I really liked “Slippery When Wet” it started my descent into metal. “New Jersey” rocked as far as I was concerned. It has a good collection of excellent songs.
Keep The Faith stutters it’s way through the genre and marked a turn in sound for the Jovi in my opinion. I don’t know what the sales figures are, I’ll come back in a moment, but this album pretty much left me cold. I didn’t like the indie-U2 feel of the song “Keep The Faith”. There’s a tranche of ballads which I guess the Jovi do very well. But it all just leaves me meh.
It sold 12 million compared to 18 million for New Jersey.
If you Google Katmandu band you get a list of results that aren’t anything to do with this band. Many years ago in the days of music cassettes and long playing records I use to browse the music sections in the Our Price shop close to Harlow bus station. I was earning money in a job on my “year off” before university. I don’t really count that year as a “year off” but technically it was. I’m not sure if I’ve explained that within these communications.
I’d always be looking for new bands and music to listen to. I’d always browse the section called Rock/Metal but even then you can’t really be sure what type of music you are going to get. So I would often base my purchases on the cover or what I had heard about that band. Another album bought in these circumstances would be Blue Murder by Blue Murder.
With my pennies in hand I went and bought following music cassette to then listen on my “walkman”.
What do I think about this album? I love it. It’s a rare case of an album I bought without previous knowledge but I found myself really enjoying to vocals and guitar work. Is this “metal”? Nope. Not by a long way. I reckon it’s an album that closes off the excesses of 80s hair rock.
I do like bands with a decent plodding bass sound and this band manage that very well. There’s a certain slimy/creepy quality to the sound. The guitars are heavy and well produced. The songs are perfectly structured.
I remember liking God Part II and then I found out it was a cover version of a U2 song and I felt bad as I’d always slammed U2. I still don’t like U2 but am willing to appreciate their contribution to music, just.
The Way You Make Me Feel – the album opener and it’s a lovely heavy track with excellent mix of steady riffs and start-stop types of stuff. You’ll know what I mean if you listen to it.
Love Hurts – Oh yeah, it does. Also, in the chorus it has a lovely wacka-wacka guitar sound which is perfect.
Sometime Again – could make me cry on a bad day.
When The Rain Comes – A slower paced but still heavy track with vocals matching the guitars and a great middle section with rolling drums and steady-beat-bass.
Heart & Soul – A summer song for playing American Football on the beach, drinking beer and watching the sun set.
Ready For The Common Man – opens with a WTF moment with vocals suggesting the “sometimes I feel like a motherless child” and I have no idea what this is about. Then it smashes into awesome 80s riffing and halfway there are gang vocals. It’s a great mix of everything. This YouTube version misses the vocals at the beginning and so I think some of the effect is lost. Ah. I’ve just googled “motherless child” and now I’m not sure about this song. Is it cultural appropriation or a valid part of this album. Quick, turn that part of my brain off.
Only The Good Die Young – this we know. I’m pretty sure there’s a Maiden song called this too. This is well worth it. A lovely chorus and it would have been great to sing along to this live.
Let The Heartache Begin – opens quietly and then blasts you with a wall of classic ballad heavy rockin’.
Medicine Man – Whatever happened to the Medicine Man?
Pull Together – opening with a bass line and then heading to a wavy-riff of lovely erk sounding guitars.
Warzone – fast and war like. The vocals are perfectly matched to the subject matter here. Would be a good song to be in the pit while playing live. It’s the perfect pace and then the crowd would stop and scream out the chorus together. It’d be great. I do love a decent bass-drum bit with the guitars shutting up.
Look. This album was a lucky find. The songs still play through my head nearly thirty years after buying it. That’s the sign of a good mix of writing and production.
I bought this album because didn’t they feel like they could be a rock band? I’m sure there was one good song.
I’ll pop it on the music maker thingies in the house.
<waits>
First song: “Hey Dude”, seems ok, I guess. Nope. Change that. Got to the chorus.
<skip>
Nope.
<skip>
<repeats>
Oh, here’s a song called Hush. Pretty good song. But it’s NOT theirs. It was by Deep Purple. That’s why it’s a good song. It also isn’t on this album. I added after downloading it.
The thing about this album is that the bass sounds so bloody lovely. It’s a live record and when you look at who’s involved you see that Geezer Butler is playing bass guitar and you go “ah, now that makes sense”.
The tracks on this are all proper Ozzy. Really good songs with blistering guitar work.
Miracle Man, Bloodbath in Paradise, Shot In The Dark, Tattooed Dancer, Sweet Leaf and War Pigs.
The last two are Sabbath classics. This is a great album [EP], well worth a listen, but not necessarily worth the £15 on Amazon I just saw! I’d recommend Tribute instead.
Zakk Wylde on guitar, Geezer on bass and Randy Castillo on drums? What more do you want?
This perfectly amazing album is what happens when a music label crosses over its artists. I will write about this album as if the second song had never appeared on it as I think it’s a travesty. Here’s what you need to know:
“Just Another Victim” by Helmet and House Of Pain: an excellent opener giving you a taste of what’s coming. The grinding opening riff rips your brain out. The pace change half way through bounces your grey cells once more. Brilliant.
“Me, myself & my microphone” by Run DMC and Living Colour: ringing chords leading to heavy riffs and a hiphop beat. Heavy crashing sounds.
“Judgement Night” by Biohazard and Onyx: Yeah, motherfucker. A bouncy beat with squealy guitar sounds throughout. A bonkers song.
“Disorder” by Slayer and Ice-T: Sorry Ice-T but Tom Araya smashes your scream, he takes it, rolls it up into a small box and disintegrates it to a million pieces. We don’t need your war. A rolling beat with classic Slayer riff and solo until halfway. Hold on to your hats because this song knocks you off your feet. It hits you the way the LA riots hit LA.
“Another Body Murdered” by Faith No More and Boo Ya T.R.I.B.E. A classic Faith No More start to this song with pumping rap lyrics and the gentle piano in the background. The screams part way through are horror-movie standard.
“I Love You Mary Jane” by Cypress Hill and Sonic Youth: this is one chilled out song. A slow rolling beat with the distinct vocal style of Cypress Hill. This works. It’s relaxed. It’s strange and smooth.
“Freak Momma” by Mudhone and Sir Mix-A-Lot: I know little of Mudhone but what I do know is this song is in their distinctive style. The beat catches up with itself at times and tries to overtake in your head. Almost a summer garden song.
“Missing Link” by Dinosaur Jr. and Del the Funky Homosapien: a groovy bass line with rapping and a singing lead guitar. Another chilled out song. Something to relax to.
“Come and Die” by Therapy? and Fatal: imagine you’ve got zombies chasing you around the neighbourhood. You are jogging away, hoping you don’t turn a corner and get caught by a separate hoard. That’s the pace and feel of this song. It’s also the music that should be playing in the movie where you are running from zombies. It’s a meta song.
“Real Thing” by Pearl Jam and Cypress Hill: want to bounce your head, nodding with the beat while walking or chilling in your sofa in the garden. Well, get the wickerwear out, put the cushions on and lay back and relax. Hold a finger in the air and direct the music from your slouch. Feel the beat take you.
The song I’ve not mentioned is “Fallin'” because it’s shit.
This entire album was the soundtrack to a chunk of my time at university. It was amazing and still is. It has that raw powerful sound of anger and sadness. I feel like we haven’t moved on. Society is still suffering and these songs and artists could easily make all this again.
At its time this was an amazing album, a collaboration of artists of metal and rap who weren’t Aerosmith. This crossover is brilliant. I love it. I really love it.
This album was originally bought on music cassette and has since bee played a reasonable number of times. My ignorance comes to the fore here as I don’t really know who Jeff Beck is. I think he wrote “Hi Ho Silver Lining” but I could be mistaken. I don’t want to Wikipedia him because that’s cheating. My suspicion is that he used to be a member of an awesome 60/70s rock band and then was part of a few super-groups.
This album was late 80s or early 90s and it’s good fun. It’s not rock by a long way but it has gentle rhythms and sampling along with some spoken word lyrics. I quite like it as something different for the summer evenings. Perfectly pleasant for company I guess.
It has been a while since I wrote some stuff about albums I own and what I think about them. Hopefully I’ll have a push to produce more communications over the next while. It’d be nice to get a load of stuff written that isn’t just pretty pictures I’ve taken. This site was turning into a little bit of a photo-blog and while those communications are important I should be getting back to the purposes of originality.
Jar Of Flies.
Don’t listen to this if you are slightly depressed and alone. It’s a struggle to listen to this EP when perfectly happy and emotionally stable and alone so any worse off and you need to hide your shoe laces away.
This EP perfectly uses the haunting vocal style of the lead singer [dead – drugs] and the gentle guitar sounds of Seattle. Every song on this album makes me feel. This was one of the first ten or so CDs I bought, I think I owned it before I owned a CD player. This EP is perfect and tearsome.
You must listen to it at some point. Preferably when you are well. And in a brightly lit room. Laying on the floor, in the dark, with sunglasses on and beer in your system is not the ideal listening position.
Well, it is really but we shouldn’t go there. This album takes me back to 1994 with the opening three seconds.
This is the next draft in my list but I’m not sure I’ve completed all the Is before this one. However, I don’t care. This album is SEMINAL.
There’s a communication somewhere here called Descent into Metal. I’m not sure if this album appears but I still rate this as the second best Iron Maiden album after Killers. I love the raw sound, the anger and the power behind this album. It’s brilliant.
Prowler – awesome
Remember Tomorrow – shivers down my spine
Running Free – YEAH!
Phantom Of The Opera – Lucozade advert anyone? plus tempo changes and harmonies!
Transylvania – incredible instrumental
Strange World – mysterious magic
Charlotte The Harlot – what you gonna do?
Iron Maiden – Marvellous.
My CD version also has Sanctuary on it which is a super song. Just brilliant.
Now, I’m not known as a wordsmith, far from it. Hence this communication doesn’t quite match my emotional relationship with this album. I have listened to these songs since I was 14 or 15 and I still think it’s a great album.
This potentially will annoy many people but I remember these guys having a really big hit and I thought that it sounded good. Definitely a new sound and worth checking out. I bought this album and liked pretty much all of it, but I just don’t play it anymore. Then the singer chap died. That’s very sad but it didn’t make me play this album. I reckon I’m just out of the age bracket for this to be a formative sound.
