Tag: review

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Slippery When Wet – Bon Jovi

I’m not really that sure where to start with this album. It has been such an influence on me since I bought it in the 80s sometime. I was about 14 or 15 when I got this. I guess I bought it after seeing something on Top Of The Pops or hearing one of the singles a lot on the radio. This was the beginning of my descent into metal. I will have played this album over and over again. There was a time period when I had this projecting from the speakers and I was using a rowing machine because I must have become self-conscious about my body. As I write this I’m getting the feels for around Brize Norton camp which was 1987 so let’s place this in summer the of ’87. My discovery of Iron Maiden and AC/DC would have been around this time too.

The keyboard opening of this album amazed and still amazes me. I love it. The way it links in with the main riff of Let It Rock is brilliant. The song itself is a slow and heavy celebration of everything about the genre.

I’m not that much of a fan of rock ballads and I think I pretty much tolerate them nowadays but historic me loved them and always wanted a decent ballad on every album. This album has them and they are good if disturbing. Without Love explains that “she” is not young, but still a child and also a prostitute – the 80s were troubling for lyrics and anything approaching female equality in movies and songs. If this communication gets read in Cornwall I’m sure I’ll be corrected if I’m wrong about anything within these words. Never Say Goodbye makes me want to slowly bleed to death these days but it would have affected me emotionally when I was a moody teenager. It celebrates fucking in a car, I’m pretty sure.

Social Disease starts off with sound effects from a porn set and I always gave a wry smile at that point in this album. It felt rebellious and bad to be listening to something this rude. Nowadays who cares? I’m sure there are plenty of folk who will be shocked by what exists but now I’m older not a lot shocks me. Even stuff made to shock doesn’t shock me. Partly I think it is because “I’ve seen things” and so extreme stuff can get shrugged off but I also think it’s about my politics. There’s that idea that as you get older you become more conservative and selfish [although I could argue they are the same thing]. I find I become more and more left wing as I get older. Anyway, this song is a good’un.

Want a happy song? Then Wild In The Streets is for you. Such an upbeat and happy tune. I’m sure there’s some cowbell in there at the beginning. If it isn’t then it should be, I reckon I could write songs better than Jon. This is another song about fucking in a car. I guess that must have been a thing that happened.

Get the crowd going and waving their hands with Raise Your Hands. I have no idea if I’ve ever seen them play this live but it’s an upbeat song with a great chorus and obviously written to be played live and get the crowd going. Always include a list of all the places you want to visit so you can shout out to them on the world tour. It’s lovely.

I’ve played You Give Love A Bad Name on stage and it was great fun. A good song. We played it terribly. But it was still fun. Oh, do you remember those days? When people could gather in safety and enjoy something collectively. I so look forward to those days again but I will be sad that people will forget the pain and suffering that this government caused through inaction and incompetence. Don’t you go telling me that it must have been a tough job and they did their best – it is quite clear that their best isn’t up to the job of governing. They are a shit-show of people and should be replaced. A pandemic isn’t the time to push your petty ideas of social change. Fuck them.

I think I’ve played Living On A Prayer too. I seem to remember asking for a count in to the song from the drummer and then completely ignoring that count and playing at my own speed. There’ll be a version of it somewhere on my YouTube channel I guess. Everyone loves a song where they can pretend to sing the chorus. Just watch out for the key change. Oh, and fuck key changes. I’m convinced they are lazy writing and mean you could think of a way to change your song. I know people love them but to me they are like fade-endings. Lazy. Yes, I’m being critical of skills that are far ahead of mine and I should say anything but I have!

Go and get this album. Try not to worry about the 80s lyrics and learn the history of rock.

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Slipknot – Slipknot

Back in the day I remember watching Chris Evans’ television show TFI Friday and I’m pretty sure I quite liked the show. It was a good mix of fun and frolics. One Friday though things were going to change. They showed a band called Slipknot. I think they played Wait And Bleed. I don’t know. All I know is that it was fascinating and amazing and such a different sound to anything else I had seen. Oh, they also wore boiler suits and masks but that didn’t bother me. There were probably complaints about the music but who cares. I bought the album and it was this one.

I listened to this album yesterday while I was experimenting with a computer monitor set up and it turns out that the last few songs aren’t that great. I’ve checked the track listing and there are some demo versions on my version of the album and so I won’t count those because Get This was there as a very pleasant surprise.

All you need from this album are the first five or six songs which is good because I didn’t really recognise any after Tattered & Torn. In my opinion everyone should have this album. I don’t think many will like it but it’s an important piece of art. It won’t make you feel good and it will assault your ears but you’ll be a better person once you’ve experienced it.

742617000027 – A nice start to this album because it sets the mood.
(sic) – A pretty sweet song. This batters you brutally around the head. Wait, what’s that? Scratching in a metal album, what is going on? “Fuck You All”.
Eyeless – Something about eyes I guess. I’m not a lyrics person but rather the beat, pace and riffage get me. This has a few greater moments. When you get to shout out “Nothing” and then “Motherfucker”.
Wait and Bleed – look, some people love it. It’s a good song but it’s not up there. I’m not sure why it lacks for me but it does. I’m happy when they play it but there are others that are better.
Surfacing – I love this song. It’s fantastic. I think I want it played at my funeral.
Spit It Out – another great song. What is that sound at the beginning? This one makes two of my favourite songs called “Spit It Out”.

Fuck it all! fuck this world!
Fuck everything that you stand for!
Don’t belong! don’t exist!
Don’t give a shit!
Don’t ever judge me!

Michael Crahan / Christopher Fehn / Paul Gray / Craig Jones / Nathan Jordison / Corey Taylor / Mickael Thomson / Sidney Wilson
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Slip Of The Tongue – Whitesnake

Whitesnake were MASSIVE in 1987. I’m really it’s David Coverdale and assorted guest members of the band, a bit like Megadeth being the two Daves and another two. What happened in 87? Well, Whitesnake created a fucking monster of an album which I haven’t written about yet. This album though was the next one. This is what happens when you employ Stevie Vai and let him “Vai-up” your sound. There is not a problem with Vai-ing up your sound and I guess this album stars the voice of Coverdale and the sounds of Vai. It’s a good, slutty album. It perfectly encapsulates what cock-rock and slut metal is completely. Songs about sex and easy women, headlining the Monsters Of Rock Festival and general classic 1980s sexism. You know that trope with a woman writhing around on the bonnet [hood] of a car? That was Whitesnake.

Let’s look at some of the song titles shall we?

Slip Of The Tongue
Kitten’s Got Claws
Cheap and Nasty
The Deeper The Love
Slow Poke Music

This album also has a remix of Fool For Your Loving because it’s a good song and nothing sells or makes an album better than you putting on a remix of an old hit. I don’t have a problem with it.

I never saw Whitesnake. MH, best mate at school, saw them before this album and after the 87 smash hit. The band had different members then. Check out the list of members on Wikipedia. Mind you, they did/do have Tommy Aldridge on drums and that guy is a legend.

Coverdale has an amazing rock music voice.

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Slave To The Grind – Skid Row

When I bought this album I was initially disappointed. I felt that Skid Row had moved from the LA Sound to a heavier, deeper almost thrash sound. But, after all these years I recognise this as a great album. I prefer it over Skid Row with the heavier sound and lower cock-rock influences. I fondly remember seeing the band a few times in the early 90s and this brings me back to those times. Watching Sebastian Bach tell Brent Council to fuck off and then play “Get The Fuck Out” to a crowd of 60,000 in Wembley Stadium was great. The band had been warned not to play that song and Bach read out the letter to the crowd. Good times.

This is an excellent album and I enjoy it still. There are great songs, a ballad- cos that’s what rock does, and heavy not-quite-thrash songs.

Monkey Business is great.
Slave To The Grind is great.
Get The Fuck Out – is a song for 2020, and good.
Riot Act would require a lot of mosh-pit.
Mudkicker is heavy and bouncy.

Look, someone has put this on YouTube. I was there, man. Wait for the incitement to riot! But it was a great show.

“You’re standing too close what the fuck’s with you, you ain’t my old lady and you ain’t a tattoo, no need to whimper, no need to shout, this party’s over, GET THE FUCK OUT”.

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Slam – Dan Reed Network

Well, this is a biggy for me. This album was a large influence during my late teens and early twenties. I first saw Dan Reed Network when they supported Bon Jovi in Wembley Arena, I think. I enjoyed their set enough to then spend some money and buy Slam. I have played this album often. It is a mixture of rock and funk with some incredibly beautiful songs. I had a big urge recently to listen to this album and as I don’t have any analogue playing devices anymore I bought the album from iTunes. I guess one of the things about this collection of songs is that so many of them are just lovely, they send a shiver down my spine, they make me feel emotions which I would normally do my best to avoid. There’s quite a connection to SR also with this album. The Bon Jovi gig is memorable for getting a lift from a friend and them drinking cans of Guiness on the drive down the M11. This is a wonderful album.

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Skyscraper – David Lee Roth

I am pretty sure that I bought this album just for the songs “Just Like Paradise” and “Damn Good”. Both of these are great songs and wasn’t DLR in Van Halen? I haven’t listened to this in a long time.

The song Damn Good was once on a compilation tape that I owned produced by a friend back in the days when music cassette ruled. I can remember listening to that song in the music department at Leventhorpe. There was a funny record button on the tape player and when I pressed it the sound output decreased, but at the same time, while playing it recorded the microphone input over the song. It was a clever little tape player but it messed up my tape version of this song.

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Skid Row – Skid Row

I’m not sure how I first found out about Skid Row but I do know that they were something to do with Bon Jovi. I suspect I saw them support a band and then I went ahead and bought their album. It is possible they supported Bon Jovi at Wembley Arena and then I saw Skid Row again supporting Guns ‘n’ Roses at Wembley Stadium. Look, this is a high quality cock rock album. It’s a great mix of late 80s riffage and attitude. It’s great. Sebastian Bach has a great voice or at least he did. He left under a cloud of non-disclosure-agreements and such like, I was never hugely interested in all the politics. I remember being slightly amazed by the bass player and the chain he had going from his earring to his nose ring, I always thought that was rather cool.

Big Guns – a classic. Proper rock intro to an album.
Sweet Little Sister – sexualising your younger sister, that’s what the 80s were about.
Can’t Stand The Heartache – showing the sensitive side with a sad song about falling in love with a wrong-un. Oddly it’s quite a nice upbeat song which feels cheery.
Piece Of Me – nice rolling bass riff to start and then continues to be a good song.
18 And Life – obligatory slow one about how shit everything can be for some and how you end up getting detained by the state.
Rattlesnake Shake – one of the weaker songs on this album but it’s still pretty good and fun.
Youth Gone Wild – I love this song, I mostly love the bang bang opening.
Here I Am – Lovely decent fast riff. Well structure quiet bit leading into a bluesy solo. Great.
Makin’ A Mess – fast paced twelve bar blues? Another proper sing along song on an album full of them. Has a really good middle eight with some slamming beats.
I Remember You – Bleaugh, obligatory ballad, a pretty good one though.
Midnight / Tornado – another weaker song, but it’s OK.

I really enjoyed seeing this band and I have always received a decent level of pleasure from the music of theirs that I own,

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Singles Original Soundtrack – Various

This is a hugely influential album to me. I don’t know when I bought it but I do remember laying on the floor in the dark with sunglasses on listening to Drown. I guess this album helped launch the Seattle scene into the world. I had seen Alice In Chains before and owned albums by them so this was an obvious extension. I have seen the film but I don’t know if I saw that before or after the soundtrack purchase.

Singles Soundtrack.jpg
By Source, Fair use, Link

This is a very summer album and one that fills me with optimism. So many of the songs have made me happy or stuck in my head. Some of the songs scare me into dark places.

Chloe Dancer/Crown Of Thorns is a song that is beautiful and haunting. This along with Drown makes for disturbed listening. This is an album I would consider putting on in the background of a dinner party. I’m not sure if that means a dinner party would horrify me or whether I consider this album to be one which is ripe for general consumption. I think none of the songs are potentially offensive.

The strange thing about the Seattle sound is that it pretty much leaves me cold now. I love this album and I really enjoy a few albums by Alice but overall a lot of this music didn’t really tingle my spine. Pearl Jam enjoyed massive success but just failed to do it for me. Soundgarden is the same. Nirvana was good fun while it lasted but I’m not an overblown fan and now I see the sound as tiresome. This is a shame but there’s only so much space in my head and heart and while this album sticks like sticky shit most of the rest of the upper north west productions have dripped off.

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Akira (2020 Reissue)

The other night I made sure I went to the cinema because it was the last time I would be able to go to the Cineworld cinema at Rochester for the foreseeable future. I went out of a sense of duty I guess.

I faced quite a problem in deciding which film to see. When I looked at the listings I noticed that Akira was playing and damn I love that film. But there were also some films I hadn’t seen before and maybe it would be better to see a new film rather than one I’ve seen every decade since the late 1980s. Here’s a list of the potentially shitty films I could have seen; After We Collided, Bill and Ted, Saint Maud, Schemers, The New Mutants. I’d already walked out of Tenet and really didn’t want another attempt to see that. I had a conversation with Smith and decided it would be Akira – my fear was that I would fall asleep but it was definitely better than any other film on that evening.

The last time I saw Akira was with Smith at the British Film Institute and I wrote about it in this communication. Until I just looked up that link I didn’t know how far in the past that film trip was. I do know that pretty much every time I watch the film the ending surprises me because I think my brain blocks it out.

The tide was quite high as I drove along the esplanade and I parked in my usual area where there are plenty of spaces but slightly further from the entrance doors. My current parking policy is to park away from entrances and walk, it’s far less stress than finding somewhere close. I had cinema food as dinner – a hot dog, some popcorn and a bag of minstrels, might as well make the most of my last trip. I think I would have liked a massive ice cream but the thought of diabetes kept niggling in the back of my head. After watching the film I would normally rate it on IMDB, but I’ve rated Akira before. The rating system defines that this is a 10/10 film because I have seen it multiple times, bought it on multiple formats and also been to see it at the cinema more than once.

I love this film. It packs so much social commentary into its storyline that it always impresses me. There is always something that happens every time I see this that means the overall movie makes more sense. Except the end. I’m not sure the end every really makes sense to me. I know what is happening but I’m surprised every time.

When I walked out of the cinema I had a real feeling of loss. It felt like the end of an era. I’ve spent so long in that place and have used it as a refuge from my own thoughts at times that I feel a real personal connection with that collection of bricks. I will be sad if it doesn’t open again. I will have to try and find a new cinema and escape venue.

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