Unhinged

I rated this film on IMDB, there’s a communication with a list of how the rating system works. I tweeted the result.

This film was terrible. I hated it. I considered walking out but was curious how they would end it. It was utter shit.

I think the lesson here is how we blame the wrong people for the things that go wrong. Woke up late? Your fault. Lost job just before retirement payout? Likely the fault of the regulations that are written by your government. Addicted to opiates? Likely the fault of the government. The media spin everything so our anger is misplaced. It keeps the masses quiet. Why don’t Amazon pay any tax? Because of the laws of the land. Why don’t companies pay fairly? Because of the rules of the land. Why is your MP fucking useless? Because individual people are selfish and vote without any form of altruism. Best I stop this before I end up in a downward spiral. This film was shit.

100% Wolf

To avoid the last day of this heatwave, there have been seven days with temperatures in excess of 30C, I booked in to the cinema. The main reason was to enter an air conditioned building for a few hours and relax without sweating all over everything. I went to see 100% Wolf.

On the way to the cinema I noted that the tide was very low. All of the mud banks were visible and the little boats were stuck in their tiny channels that keep them from beaching. After the film I thought about the rating and then did that and tweeted the result:

I gave this film a 4/10 because I fell asleep for about twenty minutes and then proceeded to figure out exactly what had happened to the characters once I’d woken up. I only watched until the end just to see what happened. This is possibly not the fault of the film but the fault of the hot weather and me not sleeping great. Without doing some control experiments I won’t know about which cause it is.

This film surprised me at the beginning as it was an Australian production and I don’t think you see many of those, especially animations. Maybe I’ll try and watch something slightly more highbrow over the next few days. I’ll let you know of course. In the mean time, while the world awaits MSFS 2020 here’s a clip of me going Gatwick to London City for giggles.

Back To The Future (35th Anniversary)

So, I wanted to get out and go somewhere and I normally return to the darkness of the film theatre as an easy escape. There isn’t really a lot of films on at the moment because all the major studios have delayed release of all their films due to the SARS-Cov-2 issues. So, in a sensible move, the cinemas around here are showing classic films to get us to visit. Today, as of writing, the following films are available to watch with my comments after each:

  • Back To The Future (35th etc) – seen
  • Back To The Future II (2020 reissue) – will watch at home
  • Dark Waters – seen
  • Dreambuilders – don’t want to see
  • Goodfellas: 30th Anniversary – maybe
  • Harry Potter II RE – don’t care for these movies
  • My Spy – already seen on Amazon Prime
  • Onward – absolutely not
  • Proxima – seen
  • Sonic The Hedgehog – seen
  • The Dark Knight (2020 reissue) – can’t stand Batman films
  • The Empire Strikes Back: 40th Anniversary – maybe
  • The Greatest Showman – kill me now
  • The Shawshank Redemption (2020 reissue) – maybe
  • Unhinged – really not sure about this isn’t it just Falling Down?

So, there is plenty to see and that’s just today. Tomorrow there’s a different selection of films going on. I might go again at some point. I’ve been going to early showings assuming that the cinema is cleaner than after a few crowds have been in. I’m not sure about the whole opening doors to the toilets thing but I guess if everyone uses hand sanitiser that shouldn’t be too bad. To be honest in the film yesterday there were only five people in that particular screen and I think we all pretty much enjoyed the film.

Earlier in the day I had been down to the river at Peters Village and seen that the tide was quite low. When I checked the tide charts supplied by Wolfram Alpha I could see that the tide was turning and by the time I went to the cinema it would have been around 75% of high water for that day. Sure enough on the way in to the cinema as I drove along the esplanade I could see that the tide was indeed getting towards its highest. There were no mudbanks to be seen.

After watching the film I rated it on IMDB because that is a thing I do for cinema films and there is a previous communication detailing the ratings process here. I then tweet the result on my rarely used (for now) twitter account.

I thoroughly enjoyed seeing this film again. It was great fun. There are so many aspects of the film that are well thought out and delightful little touches that it was as if I hadn’t seen the film ever before. I couldn’t tell you when I last watched this whole thing, but I can tell you that it was still excellent and it did make me wonder why films weren’t made like this anymore. Maybe they are and I just haven’t found them, or maybe they are and I’m struggling with confirmation bias, but this was a well scripted, well made film where every little bit of it just seems to work really well.

I’ve already bought the box set on Blu-Ray along with the Indiana Jones trilogy and Star Wars (1-6). I will be watching the next few films in this particular series over the next week or so and I can’t wait. I honestly can’t remember much and am pretty sure that the last time I watched the third film would have been in the cinema when it originally came out. We’ll see what I think of it!

Seventh Son Of A Seventh Son – Iron Maiden

This is playing as I write this and also while I composed the previous communication. I guess I have to start somewhere and as a spotty teenager I was descending into Heavy Metal. This was the first Iron Maiden album to be released while I was a fan. Everything else was just catch up, I missed the live released of Somewhere In Time, which gets reviewed soon I guess. My mum bought me this album from out of nowhere. She just came home one day and gave it too me – this was quite strange for my mum.

For me this takes me back to being a fifteen year old and soaking up all the atmosphere and myth behind this album. I would spend ages looking at the artwork, reading the lyrics and trying to figure out what it all meant. This was Maiden’s seventh studio album and it was their first “concept” album. I guess you write a concept album once you’ve been around the block a bit. You’ve got a solid fan base and you try something new. This album is based around the story of the seventh son of a seventh son who is meant to have magic powers.

So, this was the second album with keyboards which for Metal is wrong but that’s not really a worry. If it adds to the song then it’s fine. I think my biggest problem is that the guitar work isn’t that clear. I don’t like the sound of the guitars on this and “Somewhere”. It’s all rather vague. Maybe it’s a product of the time, new sounds, new effects, trying something different, but for me it just doesn’t work. Don’t get me wrong, this is an amazing album and should be rated somewhere near the top but there’s something “missing” for me.

My first concert attended was Iron Maiden on their Seventh Tour. Seeing the band at Wembley Arena was amazing and the set amazed me. It was an amazing first gig. Songs from this album featured heavily as you would expect and I loved it.

  • Moonchild – A good concert opener.
  • Infinite Dreams – I always found this to be quite a romantic song.
  • Can I Play With Madness – not great.
  • The Evil That Men Do – Good but not as good as they think it is.
  • Seventh Son Of A Seventh Son – A tour de force, hints of Rime but still good.
  • The Prophecy – I think this could be my new favourite on this re-listening.
  • The Clairvoyant – Another classic, it’s OK.
  • Only The Good Die Young – Pretty good.

Proxima

March 15th was the last time I went to the cinema. It is July 31st. That is 138 days without a visit to the cinema, no films seen in the [not] luxury surroundings of the Rochester Cineworld cinema. There are 233 communications within the menu “Film”, I’m not sure all of them are cinema film reviews but I am sure more than 200 are. The first film reviewed on this iteration of my website was Oblivion. That’s a little amusing as I recently saw that it was on Netflix and checked this place to see if I had already seen it, I realised I had and decided to not bother watching it again. The original cinema list is here and starts with Shrek 2!

I think there are formalities to get through before I mention what I thought of Proxima and the first point is to say that I did NOT notice the state of the tide on the way in to the cinema. I checked it on the way out but I think I was just pleased to be driving next to the river that I didn’t actually look at it and register how high or low the water was. When leaving that place I did look and the river was low indicating a low tide. I saw the 13:40 showing of this film on the first day that cinemas were allowed to open. I figured the place would be cleaner earlier in the day. When I booked the ticket I wasn’t aware just how hot the weather was going to be and I’m glad I went. It is 36C out there and spending a little while in the air conditioned cinema was great. My lounge is 26C and it felt so nice to come in to the cold house when I got home. I did have a bike ride earlier today and I rode along the river most of the way so it was shady and cooler than everywhere else.

The last few years I’ve spent some time trying to find two films that haunt me from my early years. One was a sci-fi piece that was Australian I think and about the end of the world. Another was a French animation which involved time travel. I think I have found them both and I am going to watch the live action film later. I think it is called The Quiet Earth and I saw it on a list of Sci-Fi films you should see but might not have – it was a listicle and I had seen most but the summary makes me think that this is the one I’ve been searching for. The animation is called Les Maîtres du temps and I will be trying to find a copy of that film to see if it as messed up as I remember.

As is custom I rated Proxima on IMDB and there’s a communication covering all the details of the rating system here. I then tweeted the result. Normally this would be completed from my phone but I have deleted the Twitter app for mental health reasons. I therefore only check Twitter about 0.75 times a day.

I really enjoyed this film, far more than some recent, meant to be realistic films like First Man. The film covers the training an astronaut receives in the run-up to launch and but primarily this film focuses on the way this challenges the relationship with her young daughter. I liked the dedications during the credits to the female astronauts who had young daughters when they went into space.

This film uses a mixture of space training alternating with relationship issues. And it has Matt Dillon! Matt Dillon! I’ve not seen him in anything for ages and he totally still plays the sexist pig quite well. I thin he melts a little towards the end of the film which I think was nice but also rather predictable. Eva Green conveys the emotions of being a parent really well. I really enjoyed her performance. I enjoyed this film, but probably won’t be watching it again, hence the 6/10.

A thing that irks me is how so many films try to make everything look so easy and non-technical. I think the idea is to maintain that myth that anyone can do anything if they work hard enough. This is complete bullshit. Some people aren’t able to do things that they want. You can practice and you can try your best but there are a lot of other people out there who are trying to do the same as you and it only takes a very small difference for them to win. Space is hard. Space is complex. We have this romanticised view of astronauts being gung-ho cowboys when in reality they are full of the most technical and detailed information about their entire mission that the side shown to the public is remarkably false. All media representations of aircraft, boats, cars, bridges, anything designed and built by humans tend to undersell just how complex these things are. Your mobile phone is, to you, just a black box which does stuff. I think that’s how most of the world is represented to us as humans. These things just work and we don’t have to worry about how.

Proxima showed some of the technical aspects of being shot into space and I liked it for that. It showed the difficulty of training for a mission and it showed the stresses on the human. It is a good film.

The Quiet Earth

Yesterday I also watched The Quiet Earth. I paid to watch this on Amazon and I am glad I did. For some reason I saw this film in the 80s and it has stuck with me all that time. I regularly think about it. Firstly, an admission – it’s not set in Australia but New Zealand and I think I’ll have to accept that’s close enough. The film follows the journey of a man who awakes to find himself alone in the world. He does find some other people eventually after going mad and we see what happens. I enjoyed it. Here’re the main things that I remember from thirty years ago:

  • An experiment to create an energy field around the Earth went wrong
  • The charge of an electron had changed

Both of these things were in the film but they weren’t actually big parts of the plot. I don’t know why they have stuck with me so much. Possibly my admiration for aviation matters? One of the issues with aircraft [and cars] is that they have to carry their fuel with them. This means that to travel further you need more fuel so you have more mass and therefore need more fuel to transport that extra mass. If we could find a way of negating the need for fuel to be carried on the aircraft then we would have a really efficient system. The premise behind this film is that an energy field was created in the atmosphere to power aircraft. This has stuck with me all that time and I used to think about it quite often.

The other film I mentioned earlier, Les Maîtres du temps, I have found on YouTube and will watch later. I can’t find it to stream and it costs a whopping GBP40 on DVD because it’s so rare. Having looked into it a little it looks like a joint production between the French, the BBC and Hungary so I expect it will be weird as fuck.

Sehnsucht – Rammstein

Look, you know what you are getting with a Rammstein album. Excellent, hard German industrial metal – or whatever genre the posh people think it is – which I’ve just checked and it is Neue Deutsche Härte apparently. This is Rammstein’s second album. I first heard this band in the early 2000s when a friend, Sara, gave me two albums because she had to many and she thought I would like it. I mean, she wasn’t wrong. This band is one of my all time favourites.

What you need to know is that you should have all the Rammstein albums and you should play them regularly. Don’t think too much about the lyrics, I’ve found it’s best not to know. This band is amazing.

This album has Engel, Du Hast, and Bück dich all massive songs with excellent live performances.

It would appear that many very good albums begin with an S. Or it’s that many decent album titles just happen to begin with an S. I’ve found in life it’s often helpful to think about the direction of causality.

Second Toughest In The Infants – Underworld

I bought this album on the back of the brilliance of Born Slippy which I had on the Trainspotting soundtrack. It’s an amazing song but cutting it short is a sin. I really love the ten minute build up once the main section is over. I can remember being at a wedding at the Weald Of Kent Golf Course and after imbibing rather too much alcohol I got a little angry with the DJ when he cut short Born Slippy. He did then go on to play the rest of the track and I loved it. Not sure anyone else did.

This album is a good chill out album I think. I haven’t played it in ages and I seem to remember it lacked the brutality that I wanted.

Seasons In The Abyss – Slayer

It’s been too long since I last wrote a review on this topic, I’d actually forgotten I had done some of the “S” albums. To have Seasons In The Abyss as a resumption of service is great. This album is absolutely fantastic. It’s hard, heavy, powerful and will smash you apart. I’m not a megafan of Slayer I have seen them twice I think and I enjoyed the shows. They are one of the big four and so deserve their place in history. Every now and then the music of Slayer is a requirement because it’s just right. Make no mistake this is thrash metal and a perfect example.

War Ensemble – fast, powerful, lasting lyrics, what’s not to like? I remember Slayer at the Clash Of The Titans concert in Wembley arena announcing that they were going to record the music video to this song and were going to play along to a backing track – that did not go down well with the crowd – so they played it live.

Expendable Youth – Very good song. I do like some heavy cymbal use.

Dead Skin Mask – creepy and scary. This song messed me up the first time I heard it. I bought this album on music cassette [tape] and was playing it while walking from the record shop. Towards the end of this song a girl’s voice comes on asking for help. I hadn’t realised it was part of the song and thought it was someone behind me asking. Pooped myself.

Hallowed Point – see below lyrics, need I say more?

High velocity bullet at close range
Can damage the mind
Shattering the skull shredding the brain
Severing the spine

Slayer – Hallowed Point

Seasons In The Abyss – a tour-de-force of a song. Absolutely amazing. Calming, heavy, spooky. All of that.

I know I haven’t written about every song and there are times when I do. I think the biggest endorsement I can give this album is that I don’t skip any of the songs and love the whole thing. It’s a well rounded collection of songs.

Screaming Symphony – Impellitteri

This is going to be a terrible review of this album. I’ll explain why in a moment. I wrote about Crunch much earlier on in this series of reviews and my gut instincts are still the same. At some point soon I will write about “Stand In Line” which is amazing – I love it. I was given a tape of this album in the late 80s and I have always enjoyed it.

I would describe this music as a cross between Yngwie J Malmsteen and Megadave. You have that speed melody and heavy crunching guitars at times. Sometimes the riffs sound almost Dio like, especially “Rat Race” and “You Are The Fire”.

This album is quite poor and derivative. It’s been done better elsewhere. I was listening to it while writing this but I am more looking forward to the next album review!!

Schematic – Senser

Communication number 1668. Here’s what was happening in England during that year; lots of people were born and lots died, Newton created a reflecting telescope, the British East India Company took control of Bombay by “Royal Charter”, William Penn was imprisoned for writing a pamphlet attacking trinitarian doctrine.

Schematic is a decent album by Senser. It’s worth getting. Am I aware of any of the songs in particular? No. But this is worth owning if you like their particular brand of rock.