These two albums are instrumental calming albums from the beast that is Nine Inch Nails. I listen to these when I’m writing reports at work or marking stuff. It makes a very good background noise to block out other distractions. I would recommend these albums to anyone. It’s just good stuff.
Girls, Girls, Girls – Mötley Crüe
I grew up in the 80s. I remember the 70s but from the age of 8 to 18 the primary decade was the 1980s. Those formative years when music tastes settle in and I was living through the 80s! You know when you get a “Greatest Hits Of The 80s” album or CD or stream that stuff now and you think, “Wow, what a decade to live through music”. Well, I’d like to remind you that you have 30 of the very best songs and maybe a couple that are a bit shit. If that’s the best a compilation compiler can come up with then it really is evidence that the rest of it was shit. As an example, Vienna by Ultravox didn’t make number one in the once relevant charts. It was held off by John Lennon (which I guess is fair enough) and then Joe Dolce’s song “Shaddup You Face”. You see, it was shit.
Music tastes change bit by bit but the stuff that still affects us is the stuff we obsessed over as teenagers. People ten years older than me at work love Pink Floyd and easy 70s rock. People ten years younger than me look back in fondness at the utter shit that was Oasis. And so it’s clear I can’t help liking 80s rock. I’ve written about my descent into metal. It started with Bon Jovi, headed through Mötley Crüe into Iron Maiden, AC/DC, Metallica, Megadeth and Slayer.
I have change recently and it’s weird. I’ve headed to industrial. Electronic stuff with a nasty edge. I wouldn’t be too fussed about attending a metal festival although I’d go if the right bands were playing.
Looking back at the 80s rock scene now and thinking about what they were actually saying about women and I am horrified. You could argue that it was just the scene and in reality they were nice people but the misogyny was rife and that enters culture and then behaviour. Perhaps the world was more misogynistic then anyway, I don’t know, whatever it was it shouldn’t have been. I don’t think I ever really thought I was sexist, or that I could be like that but I endorsed a culture of that behaviour by buying the music and playing the songs and liking the music.
I really like this album. I can’t help it. I’m programmed to like it. It’s such a part of my youth. I saw the Crüe once at Wembley Arena and it was a great concert. See this page for the concert list. I love the sound of the guitar, I love the galloping bass, the drums and even Vince Neil’s voice. It’s just a fucking shame it’s all sexist. I still like it. Damn [exasperation].
Wild Side – fantastic, upbeat, riff-tastic.
Girls, girls, girls – so good and so bad. In the video they had a hot tub in the back of a limousine.
Dancing on glass – good.
Bad Boy Boogie – good “rocky” song, but AC/DC already have a song called this and it’s better.
Nona – There is ALWAYS an incredibly shit song on every Crüe album. This is the one here. Perhaps they let the butler write a song?
The rest are all pretty good songs although the ballad they wrote for the charts is pretty poor “You’re All I Need”, bleaugh.
So, when I saw them at Wembley Billy Idol came on at the end, clearly off his face, and they sang Jailhouse Rock. There’s a live version of it on this album and it seriously starts with Vince saying:
We’re recording live right here tonight. And I think you’ve got to fucking jive. ‘Cos we’ve got some bad beat boogie woogie for you boys”
They actually kept that on the album! Metal it isn’t. 80s rock it is. I wish forgiveness for the decade in which I matured and the shit I like listening to now.
Aesthetic Perfection – The Garage
Last night I took a little journey to The Garage in Islington to watch Aesthetic Perfection. Now, Mesh were the headline band and I had listened to them in advance and I didn’t like it or find it particularly interesting. I was primarily there to see Aesthetic Perfection and to take my niece out for her birthday. It is a good thing that AP tend to tour once a year because that makes her presents easy to organise. This is the second time she has seen AP and my fourth.
The first band on were called Empathy Test, which I have a suspicion is a reference to Blade Runner and Do Androids Dream Of Electric Sheep? However, they weren’t much to my liking. There was a singer, two keyboard – programmer types and a drummer. All their songs were well constructed and perfectly fine but not enough to get me going.
Next up were Aesthetic Perfection. I like the Garage as a venue, the roof is nicely curved and I remember seeing Front Line Assembly here a few years ago. The sound was impressive and clear with a stage and rig more suited to music production than Electrowerkz, although Electrowerkz wins in coolness of a venue.
Because this was an acoustic set there wasn’t a drummer and I missed that a bit. I do think that a live drummer adds quite a bit of organic sound to a set. Now, I know they started with Antibody and played more songs but I can’t remember what all the songs were. I should have written them down as they played. The set was good, but missed Spit It Out and Motherfucker, which are songs I do enjoy.
Final band on last night were Mesh. Obviously many of the crowd had come to see this band, there were lots of Mesh t-shirts being worn. I decided to listen to a couple of songs. The first was OK and the second was just OK. I didn’t think it was anything special but I did like the stage set up. They had four 1m square LED screens made to look like a mesh of wires which was quite clever. It wasn’t enough to keep me there. We left.
In the picture you can see two of the large LED mesh based displays.
It was a very nice evening. We will hopefully see Aesthetic Perfection again next year.
That Way Madness Lies
A weekend during August meant it was time to travel to Germany again and the beautiful town of Hildesheim. In 2015 Smith and I went to the M’era Luna festival. This year we had tickets earlier, the tunnel booked earlier and also a plan! Except the plan had to be adjusted as Smith was flying into Brussels on the Friday morning. I spent the Thursday evening packing the car ready for the weekend and got up early on the Friday to head down the M20 to the Channel Tunnel. Last year there were problems with Operation Stack and this year the M20 was fine although the scene of a fallen pedestrian bridge a few weeks later.
I don’t care how old you are if you wear a baseball cap while driving you are a knob.
— Ian Parish (@iparish) August 12, 2016
After the tunnel I headed to Brussels, which wasn’t that far off the route we needed to get to Hildesheim. There are two main motorway routes that head to the industrial heartland of Germany’s Ruhr Valley and one goes via Brussels, the other via Antwerp. So the first three hours of the journey were completed on my own, with podcasts and talking books for company [I don’t do music on long journeys].
Ghent. Traffic jam.
— Ian Parish (@iparish) August 12, 2016
Smith sent a message saying he’d meet me in P1 level 3. Well, I wondered while traversing the Ring if that is what the signs on approach to the airport would say or would they be in another language or missing entirely. Fortunately they did and we found each other easily. A quick adjustment on the iPhone Googlemaps app and we were heading to Hildesheim past Leuven.
Hildesheim, Germany.
— Ian Parish (@iparish) August 12, 2016
Not a great deal of note happened along the way until we got close to Bad Oeynhausen when the app was telling us that there was a 90 minute delay and would we like to go a different route? Well, yes please. So we left the A2 motorway, where speeds reach in excess of 110mph, and headed cross country to Hamelin and then Hildesheim. I think that all in all the journey was about eight hours, which isn’t that bad for five hundred miles. All we now had to do was load up the trolley and walk about a mile from the car to the festival entrance, find a spot to camp, put up the tent, eat food and drink. We camped almost exactly as we did last year, about as far from the main festival as possible. This meant it was reasonably quiet and the toilets weren’t over run.
Friday evening meant wine, Jägermeister and Absinthe. This was possibly a little silly as Saturday was quite hard work for me. Although there is no live music on the Friday evening there is a disco in one of the hangers and plenty of stalls open along with the Medieval Village where you can practise your ax throwing, should you want to.
Feels like home. #MeraLuna
— Ian Parish (@iparish) August 12, 2016
The weather wasn’t as hot this year compared with 2015. The forecast had 25C or so which suited me fine, the 33C of last year was too much. The night was good and Saturday morning meant a walk along the runway to showers and coffee. Not at the same time but I needed both. The shower marquee was pretty good and had lovely hot water to clean away the hours of travel yesterday. The queues for coffee were pretty long and I wondered whether it was worth bringing a stove to make a coffee each morning but it feels quite sophisticated drinking coffee in the morning sun on the taxiway of an airfield waiting for the outfits and music.
Sunny morning. Lovely. #mera16
— Ian Parish (@iparish) August 13, 2016
M’era Luna is cheap enough that if you just come along to display your costume and make up abilities then you don’t have to worry about the music. With Download coming in at about GBP200 the GBP80 for M’era Luna seems a bargain. It’s also small enough to feel cosy and pleasant. Getting ready for the day’s activities this year was a little more time consuming this year as Smith and I had plans for costumes, also it appeared there was a naked selfie competition on WhatsApp with a group of friends started by Walshe! These photos still exist in the ether but they are not going to be published anywhere public.
I should probably get on to the music with that being the reason for driving five hundred miles an’ all. But first there was getting an outfit on! Because Suicide Commando wasn’t playing on the Saturday it meant we dressed in white shirts [shock horror!] and Ayria ties bought when we saw her play at Electrowerkz.
. Bringing the spirit of @ayria to #mera16 pic.twitter.com/bJ9wmfwMv1
— Ian Parish (@iparish) August 13, 2016
And so on to the music. I seem to recall saying last year that the little details disappear from my mind and so what follows is mostly just a list with my thoughts at the time. Some of my favourite bands will appear with more details. There are two stages at M’Era Luna, the main stage and the hanger stage.
Saturday
Shaargot [main stage] – good industrial metal.
Vlad In Tears [hanger stage] – shit.
Erdling [main stage] – goth. shit.
Time for lunch.
Gothminster [main stage] – killing a zombie on stage during the first song. Bat ventriloquism in the second. What the fuck is going on? Left to the hanger stage.
A Life Divided [hanger stage] – caught the last song. pop metal.
Chrom [hanger stage] – the first band I was really looking forward to. I liked the music but they were boring. A shame.
Stahlmann [main stage] – dressed in silver. female guitarist. slow goth rock. couple of faster ones, ok.
Noisuf-X #mera16 pic.twitter.com/ofWKLLPW5A
— Ian Parish (@iparish) August 13, 2016
Noisuf X [hanger stage] – three blokes. White shirts. Two drumming. Heavy EBM. Good.
Cassandra Complex [hanger stage] – listened to this stuff before we went. Sounded ok. Turns out that live it’s just goth shit.
Oomph! [main stage] – Good German pop rock. 2 guitars, keyboards, percussion, drummer. Bass and singer.
Hamatom [hanger stage] – from outside hangar. Faster metal. Masks. Ok. A little derivative! Should be more dangerous given masks.
Apocalyptica [main stage] – Pretty good given it’s men with cellos. Too many Metallica covers.
[:SITD:] [hanger stage] – Solid good set. This was actually a pretty good set and they played well. Very good to finally see this band.
![[:SITD:]](https://fooyah.net/wp-content/uploads/2016/08/20160813_171145112_iOS-1024x768.jpg)
VNV nation [Main stage] – 1 song. Boring. I’ve listened to a lot of this at home and I like it. But only at certain times. It’s gentle music. The sort to put on when having dinner.
Hocico [Hanger stage] – Actually pretty good. Big sound. Two percussionists with black Angel wings!
Sisters of Mercy [main stage] – Bad. Dull.
And there ends the first day at M’Era Luna festival 2016. It was a good day. Plenty to see and the surprises of the day were Hamatom and Oomph! for me. I enjoyed both. Not to say I hated all the others, I just liked these two more. Oh, and Die Krupps were pretty awesome along with [:SITD:]. Hocico made a better impression that when I saw them previously at Electrowerkz, but still didn’t quite manage brilliant.
Sunday
Guten morgen Deutschland
— Ian Parish (@iparish) August 14, 2016
Morning time means the usual hunt for coffee. Showers and packing up the tent. Sunday’s plan was to pack up camp and then drive a couple of hundred miles after the last band. We had a date with Eurotunnel at about midday on Monday and we definitely wouldn’t make it if we left Monday morning. We walked the mile or so to the car and then got dressed in the costumes. Again we were dressed in white.
Droogs and the suicide crew!! #mera16 pic.twitter.com/GTj4o4Ovsg
— Ian Parish (@iparish) August 14, 2016
And here we have today’s list of acts we watched.
Me The Tiger [hanger stage] – Pretty good. One song. Good.
Aeverium [main stage] – Female main singer, sexy. Heavy. Male singer. Good contrast.
Rabia Sorda [hanger stage] – Rock, a bit pop? Guitar with keyboard sounds over top. Ok. Nothing special.
Heldmaschine [hanger stage] – Ok. Industrial. Correction very good.
Centhron [hangar stage] – Live bassist. Good. Shame we left early.
Combichrist [main stage] – Darn good. Pit. I’ve seen this band many times and they haven’t failed to impress although I do prefer their earlier electronic work! [go to 3:24 in the video and there I am!]
I was there! M’era Luna 2016 – Combichrist live/ https://t.co/ACue1uLPaG
— Ian Parish (@iparish) August 16, 2016
Faun [main stage] – Pagan shit.
Spock [Hangar stage] – Awesome Star Trek pop!
Zeromancer [hangar stage] – Sat at back. Sounds ok.
Eisbrecher [main stage] – Drunk girl talk, orange hair. Late on stage. Very good. Speaks too much. Liked the set and the black suits. Left early to see:
Suicide Commando [Hangar stage] – Live drummer. Excellent. Including song: Die Motherfucker Die.
In Extremo [Main stage] – 1 song. Fucking medieval rock.
Had cup of tea. Listened to Within Temptation. Went and got some food. Left.
We travelled just inside Belgium and parked the car up and slept for a few hours before waking, driving to a service station for coffee and then getting to Calais for the Eurotunnel and home. We chatted about music and costumes for next year. I’ve got some ideas but I need to learn about mammal skulls first.
Just washed all the mud off my car from #mera16
— Ian Parish (@iparish) August 17, 2016
It’s hard to sum up the entire weekend. Almost every aspect of it was brilliant. The journey, the chatting, the alcohol, the food, the vegan food server with her lovely freckles, the coffee, the costumes, the music, just being away and feeling like I was at home.
There may be more to add to this but it has taken a long time for me to get around to writing this so I will publish this communication. Changes and added bits will be noted as such.
Anthems
A NFL backup quarterback, Colin Kaepernick, has been shat on by the country of the USA because he failed to stand up while the national anthem was played before a game. He was protesting something, here’s a link. It would appear that you can say things but refuse to stand for a song and everyone hates you.
I don’t stand for the national anthem. I’ve been to sports events, NFL, at Wembley Stadium and I have remained seated during the national anthems. This is mostly a recent decision and by recent I mean over the last ten years. We stand to show respect I think. But I don’t know what I am respecting. I certainly don’t love this country, I don’t know what I would be loving. I don’t see why standing is a protocol.
On certain events at work we will sing the national anthem. I don’t. We also have a song associated with work. That I do sing. I can see that community in a more tangible sense, I know what it stands for, I know the history. I feel it’s a community I am a part of and can be involved in. I don’t really see that with the country.
I don’t see why I should have to stand. I don’t do it as a protest, I do it because I don’t understand patriotism and I don’t understand the values of a country.
3Teeth – Electrowerkz
Popped over to Electrowerkz last night to see 3Teeth play. There were support bands but I didn’t watch them due to spending time in the bar chatting to people. The support were:
- Stereo Juggernaut
- Deadfilmstar
- Ventenner
3Teeth were on from 22:00 hours and I was quite impressed. They played a solid set. The first three songs were probably the best and I am sure that once they have created more music the rest will be as strong.
Oddly I got admonished by a man for talking too loudly in the main performance room! Very strange, the sound of the band was perfectly loud enough!
There’s a couple of gigs coming up soon so look to see what I think of them.
Europe
I will soon be heading off to Europe for a weekend of music. I’ll be heading to Hanover for a German goth music festival.
It’s quite a long journey, but one I am looking forward to very much. I always find the journey to be a lot of fun. Obviously not as much fun as actually getting to your destination but still a major part of the whole experience.
The Cosmic Dead – Electrowerkz
Smith and I went out to find some noise. Our initial heading was to the World’s End pub in Camden and the Underworld venue where a Japanese band were playing a two hour concept album. Can you believe it, the place was full. We weren’t allowed in. That was a shame so we went in search of food and ended up at a terrible Chinese buffet place. It looked ok from the outside but Smith couldn’t find much food that he liked. I liked nearly all of it. After that we returned to the World’s End. The Underworld club night was due to start at 23:00 but the music looked a little popular and boring. They were going to play some Arctic Monkeys FFS.
So, we decided to walk to Electrowerkz in Angel. It was about a 40 minute walk. It’s alway nice to walk around London, it feels more organic and natural compared to hopping onto a tube train. I guess I should have been surprised at how many people we saw standing around in parks playing Pokemon.
Now, we knew there was an event on at Electrowerkz, we just didn’t know what sort of music it would be. The current music taste of DBL-MF is industrial electronic. Almost everything else doesn’t matter. But, as we walked down Torrens Street we could hear noise and it seemed good. GBP15 lighter after paying to get in and we went into the downstairs music room. The band playing were called Bad Guys.
So, as you can see, two double guitars, no bass player, a drummer and a singer. It was rock type stuff. It was tolerable although the vocals were shit. After they had finished we had some drinks and pondered the nature of the post-referendum country [we are fucked] and what the next band could possibly be like.
Pigs pigs pigs pigs pigs pigs pigs were on stage at 01:00. Two guitarists, bass player, drummer and singer [who also played a synth which I couldn’t hear]. They weren’t great. They were energetic and played well but it was screamy shouty music and it bored me.
The two bands that we saw were ok. Nothing great. Nothing special and not my current taste in music. It’s quite difficult to find aggrotech on a usual night out in London, Slimelight is almost the only club night and that’s fortnightly on a Saturday. The crowd was a metal crowd. People dressed in denim and dark t-shirts. It was like being in a house that you’ve just sold and are waiting to move to your new home. The furniture was normal and in the right places but your new home awaits and it’s more exciting and a fresher place to be. I much prefer and feel more at home with the “alternative” crowd who attend AC and Slimelight.
Thank goodness there are trains every hour from Victoria towards Gatwick. That meant we could get home. There’s something quite wonderful about walking through the capital early in the morning, it doesn’t ever sleep.
Added 12:09 18 July:
It struck me that this communication is titled “The Cosmic Dead”. Well, they were the band on at 02:30. We didn’t stay that long, we didn’t think it would be worth it. All of my gig communications have been titled the Headline band so this one did the same. I’ll do similar with Mesh when I see them because I’m really going to the gig to see Aesthetic Perfection.
Ayria – Electrowerkz
Smith and I went to see Ayria play at Electrowerkz in The Angel last night. The standard room was used for the bands and the bar at the back was open but only with one person serving which seems about two too few! We had actually caught a train from Purley to St Pancras and so the venue was only about a fifteen minute walk from the terminus.
When we arrived a KLOQ were already playing.
This band were pretty good. The singer could sing, which is not necessary in this genre, more of an advantage. They had a live drummer and bassist. All other noises were produced by a computer. They were a bit dancy but very enjoyable. Andy and I both liked them a lot. I’d happily see them again.
Next up were a band called Inertia. They were a project of the drummer from Killing Joke. Now, I have seen Killing Joke and they were pretty good. However this side project were not good. They weren’t terrible but the style of music mostly left me cold. There was a guitarist, the drummer, a singer and the programmer. The guitars were too much and there was too much noise and sound. The first two songs had a slow walking keyboard riff that irritated me a lot.
I thought the singer was a bit weak and needed to be much more powerful to compliment the sound of the rest of the band. We left them playing. It was that boring.
The headline act was a Canadian female singer called Ayria. I would describe her stuff as quite pop-like but with the slight edge that means she plays places like Electrowerkz and not the Smash Hits Pop Party [possibly showing my age there].
She was much better than the other two bands. She had two musicians with her who both seemed to be really enjoying themselves. It’s odd but watching musicians enjoy themselves makes the whole thing much more enjoyable for me.
All her songs were great and she didn’t talk a great deal, if at all, in between the songs. She did a great job and it was very enjoyable.
After the gig all the bands were hanging around and I accidentally hip-bumped Ayria later on in the evening. Electrowerkz turns into Slimelight club at 23:00 and so Smith and I hung around for a while. We sampled some lovely cocktails and chatted to some of the bods who attend these events.
Fortunately for us there are trains from Victoria to home once an hour through the night. This means it’s possible to get back without having to use stupidly expensive taxis. All in all it was a very good night out.
God Module – Electrowerkz
Took my sister to see God Module at Electrowerkz near The Angel in London. There were three bands playing and they were all actually pretty good unlike last time. Unusually the room on the ground floor was used as the venue, I’ve been in here before but have only experienced the first floor performance room for gigs. The sound was good and the room was just the right size. There were the usual freaks and geeks floating around all evening.
First band on were Die Kur. They had a very heavy metal sound with some synth stuff. Most enjoyable. My one concern was that the songs seemed a little too start-stop and a little short. Other than that they were very enjoyable.
Second band on the bill were DKAG. It was three blokes with Apple Macs on stage “playing” stuff. It was interesting as my sister spent a while asking “what is going on”, she’s quite a metal/rock fan really. After a while she was dancing and enjoyed it. It turns out I had seen this band before, I though I recognised them and actually searched on this site to see if I had seen them. It turned out I saw them with Combichrist a few years ago.
Finally God Module came on. I’d spent about a month listening to their stuff a lot and although I like it and it’s my sort of stuff a lot of the songs seemed similar. The sound and structure of the music was pretty much the same for every song. Also, the singer had a distortion effect on his voice.
One of the things about the ground floor room is that there isn’t a backstage. The bands had to walk through the audience to get to the stage which leant a kind of common touch to the evening. All the band members were milling around in the bar area after the gig, they were very approachable. Not that I did. I like to think I don’t fawn and hero worship, but I think I probably do to a certain extent.
God Module did what they do very well. The singer is possibly the largest man I have ever seen in a band and he didn’t really move around that much [too much inertia]. But they played a few songs I kinda recognised and the crowd loved them. It was ok for me.
Electrowerkz has gone somewhat upmarket as the gent’s loos had this in them by the sink:
I’m looking forward to my next gig, which I hope to get out to soon. I must get looking for stuff to see and listen to. My sister liked the evening but preferred the metal sound of the first band. Maybe she’ll convert in time!