I love a bit of Saxon. That great NWOBHM sound. Two guitars, bass, drums and vocals. Nothing else needed.
Denim and Leather
I bought this off iTunes about a year ago as part of a multi-album pack. I don’t like they get lumped together in the music app though so I edit the meta data and split the albums up with their own album art work. iTunes HATES me doing this. Recently I did this with Suicidal Tendencies and iTunes went ape-shit at syncing with my phone and I have to rebuild my complete library. I hate iTunes most of the time.
This album is awesome. I originally had the Best of Saxon on music cassette and played it loads. This album has some of the greats from there and others too.
My highlights are:
Denim and Leather
Princess of the Night
20,000 Feet
It’s real party music (or at least I think it is).
HEAD is the title of my current favourite playlist on my iPhone and Sonos system. I use the iPhone in the car and the Sonos system at home. If I ever get the chance to listen to music at work then I use the iPhone there also, I have some Bose headphones I plug into.
Anyway the HEAD playlist consists of the following songs (an eclectic mix!):
“Das Grauen” from “Hell Starts With An H” by Reaper
“TIP the DANCER” from “YOUR WORLD IS BURNING” by Panzer AG
“Get Out of my Head” from “Today We Are All Demons” by Combichrist
“Inhuman” from “All Beauty Destroyed” by Aesthetic Perfection
“Duality” from “Vol 3: The Subliminal Verses” by Slipknot
“Motherfucker” from “All Beauty Destroyed” by Aesthetic Perfection
“Surfacing” from “Slipknot” by Slipknot
I once owned “If You Want Blood . . . . You Got It” by AC/DC on music cassette and I think that whole album pretty much played the same role in my life as this current playlist. I played the cassette so much that the tape eventually stretched in various places and I had to upgrade to a CD as it sounded awful.
I’m grateful to Andy for helping chose the songs for this playlist.
I went to watch Front Line Assembly at the Garage in Highbury. It was a venue I’d not been to before and a band I hadn’t seen before either. The company I was keeping was delightful, although I did accidentally miss a tube stop. Started with drinks at the Porterhouse and then went on to Highbury and Islington.
The venue was nice and small-medium sized. Bigger than the Underworld but smaller than Brixton Academy. The sound was good and the drinks prices seemed reasonable to me. There was only one main area and it was pretty hot in the room (it was a hot day outside too). There didn’t seem to be any form of air-conditioning which was a bit of a shame (the Underworld beats you there!).
First band on were (as far as I can tell) iVardensphere. I really liked them, probably not enough to buy any of their stuff but enough to watch and enjoy. Heavy electronic music. Pretty good, nice and upbeat too.
Second band were Haujobb. Their songs were probably better crafted than the first band but their pace was a bit slower and I didn’t like it as much. They were still pretty good at the music they make though.
Headline act were Front Line Assembly. The latest album is more electronic than some I have heard and a bit slower. They were very good and had a live drummer, which is becoming more important to me as I watch more of these EBM bands. Quite clearly they were the best band last night and it was good to tick them off my list. I probably wouldn’t see them again, I think I’d rather take a punt on an unknown band and see what happens (much like my restaurant-food-choice policy).
I first got this album on double music cassette in about 1992. I had seen Slayer as part of the “Clash of the Titans” tour at Wembley Arena and really liked them. They recorded the video to “War Ensemble” at that particular concert. I think that some of the songs on this album were recorded at that exact gig that I saw. The tape version has since been supplemented by a CD version and finally an MP3 version on the NAS drive.
This is an AWESOME album.
If you only buy one thrash metal album then it had better be this one and then in all honesty you only need to play the first song as it covers all needs of guitar based turn-on.
My favourite songs on this album are (and I don’t apologise for the length of the list):
Hell Awaits
War Ensemble
South of Heaven
Raining Blood
Dead Skin Mask
Seasons in the Abyss
Mandatory Suicide
Angel of Death
Hallowed Point
Blood Red
Postmortem
Chemical Warfare
The atmosphere conveyed by these disks is brilliant. You can only find one better live album out there (Live After Death). This puts all others to shame. Get it. Play it. LOUD.
I’m expecting some complaints after this communication and album review. First let me give you my personal story of “Dark Side of the Moon”.
I was about 14 and was visiting Lynda, my best friend’s Aunt. First she showed us the video to “Thriller” which was very exciting and then she told us to listen to a particular album. It was, obviously (?), “Dark Side of the Moon”. I can remember the gatefold album and looking at the cover. I don’t really remember listening to the music much but I seem to remember the catchy riff of money. The music had a lot of weird stuff going on.
Years later I remember describing Pink Floyd as “dull monotonous shit”. I think, overall, this is a statement I will stand by. “Dark Side of the Moon” I will accept is a classic and parts of it send shivers down my spine. That does not mean that I have to like everything by that band and it certainly doesn’t mean I have to accept them as geniuses.
BTW I probably will accept Pink Floyd as genius. Their music really does affect some people a lot. A lot more than I would consider suitable but they love. It just doesn’t bother me so much. Sorry about that. I think I can recognise the good but also you have to accept it does nothing for me. It’s a bit like religion. I understand the attraction to religion and its good points but for me it’s all rather offensive.
I bought this album because I was going to see Testament play at KoKo in London. I know “Practice What You Preach” from my days at school and I thought I needed to know a few more songs and so I got their latest album.
Old Dog applies to this album, but I would say it definitely works well. There’s a maturity in the song writing and it is also well produced. The anger is still there but reduced slightly from those heady days of teenage testosterone. They played a few songs live and they sounded good. There’s something funny about middle-aged rockers trying to maintain the anger at the establishment, but also becoming part of the machine they hated.
HexRx make dirty hellectro music. That’s quite curious because hellectro is rather dirty in itself. HexRx take many samples from horror films and then build “tunes” around them. I can listen for about an album at a time and then it’s time for something else.
I like it, I just can’t take too much. Listening is an experience, which is a bit of a theme with this album.
D.O.A. The Third and Final Report of Throbbing Gristle
This is seminal. When you take the members of Throbbing Gristle and look into their backgrounds and previous work you start to understand where they were coming from. In 1976 COUM Transmissions were doing this sort of crazy stuff. And modern day artists like to think that they are pushing the boundaries. I guess they are, but I can’t help thinking that it’s all been done before.
So, Throbbing Gristle, they made “music” to challenge pre-conceptions and to see how far they could take it. You might not like listening to it, but your life will be enriched for doing so (unlike a 1D album). You have to remember when this was made. 1978. The technology they were using was ground-breaking and their sound was something special. To understand the origins of modern industrial music you HAVE to include TG.
Favourite tracks include:
I.B.M.
Hit By A Rock
Dead On Arrival
Hamburger Lady (one of the most disturbing songs I have ever heard)
AB/7A
Blood On The Floor
Listen, appreciate, take some paracetamol (you’ll need it).
Went to see a few bands at The Ivy in Sheerness last night. I was most interested in the band called:
The Antithesis
I’ve seen this band a number of times and really enjoy their music. I thought they were good. Also saw Where’s Billy? who were ok. It was an enjoyable evening. Thanks Dave.
In about 1990 I was given a music cassette with “Stand In Line” by Impellitteri. I was stunned. It’s a brilliant album with some seriously cracking songs and heavy riffs. Fast forward 15 years and I noticed that there was a double album deal on Amazon for some Impellitteri stuff. I bought it.
This is very much speed metal in the vain of Yngwie or Gamma Ray. My concerns were raised after playing the album through a few times. Let me show you the titles:
Beware of the Devil
Slay the Dragon
Fear No Evil
Speed Demon
My curiosity was piqued and I did a little Wikipedia-ing. This is what they say there:
Chris and I and Ken Mary are all Christians, but James and Ed and Glen, our touring drummer, don’t necessarily proclaim themselves as Christians, so it’s not a Christian band.
The themes of the songs are religious. I would say they are a Christian band.
Does this affect what I think of the music? Yes.
Should it? Probably not, but then I think that religion is immoral and particularly offensive and serves no place in the modern world.
Do I still listen now and then? Yes, I quite like the style, it’s worth a play now and then.
I still think that “Stand In Line” is stunning.
