"Nothing but the rain"
I will soon be heading off to Europe for a weekend of music. I’ll be heading to Hanover for a German goth music festival.
It’s quite a long journey, but one I am looking forward to very much. I always find the journey to be a lot of fun. Obviously not as much fun as actually getting to your destination but still a major part of the whole experience.
Smith and I went out to find some noise. Our initial heading was to the World’s End pub in Camden and the Underworld venue where a Japanese band were playing a two hour concept album. Can you believe it, the place was full. We weren’t allowed in. That was a shame so we went in search of food and ended up at a terrible Chinese buffet place. It looked ok from the outside but Smith couldn’t find much food that he liked. I liked nearly all of it. After that we returned to the World’s End. The Underworld club night was due to start at 23:00 but the music looked a little popular and boring. They were going to play some Arctic Monkeys FFS.
So, we decided to walk to Electrowerkz in Angel. It was about a 40 minute walk. It’s alway nice to walk around London, it feels more organic and natural compared to hopping onto a tube train. I guess I should have been surprised at how many people we saw standing around in parks playing Pokemon.
Now, we knew there was an event on at Electrowerkz, we just didn’t know what sort of music it would be. The current music taste of DBL-MF is industrial electronic. Almost everything else doesn’t matter. But, as we walked down Torrens Street we could hear noise and it seemed good. GBP15 lighter after paying to get in and we went into the downstairs music room. The band playing were called Bad Guys.
So, as you can see, two double guitars, no bass player, a drummer and a singer. It was rock type stuff. It was tolerable although the vocals were shit. After they had finished we had some drinks and pondered the nature of the post-referendum country [we are fucked] and what the next band could possibly be like.
Pigs pigs pigs pigs pigs pigs pigs were on stage at 01:00. Two guitarists, bass player, drummer and singer [who also played a synth which I couldn’t hear]. They weren’t great. They were energetic and played well but it was screamy shouty music and it bored me.
The two bands that we saw were ok. Nothing great. Nothing special and not my current taste in music. It’s quite difficult to find aggrotech on a usual night out in London, Slimelight is almost the only club night and that’s fortnightly on a Saturday. The crowd was a metal crowd. People dressed in denim and dark t-shirts. It was like being in a house that you’ve just sold and are waiting to move to your new home. The furniture was normal and in the right places but your new home awaits and it’s more exciting and a fresher place to be. I much prefer and feel more at home with the “alternative” crowd who attend AC and Slimelight.
Thank goodness there are trains every hour from Victoria towards Gatwick. That meant we could get home. There’s something quite wonderful about walking through the capital early in the morning, it doesn’t ever sleep.
Added 12:09 18 July:
It struck me that this communication is titled “The Cosmic Dead”. Well, they were the band on at 02:30. We didn’t stay that long, we didn’t think it would be worth it. All of my gig communications have been titled the Headline band so this one did the same. I’ll do similar with Mesh when I see them because I’m really going to the gig to see Aesthetic Perfection.
Spent an hour under the Kent countryside one afternoon as I dived into the world of Chislehurst Caves. They are man made caves in the chalky hills. They are also quite impressive and a good place to go when you want to escape the summer heat and humidity. The tour guide was a bit cheeky but funny in the right way and he was knowledgeable, he was just the sort of person you want to show you around.
According to the guide Hendrix and Zeppelin both played the caves, which would have been amazing to see but I guess the sound would have been terrible. Although this was the late 60s and early 70s so you would have been smashed out of your head and not notice.
I would recommend this tour as it was good value and interesting.
This band was a side project of KMFDM. Excessive Force is a electronic industrial album with undertones of heavy guitar work. It’s actually quite a calming album and a good listen. I recommend this as a starter into the heavier stuff.
After getting into aggrotech I was searching for music. Reaper was an artist I really liked, the album The Devil Is Female is pretty awesome. So, I found some more albums by Reaper. But, it turns out there are three artists called Reaper. I’d downloaded all of them. The Gardens Of Seth is labelled as “METAL” on my phone to remind me that it is an album of metal and not hellectro.
Do I like the album? I haven’t listened enough. It’s pretty hard and heavy with large themes overall. It’s an occasional listen.
AFAIK the band are Italian.
I do own both CDs of this double album, but I have no idea what is on the first one. I didn’t want to listen to it. I was more interested in having a digital version of Garage Days Re-Revisited. I used to listen to a tape of these songs when I was younger and I was always impressed by the songs and the sound. The songs are cover versions, played to introduce Jason Newsted to the band.
Garage Days Re-revisited:
All of these are great songs and I am happy to have seen Diamond Head play and also Killing Joke.
Other songs of note on this CD are:
The rest are boring.
All of these written in this communication are worth listening and playing over and over obnoxiously loud.
So, it has taken a while and we are finally into the Gs of my album reviews. These reviews have been organised by album title and also don’t include a lot of the aggrotech that I have bought over the last two years. I doubt I’ll get around to those, also I am starting to stream music more than just buy or download albums. I’m not sure how that will turn out, I like the idea of “owning” an album rather than knowing it’s there to listen to via streaming. Let’s wait and see.
There’s an overriding problem with all of the cock rock from the 80s and G ‘n’ R is one of the main culprits. The lyrics are very sexist, bordering on obscene. I don’t think that the music alone can justify these lyrics. We could use the argument that society of the time was embedded within these albums but I’m not sure about that either. There have always been people working towards equality. Let me make this clear: equality means everyone being treated the same, it’s that simple.
Anyway, on to the album. This was released after Appetite For Destruction but has songs from before those days. It’s a pretty good rock EP and displays the destructive talent that was Guns and Roses. Patience is a pretty good ballad. Used To Love her is a great song. It reminds me of a time I saw Guns and Roses at Milton Keynes with a recent-ex-girlfriend. I may have sung along to Used To Love Her very loudly. The acoustic version of You’re Crazy is a delight.
The biggest problem is the song One In A Million. Whether we should judge the entire output of a band upon one song and the lyrics it contains or their behaviour off stage is something I haven’t got an answer for. I do know that I don’t listen to any LostProphets any more, it makes me feel ill. So, the dodgiest lyrics in One In A Million are:
Police and Niggers, that’s right
Get out of my way
Immigrants and faggots
They make no sense to me
Radicals and Racists
Don’t point your finger at me
I don’t know if these lyrics mean Guns and Roses are homophobic, racist or just trying to be controversial. Maybe it’s something we can’t know. They seem immature and a poor decision. The sort of thing a young person would write when trying to connect with the world.
This was the first album by :wumpscut: that I bought. Along with my descent into aggrotech and hellecktro I started searching and reading Wikipedia about the genre trying to find new artists. There also seems to be cross pollination within the genre as quite often songs are re-mixed by other artists so by reading credits on albums it’s easy to see which bands associate with others. For instance Rotersand have remixed stuff for Aesthetic Perfection. Another method for finding new bands is to read the gig leaflets given out at venues [even if the mostly end up on the floor like a carpet of unwanted postcards].
So, :wumpscut: has been around for ages. This is a nicely produced album with some great tunes. It’s never going to make the mainstream but all the songs have a good beat and it’s well worth a listen. Youtube carries plenty of the music with people adding their own images. Go have a look.
NIN. The place to go when you want dirty industrial with haunting melodies and lyrics that speak to you. Along with the Left this album is great for me to listen to while working. It has all the usual NIN experience and hasn’t been overplayed by me so always sounds fresh.
I’ve seen NIN twice, once at Wembley Stadium [the old one] when they supported GnR and also at Brixton Academy [or whatever it is called now]. The Brixton gig was damn brilliant.
