"Nothing but the rain"
This is one of those albums that everyone goes on about. They also go on about the film. The problem is that I never really got the mods and rockers thing. It was slightly before my time and it all seemed rather silly to me. I can take or leave The Who. I’m just not fussed by them.
There are a couple of good songs on here. But other than that most concept albums always leave me a little cold.
This might be a shocking admission but I’m not really bothered by this album. Something about it doesn’t quite work for me. I bought it after being amazed with the song “Killing In The Name Of”, which I first heard in its entirety on Radio 1 if you can believe that! There’s a couple of good songs on this one but largely I’m left feeling rather “meh”.
Def Leppard was one of my gateway bands into metal. If you read my Descent communication I expect they’ll be mentioned there. Def Leppard along with Bon Jovi and Guns ‘n’ Roses got me into guitar based music and this album was one of the special ones. The band had just hit it big with the Hysteria album and so I was seeking out whatever else they had done. The sounds of this album, its production, the guitar riffs, the drumming, all these things can make me feel a teenager again, fortunately without the emotional bullshit that goes with that period of time.
This is a great album. It is what it is. Very commercial rock. It turned this band into a massive hit across the pond. I don’t think it’s quite dinner party background music but it’s close. Non offensive rock. This band got lumbered with the NWOBHM label but they aren’t. The vocals are more haunting and the riffage doesn’t follow that BHM style. Def Leppard just happened to emerge at the same time.
The singing in this album is great. The riffage is great. It’s a bloody good representation of that era of music. It also sold masses in the USA and made this band huge. I probably still prefer their first album though!
Given how close The O2 is to where I live this was the first time I had been there to see a concert. I went there a long time ago to see some tennis but this was the first music event. The “Millennium Dome” as it was known a long time ago was considered a GBP1 Billion white elephant in the early days of the Blair government. The display area was shit. I know, I went there. I never saw the “show” in the arena it was meant to be a bit like a circus – I guess there’s video of it but I care not. I’d also been a couple of other times most notably to see a Star Wars exhibition.
Anyway. Dave from work drove and we met up with Smith and Son. We ate. I drank. We entered the arena just after Behemoth had started.
I didn’t find them particularly good. They were quite boring. There wasn’t much dynamic shift to their songs and it was rather – meh. But still it was an opportunity to study the stage construction and layout of the arena. I noticed plenty of structural high beams, they were interesting, and the cable work holding up the PA system was impressive. Yep, that’s the sort of stuff I find interesting. I think it comes from having and engineering degree and thinking about how stuff works a lot.
The headliners were Slipknot. I was quite excited as I’d been listening to their stuff all week and I have to admit it’s pretty good stuff. It had also been quite a while since we had seen a metal headline act in an arena. Smith and I normally see either small bands in small venues or the classic M’era Luna festival in Germany.
Slipknot were pretty darn good. They kept the crowd going and all their songs were great. I really enjoyed it. At some points the mosh pit extended two thirds of the way back on the standing area and I don’t think I’ve ever really seen that before.
It was curious to see adverts for Slipknot stuff on the large screens before the band. They were advertising Knotfest which is an open air concert to take place at the National Bowl in Milton Keynes. Then, there was Slipknot whiskey made in Iowa. I mean, sure, you can buy it if you want but are you into a band that much that you want all your kit branded that way? In my experience it’s best to like the music, enjoy the shows and then not worry too much about the other stuff. Buying into a band completely always leaves you exposed to being failed when they turn out to be cunts. Not saying Slipknot are, just saying some bands are.
There was also an advert for some cruise thing from Barcelona to Naples with Slipknot appearing on board playing two shows. You can pay to be stuck on a cruise [honestly sounds quite nice] and then in the evening there will be some gigs. That’s not so bad I reckon. The Norwegian Jade will be a floating music festival and decked out like a museum to this Iowan band.
I don’t have this sort of money. The largest venue holds 2500 which is a reasonable size. It would be a pretty special time, but it is an outdoor venue and if the weather is shit you are screwed. Maybe the other bands would make it worthwhile? I don’t know. Maybe I’ll do this kind of thing once I’m retired.
Slipknot were pretty good on stage. There was the expected crowd interaction and I enjoyed it all. I don’t think I’m that fussed about seeing them again though. I think I am slowly seeking new things, new sounds or shows. My limit seems to be two times for seeing bands at the moment. I say this when I’m soon to see Aesthetic Perfection for the seventh time!
Good show. Good time. Enjoyed it. What more do you want?
I’m not sure when I got this album. I’m not a massive Prince fan but I can definitely see that the guy was a genius. I mostly remember the albums: Diamonds and Pearls, Batman and Love Symbol. This one is a classic, I know that much, but I’ve just not really listened to it along with Love Sexy. I do feel slightly ashamed that I don’t know this album well. When Doves Cry and Purple Rain I am aware of and would recognise. Oh well. Such an interesting communication for number 1600 [the address of the White House on Pennsylvania Avenue].
This album is really called ΚΕΦΑΛΗΞΘ but Psalm 69 is much easier.
Holy Maloly. This album is a biggie. When you discover a new sound you want to keep buying and listening to it, get the most out of it. This was probably my first encounter with industrial metal.
JESUS BUILT MY HOTROD
Soon I discovered that this rock thing was true, Jerry Lee Lewis was the devil, Jesus was an architect previous to his career as a prophet. All of a sudden, I found myself in love with the world, so there was only one thing that I could do: Was ding a ding dang my dang a long ling long.
If Hotrod doesn’t get you rocking then there’s something wrong with you. You listen to that first because of the speed and the power and then you settle into the other songs and they hit you, slowly at first. It’s like a punch that starts a mile away and comes at you slowly over hours.
N.W.O. – Bloody amazing. The extended edition is better with about a minute of feedback before the main riff blasts in.
Just One Fix – I’ve got the extended edition of this and I just love the structure of the song. This is a nightmare song about drugs [probably].
TV II – Shouty and powerful.
Hero – Manic riffs and beats to bang your head.
Jesus Built My Hotrod – genius.
Scare Crow – a slow beat song to wake up the neighbours and bounce to.
Psalm 69 – Praise Jesus. An Epic.
Corrosion – Crazy sounds and drums, unique.
Grace – It’s noise, man.
This whole album is what happens when you have musical geniuses out of their heads on drugs and arguing. It’s great. Bloody marvellous.
I bought this on CD thinking I would listen to it lots because I really like NIN. I haven’t listened to it.
There was a period of time when The Almighty were the best british metal band out there. I thought they were great. I saw them three times. The best was probably when they supported Megadeth at the Cambridge Corn Exchange. Also I saw them when they supported Iron Maiden at the Cambridge Corn Exchange and they also supported Metallica and Megadeth at the Milton Keynes Bowl in 1993 (ish).
I don’t think I owned an Almighty album before this one. I have since bought a couple of extras but this one is very good. I bought it on CD back in the day and was pleased as there was a bonus disk of the band playing at Donington in 1992. This whole album is a good one. Well worth it. A good mix of acoustic and rock along with a few parts of thrash. The main riff in “Addiction” is super.
Favourites of mine are:
The bonus disc has a great short set from this band live at the Monsters Of Rock concert in 1992. The intro says enough:
Donington – Would you please welcome, from Glasgow, Scotland, the all-loud the all-wild the all-fucking-mighty.
Mr Announcer
The tracks from this make one of the best short live EPs I’ve heard. Decent rock and good crowd interaction.
Time to admit that although I have listened to this album quite a bit since owning it on a copied tape since I was about 18 there are only two songs that I can really remember. “Practice What You Preach” and “The Greenhouse Effect”. Sure, I’ve listened to the whole thing and I’ve enjoyed the album for many years but if you asked me which songs are on here those two would be your answer with some unqualified hand waving about the others.
I’ve seen Testament twice. Both times was pretty good. The first was alongside other greats of the 80s thrash revolution:
These four bands played a “Clash Of The Titans” tour and I saw them at Wembley Arena. I can still remember watching Testament and being excited at recognising the song “Practice What You Preach”. The other time I saw them was at Koko. Both times I was impressed.
This is one of those important albums where it helped forge the sounds in my head. It gave me breathing space and helped build the future mix of what I would like.
This album also contains a song about how humans are messing up the environment. This album was released in 1989. Climate change isn’t a new thing. It’s just been ignored by politicians for as long as we’ve known about it.
I was given this album by a friend, Vince, in the early 2000s. Curiously it was Vince’s wife who gave me two CDs by Rammstein around the same time! Pure Devotion is a compilation album by various artists attached to the Pure Devotion record label. This addition to my collection was worrying. Having been a metal fan for all this time and only really liking guitars, drums and vocals this album started to bring in electronic sounds with an industrial vibe. Along with the bands Senser, Ministry and Nine Inch Nails this was the start of exploring another music genre.
This album is a great starter into industrial-electronic music.
This whole album is a great starter into electro-industrial.