There was a time when I liked listening to Prince, or whatever his name became. I saw him live on the Diamonds and Pearls tour in Earl’s Court Arena and I was really impressed with the show. The man is a genius. For some bizarre reason I just wanted him to play “Anarchy in the UK”, I think it was his guitar sound, it had that punk edge to it.
This is a good album. It’s different. Not metal and a bit funk and pop, but I still like it. I don’t think you’d get far putting this stuff on at a disco but it is brilliant. It also takes me back to the carefree times of the early 1990s!
Alice In Chains are an awesome band. I find their music haunting and beautiful. I reckon that the first few albums are just brilliant and after that the newer albums seem to sound the same. If I want slow heavy ghostly rock then this is an album I’ll play. It’s a newer album to me and is therefore subject to the Old Dog problem.
Saturday 21 December. A date that will live in my memory and on this communication. Andy and I travelled to The Angel to see Combichrist at Electrowerkz venue.
This is the running order, taken after I went to the “rest rooms”.
The whole venue was a bit weird. Pretty much a dark room in a strange building with a bar and unisex toilets. The black painted walls were painted with phrases and sayings and my favourite was the one that said “Hadley’s Hope” – the terraforming city on LV426 in the film Aliens. The mixing desk was hanging from the ceiling and the bottom edge of this construction was just at head height.
The first band on were shit. I reckon my staff band at work were better than them. They said they were from Coventry. Not sure if that’s a causation thing or not.
One of the things about listening to the type of music I like now is that the whole musician thing is constantly questioned. The eighteen year old me would hate me. I like electronic music which can be played using a laptop. Das Kapital (below) had three laptops and bopped around behind them. My issue with this is that although I might enjoy the music I don’t understand the creation process. Surely if your music is samples and drum tracks why don’t you just press play? Perhaps I need to see more of this type of music created. If only there was a festival dedicated to alternative music, somewhere like in Kettering next year.
Combichrist consisted of two people. Singer and mixer-dude. They were very good. It was brilliant to hear the old songs played – the gig was billed as the Old School Electro Set. I didn’t take any photos as I was about two rows back from the very front. As much as it ashames me I held my hand up and got to hold hands with the singer twice. I am such a teenager.
Songs I remember them playing:
Body Beat
Blut Royale
This S*it Will Fcuk You Up
Like To Thank My Buddies
Electrohead
There were others and I am sure I could find them if I searched the internet thingy but I can’t be bothered.
Andy gave this gig a 10. I am bordering on 10 but at the moment more than likely it is: 9.9 < r < 10. Don’t know why, there was just a little something missing and I’m not sure what that was.
Went to see Bullet For My Valentine on Thursday (5 December). Travelled over to Wembley Arena and saw three bands. On the way we took a wrong turn thanks to poor Sat-Nav instructions and me not paying attention (I wasn’t driving) and we ended up on the bottom of the M1 heading north where the first place to turn around is Watford, added half an hour to our journey, but we still arrived on time.
First band on were Young Guns. I think rather than be disparaging about their music it would be best to describe their set as very not my kinda stuff. Dave, who I went with, said this band looked like a “metal boy-band”, a bit manufactured.
Young Guns
Next up on the stage were a band called Asking Alexandria. Apparently from “somewhere up north” and from this fair isle of Great Britain this five piece were much better than Young Guns. Not brilliant but better. I was impressed, but then again, not enough to buy their album. The music was good but there was too much shouting singing for me and it didn’t sound like anything new. Skinny guitarists!
Asking AlexandriaAsking Alexandria
Next up were Bullet For My Valentine. They had a lovely curtain in front of their set. It made me almost patriotic. What I would say was that about one third of Wembley Arena was not used. There were curtains blocking the back part of the arena and some of the seats were covered. This could have been intentional to make it a more intimate gig but maybe they can’t sell 12,500 tickets in London?
The music in between bands was good. There was lots of AC/DC played and I liked that but the song that everyone sings is “Run to the hills” by Iron Maiden. This is not the first gig I’ve been to where everyone sings that song. It must be some kinda anthem for us British metal fans.
So, the opening music was Carmina Burana to get the crowd excited. This is, unfortunately, an overused piece of music. Ozzy used it in the 80s and 90s and I was seriously expecting him to come on stage. Also, the X Factor use it. Grow up and choose something really dark and mysterious. “Night on a bare mountain” for instance.
BFMV Flag
When they came on they played a song I had never heard. Never a good start. I really liked “Scream, Aim, Fire”. Over all they played a solid set and were musically impressive. Stage presence is something they don’t have and overall the stage show was a bit shit. It lacked something. Oh, they had flames and sparkly shit when they came on and then there was nothing but the unveiling of a giant screen that showed everything in black and white. The encore was 30 minutes long and they played a montage. I hate montages. Metallica played a “Kill ‘Em All” montage in 1990 and I hated that then and I hate montages now. Fuck off and play all the songs, or come on earlier. Oh, and they played a ballad. I don’t care if other people like them, I don’t. Oh, and further, oh, there was a guitar solo. Shit, a guitar solo. Bollocks. I was actually texting a mate during the ballad and ensuing solo. Arse.
Anyway, overall it was a 6 or 7 out of ten. The audience was composed of different types of people than I am used to, more women and more make up. I guess that might be who this music appeals to. If that’s the case then it’s a shame I listened to my stuff all this time (few women!).
Reaper is a DJ whose music comes under the genres of aggrotech or hellectro. I like that sort of music and have done since I saw Combichrist play at Wembley Arena supporting Rammstein. The Benelux countries have some excellent things of which to be proud and this music style is one of them. What else would you expect from an area of land that has been conquered and fought over so often.
The Devil Is Female is an awesome album. I love it. The album cover is scary enough to make me feel uncomfortable – just the point of art (create emotion). The opening song is a good old dance-floor filler. Good beats and a simple repeated melody. The album makes the most spectacular turn upwards with the second song:
X-Junkie
The happy dance beat and melody underlie disturbing lyrics. I am not going to go into much detail here. You should listen to it. What you should most definitely not do is listen to the song on the tube with any women around you. Just listen on your own, somewhere.
Now, the album does include a number of remixes of X-Junkie and I can forgive that as the rest of this guy’s work is really good. Happy for him to indulge himself a little on this album.
Other highlights:
She Is A Devil And A Whore
190
Execution Of Your Mind
Hellectro isn’t for everyone. Thank goodness. I like how exclusive it is.
Somehow I ended up downloading this from iTunes, probably following a “what other people bought link”. I was searching for some music rather like Slayer and Evile but something a bit new.
What I got I would pretty much call an instant classic. This album is awesome. It’s got all the elements that make a great thrash album. There are chugging riffs, melodies, awesome vocals. I would recommend this to anyone who likes a good bit of thrash.
Looking into the band I can see that they only managed this one album. Fair enough. The best music seems to come from the friction and hatred from working together to produce something that works.
I love a bit of Saxon. That great NWOBHM sound. Two guitars, bass, drums and vocals. Nothing else needed.
Denim and Leather
I bought this off iTunes about a year ago as part of a multi-album pack. I don’t like they get lumped together in the music app though so I edit the meta data and split the albums up with their own album art work. iTunes HATES me doing this. Recently I did this with Suicidal Tendencies and iTunes went ape-shit at syncing with my phone and I have to rebuild my complete library. I hate iTunes most of the time.
This album is awesome. I originally had the Best of Saxon on music cassette and played it loads. This album has some of the greats from there and others too.
My highlights are:
Denim and Leather
Princess of the Night
20,000 Feet
It’s real party music (or at least I think it is).
HEAD is the title of my current favourite playlist on my iPhone and Sonos system. I use the iPhone in the car and the Sonos system at home. If I ever get the chance to listen to music at work then I use the iPhone there also, I have some Bose headphones I plug into.
Anyway the HEAD playlist consists of the following songs (an eclectic mix!):
“Das Grauen” from “Hell Starts With An H” by Reaper
“TIP the DANCER” from “YOUR WORLD IS BURNING” by Panzer AG
“Get Out of my Head” from “Today We Are All Demons” by Combichrist
“Inhuman” from “All Beauty Destroyed” by Aesthetic Perfection
“Duality” from “Vol 3: The Subliminal Verses” by Slipknot
“Motherfucker” from “All Beauty Destroyed” by Aesthetic Perfection
“Surfacing” from “Slipknot” by Slipknot
I once owned “If You Want Blood . . . . You Got It” by AC/DC on music cassette and I think that whole album pretty much played the same role in my life as this current playlist. I played the cassette so much that the tape eventually stretched in various places and I had to upgrade to a CD as it sounded awful.
I’m grateful to Andy for helping chose the songs for this playlist.
I went to watch Front Line Assembly at the Garage in Highbury. It was a venue I’d not been to before and a band I hadn’t seen before either. The company I was keeping was delightful, although I did accidentally miss a tube stop. Started with drinks at the Porterhouse and then went on to Highbury and Islington.
The venue was nice and small-medium sized. Bigger than the Underworld but smaller than Brixton Academy. The sound was good and the drinks prices seemed reasonable to me. There was only one main area and it was pretty hot in the room (it was a hot day outside too). There didn’t seem to be any form of air-conditioning which was a bit of a shame (the Underworld beats you there!).
First band on were (as far as I can tell) iVardensphere. I really liked them, probably not enough to buy any of their stuff but enough to watch and enjoy. Heavy electronic music. Pretty good, nice and upbeat too.
Second band were Haujobb. Their songs were probably better crafted than the first band but their pace was a bit slower and I didn’t like it as much. They were still pretty good at the music they make though.
Headline act were Front Line Assembly. The latest album is more electronic than some I have heard and a bit slower. They were very good and had a live drummer, which is becoming more important to me as I watch more of these EBM bands. Quite clearly they were the best band last night and it was good to tick them off my list. I probably wouldn’t see them again, I think I’d rather take a punt on an unknown band and see what happens (much like my restaurant-food-choice policy).
