Denim and Leather – Saxon

I love a bit of Saxon. That great NWOBHM sound. Two guitars, bass, drums and vocals. Nothing else needed.

Denim and Leather

I bought this off iTunes about a year ago as part of a multi-album pack. I don’t like they get lumped together in the music app though so I edit the meta data and split the albums up with their own album art work. iTunes HATES me doing this. Recently I did this with Suicidal Tendencies and iTunes went ape-shit at syncing with my phone and I have to rebuild my complete library. I hate iTunes most of the time.

This album is awesome. I originally had the Best of Saxon on music cassette and played it loads. This album has some of the greats from there and others too.

My highlights are:

Denim and Leather
Princess of the Night
20,000 Feet

It’s real party music (or at least I think it is).

Decade of Aggression – Slayer

This review is easy to write.

I first got this album on double music cassette in about 1992. I had seen Slayer as part of the “Clash of the Titans” tour at Wembley Arena and really liked them. They recorded the video to “War Ensemble” at that particular concert. I think that some of the songs on this album were recorded at that exact gig that I saw. The tape version has since been supplemented by a CD version and finally an MP3 version on the NAS drive.

This is an AWESOME album.

If you only buy one thrash metal album then it had better be this one and then in all honesty you only need to play the first song as it covers all needs of guitar based turn-on.

My favourite songs on this album are (and I don’t apologise for the length of the list):

  • Hell Awaits
  • War Ensemble
  • South of Heaven
  • Raining Blood
  • Dead Skin Mask
  • Seasons in the Abyss
  • Mandatory Suicide
  • Angel of Death
  • Hallowed Point
  • Blood Red
  • Postmortem
  • Chemical Warfare

The atmosphere conveyed by these disks is brilliant. You can only find one better live album out there (Live After Death). This puts all others to shame. Get it. Play it. LOUD.

Dark Side Of The Moon – Pink Floyd

I’m expecting some complaints after this communication and album review. First let me give you my personal story of “Dark Side of the Moon”.

I was about 14 and was visiting Lynda, my best friend’s Aunt. First she showed us the video to “Thriller” which was very exciting and then she told us to listen to a particular album. It was, obviously (?), “Dark Side of the Moon”. I can remember the gatefold album and looking at the cover. I don’t really remember listening to the music much but I seem to remember the catchy riff of money. The music had a lot of weird stuff going on.

Years later I remember describing Pink Floyd as “dull monotonous shit”. I think, overall, this is a statement I will stand by. “Dark Side of the Moon” I will accept is a classic and parts of it send shivers down my spine. That does not mean that I have to like everything by that band and it certainly doesn’t mean I have to accept them as geniuses.

BTW I probably will accept Pink Floyd as genius. Their music really does affect some people a lot. A lot more than I would consider suitable but they love. It just doesn’t bother me so much. Sorry about that. I think I can recognise the good but also you have to accept it does nothing for me. It’s a bit like religion. I understand the attraction to religion and its good points but for me it’s all rather offensive.

Dark Roots Of Earth – Testament

I bought this album because I was going to see Testament play at KoKo in London. I know “Practice What You Preach” from my days at school and I thought I needed to know a few more songs and so I got their latest album.

Old Dog  applies to this album, but I would say it definitely works well. There’s a maturity in the song writing and it is also well produced. The anger is still there but reduced slightly from those heady days of teenage testosterone. They played a few songs live and they sounded good. There’s something funny about middle-aged rockers trying to maintain the anger at the establishment, but also becoming part of the machine they hated.

It’s worth a listen.

D – HexRx

HexRx make dirty hellectro music. That’s quite curious because hellectro is rather dirty in itself. HexRx take many samples from horror films and then build “tunes” around them. I can listen for about an album at a time and then it’s time for something else.

I like it, I just can’t take too much. Listening is an experience, which is a bit of a theme with this album.

D.O.A. – Throbbing Gristle

The full title of this album is:

D.O.A. The Third and Final Report of Throbbing Gristle

This is seminal. When you take the members of Throbbing Gristle and look into their backgrounds and previous work you start to understand where they were coming from. In 1976 COUM Transmissions were doing this sort of crazy stuff. And modern day artists like to think that they are pushing the boundaries. I guess they are, but I can’t help thinking that it’s all been done before.

So, Throbbing Gristle, they made “music” to challenge pre-conceptions and to see how far they could take it. You might not like listening to it, but your life will be enriched for doing so (unlike a 1D album). You have to remember when this was made. 1978. The technology they were using was ground-breaking and their sound was something special. To understand the origins of modern industrial music you HAVE to include TG.

Favourite tracks include:

  • I.B.M.
  • Hit By A Rock
  • Dead On Arrival
  • Hamburger Lady (one of the most disturbing songs I have ever heard)
  • AB/7A
  • Blood On The Floor

Listen, appreciate, take some paracetamol (you’ll need it).

Crunch – Impellitteri

In about 1990 I was given a music cassette with “Stand In Line” by Impellitteri. I was stunned. It’s a brilliant album with some seriously cracking songs and heavy riffs. Fast forward 15 years and I noticed that there was a double album deal on Amazon for some Impellitteri stuff. I bought it.

This is very much speed metal in the vain of Yngwie or Gamma Ray. My concerns were raised after playing the album through a few times. Let me show you the titles:

  • Beware of the Devil
  • Slay the Dragon
  • Fear No Evil
  • Speed Demon

My curiosity was piqued and I did a little Wikipedia-ing. This is what they say there:

Chris and I and Ken Mary are all Christians, but James and Ed and Glen, our touring drummer, don’t necessarily proclaim themselves as Christians, so it’s not a Christian band.

The themes of the songs are religious. I would say they are a Christian band.
Does this affect what I think of the music? Yes.
Should it? Probably not, but then I think that religion is immoral and particularly offensive and serves no place in the modern world.
Do I still listen now and then? Yes, I quite like the style, it’s worth a play now and then.
I still think that “Stand In Line” is stunning.

Cross Road – Bon Jovi

I bought/downloaded/borrowed this originally because I wanted some Bon Jovi on my phone but didn’t want to buy the original albums. I sometimes go for “Best Of” albums because you are meant to get the best of that artist. I don’t think it always works out like that though. It appears that there are restrictions on the songs put on these “Best Of” albums. Also, some albums work as albums and you should listen through the whole thing.

So, I have since bought the albums I like and so only have a few songs left in this. The six songs left are:

  • Someday I’ll be Saturday night
  • Blaze of Glory
  • Prayer ’94
  • In and Out of Love
  • Runaway
  • I’ll Be There For You (version 2)

I’m not sure why I still have the last song there. I find both versions really tedious. When I saw the Jovi at Twickenham I just wanted “I’ll Be There For You” to stop. I also hate key changes. Look, get the original albums. There’s a reason the Jovi are as big as they are, it’s good stuff.

Crazy World – Scorpions

Old dog, old tricks.

I bought this album on music cassette in the late 80s, I’m ashamed to say it but it was probably not long after “Winds of Change” was in the charts. A good ballad is always an indication of a good band as long you then forget the ballad (they annoy me).

This album is a stunner. It’s exactly the sort of music I like. There’re songs with gang vocals, guitar slides, cheeky riffs, excellent bass work, it’s as though the Scorpions know exactly what sort of music works well in an arena. Given how long the “boys” have been around it’s no surprise that this album is well-crafted and wonderful.

I like all the songs. It’s precisely the sort of album that, when in the correct mood, you can play in its entirety.

Highlights:

  • Tease Me Please Me
  • Don’t Believe Her
  • Restless Nights

 

Crank – Almighty

I downloaded this album after a friend recommended it. I was after more British rock. I’ve seen The Almighty a few times and really enjoyed their shows.

This album is good. It’s playing right now on my Sonos system. It is an Almighty album. It does what it says on the tin. I think this is the first album that friend got by the Almighty and therefore he thinks it’s the best, whereas I already have a couple of albums and therefore I think Powertrippin’ is better. When you get introduced to a band you hold the albums you hear first on a pedestal, it takes a lot to remove the new sound and excitement from top place.

Look, it’s worth buying but it doesn’t stand out. Also, see Old Dog, New Tricks.