This band are part of the godfathers of industrial. Beers, Steers and Queers was the first RevCo song that I heard and got me into them. I probably bought this album to see what their other stuff sounded like. It’s great. I saw this band live at Infest Festival and they were pretty good there too.
This album has songs such as; We Shall Cleanse The World, 38, Attack Ships On Fire, Union Carbide, and No Devotion. All of these are great and I highly recommend all the Revolting Cocks back catalogue to you.
This is quite a good album but I couldn’t tell you anything more than that. I bought this after meeting someone at a Testament gig and they mentioned it was a worthwhile purchase. I have played this a few times but, for me, there’s nothing as memorable as the other albums I’ve got by Anthrax.
There are some Slayer albums that I’ve listened to a lot. This is not one of them. I hate to say it but after a time the output of Slayer merges into one sort of sound and I can’t really tell the songs apart. It’s not just Slayer – it’s all bands. I think they produce some excellent early work when they are refining working together and then it’s pretty much down hill after that. I don’t want to listen to the fourteenth Iron Maiden album which sounds just like the 13th. I want power and interest. Having said that AC/DC pretty much never changed their style and I like nearly all their albums. I have no idea why that is.
I nearly bought this album when I was in Melbourne, Australia. I think I was in a Blockbuster there and having a movie day because nearly three weeks on holiday was quite hard work. I’m not sure why I didn’t buy the CD but I ordered it when I got home. It’s a great album. A mix of Sabbath and Zeppelin. I really like it. They deserved to do well with this one.
I got this album because there are some excellent albums by Nine Inch Nails and this was really the first that I bought fresh from release. It’s a good album with some excellent songs. Well worth buying. They played some from this when I saw them in Cornwall earlier this year.
I got this album way back when George Lynch, the guitarist with Dokken, created his own project and called it Lynch Mob. I’ve listened to this recently and the first “side” of the album is pretty darn good, there are no bad songs. However, side two gets a little “meh”. Overall this is a pretty good album. Here’s a list of the names of the good songs:
Wicked Sensation
River of Love
Sweet Sister Mercy
Hell Child
She’s Evil But She’s Mine
Street Fighting Man
The album is very much an excellent example of cock-rock from the 80s. I like it.
Last night I went to Electrowerkz to see a couple of bands as part of the Zero Day Festival the venue was running. It was nice to be back in London, I stared at some buildings as though I’d never been there before, some parts of London surely are pretty. This festival had a number of bands I wanted to see but none more important than Grausame Töchter. I’d been aware of this band for a while but had never had the opportunity to seen them before. I do love the Electrowerkz venue – I still don’t really know my way around and the place just feels “down to Earth”.
Classy Venue Warning
I drove to the Big City as trains are never as convenient and more expensive [that’s what privatisation does for you]. I found a car park and also chatted to reception to make sure they would be open when I returned. Then Smith and I walked down to the venue, a couple of minutes walk away. There was a band on as we arrived and so we watched them for a while. Patenbrigade:Wolff were on stage. They were dressed in orange boiler suits but in a road maintenance way rather than a scary-Slipknot way. I enjoyed this band and have since got two of their albums.
Patenbrigade:Wolff at Electrowerkz
The music was well constructed and had a good variation. One of the singers just seemed to spend most of the time drinking beer and dancing around. There was a female singer and that was a nice change to their set. Overall I was impressed enough to buy some merchandise. This is mostly because it’s a high-viz jacket and I might wear it at work.
Patenbrigade:Wolff at Electrowerkz
Next up was Grausame Töchter. I knew this was going to be a performance piece and I was looking forward to it. Their songs are super catchy and I think I’m probably happy I don’t know what the lyrics are about. Especially after some of their stageshow.
Grausame Töchter at Electrowerkz
I really enjoyed the show and the songs. Some aspects were very slightly disturbing but I guess that’s what good art will do. There was, at times, a naked woman on stage who, in the act, seemed to be forced into killing themself along with holding up placards with various sexual references. The backing singer of the band was a part of Nachtmarh when I saw them at M’era Luna this year. At the summer show she sprayed the audience with water from a water gun. This time she sprayed the audience with a white substance from a giant syringe.
Grausame Töchter at Electrowerkz
This show was great fun and I really enjoyed it for the visuals and the music. I knew it would be a “performance” and it turned out to not disappoint. Last on stage were [:SITD:] and they were pretty good. I didn’t enjoy them as much as the second act. For me they were a solid good set, I jus think they lack something in their stage show but each to their own I guess.
[:SITD:] at Electrowerkz
Overall an enjoyable evening. I beat the Google Maps time for getting home without actually speeding so that was nice. It took two thirds of the time to get home as it did to actually get to the parking spot. London is annoying at times. Anyway, overall, a really enjoyable evening and one that I’ll remember.
This album is a bit of a cheat album. It’s a compilation of the best songs with just one new song added: Who Made Who. This album provides the soundtrack to the film Maximum Overdrive which I have not seen. Look, it’s an AC/DC album. It’s got great songs on it. It’s worth it. But buy the other albums too.
I bought this album pretty much because while I like Faith No More I’m not sure I want a whole album of their work, especially an early album. This album is good.
This is a monster album. Known also as Whitesnake ’87 this album smashed it. It’s excellent. I can even tolerate the ballads. For a long time I did not know Whitesnake was a British band, they were formed in London. It turns out this album was produced with many arguments and much strife. This created a masterpiece.
![[:SITD:] at Electrowerkz](https://fooyah.net/wp-content/uploads/2022/11/20221112_224007567_iOS-scaled.jpg)
