VNV Nation – Scala

The Scala is a curious venue in Kings Cross. It might not actually be in Kings Cross geographically but it is close enough to the station and so that is where I proclaim it to be. I had been here before to see Therapy? and quite liked the venue. This time I was watching VNV Nation who I very briefly saw last year at M’Era Luna when they got a harsh review from me but Smith and I were rushing off to see Hocico so we only saw them briefly.

Doors were at 7pm and we got in there around 19:30 hrs after grabbing some food at a Cho Zen [where I had never eaten before]. The room is up three flights of art-deco stairs [I think they were art-deco] and around a few corners. It’s not an easy venue to fire exit I imagine.

This particular tour was a compendium tour. I hadn’t realised that, I think Smith and I got tickets because we thought the atmosphere and people would be quite similar to Slimelight and we figured the music would be bearable. There was no support. Just straight in to VNV Nation playing loud and proud.

I didn’t know a great deal about the band before this gig and I still don’t really but I can tell you the singer is Irish. He also has similar issues with people using camera phones as I do. After the first song he said that he is happy with people videoing or photographing the band but everyone needed to turn off their flash/lights and also keep the camera in front of their own face, not block those around. In terms of the flash he is spot on. Why use a low powered flash in that sort of scene, it won’t work, it’ll just ruin your final product.

VNV Nation
VNV Nation

One of my issues with people and cameras is they use the digital zoom to get a “better close up” but the problem is they would be better off taking a full zoomed-out picture and then cropping. Digital zoom and cropping achieve roughly the same thing but less jerky.

More VNV Nation
More VNV Nation

So, I need to speak about the songs. All of their songs are pretty good. They are well constructed and good to dance to. The lead singer was good at getting the crowd going and he was really the only one doing any movement as the others were stuck behind electronic stuff.

They played two slow songs. During a song, which may or may not have been a slow one, the singer got the lights turned down and the room was lit by people holding the lights on their phones up. This was very nice and atmospheric.

https://www.facebook.com/42907656257/photos/10154257794271258/

This was a good fun gig. Nearly three hours of a single band playing their greatest songs from over twenty years of work. I enjoyed it. I’d happily see them again.

The “scene” wasn’t as alternative as I was expecting. There weren’t that many people who were part of the dress up scene such as the ones at Slimelight or M’Era Luna.

Quality Gig
Quality Gig

Lea Porcelain – Electrowerkz

Some places just make you feel “right” when you get there. I’ve always loved Electrowerkz since seeing Combichrist there a few years ago. It’s a dark and brooding place with a calming courtyard bar:

Electrowerkz - A bar
Electrowerkz – A bar

There are quite a few other bars and rooms and levels but the venue can be turned into smaller venues by cunning closing of routes. The first band on last night we called Lectures. They seemed to me to be like Coldplay, a kind of public school, well written, guitar based music which bored me. At the end of their set Smith decided they sounded more like the Doors. They still bored me.

Lectures
Lectures

Would I see Lectures again? No. Was it OK? Yes.

The headliners were Lea Porcelain. When they opened it sounded like Blade Runner music by Vangelis. It was synths with a little bit of nasty, a good start. After that though they kinda settled into what I would call standard dark electric but far away from aggrotech.

Lea Porcelain
Lea Porcelain

I’d watch this band again if they happened to be on somewhere I happened to be but I wouldn’t seek them out. During the set I am sure I heard them say they were from Israel but looking into them a bit it seems they are from Frankfurt so I’m not sure what’s going on there!

Council Tenancy

Not often I do this but I thought I’d communicate this here. Originally I planned this video to live stream to some friends but didn’t get the technology organised in time and so I saved this video for posterity. Considering we had run through this song twice a week before I don’t think this is the worst it could have been but I am looking forward to practising it a little more before playing in front of an audience again.

I had to toss up between lyrics but given this was a performance in a school I went with the original of “council tenancies” rather than “cunt like tendencies”.

Top Ten Played

If you saunter over to this page you can see my iPhone music library. I haven’t been able to find a dynamic music counter that updates this site with a played list. I will admit to not looking too much or far for one though. You may be interested to see this list which [in poor contrast] shows how often I have played certain songs on my phone since I last had to fix the library.

A couple of things to notice. The old car would start music off from the first song in the library so the top two AP songs are possibly a little high in play-count but they are good songs nonetheless.

There’s only some metal in there. :-(. I don’t recall playing Disturbed that much but I am probably wrong.

While driving on my own in the car I tend to listen to podcasts rather than music. It keeps my attention more than music and informs and teaches me at the same time.

Hot Rocks 1964-1971 – Rolling Stones

This is just a quick one really. You grow up knowing that certain bands are very influential. You hear about them and then you listen to them. For me The Doors were meant to be really good but I just don’t like their material, I mean I understand how and why they were such an influence but I just don’t like their stuff. The Beatles are another band who pretty much leave me cold!

The Rolling Stones are a little bit different. I like their music. But then, I don’t have all their albums, just this. And, this is meant to be the best of all their stuff covering seven years. So it’s not really surprising that it is full of very good music.

All of the songs on this album are very good. It should really be in every collection, much like the White album, which I don’t have.

A particular favourite here is Sympathy For The Devil. It builds brilliantly and is crafted so very well [unlike the Guns N Roses version which is shit in comparison]. Whenever I hear this song it reminds me of a couple of overnight parties we had next to the river Stort in Pishiobury Park in Hertfordshire. We pretty much stayed up all night drinking, playing cricket and generally having a laugh and I remember putting this song on the music player just as the sun was rising and a mist was settling over the river. It’s a very atmospheric song and this was the perfect use for it.

Holy Diver – Dio

I bought this on vinyl originally. The cover of the Devil chaining a priest and drowning him was probably quite shocking for the time. I probably bought it because of the cover and it was in the heavy metal section of the record shop. Back in those days we couldn’t pre-listen or try a song, only the posh shops did that. I bought records on the cover and recommendations of friends.

Ronnie James Dio’s voice is strange, I wasn’t aware of his history with Black Sabbath and I still haven’t listened to any of his stuff with them, but I can see how he could follow Ozzy. I’ve just looked up that the guitarist was Vivian Campbell which explains a lot. I first heard of him when he worked for Whitesnake and the 1987 album.

Holy Diver has lyrics, but I don’t really pay attention to the lyrics. For me music is the riff, rhythm and tune of the vocals. This is an excellent 80s rock album with a perfect combination of sound and feel. It’s great. I can imagine a crowd of 80,000 all jumping in time to the heavy crunching riffs.

I can remember once being on Imperial College Radio and commenting that I thought Rainbow In The Dark sounded a lot like Living On Video. I had phone calls objecting but I maintain I was correct, or at least correct about the keyboard riff.

Rainbow In The Dark

Living On Video

Do you know what? I was right! Yes, for some reason I have both. I think I bought Living On Video as a single before I developed my love for screaming loud guitars.

Highway To Hell – ACDC

Wow.

Just wow.

 

 

 

 

 

 

 

It doesn’t seem fair to leave this to three words but seriously, that’s all that is necessary. This album contains my favourite AC/DC song – If You Want Blood (You’ve Got It), the heavy metal clashing of the opening riff makes my spine shiver. That and Night Prowler, the creepiest song ever, and this is just . . .

 

 

wow!

High Voltage – ACDC

1976.

AC/DC.

Debut international album.

This album. Is. Awesome.

I’m not sure if I’ve gone into my relationship with AC/DC before. My attention to them was first awakened by the song “That’s The Way I Wanna Rock n Roll” off the Blow Up Your Video album. When I found out there was a back catalogue of about 12 albums I was so excited. All that music to be consumed.

This album is their first major release. I believe that the track listing is different in Australia along with the cover. I have owned this on cassette tape, CD and now digitally. I didn’t buy much AC/DC on vinyl because I couldn’t carry around a record with me to listen as I moved.

AC/DC are masters of riff driven rock with a dirty guitar sound, perfectly crafted rude lyrics and brilliant accompaniment to balance out the sound.

It’s A Long Way To The Top If You Wanna (rock and roll) – fucking bagpipes.
Rock ‘n’ Roll Singer – includes the lyric “yes I are”, which I maintain is lyrical genius.
The Jack – better live as the lyrics are truer.
Live Wire – AC/DC Live video opens with this song. It’s a great sing along tune.
T.N.T. – riff-tastic.
Can I Sit Next To You Girl – pace change in the rhythm guitars is great.
Little Lover – “Killed me when I saw, The wet patch on your seat, Was it Coca Cola?”
She’s Got Balls – Opening riff just floors me. Lovely bass work. Beautiful.
High Voltage – Still played. Still loved. Like every song here.

This is an album to horrify the elders. To rip fear into grown ups. The lyrics are rude without being offensive [kind of] and the sound is pure dirt. Put it on. Play It Loud. Really Loud.

High ‘N’ Dry – Def Leppard

This is the second album released by Def Leppard and the first by them to be reviewed in these communications. Of the four albums by Def Leppard that I know this is probably the weakest. It does have a lot of reasonable songs and the sound of the guitars is a decent 1980s sound which I like. I’m not quite sure what’s missing.

All the songs have good energy [apart form the ballads]. The beat is up tempo. It is well produced. But it lacks. Especially when comparing to the albums either side in release order. It’s probably the Def leppard last album I would choose to play unless I really want some quality 80s rock. You’ll have to wait for my review of On Through The Night but given how anthemic it is this album leaves me wanting.

Herzeleid – Rammstein

This is the first Rammstein album I have reviewed in these communications and I will tell you that it leaves me feeling quite excited. I was first given this album and another in the early 2000s. Listening to the heavy German sound was so different, so exciting and refreshing. The clear crispness and utter heaviness was astounding. I didn’t care that I couldn’t understand what was being said, I’ve listened to English speaking singers and not had a clue!

Rammstein are a band where you can start right at the beginning and just keep working through their albums. There isn’t a bad album.

Herzeleid came out in 1995. It doesn’t show. Buy this, give the band some of your money and enjoy.

This band a is dangerous and great fun.