Remote

Over the weekend I tried something out not because I wanted to but really just because I should have been able to do it. While I was at RAF Wittering I spent some time on the Playstation remote play feature just really checking that it would work. As I’d been feeling remote recently through stress and poor sleep I didn’t spend a great deal of time playing [in fact I practised some statistics] but I did confirm that I can play the Playstation when I have a wifi signal.

While on military bases I either use the wifi provided by BT on some bases or, on others, there is a private contractor service called Media Force. In my experience they provide excellent coverage [except in my room at Shawbury] and for £10 you can get a week’s worth of 24Mb/s connection.

The Media Force connection at Wittering was enough to get my PS4 working remotely via my laptop:

Remote Play
Remote Play

I only played a very arcade type game as I didn’t really have the time to get into a specific game. But, I proved the system worked. For the PC version you connect a Dualshock4 via a USB cable. This system worked well.

I then tested the system on my phone. It’s an Apple iPhone running iOS13+. I apologise for the crappy picture because I was using my laptop to take the photograph and both of its cameras point rearwards [towards the user].

Remote Play iOS 13 and Dualshock 4
Remote Play iOS 13 and Dualshock 4

In this setup the Dualshock4 is connected via BlueTooth which is pretty cool. You just have to re-pair the controller with your PS4 when you get home. I’ll definitely be using this system more in the future!

Pornograffitti – Extreme

Much like some smells this album, when I think about it , takes me back to a specific time and era of my life. This one takes me to around 1990 and Thornbera Road in Bishop’s Stortford. I can’t remember when I first heard of Extreme but this album made them big. It’s got some massive songs on it, probably ones I’ve over-played and so now just can’t be bothered with. I do remember them playing “Get The Funk Out” on TOTP and me being quite excited at how racy it was.

The massive songs on this were:

  • Get The Funk Out
  • More Than Words
  • Hole Hearted

Looking over the track listing I think it’s fair enough to say that this is a pretty good album but just one I don’t think I’ve listened to for twenty years.

Harriers Ascending (no more)

I really enjoy the things I do, if I didn’t it would be sad for me I guess, although many many people struggle to find enjoyment in their lives. I’m at RAF Wittering for a couple of days of training and as much as the commute from Kent to (almost) Lincolnshire on a Friday afternoon is hell it is great to be here. Everyone I meet or speak to feels privileged to be able to visit the places we do and have unique experiences.

While driving to the 504 Sqn building I passed two Harrier aircraft out on the pan enjoying the morning sun. It would have been a silly thing to keep driving past them so I stopped, got out the phone camera and tried to capture them in their morning glory.

Harrier GR3
Harrier GR3

This beast is, as far as I can tell, and I’m happy to be corrected a Harrier GR3. Although it looks a little old I do like the matt effect paint. There was a time when these screeching jets were all the rage around RAF Wittering but now the air force has a new VSTOL plane based at Marham. Next to the GR3 was the trainer:

Harrier T2 or 4
Harrier T2 or 4

I think there are only a few viewing angles where this one looks gorgeous. The extra bubble canopy really doesn’t help. I’ve never been a big fan of Harriers, they were always very noisy and didn’t seem that impressive to me but I might be slowly changing my mind. I saw two Spanish AV8 fly at RIAT this year and there’s definitely something special about them, especially on the slow pass and hover.

After getting back in the car I head to the little car park by 504 and what do I see but two fire appliances/trucks/engines or whatever you want to call them. I’ve got a mate who is a firefighter and so I tend to send him pictures of any trucks I see. It was while taking these I realised these trucks were from Ascension Island and the little air force base there. Amazing, the things you see.

Fire Appliances from Ascension Island
Fire Appliances from Ascension Island

Apologies for my shadow getting in the way. There was an issue with the sun and directions for the best photo.

Piece Of Mind – Iron Maiden

I’m pretty sure I got this album after I had listened to a taped version of Live After Death. I don’t think I actually owned the live album, just a version that Mark Hodges had taped for me. I’ve bought it many times over since then though, on vinyl, on VHS and CD. But, we are here to talk about this album: Piece Of Mind.

You can’t help but love Iron Maiden. There’s that cheeky photograph on the back of the album with the band about to tuck into a medieval banquet of brains, there’s the “Britishness” [which those who know me will understand I struggle with] and there’s the public school boy humour from Bruce.

The rock and roll rules mean that if you change a band member they get to start the next release with an intro part. And thus begins Piece Of Mind with Nicko McBrain blatting out a drumming introduction to the rocking along “Where Eagles Dare”, which if I had ever really listened to the lyrics is probably a song about the second world war film about something or another.

“Revelations” is a fucking great song, so beautiful and lyrical. The worst thing is that stupid “Go” that Bruce shouts in the middle and when I first heard this song from the album I laughed at that point and I still do chuckle to myself. This song is better on Live After Death, it has a little more speed and a roughness to it. The album version is a little over-produced. I’ve just read that it was influenced by Aleister Crowley which is pretty annoying but I still like the song.

“The Flight Of Icarus” is boring and I don’t really like it. I mean, it’s a good song, I just don’t like it. The live version is a little drab too. The riff structure feels a lot like Mariner from the Powerslave album, it’s just the opening couple of beats that tell them apart!

“Die With Your Boots On” is a good song, well done live. But in reality this middle aged man struggles with the message of jolly good old bashing the enemy and dying on the field.

“The Trooper” a tour de force about another bloody battle the Brits got tangled up in. Nothing like bashing on about the glorious times. It’s a good song though. I think I’m just struggling with the jingoism and battle cry of it all.

“Still Life” has some excellent hi-hat action and it makes me excited.

“Quest For Fire” is ok.

“Sun and Steel” I like the riff and chorus structure. I like it all. It’s quite pop like in structure but I do enjoy it.

“To Tame A Land” is a good song but I think it struggles from being the last track on side two of the album and so I’ve played it little. It might be something to do with those pesky books by Frank Herbert.

Go and buy Live After Death rather than this. It’s a more powerful statement.

Persistence Of Time – Anthrax

This was the second album by Anthrax that I bought after State Of Euphoria, which gets reviewed later. The problem is that I will compare it to Euphoria in this review! This album is darker and nastier than Euphoria. While I consider the first album a summer album Persistence is not a summer album. To me a summer album has a certain sound and feel to it, a lightness, a happiness, a breeze. Persistence doesn’t feel like that. It’s bloody good though.

I think I would have to say there isn’t a bad song on this album. There’s no song I would gladly skip, even the cover version is a rocking song.

“Time” and “Blood” are both good starters. “Keep It In The Family” is brilliant. “In My World” gives me chills. “Gridlock” is great. The way “Intro To reality” merges with “Belly Of The Beast” meant that for years I thought they were just one song.

“Got The Time” is that rare beast, a cover version that knocks socks off the original and a wonder to the ears, high powered and magnificent.

“H8 Red” was the first instance in my awareness of the number eight being used within a word, like in HATE, good song. “One Man Stands” is a good one. “Discharge” for some reason always makes me think vaginal but this is a great song.

Overall this album is a masterpiece. I love it.

Anthrax are the only band of the Big Four I’ve not seen live and that saddens me.

Permission To Land – Darkness

This is a massive album. When the Darkness pounced onto the scene it was hilariously camp, 80s and rock. This small band from Ipswitch (?) made it big with their cheeky falsetto metal. But, what they did was make those sounds fashionable again. Of course I bought the album. I even went to see them play at Wembley Arena and for most of the gig the band seemed amazed that they were playing Wembley Arena.

I like the opening song “Black Shuck”. There’s one of those crappy mythical stories about a massive black dog roaming around the countryside of Anglia. As far as I know Anglia is that bit that sticks out to the north east of London. If you draw a line from Dartford Bridge to the Wash everything to the east of that is Anglia, I think. The big black dog is called the Black Shuck. It’s a really good shout out to the stories of my homeland.

Then you get “Get Your Hands Off My Woman” which, apart from the consent issues within that statement, is a great song. You haven’t heard the word motherfucker sung in a more beautiful way. If “your woman” has consented to have another person touch them then I am afraid there’s nothing you can or should do about it. She isn’t “your woman” she’s a person and if that’s what she wants to do then good for her. It’s probably time for you to have a discussion about your expectations of the relationship.

“I Believe In A Thing Called Love” is tremendous. Well worth the listen and a very well constructed song. It’s got some of my favourite types of song structures including lines with just the rhythm section playing – I do like that. That sound is a bit like why I like Dokken live, the bass and drummer belting out the riff while the solo goes on in the background.

The rest of the album is good and strikes a cheeky AC/DC vibe with the theatrics of Queen in the videos. It’s good holiday music I think. Not to be taken seriously but written with the style and panache of a grown up rock band who are having fun and making music that they enjoy. It’s a happy album.

During my visit to Washington DC in 2013 Rich and I listened to this album as we drove through the Blue Ridge Mountains. Great tracks for a great day.

Peace Sells . . . But Who’s Buying? – Megadeth

This is a monster of an album.

Vic Rattlehead

A long time ago there was a documentary on BBC2 called “Heavy Metal”. In it they tried to explain heavy metal music. They had a clip of the comical Napalm Death along with some clips of Motorhead and, I seem to remember, a clip of Megadeth playing “Peace Sells But Who’s Buying” open air in Northern Ireland [at a time when there definitely wasn’t peace]. For a long while that opening riff stuck in my head and one day I bit the bullet and bought the vinyl album.

My initial reaction was one of disappointment. I loved the pop-like qualities of the title song but the opening made me think “oh, this is another thrash band”. How wrong I was.

After a few listens the genius of this album started to creep out and grab hold of me. It’s a gorgeous complete piece of art [although “I ain’t superstitious” is a bit shit].

If you know me then you know that I consider “Wake Up Dead” to be the best song ever. It contains THREE of the best metal riffs ever and they occur in the last half of the song. Being in the pit with this playing and the whole crowd bouncing in time with the riffs is an amazing memory.

This album was written while Mustaine was heavily into drugs and you can tell. It’s probably why it’s so good. He got cleaned up at some time later and found religion. Mind you, religion is a part of the 12 step process, and just to point out that AA or even NA is only ONE way of getting clean and the evidence shows it’s not the best way of doing it. Because one of the Daves found religion he refuses to play THE CONJURING live any more. Which is a fucking shame because it’s a great song.

The above video shows Nick Menza [just one of Megadeth’s many drummers] playing his part of The Conjuring during the same tour when I first saw Megadeth. It was the Clash Of The Titans tour. Amazing.

The title song of this album is amazing.

Devil’s Island rocks with its fast riffs and high paced beats.

Good Mourning/Black Friday – more classic Megadeth with proper fast complex riffs. Clearly showing why they are better than Metallica.

Bad Omens – sends shivers down my spine. These songs are so well crafted.

[I Ain’t Superstitious – terrible song] every band gets one free pass on every album as far as I’m concerned. With this album it’s this song. It’s shit.

My Last Words – weren’t the last words of the Daves and the next album is an almost complete and perfect selection but the raw power and speed of this album is amazing. You can feel the anger, the rage, the fighting. It speaks volumes, if you want to listen.

Youthful Revolution

There used to be a time when protesting caused changes. When a massive show of anger by the people caused politicians to stop doing what they were doing. I wouldn’t say they changed their minds because I honestly don’t think that’s what happens. Politicians cow down to massive disruption because they fear for their own futures and it makes them look as though they listen.

In 1981 there was the Brixton Riots. I remember the news of these. It scarred my impression of Brixton for a long time. But at then end of the riots there was an inquiry and things changed. The racist policy of stop and search was covered with a new code of conduct for the police. It didn’t do enough and nearly twenty years later the Macpherson Report pretty much said that lots of the previous recommendations had been ignored and the police were still institutionally racist. I guess change is slow, but it does happen.

The Poll Tax riots of 1990 caused the eventual downfall of the Thatcher government and the Poll Tax was removed by John Major and replaced with the council tax. In this situation the riots changed the direction of the government.

On the 15 February 2003 easily over one million people marched through London to protest the imminent Iraq war. Those people were right. But it did fuck all. Look at the shit we are in now with the middle east.

On 10 November 2010 over half a million people marched against the conservative policy of austerity [which has killed thousands]. It did fuck all.

On 20 July 2019 London’s streets were filled with people protesting the imminent leaving of the EU by the UK. Regardless of the fact that pro-Brexit marches can only get a few hundred people together this march has done fuck all.

When the political class is as entitled as they are [consider Rees-Mogg lying on the benches] then they don’t give a shit about what they are doing to the country. They will carry on with their idealistic policies whatever happens because there are no consequences to them. They don’t give a flying fuck about the poor, about the weak, about those struggling. They have a complete lack of empathy. They just don’t understand what actual real fucking life is like.

So. The world and this country needs to change. Radically. We can look after everyone while at the same time making sure that things will work for the future. It is possible. But it isn’t possible with the current political leaders in power. Revolution is needed. A fully written constitution and a decent respect for all people must happen.

Time to be revolting.

What The Future Looks Like

Dead. I hope I’ll be dead before the Water Wars start. That’s what I spend a lot of my time thinking about. There’s an impending doom heading for this planet and I’m just hoping I’ll miss the worst of it. I’m scared for my kids and the shit they are going to have to face. I feel helpless about it all and would rather live on in ignorance. But, I can’t, I probably should do what I can. But it’s too late.

I don’t have hope.

At this time I think the world is just past the positive-feedback-loop of climate change. Maybe forty years ago we could have made changes that would mean we could have stopped the current warming and saved the world. But I honestly think we’ve gone too far. Humans have known the problems of climate change for all of my life time. But no one has really done anything about it. My evidence that we’ve known comes from rock band Testament. They wrote a song for their 1989 album Practice What You Preach called “The Greenhouse Effect”. I learnt about this stuff when I was at school in the 1980s.

See the burnt earth and the figures crucified by the inaction of the older generation. I am part of that generation now. I’ve done nothing. I’m not sure I can do something. Our world is ruled by short-termism politics and individual gain. Those in charge don’t give a shit about the future. If they did they wouldn’t keep the ruinous policies of today. We have cars, planes, lorries, ships all burning carbon based fuels. We have homes where electricity is from carbon sources. Heating is from carbon sources. This world is slowly dying and those in charge can’t or won’t see it. It’s actually beyond them.

We Are Fucked
We Are Killing Ourselves

Unfortunately for the population of this strangled planet anything done now is likely too little too late. I’m convinced we have already passed the point of no return. There are no noises of politicians actually doing anything to solve this. They sit there probably thinking the same as me – “hopefully I’ll be dead”. Here’s a list of things we can’t solve:

  • Burning carbon based fuels
  • Melting of glaciers around the world
  • Ice sheets melting
  • Thawing of the tundra
  • Plastics getting everywhere
  • Ocean life dying
  • Reefs dying
  • Acidification of the oceans
  • Warming of the oceans
  • Increased storms
  • Fresh water supplies dwindling

Ideal feedback model.svg
By Me (Intgr) – Own work, Public Domain, Link

The positive feedback has started. Any actions we take now will only mitigate the changes. We might be able to slow it down. We might be able to stop the warming at a level that means only a billion dying but I suspect that’s not going to happen. I am not hopeful about the future of humankind.

Even that megaband Metallica wrote a song in the early 90s about how the world was fucked. It’s called Blackened.

I suspect we all like to think that in the future we will live in a lovely village:

A Village
A Village

Or maybe our future is more Blade Runner? Living in massive urban areas with amazing culture and increased wealth extremes?

The City
The City

Unfortunately I honestly think our future looks more like Mad Max.

The Wastelands
The Wastelands

Now it’s time for the young to rise and claim the Earth as their inheritance and remove the ruling classes from power. To save the world needs complete revolution. A massive change in the politics. A move to more future planning and doing the right things.

My parents’ generation did nothing and they’ll be dead soon.

My generation did nothing and I don’t think I can tell you how sorry I am for that.

Worldwide revolution is needed. Government for the future.

I don’t have hope.

Ad Astra

I went to the cinema. I feel bad writing this. I didn’t enjoy it. But let’s get the formalities out of the way first.

I went to the Cineworld cinema at Rochester. I went to an 18:00 showing and I was a little surprised at how empty the lobby was, normally on Saturdays it’s very busy. Maybe I was at that “just before” time when many are still thinking of going out. It was lovely and sunny and I made a mental note to check the state of the tide. It was high, nearly full. This pleased me as earlier in the day I had run by the river slightly further upstream and the river was low. I run pass the navigational section and then along the tidal section by Allington lock. Given I was running at around 11:00 and went to the cinema around seven hours later I expected a high tide.

As is also customary I rated the film on IMDB and then tweet the result. I pondered this for a long time and even had to check my own rating system which is explained within this communication. It’s weird looking things up on your own website. I often do it to remind myself what I thought of a film at the time or which bands I have seen and what I thought of them. Somewhere within these communications I mention that this might be a kind of diary.

So, here’s the rating:

I wanted to like this film, I like space films. But, I had to score the film 4 as I hated a lot of it and didn’t really care about anyone in the film. I stayed until the end but only to see what happened. I wasn’t fussed about it. It was more annoying than anything else. I don’t know anyone who takes my reviews seriously. I’m there as a curiosity, a method for people to know me better rather than expect followers to take me seriously. If you read this website’s homepage you will see this is really a vanity project. A thing I do for fun. I am going to explain some of my criticisms but I should warn you:

THERE BE SPOILERS AHEAD

The space scenes looked amazing and I was really impressed with the quality of the graphics. This is possibly the only good comment I have about the film.

The entire voice-over on this film was shit. It was annoying and the film would have been better without it. It didn’t add anything to the film and it didn’t explain anything that a vaguely intelligent person couldn’t figure out. One day the director might come out with a version and remove the voice over, explaining it was put there for stupid people. I hated it.

WHAT WAS WITH THE PSYCH EVALS? I don’t understand what shit this was. You say a few sentences into a microphone and record your pulse and something somewhere declares you fit for spaceflight? I don’t think the writers understood humans for this part of the film. It was interesting that McBride was clearly fucking insane from the beginning. If you fall off a space tower and tumble to the point that you might die but your heart rate doesn’t go above 80bpm then you are a psychopath. I hated these parts of the film more than anything else. It was terrible.

I liked the [impossible] tower at the beginning. It looked pretty good. I liked part of the background stuff to do with space flight like the med centres and technicians everywhere. If Earth has a tower up to space then why are they still launching people into space using chemical rockets? I know rockets look cool but SPACE ELEVATOR. If the technology exists to build a fucking massive tower [searching for intelligence??] then it exists to build a space elevator.

The unintentional sky diving scene could have been better. If there was so much stuff falling from the space tower then the main character, called ROY ffs, would have been ripped to shreds during the fall. We didn’t see him steering away from the tower. We didn’t see him try to get away. What happened to the rest of the tower? Did the single switch Roy flipped save everything?

How do you go from being an outdoors technician on the space tower to being an expert in flight of every type of rocket later in the film? This man was essentially a “chap who fixes the tower”, even though they had robots doing this, and he was also someone who was a miracle worker with flying rockets and knew all the systems in every space craft. What shit.

We can’t send a secure comms link to Neptune from Earth? Why Mars? Just because I think. The director wanted to show spaceflight. I think he failed quite dramatically. I think it was meant to take nineteen days to get to Mars and yet the film was meant to show action. I don’t think he concentrated on creating the right things. Yes, I am being critical of an action film, No I am not a film maker. On the journey to Neptune we see the loneliness of space flight after Roy manages to kill everyone but that could have been built up all the way. It was all annoying.

The first time I got my phone out to make a particular note was when Roy was on the moon. Someone said something like:

“We need to get going soon because it’s nearly a full moon.”

Boring military person on moon.

Unless there is a lunar eclipse it is ALWAYS a full moon on the moon. The sun ALWAYS lights half the moon you stupid writers.

The Moon. Let’s talk a little about that. Roy takes a rocket trip to the moon like the Pan-Am flight in the film 2001. He launches using a chemical rocket and heads to the moon. I don’t know how long it took them but it is implied that is was less than three days, which was fine. But, when he gets to the moon it’s a major city with tourists and stupid shops etc. If everybody on the moon got there by chemical rocket then it would need thousands of rockets taking off all the time. The expense of getting that many people ot the moon would be prohibitive. I hated this part of the film. The journey for Roy looked exclusive but the moon was just a crowded holiday resort.

On the moon they make the first car chase explosion make a boom noise and then none of the others. Annoying.

On the moon the moon-car, which looks like the lunar rover from fifty years ago FFS, leaps over the edge of a crater and still lands safely. Gravity still accelerates objects on the moon and the buggy would have broken/spun/killed everyone. Annoying.

In the moon city everyone walked around like the gravity was a standard Earth Gravity but then outside everyone acted as though they were on the moon. WHICH IS IT?

I have one word for the space station rescue on the way to Mars. Shit.

Let’s blame the Norwegians for doing naughty animal based research on a space station. Really? I’m not sure the director or writer understands other countries.

Landing on Mars using a shitty bad graphic of a space ship leaned over at an angle. Terrible. It denies the complexity of landing anything. It was annoying. No one on Mars walked like there was a limited amount of gravity. Everyone walked like they were in a standard Earth gravity. Annoying.

Mars city had the same problem as the Moon city. Where did all those people come from? Why were they all there. How large was the infrastructure of the Mars city? It seemed full of empty spaces and large corridors. This is not how you build things in space, especially if you only have CHEMICAL ROCKETS.

Here’s an idea lads. Once we’ve built our expensive base on Mars why don’t we include a perfect sound-room for recording messages to space? We could really make a proper sound booth with egg boxes and everything. Who knows when we will need it? especially if we can’t record someone and use that recorded message as we’ve already scripted it. My desperation was high by this point. I hated a lot of this film.

It’s probably worth pointing out that if someone dies on a spaceship you wouldn’t push their body out of the airlock. This would put them into pretty much the same orbit as you and the body would come back eventually to hit you or another spaceship. It is a bad thing to have extra stuff floating around in space. You wouldn’t do it.

I have no idea how ROY manages to get into the spaceship on Mars. It isn’t really covered. I mean somehow he opened an external door just at lift off and then climbed UP into the ship while it was launching and accelerating UPWARDS. If the spaceshit accelerated at three g then Roy would need to lift three times his own weight up into the rest of the spaceship. Of course he manages to get on board but in the process the others are killed when the film gets the physics wrong again. The rocket stage gets ejected and so the spaceship would have gone from acceleration to zero g. The astronauts would have flown the other way in the spaceship because of their inertia. It was established that up was up when Roy landed the ship on Mars.

I honestly didn’t give a shit about the journey to Neptune or what happened when Roy got there. It was all pretty bad. Poor writing and lazy filming. Most of it had been done before but in a far better way. I mean, if you have to kill your father just to get over the feelings of abandonment then I guess you’ve got to do what you’ve got to do.

So, WHERE WERE THE SURGES COMING FROM? What about the inverse square law. What? How was this all happening? Why was there so much data on other worlds? Were these worlds within the solar system? Couldn’t the data be sent by comms link? Why didn’t we see any film of people shaving in space? How do you have enough food for eighteen years in space? How do you keep warm around Neptune?

Oh god this film got worse towards the end. I wasn’t sure that was possible but it did.

My last comment for now, I’ll probably think of more things during the day and I’ll add them to this page: It was fucking stupid to launch yourself from a radar spinning thing at a spaceship miles away and ACTUALLY MAKE THE SHOT, then when shielding yourself from the rings of Neptune with a shitty bit of metal the film fails to understand impulse and momentum. Every time a rock or thing hit the shield Roy would have slowed down. He wouldn’t have made it as far as his ship anyway. He would have died in orbit of Neptune. It would have made a better film.

Oh, the older couple next to me opening individually wrapped sweets slowly so the crackling noise was spread out over a long period of time, fuck off.

I feel slightly bad that I hated this film as much as I did. Just sitting here writing this stuff is making me remember more and more about the terrible bits of this film. I am going to read some positive reviews now to see if my mind can change. Anything written after this point is extra from later today.

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