"Nothing but the rain"
I bought this album because didn’t they feel like they could be a rock band? I’m sure there was one good song.
I’ll pop it on the music maker thingies in the house.
<waits>
First song: “Hey Dude”, seems ok, I guess. Nope. Change that. Got to the chorus.
<skip>
Nope.
<skip>
<repeats>
Oh, here’s a song called Hush. Pretty good song. But it’s NOT theirs. It was by Deep Purple. That’s why it’s a good song. It also isn’t on this album. I added after downloading it.
The thing about this album is that the bass sounds so bloody lovely. It’s a live record and when you look at who’s involved you see that Geezer Butler is playing bass guitar and you go “ah, now that makes sense”.
The tracks on this are all proper Ozzy. Really good songs with blistering guitar work.
Miracle Man, Bloodbath in Paradise, Shot In The Dark, Tattooed Dancer, Sweet Leaf and War Pigs.
The last two are Sabbath classics. This is a great album [EP], well worth a listen, but not necessarily worth the £15 on Amazon I just saw! I’d recommend Tribute instead.
Zakk Wylde on guitar, Geezer on bass and Randy Castillo on drums? What more do you want?
It has struck me recently that while I stream quite a bit of music the money I pay for this doesn’t seem to get back to the artists. I know that each Spotify steam is bugger all. Each stream of a song is about 0.4 cents or pence it doesn’t really matter. For an artist to make a living from Spotify they have to be best sellers really. Now, I will listen to an album a large number of times when I like the music. But I might steam an album once or twice. It seems to me that if I know I like the songs then paying for the album means I will listen to it more, enjoy it more and contribute to the artist more.
Just paid for an actual album (download). More of the money will go to artist than streaming.
— Ian Parish (@iparish) October 2, 2018
So, my first album purchase in probably over a year goes to: Leaether Strip.
I decided to buy two albums. A “best of” and a later album. Ironically I’m going to share them here via Spotify you can always search for these on your preferred content provider.
I think it should be an aim to buy an album each month. Preferably using Bandcamp or something similar where more of my payment goes to the artist.
This perfectly amazing album is what happens when a music label crosses over its artists. I will write about this album as if the second song had never appeared on it as I think it’s a travesty. Here’s what you need to know:
“Just Another Victim” by Helmet and House Of Pain: an excellent opener giving you a taste of what’s coming. The grinding opening riff rips your brain out. The pace change half way through bounces your grey cells once more. Brilliant.
“Me, myself & my microphone” by Run DMC and Living Colour: ringing chords leading to heavy riffs and a hiphop beat. Heavy crashing sounds.
“Judgement Night” by Biohazard and Onyx: Yeah, motherfucker. A bouncy beat with squealy guitar sounds throughout. A bonkers song.
“Disorder” by Slayer and Ice-T: Sorry Ice-T but Tom Araya smashes your scream, he takes it, rolls it up into a small box and disintegrates it to a million pieces. We don’t need your war. A rolling beat with classic Slayer riff and solo until halfway. Hold on to your hats because this song knocks you off your feet. It hits you the way the LA riots hit LA.
“Another Body Murdered” by Faith No More and Boo Ya T.R.I.B.E. A classic Faith No More start to this song with pumping rap lyrics and the gentle piano in the background. The screams part way through are horror-movie standard.
“I Love You Mary Jane” by Cypress Hill and Sonic Youth: this is one chilled out song. A slow rolling beat with the distinct vocal style of Cypress Hill. This works. It’s relaxed. It’s strange and smooth.
“Freak Momma” by Mudhone and Sir Mix-A-Lot: I know little of Mudhone but what I do know is this song is in their distinctive style. The beat catches up with itself at times and tries to overtake in your head. Almost a summer garden song.
“Missing Link” by Dinosaur Jr. and Del the Funky Homosapien: a groovy bass line with rapping and a singing lead guitar. Another chilled out song. Something to relax to.
“Come and Die” by Therapy? and Fatal: imagine you’ve got zombies chasing you around the neighbourhood. You are jogging away, hoping you don’t turn a corner and get caught by a separate hoard. That’s the pace and feel of this song. It’s also the music that should be playing in the movie where you are running from zombies. It’s a meta song.
“Real Thing” by Pearl Jam and Cypress Hill: want to bounce your head, nodding with the beat while walking or chilling in your sofa in the garden. Well, get the wickerwear out, put the cushions on and lay back and relax. Hold a finger in the air and direct the music from your slouch. Feel the beat take you.
The song I’ve not mentioned is “Fallin'” because it’s shit.
This entire album was the soundtrack to a chunk of my time at university. It was amazing and still is. It has that raw powerful sound of anger and sadness. I feel like we haven’t moved on. Society is still suffering and these songs and artists could easily make all this again.
At its time this was an amazing album, a collaboration of artists of metal and rap who weren’t Aerosmith. This crossover is brilliant. I love it. I really love it.
This album was originally bought on music cassette and has since bee played a reasonable number of times. My ignorance comes to the fore here as I don’t really know who Jeff Beck is. I think he wrote “Hi Ho Silver Lining” but I could be mistaken. I don’t want to Wikipedia him because that’s cheating. My suspicion is that he used to be a member of an awesome 60/70s rock band and then was part of a few super-groups.
This album was late 80s or early 90s and it’s good fun. It’s not rock by a long way but it has gentle rhythms and sampling along with some spoken word lyrics. I quite like it as something different for the summer evenings. Perfectly pleasant for company I guess.
It has been a while since I wrote some stuff about albums I own and what I think about them. Hopefully I’ll have a push to produce more communications over the next while. It’d be nice to get a load of stuff written that isn’t just pretty pictures I’ve taken. This site was turning into a little bit of a photo-blog and while those communications are important I should be getting back to the purposes of originality.
Jar Of Flies.
Don’t listen to this if you are slightly depressed and alone. It’s a struggle to listen to this EP when perfectly happy and emotionally stable and alone so any worse off and you need to hide your shoe laces away.
This EP perfectly uses the haunting vocal style of the lead singer [dead – drugs] and the gentle guitar sounds of Seattle. Every song on this album makes me feel. This was one of the first ten or so CDs I bought, I think I owned it before I owned a CD player. This EP is perfect and tearsome.
You must listen to it at some point. Preferably when you are well. And in a brightly lit room. Laying on the floor, in the dark, with sunglasses on and beer in your system is not the ideal listening position.
Well, it is really but we shouldn’t go there. This album takes me back to 1994 with the opening three seconds.
Get your fucking hair cut.
Throughout the rain I struggled yesterday to get to Angel. Well, it wasn’t a struggle but I wanted drama! Smith and I got to Angel with plenty of time for a few drinks before heading to Electrowerkz for an evening of music and atmosphere.
First band up on this quadruple bill was My Hysteria. They had a good solid beat but the songs were a little long and the singer needed more variation in his voice. He also didn’t manage to fit his audience participation in with the music but maybe that will change for him as the band progresses.
Second band were called Matt Hart. That may have been the name of the singer, the guitarist or the band. I don’t know. I also missed the beginning of the set. My notes go as follows:
Singer. Guitarist. Heavy bass drum beat, samples. Heavy guitar. Not quite working. Not sure why. Needs a live drummer??? Distorted voice. Lacks an “energy”.
I guess that’s something they could work on as well. I do understand that this reviewing stuff is very subjective and so should you. We probably don’t like the same things. However, I do like a decent live drummer.
Thirdest up was a band I had seen twice before. Biomechanimal are a regular support band over here and they played before the headliners. The main question is whether I thought they were any good. I’m not sure they were. My issues with this band are that the vocals are too distorted, I can’t hear the bass player and apart from the last two songs which were very “dance” the rest were a bit, meh. I have previously written about this band and commented then that I couldn’t hear the bass player. Disclosure: I play bass.
Finally we get to the German headliners. Shadows In The Dark or [:SITD:]. They were really good. I’d seen them at M’era Luna before. I like listening to their albums. I do think that their sound can get a little repetitive and so I thought it might be a bit like the Hocico gig. However, it was way better than that. The sound was very good. They proved that the right band in the right venue can be awesome. All their songs were enjoyable and the beat varied throughout to keep interest. It did not feel like an eighty minute set.
It was quite clear that the lead singer is suffering with his identity dealing with hair loss. I don’t think there’s ever any need to wear a beanie hat indoors. The main singer was reasonably energetic and even got down into the crowd to sing a verse and chorus of a song, a nice touch.
The [:SITD:] gig gets a solid 7.5 out of ten. I very pleasant and enjoyable evening drinking amaretto and cranberry juice. I definitely don’t have cystitis now!
It does seem that every year I end up driving all around the country and continent. This summer I drove to the Lake District for a few days of mountain walking. It is literally the other end of the country from me. If I travel about 50 miles from where I live I would be in France and my destination in the Lake District is about 25 miles from Scotland.
Then I drove to the middle of Germany. This means crossing the Channel, crossing France, Belgium, Netherlands and then half of Germany to pretty close to where the old border was with East Germany. This is about 400 miles as the crow flies. I have such a great time while there that the driving is perfectly worth it.
The only place not included this summer is a trip to Cornwall, another end of this country and maybe I need to correct that.
The total for these two trips, excluding driving around while there was 1658 miles or 2652km.
One of my favourite times of year is when I drive the 798km to Hildesheim in Germany. It takes about a day to get there and a further day to return, however, it is so incredibly worth it. Smith and I go there to spend the weekend camping in a tent city of 20,000 people to watch bands and be a part of the atmosphere.
Thursday was the day to leave Kent around lunchtime, drive the short distance to the magical train where you put cars on board and it drives you underneath the English Channel. Once we arrived in France we set about navigating our way to Bochum which is where we have a stop for the night. We travel through France, Belgium and the Netherlands to get to Germany and I will be really fucking pissed off if next year we have to pay for visas to get through those. Also, I suspect that the “leaving the UK” system will be a crock of shit. Fuck Brexit.
Friday morning we woke early and headed to Hildesheim. It’s another three hours or so of driving and we wanted to get there before the campsite opened to try and get a good spot to stay. We’d filled up with fuel back in Bochum so we should be good for the rest of the trip. Once in Hildesheim we followed the SatNav to the festival and managed to find the normal entrance to the car park. This year the fields were dry and we were much earlier than other times and so able to park reasonably close to the festival. We got some bits together and then joined the 400m long queue to enter the campsite. We had about an hour before the campsite opened but the queue was long already. It took ninety minutes to get into the old Army Air Corps base.
The Google Map star in the field is where I parked the car. We then walked due south and the campsite started at the runway. The grass area to the north of the runway is all campsite. The festival pretty much all takes place in between four hangers, where the red cross is marked.
The Friday was spent chilling, looking around the Middle Ages market and generally getting used to what’s around. We also had to do another run to the car to collect more equipment. Around 22:00 we headed to the disco hangar.
The disco was good fun. Daniel Graves of Aesthetic Perfection spent an hour at the mixing desk and it was good to see him doing this stuff.
Ok, this isn’t a gif. It’s a video clip but you can at least see the colours. pic.twitter.com/cD9Wyyl5rA
— Ian Parish (@iparish) August 11, 2018
At some point that night we went back to the tent but I have no idea what time that might have been.
Saturday started with getting dressed up for the day. I recycled a costume from a couple of years ago. I was planning to wear the coloured mask that day but it was quite heavy and not easy to carry [except on my head]. If I was going to dance and mosh then I wanted a simple costume. Therefore I went for the human butcher look again.
Christos Perfectus and @AnyGreenDragon heading into #meraluna2018 pic.twitter.com/B7pjLtkuHa
— DBL_MF (@DBL_MF) August 11, 2018
The bands on that evening were Ministry and Prodigy, I expected both of these to be really good and possibly ones I would dance along to. So, the following is a list of the bands seen and what I thought:
Whispering Sons – hangar stage – Goth. Androgynous singer. Goth indie. Songs were ok.
Erdling – main stage – German rock. Pretty good.
Cephalgy – hangar – heavy dance but not fast. Ok. Blonde keyboardist. Singer had shirt tucked into his jeans. Not great crowd interaction. Songs slightly too long? Left after about 5 songs. My anticipation for The Prodigy is immense.
Merciful Nuns – main stage – samey songs, but goth. Goth shit.
Eisfabrik – hangar stage – dance. Snowman on stage. I guess someone has to corner the snow market? Didn’t really watch it, just saw them on the screens from outside the hangar.
Rabia Sorda – hangar stage – best so far. Good solid rock set.
Lord Of The Lost – main stage – pretty solid set. The band did well.
M’era Luna 2018: Lord Of The Lost live https://t.co/chnYP8l2Wb
— Ian Parish (@iparish) August 16, 2018
Ministry – main stage – by this time I was drunk, had been for a few hours, but I have to say that Ministry were pretty amazing. I saw them about 20 years ago at Brixton and this was just as good, if not better. Smith and I were in the mosh pit for quite a bit of the set. There’s a live steam video and we appear a number of times. Just look for the two people dressed in white next to each other.
M’era Luna 2018: Ministry live https://t.co/pfwnqHePMV
— Ian Parish (@iparish) August 16, 2018
In the video you can see me and Smith at 18:42 in the middle of the screen. Look for the white and me clapping.
Next band up were In Extremo but I have written no notes about them so I can’t comment. I don’t remember a huge amount about the rest of the day/
The final band were THE PRODIGY. I was very pumped to see them. They were on stage for about 90 minutes but I will admit that apart from knowing it was amazing I have very little recollection of the event. I don’t think there is any video either which is a shame because I would love to see what songs they played and possible see me in the mosh pit. All I can say is that at then end of the set I was drenched in sweat and absolutely knackered. Smith lost his phone. I know I had an amazing time. I just don’t remember much of it.
Once the set was finished and Smith had used my phone to cancel his handset and we spent a short while looking over the ground it was time to head back to the tent [a 12 minute walk] and then shower the make up off. The showers were open all night so that wasn’t too much of a problem and to be fair the showers are pretty good. The biggest problem for me now was making sure I didn’t have a monster hangover, my hangovers are legendary.
Sunday morning was a little rough and eventually I got up, had an intake of caffeine and tablets, there was a headache there, brewing, waiting for the right opportunity to strike and limit me to slow movements and quiet. I struggled through trying to get ready for the day, which meant mostly painting Smith.
The collektiv at #meraluna18 pic.twitter.com/RQ7sZnYCXO
— DBL_MF (@DBL_MF) August 12, 2018
So, here is the run down of the day, after we had been to the Info Point to see if a phone had been handed in.
Massive Ego – hangar stage -goth with a reasonable heavy but slow beat. British band. Buns on his head. Some of the longer deeper sung notes were not good. We saw this singer hanging around the main arena later on and that’s pretty cool,
FabrikC – hangar stage – heavy fast dance. Singer talks too much. Really heavy sound. No real singing and lots of samples from movies.
Aesthetic Perfection – hangar stage – really impressive again. Joe Letz on drums.
Rotersand – hangar stage – bloody brilliant, as usual.
Atari Teenage Riot – hangar stage – first two songs were really poor but after that it turned into high energy industrial punk. Pretty good.
Front 242 – main stage – really good sound. Songs were solid but very 242
Eisbrecher – main stage – A very good set. Impressive show. I liked the snow on stage.
M’era Luna 2018: Eisbrecher live https://t.co/7Du3fI1Uac
— Ian Parish (@iparish) August 17, 2018
Considering the amount of alcohol I drank on Saturday along with being drunk before midday, sobering a little and then getting drunk again, the Sunday went remarkably well. I didn’t have a headache, I did drink lots of water, I didn’t have any alcohol this day.
I think the show finished around 22:00 and then there were showers to be had. Monday morning was all about packing up, getting everything to the car, Smith going to the police station and then driving the 798km home. This was easily the best M’era Luna so far. My suspicion is that although I am into EBM now, I have been a metal head for over thirty years and this M’era Luna was more of that than goth.
Just so you can see, here are two diagrams that show how much I moved over the two main days of the festival.
I am already thinking about costumes for next year and looking forward to it!
Last night coincided with a charity gig in London and so I ensured my position was sufficient to be there. It took place at Zigfrid von Underbelly, in Hoxton Square, which is the basement of a steak house as far as I could tell. There were four bands and the money raised went to the Beat Cancer charity which is a pretty good cause. So, here’s my review:
The first band up played about five songs. It was mostly electronica with some signing. My notes say:
Two blokes, woman green hair. She looked nervous. Electronica. It was ok. Nothing special. Not my stuff but they interacted well.
When I say they interacted well I think I mean the main male signer was busy with the crowd but then he also organised the whole event.
The second band were called Room 1985 and it certainly felt like their set was 1985 years long. It was Indie mixed with prog rock and it was pretty boring. There were some lyrics but they weren’t interesting. I was polished but fucking dull. Of note was the guitarist who played left handed and a standard strung guitar upside down, that was quite cool. I did not take a photo of them.
Thirdly were Neonsol a Danish band which was mostly upbeat europop with a hint of electro, it was good dance stuff but not really dark enough. The “drummer” played roughly two pads on the machine and I wondered why he was there!
Finally Freakangel were on. I’d listened to their stuff over the previous couple of weeks and it was pretty good. A decent heavy guitar with aggrotech over the top. The shouty vocals work and I actually don’t mind them in this case.
Things of note were poor sound quality for the first 10 minutes. There was no guitar sound in the beginning and it was worrisome as there was definitely something missing from the sound. Just before the band Smith and I had gone outside to get some air but it was actually colder in the basement with people jumping around than outside [FYI it’s about 30C today]. I don’t know whether to mention the fact that the drummer was female, in this day and age it shouldn’t matter should it? Everyone can do whatever the fuck they want and it shouldn’t be a “thing”. I guess it’s still not that common. The audience was at least 50% female which does not happen within metal.
Freakangel were pretty good and I think I’d like to see them again in a slightly busier dedicated venue with decent sound.