Rock – Fooyah – Ian Parish

October 1 2018

Judgement Night – Various Artists

This perfectly amazing album is what happens when a music label crosses over its artists. I will write about this album as if the second song had never appeared on it as I think it’s a travesty. Here’s what you need to know:

“Just Another Victim” by Helmet and House Of Pain: an excellent opener giving you a taste of what’s coming. The grinding opening riff rips your brain out. The pace change half way through bounces your grey cells once more. Brilliant.

“Me, myself & my microphone” by Run DMC and Living Colour: ringing chords leading to heavy riffs and a hiphop beat. Heavy crashing sounds.

“Judgement Night” by Biohazard and Onyx: Yeah, motherfucker. A bouncy beat with squealy guitar sounds throughout. A bonkers song.

“Disorder” by Slayer and Ice-T: Sorry Ice-T but Tom Araya smashes your scream, he takes it, rolls it up into a small box and disintegrates it to a million pieces. We don’t need your war. A rolling beat with classic Slayer riff and solo until halfway. Hold on to your hats because this song knocks you off your feet. It hits you the way the LA riots hit LA.

“Another Body Murdered” by Faith No More and Boo Ya T.R.I.B.E. A classic Faith No More start to this song with pumping rap lyrics and the gentle piano in the background. The screams part way through are horror-movie standard.

“I Love You Mary Jane” by Cypress Hill and Sonic Youth: this is one chilled out song. A slow rolling beat with the distinct vocal style of Cypress Hill. This works. It’s relaxed. It’s strange and smooth.

“Freak Momma” by Mudhone and Sir Mix-A-Lot: I know little of Mudhone but what I do know is this song is in their distinctive style. The beat catches up with itself at times and tries to overtake in your head. Almost a summer garden song.

“Missing Link” by Dinosaur Jr. and Del the Funky Homosapien: a groovy bass line with rapping and a singing lead guitar. Another chilled out song. Something to relax to.

“Come and Die” by Therapy? and Fatal: imagine you’ve got zombies chasing you around the neighbourhood. You are jogging away, hoping you don’t turn a corner and get caught by a separate hoard. That’s the pace and feel of this song. It’s also the music that should be playing in the movie where you are running from zombies. It’s a meta song.

“Real Thing” by Pearl Jam and Cypress Hill: want to bounce your head, nodding with the beat while walking or chilling in your sofa in the garden. Well, get the wickerwear out, put the cushions on and lay back and relax. Hold a finger in the air and direct the music from your slouch. Feel the beat take you.

The song I’ve not mentioned is “Fallin'” because it’s shit.

This entire album was the soundtrack to a chunk of my time at university. It was amazing and still is. It has that raw powerful sound of anger and sadness. I feel like we haven’t moved on. Society is still suffering and these songs and artists could easily make all this again.

At its time this was an amazing album, a collaboration of artists of metal and rap who weren’t Aerosmith. This crossover is brilliant. I love it. I really love it.

July 9 2017November 7 2018

These Will Probably Get Removed

After such a busy week spending time visiting cool stuff around East Anglia, I had to spend a few more hours at work because I was playing in the band. Disaster Area has been going a while and we normally open the Rock Evenings. Last Friday was no exception although normally we have been practising the songs for a few months rather than the two run throughs we managed an hour before the show.

We opened with Crazy Train.

And continued with Learn To Fly. There will probably be official videos somewhere on Faceshit.

April 10 2014April 10 2014

Therapy?

I travelled to the big smoke last night to see Therapy? play at the Scala near Kings Cross. The journey out was good, the trains were on time and the sun was out. London looked gorgeous. While I waited for Smith to turn up I sat and watched the world go by. I’m sure I remember more nutters hanging around train stations when I was younger!

The venue was good. It was smaller than I expected but there were plenty of balconies and raised areas where a good view of the band could be found. We waited in the middle of the pit.

The first band on were called Only The Brave. It was guitar based music and not my stuff. I was wondering what it was about the music that I didn’t like and finally Andy told me it was Indie Wank. I suddenly understood why it did noting for me! For the last few songs I spent the time browsing various news sites and apps on my phone. I was glad to get 4G service inside the venue.

These were a funny band. The singer looked as though he had personality issues and spent his time staring at the side of the stage [which doesn’t really matter as long as he can sing], the RH guitarist never looked up, the bassist seemed worried about stuff and the frontman was too happy. All their songs sounded the same and rubbish [sorry, not my stuff].

Therapy?, by contrast, were an active band who looked at the crowd and actually seemed to enjoy what they were doing. It is twenty years since the release of the Troublegum album and they played it in its entirety. It’s a very good album and the show was dynamic. The crowd were jumping and I sweated loads in the middle of the pit. Smith had someone try to steal his mobile phone a few times and so he was disappointed with some members of the crowd. I had noticed around three people looking for their phones on the floor. I can’t imagine that you would put a phone somewhere where it would fall out so maybe their phones were stolen?

The sound was good and I really enjoyed the show. I stayed in the pit for around 3/4 of the set and then spent the last few songs watching from the edge of the pit. I will confirm to @trusmoov that it was a “normal” pit.

The real excitement of the evening was waiting for me at the train station. Smith and I wandered to Kings Cross and said our farewells. Then I headed to the correct platforms in St Pancras. There was a queue of people nearside of the barriers all talking to the railway people. I glanced a the departures board and saw that the 20 past was about to leave. I was wrong. It was the 2220 train and the time now was 2318. There were delays.

Apparently some kids had entered a tunnel near to Stratford station and so we were waiting for the police to make sure that the route was clear. I boarded the train and found a seat. I was feeling a little tired and tried to read a book on the Kindle app. There were announcements about how we could head to Victoria or London Bridge to get trains from there, but a quick check of the app on my phone told me that there were no other departures to Ebbsfleet, where my car was parked. I was stuck waiting for the fast train to leave.

At about 0130 we had the announcement that we would be departing soon. I arrived at Ebbsfleet at around 0150 and was home by 0215. I guess the journey could have been a lot worse but I was tired. I didn’t care. I was just glad to be home.

February 23 2014February 23 2014

Rock Identity

For practically all my life I have been a fan of heavy metal. See this communication about my descent into metal.

For me the 80s were filled with early flirtations with pop, from Madonna to Frankie Goes To Hollywood and then into Heavy Metal and Rock. I love Iron Maiden and AD/DC following on from Bon Jovi and Def Leppard in 1987. Come the very late 80s and early 90s I descend into thrash with Megadeth, Metallica, Slayer and Anthrax. I see these bands regularly along with new British metal bands such as Wolfsbane and The Almighty.

During university I don’t really expand my musical tastes a great deal. My major discovery (via Smith) is Senser and their cross-over political rock and rap. This sustains me for a few more years along with Alice In Chains.

My music buying diminishes as I start my career and I don’t really get into new bands for a few years. I don’t have a network of friends who can inform me of new things and I don’t live in London. I spend a number of years sustaining myself on the stuff I already own. I still see bands like Iron Maiden and Slayer when they come along, but nothing small or new.

In the early 2000s someone gives me her Rammstein CDs (Sara T) and I find the sound fascinating and new. It’s exciting. Along with seeing Slipknot perform on the TFI Friday television programme I have found something new. Something a little scary and something that seems dangerous. All the music I have grown up with seems rather tame in comparison to these new sounds. I played them over and over. Until around 2009 not much happened until Smith returned from abroad and he and I started attending gigs and concerts together again.

In 2009 I saw two bands. AC/DC at Wembley Stadium and I loved it. They were brilliant and I their music has brought me so much pleasure over the years [so much so that I wore out my musical cassette version of “If You Want Blood, You’ve Got It”]. The other band I saw that year was Rammstein. Their stage show is just absolutely brilliant. If you don’t believe me then just search YouTube for “Buch Dich”, it is quite brilliant, a little bit dangerous and something to cause moral outrage amongst the leading classes. The support band for Rammstein was Combichrist and that is when the trouble started.

After hearing Combichrist and being impressed with their sound I ordered a CD.

Today We Are All Demons

This music was exciting, different, morally dubious, scary and just damn brilliant. It made me want to dance (something I just don’t do). The big problem was that there were NO GUITARS and it was all SAMPLES and DRUM MACHINES. For someone who likes his music live and reproducible without machines this caused major issues. Why did I like this? Was I going insane? How can I like music with a complete lack of heavy guitars and bursting riffs? I was at the tip of the mountain staring down a great big slippery slope to the valley of “not real” music [as far as my metal head would tell you].

I bought more Combichrist stuff and started to look at their influences and associated acts. I bought more. Bands like:

Aesthetic Perfection
Reaper
Suicide Commando
Funker Vogt
Hex-Rx
Panzer AG

Pretty much all of this is what I would now call EBM, Aggrotech or Hellektro. These names are good because it means I am back on the edge of society and seeking to be different with my music. When Metallica took the world by storm in 1992 or so I was done with them. Their sound had changed and I didn’t like it any more. The “edge” had gone. This new music I had found has an edge. It makes me feel uncomfortable [sometimes] and it is different.

I have tried to describe it to friends and I say:

It’s heavy metal without any guitars. The lyrics are nasty and the tunes are awesome.

It’s kinda dance music but without the nice lyrics and happy stuff.

I have leant this stuff to friends who like the same sort of metal as me and they don’t really get on with it. They apologised and handed back the USB stick. That’s fine by me because it means I can carry on feeling “on the edge” and liking the music. This stuff ain’t ever going to be mainstream. It sometimes sounds like it should be playing in a night club on a Saturday night but then I have no idea what sort of stuff these people would play. I’d love to be in a club and hear this stuff come on and the crowd just freak out because it hurts them.

I am struggling to come to terms with my new found musical taste. It irks me that I’ve gone for samples and drum machines. I’ve been to see these people play. I’ve liked their music. I’ve had a great time. Yet still the 18 year old me is somewhat miffed at this odd turn in my ear pleasures. As an extreme I have seen a “band” with three Apple Macs on stage and a few leads and then they danced around pressing the odd key here and there. I loved it. There’s a tiny part of me that isn’t sure it’s music but I like it anyway. Over time I’m sure I’ll heal this mental riff. Much like I’ve got used to being a university snob when at the age of 17 I hated that person!

If you want to try this stuff then have a look for the following tracks:

190 – Reaper
X-Junkie – Reaper
Hit The Streets – Aesthetic Perfection
In The Pit – Combichrist
God Bless – Combichrist
Tip The Dancer – Panzer AG

I am now listening to more industrial stuff. The following bands are on my current active list:

Faderhead
Eisbecher
Rotersand
Front 242
VNV Nation

My metal taste buds are still there. I watched Mentallica last night. I went to Download last year. I’m going to see Therapy? and FFDP soon. However, this Hellektro is here to stay and just wonderfully stunning: suck on that 18 year old me!

January 2 2014September 22 2019

Alt-Fest [1]

This is my first communication about a music festival in 2014 that I am going to attend. In 2013 I went to the Download festival at Donington Circuit, see here for more information.

So, the basic story:

There’s a pretty good “gig” app on the iPhone called Songkick. It scanned my music library and then lets me know when bands I like are going to tour the UK (and other places) and generally keeps me informed, avoiding the need for me to regularly scan magazines or the web for information.

The phone beeped one day and Aesthetic Perfection had announced they were playing in February. I immediately got in touch with my gig-buddy and he said that he thought he was busy on the London date. After checking it turns out it is his wedding anniversary and so we agreed to pass that particular concert. I had thought about going by myself, when he asked if AP were playing anywhere else in the year. Looking through the app it turns out that they are playing something called Alt-Fest [this was a web link but the site is dead]..

A bit more digging and the line-up looked very interesting and the tickets were very reasonably priced. Andy said he thought he was in Italy during that time. After checking his diary and plans it turns out that Andy is indeed in Italy. I held off buying tickets for a while, thinking it would be unfair to go without him, and he thought about changing his flights.

One Friday morning I caved in and bought a couple of tickets and booked a hotel in Kettering. I’m not going to camp at a festival however lovely all the people there are. I like the idea of electricity and a warm shower and proper toilet.

So, next year I am going to Alt-Fest, which as far as I can gather is a crowd funded festival, they campaigned on Kickstarter and have gone from there. The only problem with that is it will become mainstream after just one season and will have to cope with all the commercial interests of all festival promoters. I hope they do well. There are going to be 50,000 people there and the acts look awesome.

Bands I’m looking forward to seeing:

Killing Joke
Senser
Aesthetic Perfection
Marylin Manson
Gary Numan
KMFDM
Blut Engel
Fuckshovel
Onslaught
Cradle of Filth
SAM
Suicide Commando
Concrete Lung

It is going to be good fun.

July 30 2013

Crunch – Impellitteri

In about 1990 I was given a music cassette with “Stand In Line” by Impellitteri. I was stunned. It’s a brilliant album with some seriously cracking songs and heavy riffs. Fast forward 15 years and I noticed that there was a double album deal on Amazon for some Impellitteri stuff. I bought it.

This is very much speed metal in the vain of Yngwie or Gamma Ray. My concerns were raised after playing the album through a few times. Let me show you the titles:

Beware of the Devil
Slay the Dragon
Fear No Evil
Speed Demon

My curiosity was piqued and I did a little Wikipedia-ing. This is what they say there:

Chris and I and Ken Mary are all Christians, but James and Ed and Glen, our touring drummer, don’t necessarily proclaim themselves as Christians, so it’s not a Christian band.

The themes of the songs are religious. I would say they are a Christian band.
Does this affect what I think of the music? Yes.
Should it? Probably not, but then I think that religion is immoral and particularly offensive and serves no place in the modern world.
Do I still listen now and then? Yes, I quite like the style, it’s worth a play now and then.
I still think that “Stand In Line” is stunning.

July 30 2013

Cross Road – Bon Jovi

I bought/downloaded/borrowed this originally because I wanted some Bon Jovi on my phone but didn’t want to buy the original albums. I sometimes go for “Best Of” albums because you are meant to get the best of that artist. I don’t think it always works out like that though. It appears that there are restrictions on the songs put on these “Best Of” albums. Also, some albums work as albums and you should listen through the whole thing.

So, I have since bought the albums I like and so only have a few songs left in this. The six songs left are:

Someday I’ll be Saturday night
Blaze of Glory
Prayer ’94
In and Out of Love
Runaway
I’ll Be There For You (version 2)

I’m not sure why I still have the last song there. I find both versions really tedious. When I saw the Jovi at Twickenham I just wanted “I’ll Be There For You” to stop. I also hate key changes. Look, get the original albums. There’s a reason the Jovi are as big as they are, it’s good stuff.

July 27 2013July 27 2013

Crazy World – Scorpions

Old dog, old tricks.

I bought this album on music cassette in the late 80s, I’m ashamed to say it but it was probably not long after “Winds of Change” was in the charts. A good ballad is always an indication of a good band as long you then forget the ballad (they annoy me).

This album is a stunner. It’s exactly the sort of music I like. There’re songs with gang vocals, guitar slides, cheeky riffs, excellent bass work, it’s as though the Scorpions know exactly what sort of music works well in an arena. Given how long the “boys” have been around it’s no surprise that this album is well-crafted and wonderful.

I like all the songs. It’s precisely the sort of album that, when in the correct mood, you can play in its entirety.

Highlights:

Tease Me Please Me
Don’t Believe Her
Restless Nights

July 27 2013July 27 2013

Crank – Almighty

I downloaded this album after a friend recommended it. I was after more British rock. I’ve seen The Almighty a few times and really enjoyed their shows.

This album is good. It’s playing right now on my Sonos system. It is an Almighty album. It does what it says on the tin. I think this is the first album that friend got by the Almighty and therefore he thinks it’s the best, whereas I already have a couple of albums and therefore I think Powertrippin’ is better. When you get introduced to a band you hold the albums you hear first on a pedestal, it takes a lot to remove the new sound and excitement from top place.

Look, it’s worth buying but it doesn’t stand out. Also, see Old Dog, New Tricks.

July 26 2013

Countdown to Extinction – Megadeth

I’ve been listening to this album while I’ve been trying to get the Windows Store to work on my tablet PC [doesn’t work within a domain].

There isn’t a bad song on this album. The problem is that none of the songs are stunning either. If you want some slow, melody driven rock then this is the album for you. I don’t think I’d even describe it as thrash.

The best bit about this album is that the opening few seconds of “Symphony of Destruction” sound like the PS3 starting up. If only Sony had used a bit more of the song and then the PS3 would be truly awesome.

There must be something about music and drugs. This album was written while the members were clean.

July 25 2013July 25 2013

Wolfmother – Cosmic Egg

Cosmic Egg is the follow up album to the eponymous Wolfmother album. These guys are a cheeky threesome from the land down under. There’s a story behind me getting the first album but this is about the second.

I like it, it’s not quite as good as the first album but it does contain some lovely rock. These guys are crazy mix of Zeppelin, Sabbath and Deep Purple. It really works.

Get it. You won’t be disappointed.

July 25 2013

Download 2013 – My Sunday

Sunday at Download 2013 and we drove in to Donington Park. I didn’t pay attention to where we parked the car, principally because Andy said he would remember where it was. We walked up to the natural arena and met with Andy’s olds. Today was going to be a monster day and so I was really looking forward to it. I bought a t-shirt for a friend and went to get one for me – whoops – they had sold out. Never mind, that’s what eBay is for.

One last beer at 10:30, just to keep the blood-alcohol levels from dropping too much. A pint of Trooper, of course.

First band – States of Panic. I can’t remember them.

Then we walked over to a small tent and watched a London based band called Mordecai. They were good enough for me to buy their album and actually listen to it. I would see them again, preferably in a small London Club.

Cancer Bats and Coal Chamber were on the main stage next and I don’t remember much about either of them. Cancer Bats did nothing for me but Coal Chamber were a bit better. I liked the singers’ tattooed face and the bass player.

Up next on the main stage were Five Finger Death Punch and I was blown away. I’d never heard any of their stuff before but thought it was brilliant. They had fun on stage and the lead singer was brilliant at controlling the crowd. Superb.

Amon Amarth were a joke. They had a Viking ship on the stage. No, I didn’t like them. Funny how within such a tightly confined definition of music there are still bands that do absolutely nothing for me. Perhaps my views change as I “mature”.

Stone Sour on the main stage were brilliant. The lead singer just smiled through it all. I expect bands to enjoy what they do and these guys were great. One guitarist was bald and dressed in a suit. The other guy had the best beard ever. All in all I had a great time.

Over to a tent and watched Newsted. Jason got a great round of applause and I really liked the music. I have pre-ordered the album because I want more. They finished with Whiplash and, oh my (to borrow from George Takei) it was a dream come true. They were most enjoyable. We stayed in this tent to listen to POD but any band that has a Christian story bothers me and they were rubbish.

After that we saw some of A Day to Remember but curiously I haven’t remembered. We also saw 30 Seconds from Mars who could improve by literally being 30 seconds from Mars so they are nowhere near this good planet of ours.

Last band of the shebang:

RAMMSTEIN

I love the music, I love the show, I love it all. I think I could quite happily see these guys every week for a year. The sound was massive, the show was pyrotechnical mania. AND they played Buch Dick. Look you need to see them on YouTube and you need to be converted. These guys make everyone else look like pussies. Absolutely brilliant and I can’t wait to see them again.

After the show we chatted to Andy’s olds and waited for the car park queue to die down a bit. When we left them it was already 12:30 and we headed off to find the car. We had lost it. We walked completely around one car park in the chuffing dark trying to find a dark blue car!! Eventually we re-traced our routes and found the car. Left or Right? There looked to be no queue to the left of the main exit and so I decided to turn that way. Bugger, just around the corner was a massive queue and no room to turn around. Eventually after rallying through some small villages we found the M1 and headed south.

Things I don’t really want to repeat:

Seeing the pre-morning glow of the sun coming up as I drive down the M1
Stopping for extreme caffeine input
Getting flashed by a speed camera
Watching the sun arise while drive along the M26
Getting in at 5 and then getting up at 7 to go to work!

This Download weekend was one of the best things to have happened to me this year and I had a great time.

May 14 2013May 13 2013

Bonfire – AC/DC

There comes a time when all bands sell-out. I think they have to, it maintains their income and produces the goods for the record company. Metallica have done it loads and I find a lot of their stuff nauseating. AC/DC by all measures have done it too. Branded Monopoly and anything else that you want but I don’t see it as selling-out. I see it as giving the fans what they want. For some reason it’s different for AC/DC [there’s cognitive dissonance for you!].

Bonfire is a collection of music from the Bon Scott days of AC/DC [when they were at their best]. The discs are split up into the following:

Back In Black [not Bon but it’s there]
Atlantic Studios
Paris I and II
Volts

The Atlantic Studio recording is of them live in the early days. It’s great. Really raw and lovely. The Paris CDs is just the CD version of the video “Let There Be Rock”. Volts is a collection of rare recordings from the early days.

I bought the Let There Be Rock video in about 1989, over an Easter break. I remember watching it. Videos were new to me and this was AC/DC live. At the end after the concert when the screen goes black and “To Bon” is written on the screen I cried. It’s hard not to. The world lost an extreme talent the night he died. On my return to school after the break Steven, who was the other AC/DC nut in my year group, had also watched the video. He had shed a tear too. The soundtrack is lovely. It’s nice to hear slightly different versions of the songs.

Volts is good but it freaks me out hearing classic songs with different lyrics.

If you are a Bon Scott fan then this is grade A merchandise.

May 13 2013May 9 2013

Body Count – Body Count

I’m sorry. Who?
Ice-T?
Singing metal?
What?

That’s right. Ice-T has a band called Body Count and they play metal. Ice-T “sings” his stuff. This is a great album. It makes me laugh and slightly sad at the same time. Ice-T definitely has a message to portray and it seems to be one about the desperation of black people in society and getting laid. It’s funny how these things fit the music but when written down they just don’t scan very well.

My favourites:

Body Count’s in the House
Body Count
KKK Bitch

May 12 2013May 9 2013

Blue Murder – Blue Murder

When Whitesnake had their massive eponymous album in 1987 they went through so much strife that the band didn’t survive. The guitarist went on to form Blue Murder and they produced this album. I bought this on music cassette from the Our Price shop by Harlow bus station. It was in the rock section and one of those albums you look at, look at the band, look at the titles of the songs and then think it should be worth the money. This was a bargain!

The sound is so British and heavy. The songs are pounding slow beats of pure rock heaven. The style is similar to 1987 but the feel is much more heavy. I really like it. It still gets played quite regularly which is good for an album 20 years old. My highlights would be:

Riot
Sex Child [slightly worrisome though]
Valley of the Kings
Blue Murder
Ptolemy

The British sound of the 1980s is one of my favourites. I love the NWOBHM style and this is what it evolved to become.

May 9 2013May 7 2013

Black Ice – AC/DC

This album proved to be a return to greatness for the grandfathers of rock. This band have been around for so long and made some less-than-brilliant albums that all hope had been given up. I heard about this album while listening to the Bruce Dickinson rock show on BBC Radio 6 Music. He was raving about how good he thought it was and what a return to form it showed. I was curious. Bruce is a big AC/DC fan and so he couldn’t be wrong.

This is a complete wonder of an album. It doesn’t have the gritty rawness of the Bon Scott albums but it is crafted and written brilliantly. It has everything you could want. Blockbusting riffs, brilliant drums, good lyrics and thundering bass. It’s great.

All the songs are good. Well worth putting on in the car for a summer drive. It’ll cheer you up.

May 9 2013May 7 2013

A Bit of What You Fancy – The Quireboys

At sometime in the sixth form someone saw The Quireboys support another band. That’s all the memory I have about why I would know this band. I bought this album on vinyl and I would classify it as good old fashioned British pub rock and roll. This album is well worth a listen. I like the melodies and the singing. This is definitely a summer album. I can imagine playing this in the garden with the sun glaring down and saturating the whole village in glorious shine.

I listened to this album so much in my formative years that I think all the songs are ingrained. My favourites are:

7 O’clock
Sex Party
Long Time Comin’

This was a great purchase.

May 2 2013May 1 2013

Ballbreaker – AC/DC

There are some excellent and classic AC/DC but this album is not one of them. I could probably count the number of times I have played this using my thumbs! Hey, it’s still AC/DC and just what they always write. The video for “Cover You In Oil” is rather amusing.