Killing Is My Business . . . And Business Is Good! – Megadeth

This is a Megadeth album which I came to late. My start with Megadeth was watching a BBC2 documentary called “Heavy Metal”. In the film there was a clip of Megadeth playing Peace Sells at an outdoor venue in Northern Ireland. Quite a while after watching the show I kept playing the riffs over and over in my head and I thought I ought to get the album. I wasn’t quite a full on thrash metal fan and I remember being disappointing at the opening song Wake Up Dead. “just another thrash band” I thought. The song “Wake Up Dead” is listed on this site as one of my favourites, THREE classic riffs in one song.

When I got hold of this album a good few years later I was surprised and shocked. It has a very much less-polished feel that the other albums, I guess as you would expect for a band’s first album. It’s faster and more melodic than Metallica, which, given the history, you would expect. MegaDave play hard and fast melodies and it’s their signature sound.

Last Rites / Loved to Deth – piano opening getting you to think you’ve got the wrong album and a little wiggly guitar work and BLAM – Megadeth riff hits you. A fast, heavy, bruising song.

Killing Is My Business – that opening riff is ace. The bounce and feel of it is enough to get anyone jumping around. The songs ends in a speed fueled repeating chorus, lovely.

The Skull Beneath The Skin – the title sounds gross but is really probably just a line from a biology text book. Cantering opening and then a Dave scream with a climbing riff followed by ring chord strokes and then – Kaboom! A galloping ride of guitars and drums over the fields. It’s always amazed me how some riffs are so amazing and then bands only use them for tiny sections of their songs.

Rattlehead – Here I Come. A bass line I can’t comprehend, smash cymbals pushing you to jump either way and this is a dose of metal you need.

Chosen Ones – Oddly this is not a song that sticks in my head. It’s not that it’s bad, it just doesn’t quite do it for me.

Looking Down The Cross – very wiggly at the start. A good song with a blisteringly paced kick drum through. Excellent.

Mechanix – If you want a proper version of Four Horsemen by Metallica then this is where to come. I remember seeing Megadeth play this live at Cambridge and it blew me away. Amazeballs.

These Boots – you can guarantee that there’s always one shit song on a Megadeth album and this is the one on this album. They are like The Crue, chuck in one song that’ll annoy everyone. I do not like this one.

Killers – Iron Maiden

There’s something about the raw power and sound in this album that has stayed in my core. Along with Iron Maiden, Killers has that kick in the teeth, it pushes you around and beats you up with its riffs and lyrics. I bloody love this album. My feelings for the first two albums often goes against the grain of general fandom. In my view Iron Maiden were good until the end of Seventh Son. After that they went shit. Or maybe I just grew out of them?

The Ides Of March – Borrowed from Samson and written by Bruce before he was part of Maiden. This opener gets you ready for the onslaught.

Wrathchild – rolling bass line with bouncy riffs. A great song.

Murders In The Rue Morgue – such a melody that I get shivers down the spine.

Another Life – You can imagine jumping around to this song in an East End pub in the early 80s. The riff change halfway through is ace.

Genghis Khan – This song pops with the main riff. What out for the speed change that doesn’t accelerate it just knocks you flat.

Innocent Exile – Another bouncy tune that keeps me jumping around the room.

Killers – Entirely about stalking someone and killing them. What do you expect from a band named after a medieval torture device?

Prodigal Son – Devil’s got hold of my soul. But with a ballad feel. Although it’s not a ballad.

Purgatory – high speed danger in this song. It races along daring you to join in.

Drifters – The symbol crashes on the off beat excite me in this song. Just one of those things. This song canters along with room for a breather at the end of each verse.

This whole album encapsulates a teenage yearning for power and respect. You can feel the angst in the writing and the production. It still excites me after over thirty years of listening. I bloody love it.

“Sanctuary” isn’t on this album and so probably wont’ get mentioned until “Live After Death”. That’s an “L” album and so won’t be too far away. As a clue I’ll let you know that “Live” is simply the best Maiden album.

Kerbdog – Kerbdog

I do think that this album was another of my early buys on CD in the days when CDs were the latest technology. I don’t recall where I bought the album but it released in 1994 so that puts me at college. I don’t know a great deal about this band, I do know that when I got another of their albums I was slightly disappointed with it.

This album has some excellent riffs and can only be described as having “wavy” guitars. I used to have quite a bit of resistance to that term but over time I have decided it does represent a style of riffage.

I’m not sure I know any of the songs by title but I do know that I quite often hum the main riff from End Of The Green. It starts with a rolling riff that then hits hard when the rest of the band enter. The vocals are quite haunting also.

Dry Riser hits home as well. A good riff with a sudden pace change towards the end.

Dead Anyway crunches the squawker with its guitar work.

After that the songs fade from my riff-memory-centre. I’d definitely recommend giving the first few songs a blast over Spotify – whoops – just checked and this album isn’t on Spotify.

Keeper Of The Seven Keys: Part 2 – Helloween

This album carries on the story from where Helloween left off. I don’t know what the story is though. Lyrics kinda aren’t my thing. I don’t think this is as good as Part One but it does contain more humour within the writing. I wrote about the speed-opera metal in the last communication. This album is just as epic.

Rise and Fall, Dr Stein, and I Want Out are my highlights from this album.

KotSK2.jpg
By Source, Fair use, Link

The titular track is over thirteen minutes long. I reckon if I had to go through that live I would fall asleep!

Keeper Of The Seven Keys: Part One – Helloween

Gosh. I can’t remember when I got this album but it was probably in the late 80s. This was my introduction to German speed metal with an epic operatic over-arching theme. It was utterly different to anything else I had listened to. It has such a story telling power with blistering guitars and drums all the way through along with excellently written and arranged songs giving such a sense of completeness once the album is finished. I really like it.

Highlights from this album include “I’m Alive”, “A Little Time”, “Haloween” and the most excellent “Future World”.

I want to say that this album is listenable by all. But I expect I’m wrong on that. When I haven’t listened to metal for a while I get all misty-eyed and think that almost all songs are excellent and everyone would appreciate it. That feeling when you play some metal to your family after they’ve been listening to Heart FM and you promise they’ll love it but as soon as the first bar ends you know you’ve made a massive mistake. They don’t get it. They look at you ever more weirdly. Oops.

Keep The Faith – Bon Jovi

I really liked “Slippery When Wet” it started my descent into metal. “New Jersey” rocked as far as I was concerned. It has a good collection of excellent songs.

Keep The Faith stutters it’s way through the genre and marked a turn in sound for the Jovi in my opinion. I don’t know what the sales figures are, I’ll come back in a moment, but this album pretty much left me cold. I didn’t like the indie-U2 feel of the song “Keep The Faith”. There’s a tranche of ballads which I guess the Jovi do very well. But it all just leaves me meh.

It sold 12 million compared to 18 million for New Jersey.

Katmandu – Katmandu

If you Google Katmandu band you get a list of results that aren’t anything to do with this band. Many years ago in the days of music cassettes and long playing records I use to browse the music sections in the Our Price shop close to Harlow bus station. I was earning money in a job on my “year off” before university. I don’t really count that year as a “year off” but technically it was. I’m not sure if I’ve explained that within these communications.

I’d always be looking for new bands and music to listen to. I’d always browse the section called Rock/Metal but even then you can’t really be sure what type of music you are going to get. So I would often base my purchases on the cover or what I had heard about that band. Another album bought in these circumstances would be Blue Murder by Blue Murder.

With my pennies in hand I went and bought following music cassette to then listen on my “walkman”.

http://melodic-hardrock.com/katmandu-katmandu-1991/

What do I think about this album? I love it. It’s a rare case of an album I bought without previous knowledge but I found myself really enjoying to vocals and guitar work. Is this “metal”? Nope. Not by a long way. I reckon it’s an album that closes off the excesses of 80s hair rock.

I do like bands with a decent plodding bass sound and this band manage that very well. There’s a certain slimy/creepy quality to the sound. The guitars are heavy and well produced. The songs are perfectly structured.

I remember liking God Part II and then I found out it was a cover version of a U2 song and I felt bad as I’d always slammed U2. I still don’t like U2 but am willing to appreciate their contribution to music, just.

The Way You Make Me Feel – the album opener and it’s a lovely heavy track with excellent mix of steady riffs and start-stop types of stuff. You’ll know what I mean if you listen to it.

Love Hurts – Oh yeah, it does. Also, in the chorus it has a lovely wacka-wacka guitar sound which is perfect.

Sometime Again – could make me cry on a bad day.

When The Rain Comes – A slower paced but still heavy track with vocals matching the guitars and a great middle section with rolling drums and steady-beat-bass.

Heart & Soul – A summer song for playing American Football on the beach, drinking beer and watching the sun set.

Ready For The Common Man – opens with a WTF moment with vocals suggesting the “sometimes I feel like a motherless child” and I have no idea what this is about. Then it smashes into awesome 80s riffing and halfway there are gang vocals. It’s a great mix of everything. This YouTube version misses the vocals at the beginning and so I think some of the effect is lost. Ah. I’ve just googled “motherless child” and now I’m not sure about this song. Is it cultural appropriation or a valid part of this album. Quick, turn that part of my brain off.

Only The Good Die Young – this we know. I’m pretty sure there’s a Maiden song called this too. This is well worth it. A lovely chorus and it would have been great to sing along to this live.

Let The Heartache Begin – opens quietly and then blasts you with a wall of classic ballad heavy rockin’.

Medicine Man – Whatever happened to the Medicine Man?

Pull Together – opening with a bass line and then heading to a wavy-riff of lovely erk sounding guitars.

Warzone – fast and war like. The vocals are perfectly matched to the subject matter here. Would be a good song to be in the pit while playing live. It’s the perfect pace and then the crowd would stop and scream out the chorus together. It’d be great. I do love a decent bass-drum bit with the guitars shutting up.

Look. This album was a lucky find. The songs still play through my head nearly thirty years after buying it. That’s the sign of a good mix of writing and production.

The band split up after this, their only, album.

K – Kula Shaker

I bought this album because didn’t they feel like they could be a rock band? I’m sure there was one good song.

I’ll pop it on the music maker thingies in the house.

<waits>

First song: “Hey Dude”, seems ok, I guess. Nope. Change that. Got to the chorus.

<skip>

Nope.

<skip>

<repeats>

Oh, here’s a song called Hush. Pretty good song. But it’s NOT theirs. It was by Deep Purple. That’s why it’s a good song. It also isn’t on this album. I added after downloading it.

 

Just Say Ozzy – Ozzy Osbourne

The thing about this album is that the bass sounds so bloody lovely. It’s a live record and when you look at who’s involved you see that Geezer Butler is playing bass guitar and you go “ah, now that makes sense”.

The tracks on this are all proper Ozzy. Really good songs with blistering guitar work.

Miracle Man, Bloodbath in Paradise, Shot In The Dark, Tattooed Dancer, Sweet Leaf and War Pigs.

The last two are Sabbath classics. This is a great album [EP], well worth a listen, but not necessarily worth the £15 on Amazon I just saw! I’d recommend Tribute instead.

Zakk Wylde on guitar, Geezer on bass and Randy Castillo on drums? What more do you want?

Jeff Beck’s Guitar Shop – Jeff Beck

This album was originally bought on music cassette and has since bee played a reasonable number of times. My ignorance comes to the fore here as I don’t really know who Jeff Beck is. I think he wrote “Hi Ho Silver Lining” but I could be mistaken. I don’t want to Wikipedia him because that’s cheating. My suspicion is that he used to be a member of an awesome 60/70s rock band and then was part of a few super-groups.

This album was late 80s or early 90s and it’s good fun. It’s not rock by a long way but it has gentle rhythms and sampling along with some spoken word lyrics. I quite like it as something different for the summer evenings. Perfectly pleasant for company I guess.