Royal Albert Hall as part of the Hysteria tour. I didn’t go to that in the end as I secured a place on the Cyprus camp and that seemed more worthwhile.

This is the first album by this band. IT is a monster album musically. I don’t know if it was a numerical success [checks Wikipedia], it did OK for a debut. I reckon it did well ultimately because fans went back and bought the back catalogue. I know that Def Leppard were disappointed at being lumped in with the New Wave Of British Heavy Metal which was a mostly London thing. Def Leppard were from [checks Wikipedia, wants to write Sheffield] Sheffield and didn’t really like all that London stuff.

I love this album.

What gets me most is how well all the songs are crafted so well for such a young band. You could swap this and their second album and it would make more sense. In my mid to late teens I found High n Dry a little too-samey and this, the first album, was interesting all the way through. I would definitely recommend this to anyone interested in that early 80s sound of rolling bass lines and proper sounding guitars.

So, the singer has a classic high voice, but that was a part of its time. The bass is lovely and loud, the guitars work together in harmony and each song has tempo breaks and fits together in a Coca Cola contour-bottle shaped audio-scape [that last metaphor is either amazing or bullshit].

When writing these reviews I tend to have that album on in the background, jogging my memory as I write. The sounds for this album have made me stop and listen a number of times. This is a good thing, I normally don’t pay attention to the music, or at times I don’t have the songs playing as it is an album I know intimately.

  • Rock Brigade – lovely
  • Hello America – a little bit bullshitty
  • Sorrow Is A Woman – great guitars, lovely lyrics, good riff
  • It Could Be You – look, all these songs are
  • Satellite – really good, except for the “ooh yeah”s in this one
  • When The Walls Come Tumbling Down – a post apocalyptic wonder
  • Wasted – Excellent opening riff, the beat keeps going, excellent
  • Rocks Off – classic high speed riffage (possibly live but I think the crowd sounds were a post production issue
  • It Don’t Matter – Lovely
  • Answer To The Master – to be said with an American accent, also has a classic starty-stop solo section with some awesome bass work [I guess the guitars are good too]
  • Overture – this is an amazing piece of writing that still shakes me

Look metal fans. Go and buy this. Listen and enjoy. Play it to your family telling them it’s one of the best. They won’t understand.

Skills Are Lacking

I’ve just spent a weekend at RAF Wittering where I was practising my skills at instruction. I can assure you, worryingly to my profession, that my skills are not that good and I need loads of practice. The next weekend is within the month and so I need to read a lot, learn and instruct. I’m secretly looking forward to this as a challenge is always a good thing. Even if I’m not that good there’s still the challenge of getting better.

She Who Must Not Be Named
She Who Must Not Be Named

Here’s to the next few weeks of learning!

O.G. Original Gangster – Ice-T

This is a slightly unexpected sight in these pages I guess. what happened is that Ice-T released a heavy metal album called Body Count. It made me wonder if I would like his more “traditional” stuff. So, I bought this CD.

Here’s the shocker – I didn’t mind it. I liked the beats and most of the lyrics. It seemed a good fun album to own.

This album did consort with controversy because the second track was meant to be Princess Diana speaking about being completely on Ice-T’s dick. I mean it sounds like a well spoken British person but if it really was Di that would have been the absolute best.

Don’t play this with the kids around.

Not Fragile – Bachman-Turner Overdrive

This album is so very important to me. I’m not sure I’ll be able to get across why but I’ll give it a go. The most talented writer I am not.

My earliest memory of rock music is being in the back of the Smith’s car and they decided to play this via a music cassette. I can remember being driven in a Ford Granada along Gilden Way in Harlow and all the members of the Smith family banging their heads up and down. I’m not sure I understood what was going on. I was young, somewhere around ten. This whole event seemed strange. I form of loud guitar music when you move your head.

I’d only been exposed to Abba and Jean Michel Jarre at home. I don’t think there was any rock in the house. There might have been some of The Shadows but nothing particularly heavy. We have to skip a bit after that and it’s worth reading this communication about my descent into metal music. Music back in those days was hard to find, it was exciting to be able to listen to something you had search for, something others hadn’t heard, something that was your own. It’s like finding that one book that really affects you but no-one else has read.

I don’t know when I bought this album. I expect I had a taped copy for a long time. I’m pretty sure I have a CD version somewhere now but, of course, it’s all digital and on a NAS now.

What amazes me about this album is that it is a complete and fully-rounded rock album and it was released in 1974! I probably expect that rock started around 1980, when I became music-conscious, of course every generation likes to think they invented sex (or music).

Bachman–Turner Overdrive.png
By Mercury Records – Billboard, page 27, 7 September 1974, Public Domain, Link

I have loved this album for over thirty years and I expect I will continue to do so. There isn’t a song that is fast or crazy. Just a complete album of well-crafted songs that make you want to dance, or smash your head on something. I’ve always been amazed at just how beautiful the two lead guitars sound when they solo together.

  • Not Fragile – the title track starts with a blistering bass line and continues to develop into a crushing riff. I love it. The duelling guitars is amazing.
  • Rock Is My Life, And This Is My Song – Lovely. A wonderful song.
  • Roll On Down The Highway – classic rock anthem with a wonderfully crafted solo.
  • You Ain’t Seen Nothing Yet – arguably the weakest song on this album but annoyingly the most well known.
  • Free Wheelin’ – An instrumental with some classic stop-start riffs. It’s built upon all the classic forms of rock/blues. It even has a bass solo. Love it.
  • Sledgehammer – another of my favourites. The opening riff slowly beats out and makes this song a calming beast.
  • Blue Moanin’ – I do think this is the second weakest song on this album. I mean it’s good but one of them has to be bottom of the list doesn’t it? I’m excluding You Ain’t Seen Nothing Yet from the list.
  • Second Hand – you gotta love a cheeky muted cow-bell in this song. This is a great song.
  • Givin’ It All Away – an upbeat bluesy riffed beast of a song that would get a pit going (maybe, if we weren’t all so old).

This album isn’t metal. But it’s some of the finest blue-rock you can find. It still holds it own forty five years after release. If I had my way either everyone would know this or no-one. You aren’t good enough for this music.