Therapy?

I travelled to the big smoke last night to see Therapy? play at the Scala near Kings Cross. The journey out was good, the trains were on time and the sun was out. London looked gorgeous. While I waited for Smith to turn up I sat and watched the world go by. I’m sure I remember more nutters hanging around train stations when I was younger!

The venue was good. It was smaller than I expected but there were plenty of balconies and raised areas where a good view of the band could be found. We waited in the middle of the pit.

The first band on were called Only The Brave. It was guitar based music and not my stuff. I was wondering what it was about the music that I didn’t like and finally Andy told me it was Indie Wank. I suddenly understood why it did noting for me! For the last few songs I spent the time browsing various news sites and apps on my phone. I was glad to get 4G service inside the venue.

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These were a funny band. The singer looked as though he had personality issues and spent his time staring at the side of the stage [which doesn’t really matter as long as he can sing], the RH guitarist never looked up, the bassist seemed worried about stuff and the frontman was too happy. All their songs sounded the same and rubbish [sorry, not my stuff].

Therapy?, by contrast, were an active band who looked at the crowd and actually seemed to enjoy what they were doing. It is twenty years since the release of the Troublegum album and they played it in its entirety. It’s a very good album and the show was dynamic. The crowd were jumping and I sweated loads in the middle of the pit. Smith had someone try to steal his mobile phone a few times and so he was disappointed with some members of the crowd. I had noticed around three people looking for their phones on the floor. I can’t imagine that you would put a phone somewhere where it would fall out so maybe their phones were stolen?

The sound was good and I really enjoyed the show. I stayed in the pit for around 3/4 of the set and then spent the last few songs watching from the edge of the pit. I will confirm to @trusmoov that it was a “normal” pit.

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The real excitement of the evening was waiting for me at the train station. Smith and I wandered to Kings Cross and said our farewells. Then I headed to the correct platforms in St Pancras. There was a queue of people nearside of the barriers all talking to the railway people. I glanced a the departures board and saw that the 20 past was about to leave. I was wrong. It was the 2220 train and the time now was 2318. There were delays.

Apparently some kids had entered a tunnel near to Stratford station and so we were waiting for the police to make sure that the route was clear. I boarded the train and found a seat. I was feeling a little tired and tried to read a book on the Kindle app. There were announcements about how we could head to Victoria or London Bridge to get trains from there, but a quick check of the app on my phone told me that there were no other departures to Ebbsfleet, where my car was parked. I was stuck waiting for the fast train to leave.

At about 0130 we had the announcement that we would be departing soon. I arrived at Ebbsfleet at around 0150 and was home by 0215. I guess the journey could have been a lot worse but I was tired. I didn’t care. I was just glad to be home.

Five Finger Death Punch

I snuck into London last night to see Five Finger Death Punch at The Forum in Kentish Town. Curiously Kentish Town didn’t look as Kent-like as the name implies. Here’s a power station viewed from the fast train from Ebbsfleet to St Pancras [who was a Roman convert to Christianity and beheaded for his belief].

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I had a pleasant walk from the London terminus to The Forum, about 40 minutes, and waited in The Assembly Rooms for Smith. Once he had arrived we chatted and ate. The queues to enter the auditorium were large, but gave us time to digest the contents of the flyers we were handed before discarding them in the traditional manner.

The first band on were called Pop Evil. They played ROCK. It was ok. Not to my current tastes but they were a good warm up band.

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Then, on came Upon A Burning Body. A band from Texas. They played pretty good music although I couldn’t understand most of what the singer sang. This didn’t worry me, I don’t really do lyrics. Although I wouldn’t go out of my way to see this band again they were pretty good over all. I liked the suits they wore.

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During their set all the lights stopped working and they carried on while lit from torches held by security and the guys in the “desk-in-the-middle”. The pit opened up in front of me and it was quite funny to see this close. Young men running in circles and generally pushing into each other. The atmosphere was one of comradeship as when someone fell down after being hit, they would be helped up by everybody. I saw a couple of rugby tackles and at some point it turned into a competition to see who would be the last man standing. Then, it went wrong. A short tubby man decided he was going to hit with his hands. He threw a punch and got warned to stop by most in and around the circle. He had gone too far. You don’t intentionally hit people in this small world of machismo. Then he threw another punch, caught a chap on the chin and stood gloating. About five guys rushed at him, pushing him to the floor and then two of them dragged the guy to the side and security. I didn’t see him again. As much as most people would look in horror at “the pit” it’s actually a safe place where, if you accept the rules, you will be looked after and everyone has the same needs.

Five Finger Death Punch burst onto the stage playing “Under and Over It”. There was energy and excitement. They played well and have a good stage presence. I was really impressed at Download last year and so was looking forward to this. They played songs. I don’t know the names of the songs. I just recognise them. I’m pretty sure my head is full up and can’t learn new song names. Also, the way I listen to music has changed. I no longer sit in my bedroom staring and the record sleeve, I play music while running, driving or working.

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It was a solid gig. They played well. They played 3 ballads too many. I hate ballads. The atmosphere gets lost and the energy of the room fades during ballads. Also, as a rock child of the eighties, ballads were how bands promoted themselves. They had their place but are not necessary anymore.

The set finished at 22:30. This made the FFDP stage time about seventy minutes which was rather short. I was hoping to hear four more hard and heavy songs when the houselights went up. I was left feeling a little disappointed. They didn’t quite “bring the house down” in my opinion. A big problem for me was the singing of the chorus to Champagne Supernova by Oasis. I never liked Oasis. I think they wrote poor songs, sang badly and were hyped in a battle with a group of real intelligent people who could write songs. Don’t be a metal band and then play some Oasis. They were shit. It’s shit and it makes you shit.

FFDP2

No Heart

I noticed this earlier in my cupboard while I was putting away some crockery. It remains from the days when I had an FM radio/cassette/CD player in the kitchen.

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This tape is Mechanical Resonance by Tesla. It’s actually a pretty good album. I don’t have the heart to throw away any of my old cassettes, records or CDs. It’d be like throwing away books – wrong.

Rock Identity

For practically all my life I have been a fan of heavy metal. See this communication about my descent into metal.

For me the 80s were filled with early flirtations with pop, from Madonna to Frankie Goes To Hollywood and then into Heavy Metal and Rock. I love Iron Maiden and AD/DC following on from Bon Jovi and Def Leppard in 1987. Come the very late 80s and early 90s I descend into thrash with Megadeth, Metallica, Slayer and Anthrax. I see these bands regularly along with new British metal bands such as Wolfsbane and The Almighty.

During university I don’t really expand my musical tastes a great deal. My major discovery (via Smith) is Senser and their cross-over political rock and rap. This sustains me for a few more years along with Alice In Chains.

My music buying diminishes as I start my career and I don’t really get into new bands for a few years. I don’t have a network of friends who can inform me of new things and I don’t live in London. I spend a number of years sustaining myself on the stuff I already own. I still see bands like Iron Maiden and Slayer when they come along, but nothing small or new.

In the early 2000s someone gives me her Rammstein CDs (Sara T) and I find the sound fascinating and new. It’s exciting. Along with seeing Slipknot perform on the TFI Friday television programme I have found something new. Something a little scary and something that seems dangerous. All the music I have grown up with seems rather tame in comparison to these new sounds. I played them over and over. Until around 2009 not much happened until Smith returned from abroad and he and I started attending gigs and concerts together again.

In 2009 I saw two bands. AC/DC at Wembley Stadium and I loved it. They were brilliant and I their music has brought me so much pleasure over the years [so much so that I wore out my musical cassette version of “If You Want Blood, You’ve Got It”]. The other band I saw that year was Rammstein. Their stage show is just absolutely brilliant. If you don’t believe me then just search YouTube for “Buch Dich”, it is quite brilliant, a little bit dangerous and something to cause moral outrage amongst the leading classes. The support band for Rammstein was Combichrist and that is when the trouble started.

After hearing Combichrist and being impressed with their sound I ordered a CD.

Today We Are All Demons

This music was exciting, different, morally dubious, scary and just damn brilliant. It made me want to dance (something I just don’t do). The big problem was that there were NO GUITARS and it was all SAMPLES and DRUM MACHINES. For someone who likes his music live and reproducible without machines this caused major issues. Why did I like this? Was I going insane? How can I like music with a complete lack of heavy guitars and bursting riffs? I was at the tip of the mountain staring down a great big slippery slope to the valley of “not real” music [as far as my metal head would tell you].

I bought more Combichrist stuff and started to look at their influences and associated acts. I bought more. Bands like:

  • Aesthetic Perfection
  • Reaper
  • Suicide Commando
  • Funker Vogt
  • Hex-Rx
  • Panzer AG

Pretty much all of this is what I would now call EBM, Aggrotech or Hellektro. These names are good because it means I am back on the edge of society and seeking to be different with my music. When Metallica took the world by storm in 1992 or so I was done with them. Their sound had changed and I didn’t like it any more. The “edge” had gone. This new music I had found has an edge. It makes me feel uncomfortable [sometimes] and it is different.

I have tried to describe it to friends and I say:

It’s heavy metal without any guitars. The lyrics are nasty and the tunes are awesome.

or

It’s kinda dance music but without the nice lyrics and happy stuff.

I have leant this stuff to friends who like the same sort of metal as me and they don’t really get on with it. They apologised and handed back the USB stick. That’s fine by me because it means I can carry on feeling “on the edge” and liking the music. This stuff ain’t ever going to be mainstream. It sometimes sounds like it should be playing in a night club on a Saturday night but then I have no idea what sort of stuff these people would play. I’d love to be in a club and hear this stuff come on and the crowd just freak out because it hurts them.

I am struggling to come to terms with my new found musical taste. It irks me that I’ve gone for samples and drum machines. I’ve been to see these people play. I’ve liked their music. I’ve had a great time. Yet still the 18 year old me is somewhat miffed at this odd turn in my ear pleasures. As an extreme I have seen a “band” with three Apple Macs on stage and a few leads and then they danced around pressing the odd key here and there. I loved it. There’s a tiny part of me that isn’t sure it’s music but I like it anyway. Over time I’m sure I’ll heal this mental riff. Much like I’ve got used to being a university snob when at the age of 17 I hated that person!

If you want to try this stuff then have a look for the following tracks:

  • 190 – Reaper
  • X-Junkie – Reaper
  • Hit The Streets – Aesthetic Perfection
  • In The Pit – Combichrist
  • God Bless – Combichrist
  • Tip The Dancer – Panzer AG

I am now listening to more industrial stuff. The following bands are on my current active list:

  • Faderhead
  • Eisbecher
  • Rotersand
  • Front 242
  • VNV Nation

My metal taste buds are still there. I watched Mentallica last night. I went to Download last year. I’m going to see Therapy? and FFDP soon. However, this Hellektro is here to stay and just wonderfully stunning: suck on that 18 year old me!

Mentallica – The Intrepid Fox

Went with Smith to see Mentallica play last night at The Intrepid Fox [there used to be a link here, but the pub/venue is demolished for railway, it is no more] in London (St Giles High Street).

So, it was a tiny venue and packed with metal fans. Brilliant. The music was loud and heavy. All in all it was an enjoyable evening. I wanted more kick from the bass drum and “Hetfield”‘s guitar was rather quiet. The snare sounded quite “St Anger” and that can’t be good. So, apart from some minor points I rather enjoyed the whole thing.

The big problem is that Metallica or any other band of that type are rather safe nowadays. They used to be rebellious and dangerous but I don’t think they hit the mark any more. Slipknot and Rammstein filled that bill for a little while but now my allegiances have moved towards EBM and Industrial. See a future communication about what I feel about this.

It’s quite weird going from a small quiet leafy village in Kent to the bustling metropolis of London and seeing how busy everything is all around the clock! I used to live there and have forgotten what it’s like.

We had a Chipotle burrito for dinner and I really enjoyed mine. Seemed good value and vaguely healthy. Smith suffered with his! Oh dear.

CopyTrans Manager

For quite a while I have found iTunes to be thoroughly frustrating. It has issues with my music collection, randomly adds songs I’ve deleted and doesn’t like updating the artwork on my albums. iTunes also takes an age to synchronise my phone and when it does it fails to update artwork, copy playlists or new songs across to my phone. It seems to be a pretty bad and bloated piece of software. I don’t use iTunes to back up my phone and rely on the cloud for that, which I am thankful for as iTunes probably wouldn’t cope very well with it.

I searched the internet thingy and found a free piece of software called CopyTrans which has a suite of iPhone utilities. I was rather hesitant about using it as it could really mess things up. Would it work with iTunes and my phone and help me do the following:

  • Edit my playlists on my phone without me having to add songs one at a time?
  • Update the artwork on my phone without me needing to delete the songs and then load them again?
  • Copy music onto my phone quickly and efficiently?
  • Actually read my phone database and allow me to edit it (kind of)?

I do still need iTunes but only to manage my playlists on the NAS drive as that is where my Sonos system reads the files. I guess I could use a completely different music manager but iTunes works well as long as I don’t connect my phone to the PC (which is kinda the point of the software).

I downloaded CopyTrans and started it up. The Manager part of the suite is free to use. I was quite wary of doing this. I love my music and have spent ages making sure I have the songs I want and the correct artwork. It’s quite a time investment.

“Connect Your Phone”

CopyTrans wanted my phone. I connected it and waited. CopyTrans read my database and a song list appeared on my computer. I tried to copy some new songs across to my phone.

IT WORKED

AND QUICKLY

I tried editing a playlist – easy. I even tried making sure my artwork was up-to-date (I had noticed two albums only had artwork on the first song), this was really easy and IT WORKED.

The online help files are really good. It all seems so easy.

CopyTrans you have made my life a lot easier and I am thankful. I hope millions read this and use your software, but unfortunately this website only gets ~270 hits a month. More people should use CopyTrans.

Confession –  I have absolutely nothing to do with CopyTrans. I just think their software it worth a mention here.

Don’t Look Back – Boston

I bought this on my Boston phase. I bought up all their stuff as I really liked “Foreplay – Long Time” from Rock Band on the Playstation. Any Boston album is very well written and just what you want. I’m pretty sure this is stuff someone not into rock would cope with playing in the background. More driving music. See Boston review.

Divine Intervention – Slayer

I bought this on the back of Slayer’s earlier music from the 80s and although I play this now and then there isn’t a track on it that I can remember. It all rather mushes into one song by the end. Sorry.

For Slayer brilliance you need to get Decade of Aggression. Simple.

Discovery – Daft Punk

I think I’ve listened to this a couple of times. I’ve been getting into electronic music since I saw Combichrist with Rammstein a few years ago. I don’t think I could tell you anything about any particular song on this album. However, given it is Daft Punk I assume it to be quite a good album. Not one I regularly play but am happy to have in my collection.

Dirty Deeds Done Dirt Cheap – AC/DC

Firstly let me announce that I think AC/DC are one of the best bands ever [40 million copies of Back In Black sold]. I love the raw rock sound and the cheeky lyrics. I remember being 17 years old and discovering that there were thirteen AC/DC albums and just being excited at the thought of owning them all. I probably had three albums at that time, Blow Up Your Video being my first.

This album, from 1976, has an excellent ensemble of songs by the gritty Aussie [although there is an argument to say they were British] band. Not a single bad song. Some excellent songs.

  • Dirt Deeds
  • Love At First Feel
  • Big Balls
  • Rocker
  • Problem Child
  • There’s Gonna Be Some Rockin’
  • Ain’t No Fun
  • Ride On
  • Squealer

Big Balls is hilarious although Wikipedia claims it has controversial lyrics but it depends whether you have a dirty mind or not. I’m pretty sure this song is about a costume party [NOT].

Rocker takes the power riff and makes you bounce.

Squealer has a brilliant bass riff and is an altogether brilliant song, for some reason I love it.

Ride On makes me cry.

10/10 for this one.