Kill ‘Em All – Metallica

I’ll keep posting album reviews here while I suffer from such anxiety and anger about the current state of politics in this country and the world. The entire Brexit bullshit needs to be mostly ignored else I’ll get too worked up and angry about it all. An electorate who were lied to with illegal spending and Russian money voted to leave an organisation it knew mostly nothing about because of a systematic campaign over thirty years by right wing newspapers to remove cooperation and friendliness between countries. If you aren’t sure about that last bit then have a look at this website. It’s a list of all the lying claims by the UK press.

Now it’s time to be happy about reviewing this album. This album starts a small series of “Kill” albums that are bloody amazing and ground-breaking. Kill ‘Em All is the fist studio album by a tiny band called Metallica and while they are shit now this collection of songs is bloody amazing. The sheer raw power and energy in the songs is more than in anything else they have produced. It is probably something to do with Dave Mustaine having helped write a lot of it. Once you get to the Black Album it’s all gone wrong. I’ll review that one in about a year I guess.

I was asked recently what is the last decent Metallica song. I took some time and went with “Harvester Of Sorrow”. The question asker plumped for “Shortest Straw”. Fair play. Blackened is also a choice for that but the rest of “Justice” aren’t that good.

Back to “Metal Up Your Ass”. This album, in my view, helped create thrash metal as a genre and introduced chugging as a “note” to be used below lyrics rather than the swinging bouncy guitars used by Iron Maiden.

Hit The Lights – starts with a crash ending of a song and I’ve always loved that. It’s hard and busy.

The Four Horsemen – smashes you in the face with it’s blistering pace and makes you want to rush into the pit.

Jump In The Fire – would be great to sing out loud. It’s got a good moshing pace and plenty of Hetfield trademark “yah!”.

Pulling Teeth – blows my mind. The noise and cacophony that Burton pulls from the basss guitar makes me smile and wonder at the talent. When Ulrich enters the drums create a rhythm perfectly matched that gives a good swing to this bass solo.

Whiplash – I can remember playing this at top volume in school. We were in the sixth form and there was a music box in the common room, which was opposite the staff room. We would open the windows, put Whiplash on full volume and leave the common room leaving the music playing as loud and obnoxiously as possible to the staff trying to enjoy their break time away from those pesky kids. Fast, heavy and a standard song in thrash. Seeing Newstead play this at Download in 2013 was brilliant.

No Remorse – chugs away with a canter. Brilliant. No regrets.

Seek and Destroy – I don’t think you can get better on this album than this song. It’s my favourite and I love it. I once saw Metallica at Milton Keynes bowl and I think the concert was broadcast live on Radio 1. I got a friend to record it from the radio for me and the version they played there crunched away in my head for years. Brilliant.

Metal Militia -we all are aren’t we? Why don’t normal people “get” this music? Why is it that when you play metal to someone who doesn’t understand you can hear their brains pop? You can see the disconnect in their minds as they struggle with the noise. I’ve tried to persuade people to metal over the years and now I don’t bother. I’ve tried playing aggrotech to people but they don’t get that either. It’s all fine by me. Being at a music festival with eighty thousand people all enjoying the same music gives a kinship.

Judgement Night – Various Artists

This perfectly amazing album is what happens when a music label crosses over its artists. I will write about this album as if the second song had never appeared on it as I think it’s a travesty. Here’s what you need to know:

“Just Another Victim” by Helmet and House Of Pain: an excellent opener giving you a taste of what’s coming. The grinding opening riff rips your brain out. The pace change half way through bounces your grey cells once more. Brilliant.

“Me, myself & my microphone” by Run DMC and Living Colour: ringing chords leading to heavy riffs and a hiphop beat. Heavy crashing sounds.

“Judgement Night” by Biohazard and Onyx: Yeah, motherfucker. A bouncy beat with squealy guitar sounds throughout. A bonkers song.

“Disorder” by Slayer and Ice-T: Sorry Ice-T but Tom Araya smashes your scream, he takes it, rolls it up into a small box and disintegrates it to a million pieces. We don’t need your war. A rolling beat with classic Slayer riff and solo until halfway. Hold on to your hats because this song knocks you off your feet. It hits you the way the LA riots hit LA.

“Another Body Murdered” by Faith No More and Boo Ya T.R.I.B.E. A classic Faith No More start to this song with pumping rap lyrics and the gentle piano in the background. The screams part way through are horror-movie standard.

“I Love You Mary Jane” by Cypress Hill and Sonic Youth: this is one chilled out song. A slow rolling beat with the distinct vocal style of Cypress Hill. This works. It’s relaxed. It’s strange and smooth.

“Freak Momma” by Mudhone and Sir Mix-A-Lot: I know little of Mudhone but what I do know is this song is in their distinctive style. The beat catches up with itself at times and tries to overtake in your head. Almost a summer garden song.

“Missing Link” by  Dinosaur Jr. and Del the Funky Homosapien: a groovy bass line with rapping and a singing lead guitar. Another chilled out song. Something to relax to.

“Come and Die” by Therapy? and Fatal: imagine you’ve got zombies chasing you around the neighbourhood. You are jogging away, hoping you don’t turn a corner and get caught by a separate hoard. That’s the pace and feel of this song. It’s also the music that should be playing in the movie where you are running from zombies. It’s a meta song.

“Real Thing” by Pearl Jam and Cypress Hill: want to bounce your head, nodding with the beat while walking or chilling in your sofa in the garden. Well, get the wickerwear out, put the cushions on and lay back and relax. Hold a finger in the air and direct the music from your slouch. Feel the beat take you.

The song I’ve not mentioned is “Fallin'” because it’s shit.

This entire album was the soundtrack to a chunk of my time at university. It was amazing and still is. It has that raw powerful sound of anger and sadness. I feel like we haven’t moved on. Society is still suffering and these songs and artists could easily make all this again.

At its time this was an amazing album, a collaboration of artists of metal and rap who weren’t Aerosmith. This crossover is brilliant. I love it. I really love it.

Jar Of Flies / SAP – Alice In Chains

It has been a while since I wrote some stuff about albums I own and what I think about them. Hopefully I’ll have a push to produce more communications over the next while. It’d be nice to get a load of stuff written that isn’t just pretty pictures I’ve taken. This site was turning into a little bit of a photo-blog and while those communications are important I should be getting back to the purposes of originality.

Jar Of Flies.

Don’t listen to this if you are slightly depressed and alone. It’s a struggle to listen to this EP when perfectly happy and emotionally stable and alone so any worse off and you need to hide your shoe laces away.

This EP perfectly uses the haunting vocal style of the lead singer [dead – drugs] and the gentle guitar sounds of Seattle. Every song on this album makes me feel. This was one of the first ten or so CDs I bought, I think I owned it before I owned a CD player. This EP is perfect and tearsome.

You must listen to it at some point. Preferably when you are well. And in a brightly lit room. Laying on the floor, in the dark, with sunglasses on and beer in your system is not the ideal listening position.

Well, it is really but we shouldn’t go there. This album takes me back to 1994 with the opening three seconds.

Get your fucking hair cut.

Heading For Tomorrow – Gamma Ray

I originally had this album on vinyl. I can remember looking at it in the shop and wondering if it will be any good. It had an odd double jacket which I think was just because the branding of the band had changed over time. That was all I knew when I got it.

I think this is a great album. It’s very operatic hardcore German metal. If you like Helloween then you’ll love this. Largely because one of the Helloween members went on to create this band. The whole album has operatic themes and great riffs and remember-able hooks to the choruses.

Heading For Tomorrow
Heading For Tomorrow

Lust For Life, Heaven Can Wait, Space Eater, Money, Freetime and Heading For Tomorrow are all great songs. Just bloody brilliant.

Divine Intervention – Slayer

I bought this on the back of Slayer’s earlier music from the 80s and although I play this now and then there isn’t a track on it that I can remember. It all rather mushes into one song by the end. Sorry.

For Slayer brilliance you need to get Decade of Aggression. Simple.

Contraband – Velvet Revolver

So they had a big hit with the main song from the album although I’m not sure which one that was now. I even listened to this in the car about 3 days ago in preparation for writing this but nothing really sticks in my mind.

It’s well written, played and produced but it lacks a certain something! Maybe the hate and angst of teenage song writing?

The Blues Brothers [Original Soundtrack] – Various

This, first and foremost, is not metal. It’s not even close. However, everyone should have a copy of this and have seen the film at least three times. While I was in the sixth form at school there were a group of people who were very “Blues Brothers”. They loved the film and thought it was really good. They would quote it now and then and I was happy for them. I had never seen it.

While at university I attended a couple of the City and Guilds College Union Engineers’ Balls. Part of the night’s celebrations would be a posh dinner and dance and taxis around London. Then we would return to the student union and spend the rest of the dark hours of night there with music, drinks, food and films. The student cinema would show “The Blues Brothers” [it was a tradition]. So my first experience of this was at some god-awful hour of the night and feeling slightly worse for wear. It is a great film and one that I bought on video to watch in my own time. My latest copy is on DVD to explain and show people that although it is a “musical” it isn’t a “musical”. It’s a great film.

This is a soundtrack to a great non-musical-musical film that has cult status. It’s great.

Blue Murder – Blue Murder

When Whitesnake had their massive eponymous album in 1987 they went through so much strife that the band didn’t survive. The guitarist went on to form Blue Murder and they produced this album. I bought this on music cassette from the Our Price shop by Harlow bus station. It was in the rock section and one of those albums you look at, look at the band, look at the titles of the songs and then think it should be worth the money. This was a bargain!

The sound is so British and heavy. The songs are pounding slow beats of pure rock heaven. The style is similar to 1987 but the feel is much more heavy. I really like it. It still gets played quite regularly which is good for an album 20 years old. My highlights would be:

  • Riot
  • Sex Child [slightly worrisome though]
  • Valley of the Kings
  • Blue Murder
  • Ptolemy

The British sound of the 1980s is one of my favourites. I love the NWOBHM style and this is what it evolved to become.

Blow Up Your Video – AC/DC

It’s hard to inform you just how much of an influence this album has been! I bought this when I was 16. AC/DC had charted with “That’s The Way I Wanna Rock & Roll” and I really liked it. So, I bought the album. I then recorded it onto tape and I’m pretty sure I took that tape on our last family holiday to the island of Jersey where we stayed at the Hotel Central. I remember listening to these tracks while I stayed in the hotel’s annex on my own. This album has provided the soundtrack for my introduction and descent into metal and for the summer of my GCSEs and 1988.

Once you get into a band you want to listen to all of their stuff. I started to buy the back catalogue, all of which will be mentioned in these communications.

Blow Up Your Video is not the best AC/DC album but it is one of the better ones. All the songs are classic AC/DC with catchy rock’n’blue riffs and good lyrics. Strangely, not many of the songs here are to do with sex. There isn’t a song a will skip when I listen to the album. The only thing is that AC/DC don’t play any of these songs in their live set which is a shame!

My highlights are:

  • Heatseeker
  • That’s the Way I Wanna Rock & Roll
  • Kissin’ Dynamite
  • This Means Way

This album just means so much to me.

The Blackening – Machine Head

Years ago I bought the Burning Red album by Machine Head and was impressed with the dark sound. I remember I was living in Brentwood at the time so this was 1999 or so. About a year ago I decided to buy another Machine Head album. I got this one. It’s alright. It sounds the same as the first one I got and is good for a run or winter music.