Look, I am perfectly aware that this is a classic album. I’m also perfectly aware that it’s hard to criticise things that are considered classic. For instance; I’m not that keen on The Beatles, they don’t really do much for me. I feel much the same way about this album. It’s OK. I can see that it’s considered a classic and I can even see why but it does little for me. I don’t really play it often.
Disaster Area 10 Oct 2014
Disaster Area played a couple of songs at the MGS Arena on the 10 October 2014. This should really be a page under the DA section on MyMusic but I am moving those pages to communications to tidy up my menu etc.
Set List:
- Symphony of Destruction
- Highway To Hell
Disaster Area is:
- Shredder Shillito
- Destroyer Martin
- Punisher Parish
- The Anvil Gymer
Here’s some pictures, if I can get a video I’ll embed it on this page too.
A little later in the gig most of Disaster Area joined Iron Maidstonian to play a couple of Maiden songs:
- The Number Of The Beast
- 2 Minutes To Midnight
Aesthetic Perfection – Electrowerkz
So, Alt-Fest got cancelled. Rather gutted about that. I was looking forward to a weekend seeing some favourite bands and also discovering new music and bands along the way. I guess a number of bands had already organised travel to the UK as a (much) smaller festival turned up at Electrowerkz in Angel.
The SOS Festival played over this weekend and many of the bands who were booked to appear at Alt-Fest played here instead. One of my favourite bands played on Sunday 17 August and I travelled there to see them. I also took my niece as I was going to take her to Alt Fest for her birthday.
Here’s the timings sheet from the front door of the entrance. It’s blurry because I took it in a hurry.
This bothered me slightly! The last train home was at 23:43 from St Pancras, just over a mile from the venue. It wouldn’t be worth it to leave early, or to get the tube, the quickest method to get to the mainline would be to run. We decided that was what we would do.
Jared Louch and Mark Plastic were good fun. Mark Plastic was a guitarist and he played along to a backing track while Jared Louch sang. The songs were reasonable but it was the segways what were great. Jared Louch was an older man of rock and didn’t care. He was funny.
Next up were Global Citizen. As a band they were good but the music didn’t do a great deal for me. There were two keyboardists, a drummer and the singer. The structure of the songs didn’t really have any bass lines. The bass sounds were created using a chord progression on the keyboards with a choral sound. It just didn’t work for me.
XP8 were playing their last ever gig. This is a shame as they were really good. According to Wikipedia they are from Rome, which surprised me somewhat as they sounded perfectly English, but then, what do I know? There songs had pumping bass lines and a good fast and hard dance beat over the top. They had a video show in the background to which I didn’t really pay attention. Their songs were interesting, well structured and both of them seemed to be having a really good time. A minor thing is that the not-singer seemed to look a lot like Greg Wallace from Masterchef and this was a little off-putting, although more my problem than his. I’m not sure what they are going to do now, but I was pretty impressed with their set. They did over-run by about 20 minutes!
Finally Aesthetic Perfection were on. This was causing me slight problems as they were due to do a seventy minute set and they were late. I didn’t want to miss any AP but then again, I didn’t want to spend the night in St Pancras station waiting for the first train home [I’d done that plenty as a teenager].
Aesthetic Perfection were excellent. All of their songs were good and they had great energy. I do have a problem with their live sound. This is the second time I have seen them and some of the best bits of their songs are the high pitched “twiddly” bits. When playing live these seem incredibly quiet in the mix. A lot of the timings in the songs come from these sections and I feel that something is a little lacking. This *could* be my problem, maybe my ears are too old, but my niece also couldn’t really hear those bits. She had a great time, and even got to hold the singer’s hand.
There was slight confusion on stage as they played a song and then announced that it was their last one. I’m pretty sure the club has a curfew and so the band had to finish. I was starting to get worried that we wouldn’t see all of the AP set. They had about ten minutes before we had to leave. AP left the stage, we called for an encore and then they played two more songs.
After the last song, which conveniently was “Spit It Out”, I say conveniently because I think it’s their standard set finisher, my niece and I ran out the door, down the steps and then the mile and a bit to St Pancras station. We got there with just enough time to buy a bottle of water and get on the train before we departed.
Here’s how far we moved over the entire day:
Eject EP – Senser
It is hard to explain just how important this EP is to me. I know that it shouldn’t really appear in this series as it’s not an album but I don’t care.
Loud, hard, heavy, angry, sexy, violent, calming, soothing, political, gentle, vicious
Rock, rap, heavy, soft, crazy, DJ, mixing, scratching, chugging, funk, trance
Andy first got me into this in around my third year of university. I lived in Ongar road and he gave me a tape of new music he had found. He always found good music and passed it on to me. It sounded a little like Faith No More who, I felt, had messed up heavy metal a little by mixing in some funk and crazy stuff.
Senser had taken music I loved and turned it on its head. They had funk, metal and they even had a DJ dude who would scratch in the background. This stuff blew my mind. It has to be played loud and let the bass ring out. I do like rolling bass lines that play all the while other ditties are played around the steady beat of the drums and thumping bass. I think all my favourite bands have managed that [AC/DC, Dokken, Iron Maiden].
So, all of the four songs on here are great. Download it from iTunes or whatever your preferred music provider is. I especially love Eject (Over Zealous Mix) with the David Koresh quotes. You youngsters should look it up and see how religion fucks everything up and belief in crazy things fucks everything up.
I would say that the sound that Senser created, along with the Prodigy, allowed other bands to build and transform the heavier side of music leading to Rammstein and Slipknot.
This EP still sends shivers down my spine. If it can do that after about twenty years then I’d say it deserves all the merit I can bestow upon it.
No one knows when it’s going to happen. When they asked him, Jesus said even he didn’t know the exact time, but it’s going to happen. One of these days, and it could be any minute now, Christ is going to come back for us all and after that it’s going to be pretty awful around here.
Echogenetic – Front Line Assembly
I can’t quite remember how I heard about Front Line Assembly. I think they were on a compilation album and then I downloaded the album “Millennium” which will be reviewed much later in this series.
This album I bought before I saw FLA last summer at the Garage. This was their latest album and I wanted to make sure that I knew some of the songs they were going to play. I do like it. All FLA stuff makes it into my Hellektro playlist on my phone and Sonos system. This album has fewer guitar sounds throughout and is a bit more industrial/dance than Millenium. The voice is distorted and almost whispered throughout the album and that’s not my favourite type of sound. The songs are all well crafted as you would expect from someone with over 20 years in the business.
Sonos Updates
Oh dear. They’ve only gone and updated the iOS software for controlling my home sound system. It’s a full new version with a new “look and feel”.
The old version:
The new version (my music):
Last night after the update it took me FIVE minutes to figure out how to control another room in my Sonos system. That’s not right! It means the app isn’t intuitive. I don’t like it. I know I’ll get used to it but I don’t think it’s an improvement.
I understand the aim is to make it easier to search for content. So the front page is now a nice clean white colour (I don’t like this) and the search icon is there, so you can easily search all content including online services to which you subscribe. The Sky TV guide also made this change recently so that searching for content is the main function of the controller. This means we are meant to watch more and download more stuff. I’m not sure it’ll work, at least for me. I guess I won’t have access to the data to find out and the companies are never going to let me know.
Look, I just don’t like change. Or rather, I don’t like change that is then less intuitive than the predecessor. Using this new software wasn’t obvious.
Dream Evil – Dio
Dream Evil is a quality fast 80s metal album. It should in everyone’s collection along with Holy Diver by Dio. There are many songs on here that make me happy and send shivers down my spine. I love the sound, the feel and the attitude of the whole album. I think this, along with Holy Diver, has my ideal “sound” for a metal band. The way it is mixed really resonates with me.
The album has some definite singles, songs that are catchy and would work well on the radio and also get everyone singing at a concert. Favourite songs are:
- Dream Evil
- Sunset Superman
- Naked In The Rain
- Faces In The Window
Dr Feelgood – Mötley Crüe
For whatever reason I really love the 80s metal/rock stuff. I’ve watched documentaries where it’s explained that it was nasty, drunk and misogynistic. I actually agree with all of that. Mötley Crüe were the worst of the bunch really, the album “Girls, Girls, Girls” pretty much sums up that era. It’s hard not to like stuff when it moves you. I think feeling moved by a song is a base emotion, possibly based on some early learnt patterns, but mostly something to do with real unconscious stuff. It’s hard to get away from what moves you like that.
Dr Feelgood is a damn good album. The production is clean and heavy. The riffs are all good it’s just a quality cock-rock album. My favourite songs of this group are: Dr Feelgood, Kickstart My Heart, She Goes Down and finally “Don’t Go Away Mad (just go away)”.
Pretty much every Crüe album has a bad song on it. They’ve always recorded one song that just doesn’t fit with the rest of the album and, for me, this is their first album where every song is valid and fits. “Without You” is a ballad, but well written, I just don’t like it much anymore.
Therapy?
I travelled to the big smoke last night to see Therapy? play at the Scala near Kings Cross. The journey out was good, the trains were on time and the sun was out. London looked gorgeous. While I waited for Smith to turn up I sat and watched the world go by. I’m sure I remember more nutters hanging around train stations when I was younger!
The venue was good. It was smaller than I expected but there were plenty of balconies and raised areas where a good view of the band could be found. We waited in the middle of the pit.
The first band on were called Only The Brave. It was guitar based music and not my stuff. I was wondering what it was about the music that I didn’t like and finally Andy told me it was Indie Wank. I suddenly understood why it did noting for me! For the last few songs I spent the time browsing various news sites and apps on my phone. I was glad to get 4G service inside the venue.
These were a funny band. The singer looked as though he had personality issues and spent his time staring at the side of the stage [which doesn’t really matter as long as he can sing], the RH guitarist never looked up, the bassist seemed worried about stuff and the frontman was too happy. All their songs sounded the same and rubbish [sorry, not my stuff].
Therapy?, by contrast, were an active band who looked at the crowd and actually seemed to enjoy what they were doing. It is twenty years since the release of the Troublegum album and they played it in its entirety. It’s a very good album and the show was dynamic. The crowd were jumping and I sweated loads in the middle of the pit. Smith had someone try to steal his mobile phone a few times and so he was disappointed with some members of the crowd. I had noticed around three people looking for their phones on the floor. I can’t imagine that you would put a phone somewhere where it would fall out so maybe their phones were stolen?
The sound was good and I really enjoyed the show. I stayed in the pit for around 3/4 of the set and then spent the last few songs watching from the edge of the pit. I will confirm to @trusmoov that it was a “normal” pit.
The real excitement of the evening was waiting for me at the train station. Smith and I wandered to Kings Cross and said our farewells. Then I headed to the correct platforms in St Pancras. There was a queue of people nearside of the barriers all talking to the railway people. I glanced a the departures board and saw that the 20 past was about to leave. I was wrong. It was the 2220 train and the time now was 2318. There were delays.
Apparently some kids had entered a tunnel near to Stratford station and so we were waiting for the police to make sure that the route was clear. I boarded the train and found a seat. I was feeling a little tired and tried to read a book on the Kindle app. There were announcements about how we could head to Victoria or London Bridge to get trains from there, but a quick check of the app on my phone told me that there were no other departures to Ebbsfleet, where my car was parked. I was stuck waiting for the fast train to leave.
At about 0130 we had the announcement that we would be departing soon. I arrived at Ebbsfleet at around 0150 and was home by 0215. I guess the journey could have been a lot worse but I was tired. I didn’t care. I was just glad to be home.
Five Finger Death Punch
I snuck into London last night to see Five Finger Death Punch at The Forum in Kentish Town. Curiously Kentish Town didn’t look as Kent-like as the name implies. Here’s a power station viewed from the fast train from Ebbsfleet to St Pancras [who was a Roman convert to Christianity and beheaded for his belief].
I had a pleasant walk from the London terminus to The Forum, about 40 minutes, and waited in The Assembly Rooms for Smith. Once he had arrived we chatted and ate. The queues to enter the auditorium were large, but gave us time to digest the contents of the flyers we were handed before discarding them in the traditional manner.
The first band on were called Pop Evil. They played ROCK. It was ok. Not to my current tastes but they were a good warm up band.
Then, on came Upon A Burning Body. A band from Texas. They played pretty good music although I couldn’t understand most of what the singer sang. This didn’t worry me, I don’t really do lyrics. Although I wouldn’t go out of my way to see this band again they were pretty good over all. I liked the suits they wore.
During their set all the lights stopped working and they carried on while lit from torches held by security and the guys in the “desk-in-the-middle”. The pit opened up in front of me and it was quite funny to see this close. Young men running in circles and generally pushing into each other. The atmosphere was one of comradeship as when someone fell down after being hit, they would be helped up by everybody. I saw a couple of rugby tackles and at some point it turned into a competition to see who would be the last man standing. Then, it went wrong. A short tubby man decided he was going to hit with his hands. He threw a punch and got warned to stop by most in and around the circle. He had gone too far. You don’t intentionally hit people in this small world of machismo. Then he threw another punch, caught a chap on the chin and stood gloating. About five guys rushed at him, pushing him to the floor and then two of them dragged the guy to the side and security. I didn’t see him again. As much as most people would look in horror at “the pit” it’s actually a safe place where, if you accept the rules, you will be looked after and everyone has the same needs.
Five Finger Death Punch burst onto the stage playing “Under and Over It”. There was energy and excitement. They played well and have a good stage presence. I was really impressed at Download last year and so was looking forward to this. They played songs. I don’t know the names of the songs. I just recognise them. I’m pretty sure my head is full up and can’t learn new song names. Also, the way I listen to music has changed. I no longer sit in my bedroom staring and the record sleeve, I play music while running, driving or working.
It was a solid gig. They played well. They played 3 ballads too many. I hate ballads. The atmosphere gets lost and the energy of the room fades during ballads. Also, as a rock child of the eighties, ballads were how bands promoted themselves. They had their place but are not necessary anymore.
The set finished at 22:30. This made the FFDP stage time about seventy minutes which was rather short. I was hoping to hear four more hard and heavy songs when the houselights went up. I was left feeling a little disappointed. They didn’t quite “bring the house down” in my opinion. A big problem for me was the singing of the chorus to Champagne Supernova by Oasis. I never liked Oasis. I think they wrote poor songs, sang badly and were hyped in a battle with a group of real intelligent people who could write songs. Don’t be a metal band and then play some Oasis. They were shit. It’s shit and it makes you shit.
