Powerslave – Iron Maiden

Well, what can I say? I’m pretty sure I first listened to this after I had poured over the detail in Live After Death. There’s something remarkably clean about a studio album once you’ve digested the live version. My experience with Megadeth recently went the other way, the live version from Argentina made me revisit all the songs with a fresh perspective.

I used to spend time as a teenager lovingly looking over the album covers of the Iron Maiden albums trying to memorise every detail. The Powerslave album is one of the best covers I have ever seen, maybe Somewhere In Time comes close but I really enjoy the colours of the Powerslave cover.


The body bags and little rags of children torn in two,
And the jellied brains of those who remain to put the finger right on you

Adrian Smith & Bruce Dickinson
  • Aces High – continuing the theme of Empire and the greatness of Britain this song extolls the virtues of the Few who defended our island whatever the cost may be. A great song even if the over-arching themes of this East End band are tired and colonial.
  • Two Minutes To Midnight – well crafted and one of the best. It’s written by Adrian Smith you see and that adds a certain level of clever to it. I’ve been fortunate enough to play this on stage with a bunch of better musicians.
  • Losfer Words – it’s an instrumental. It’s ok.
  • Flash Of The Blade – I guess it’s Bruce harking back to his upper class hobby of fencing. To be honest it’s a good song. Proper Maiden.
  • The Duellists – is an OK song over-shadowed by the rest of the album. Another Maiden song about fighting for things I don’t understand.
  • Back In The Village – The opening riff of this is amazing and I love it. The whole song is a return the the Prisoner theme of earlier tunes. It’s pretty good.
  • Powerslave – Everything about this song is amazing but [oddly] my favourite bit is the end. THIS is how you write the end to a song. Fuck all you who use fade out. Write a proper ending.
  • Rime Of The Ancient Mariner – It’s over thirteen minutes long but doesn’t really feel like it. I mean the opening riff sounds like The Flight Of Icarus but the rest of it chugs along giving all the time.

The top songs on this album are: 2 Minutes and Powerslave followed by Aces High and Back In The Village, although the field is crowded. Go and listen to this album. It’ll burn your soul [well, it won’t will it but you can claim such].

Powerage – AC/DC

“You say that you want respect. Honey, for what?”

That sums up a lot of how I feel at the moment. Anyway, these communications are meant to be about the albums and what I think of them. I don’t think you can go wrong with ANY Bon Scott album. The way he sings, the lyrics he writes. You can feel the pain and love behind every song. I’ve been a pretty big fan of AC/DC since I was around sixteen years old. There’s something about that crunchy guitar sound and the delightfulness of Bon’s voice and cheek.

There were two of us at school who were really into AC/DC. We’d buy an album and then discuss it for ages. It was a common bond between us and none of the others. I shed a tear at the end of the Let There Be Rock video where the words “To Bon” come up on the screen at the end of the Paris show.

This is an excellent summer album. It has that lovely jauntiness where you can have this playing in the garden while drinking a large rosé. I can imagine the air around me warming my body as the sun dips below the horizon and Bon sings out about that Sin City and I slowly get drunk to remove myself from thoughts about anything specific. It’d be lovely. If I like sitting outside in the garden, which I don’t. Not sure why, I just don’t like it.

  • Rock and Roll Damnation
  • Down Payment Blues
  • Gimme A Bullet
  • Riff Raff
  • Sin City
  • What’s Next To The Moon
  • Gone Shootin’
  • Up To My Neck In You
  • Kicked In The Teeth

I love that plodding bass of AC/DC. The way the bassist and drummer work to ensure the song gets where it needs to. Malcolm riffing away in the background making all the songs work well to compliment Angus being over the top.

Then there’s Bon. Such a cheeky, tortured chap. He was amazing. I wish I’d had the chance to see him sing live, to see AC/DC in those early days. But, I couldn’t do much about when I was born.

Power Of Lard – Lard

Strictly speaking this is an EP rather than an album and as such it doesn’t really belong in this section of the website, but who could resist? There are three songs on this EP and they are:

  • The Power Of Lard
  • Hellfudge
  • Time To Melt

For some reason, and probably racist ones, I had thought that this band was a quirky north England piss take punk band. But, after looking it up it turns out to be almost a superband! The first song comes in at over seven minutes and is really well constructed. Hellfudge is a good little rock song.

Time To Melt is a thirty minute tour de force. I’m not even sure I’ve ever listened to it all the way through.

Look, Al Jourgensen is on this album. That’s all you need to know.

Pornograffitti – Extreme

Much like some smells this album, when I think about it , takes me back to a specific time and era of my life. This one takes me to around 1990 and Thornbera Road in Bishop’s Stortford. I can’t remember when I first heard of Extreme but this album made them big. It’s got some massive songs on it, probably ones I’ve over-played and so now just can’t be bothered with. I do remember them playing “Get The Funk Out” on TOTP and me being quite excited at how racy it was.

The massive songs on this were:

  • Get The Funk Out
  • More Than Words
  • Hole Hearted

Looking over the track listing I think it’s fair enough to say that this is a pretty good album but just one I don’t think I’ve listened to for twenty years.

Piece Of Mind – Iron Maiden

I’m pretty sure I got this album after I had listened to a taped version of Live After Death. I don’t think I actually owned the live album, just a version that Mark Hodges had taped for me. I’ve bought it many times over since then though, on vinyl, on VHS and CD. But, we are here to talk about this album: Piece Of Mind.

You can’t help but love Iron Maiden. There’s that cheeky photograph on the back of the album with the band about to tuck into a medieval banquet of brains, there’s the “Britishness” [which those who know me will understand I struggle with] and there’s the public school boy humour from Bruce.

The rock and roll rules mean that if you change a band member they get to start the next release with an intro part. And thus begins Piece Of Mind with Nicko McBrain blatting out a drumming introduction to the rocking along “Where Eagles Dare”, which if I had ever really listened to the lyrics is probably a song about the second world war film about something or another.

“Revelations” is a fucking great song, so beautiful and lyrical. The worst thing is that stupid “Go” that Bruce shouts in the middle and when I first heard this song from the album I laughed at that point and I still do chuckle to myself. This song is better on Live After Death, it has a little more speed and a roughness to it. The album version is a little over-produced. I’ve just read that it was influenced by Aleister Crowley which is pretty annoying but I still like the song.

“The Flight Of Icarus” is boring and I don’t really like it. I mean, it’s a good song, I just don’t like it. The live version is a little drab too. The riff structure feels a lot like Mariner from the Powerslave album, it’s just the opening couple of beats that tell them apart!

“Die With Your Boots On” is a good song, well done live. But in reality this middle aged man struggles with the message of jolly good old bashing the enemy and dying on the field.

“The Trooper” a tour de force about another bloody battle the Brits got tangled up in. Nothing like bashing on about the glorious times. It’s a good song though. I think I’m just struggling with the jingoism and battle cry of it all.

“Still Life” has some excellent hi-hat action and it makes me excited.

“Quest For Fire” is ok.

“Sun and Steel” I like the riff and chorus structure. I like it all. It’s quite pop like in structure but I do enjoy it.

“To Tame A Land” is a good song but I think it struggles from being the last track on side two of the album and so I’ve played it little. It might be something to do with those pesky books by Frank Herbert.

Go and buy Live After Death rather than this. It’s a more powerful statement.

Persistence Of Time – Anthrax

This was the second album by Anthrax that I bought after State Of Euphoria, which gets reviewed later. The problem is that I will compare it to Euphoria in this review! This album is darker and nastier than Euphoria. While I consider the first album a summer album Persistence is not a summer album. To me a summer album has a certain sound and feel to it, a lightness, a happiness, a breeze. Persistence doesn’t feel like that. It’s bloody good though.

I think I would have to say there isn’t a bad song on this album. There’s no song I would gladly skip, even the cover version is a rocking song.

“Time” and “Blood” are both good starters. “Keep It In The Family” is brilliant. “In My World” gives me chills. “Gridlock” is great. The way “Intro To reality” merges with “Belly Of The Beast” meant that for years I thought they were just one song.

“Got The Time” is that rare beast, a cover version that knocks socks off the original and a wonder to the ears, high powered and magnificent.

“H8 Red” was the first instance in my awareness of the number eight being used within a word, like in HATE, good song. “One Man Stands” is a good one. “Discharge” for some reason always makes me think vaginal but this is a great song.

Overall this album is a masterpiece. I love it.

Anthrax are the only band of the Big Four I’ve not seen live and that saddens me.

Permission To Land – Darkness

This is a massive album. When the Darkness pounced onto the scene it was hilariously camp, 80s and rock. This small band from Ipswitch (?) made it big with their cheeky falsetto metal. But, what they did was make those sounds fashionable again. Of course I bought the album. I even went to see them play at Wembley Arena and for most of the gig the band seemed amazed that they were playing Wembley Arena.

I like the opening song “Black Shuck”. There’s one of those crappy mythical stories about a massive black dog roaming around the countryside of Anglia. As far as I know Anglia is that bit that sticks out to the north east of London. If you draw a line from Dartford Bridge to the Wash everything to the east of that is Anglia, I think. The big black dog is called the Black Shuck. It’s a really good shout out to the stories of my homeland.

Then you get “Get Your Hands Off My Woman” which, apart from the consent issues within that statement, is a great song. You haven’t heard the word motherfucker sung in a more beautiful way. If “your woman” has consented to have another person touch them then I am afraid there’s nothing you can or should do about it. She isn’t “your woman” she’s a person and if that’s what she wants to do then good for her. It’s probably time for you to have a discussion about your expectations of the relationship.

“I Believe In A Thing Called Love” is tremendous. Well worth the listen and a very well constructed song. It’s got some of my favourite types of song structures including lines with just the rhythm section playing – I do like that. That sound is a bit like why I like Dokken live, the bass and drummer belting out the riff while the solo goes on in the background.

The rest of the album is good and strikes a cheeky AC/DC vibe with the theatrics of Queen in the videos. It’s good holiday music I think. Not to be taken seriously but written with the style and panache of a grown up rock band who are having fun and making music that they enjoy. It’s a happy album.

During my visit to Washington DC in 2013 Rich and I listened to this album as we drove through the Blue Ridge Mountains. Great tracks for a great day.

Peace Sells . . . But Who’s Buying? – Megadeth

This is a monster of an album.

Vic Rattlehead

A long time ago there was a documentary on BBC2 called “Heavy Metal”. In it they tried to explain heavy metal music. They had a clip of the comical Napalm Death along with some clips of Motorhead and, I seem to remember, a clip of Megadeth playing “Peace Sells But Who’s Buying” open air in Northern Ireland [at a time when there definitely wasn’t peace]. For a long while that opening riff stuck in my head and one day I bit the bullet and bought the vinyl album.

My initial reaction was one of disappointment. I loved the pop-like qualities of the title song but the opening made me think “oh, this is another thrash band”. How wrong I was.

After a few listens the genius of this album started to creep out and grab hold of me. It’s a gorgeous complete piece of art [although “I ain’t superstitious” is a bit shit].

If you know me then you know that I consider “Wake Up Dead” to be the best song ever. It contains THREE of the best metal riffs ever and they occur in the last half of the song. Being in the pit with this playing and the whole crowd bouncing in time with the riffs is an amazing memory.

This album was written while Mustaine was heavily into drugs and you can tell. It’s probably why it’s so good. He got cleaned up at some time later and found religion. Mind you, religion is a part of the 12 step process, and just to point out that AA or even NA is only ONE way of getting clean and the evidence shows it’s not the best way of doing it. Because one of the Daves found religion he refuses to play THE CONJURING live any more. Which is a fucking shame because it’s a great song.

The above video shows Nick Menza [just one of Megadeth’s many drummers] playing his part of The Conjuring during the same tour when I first saw Megadeth. It was the Clash Of The Titans tour. Amazing.

The title song of this album is amazing.

Devil’s Island rocks with its fast riffs and high paced beats.

Good Mourning/Black Friday – more classic Megadeth with proper fast complex riffs. Clearly showing why they are better than Metallica.

Bad Omens – sends shivers down my spine. These songs are so well crafted.

[I Ain’t Superstitious – terrible song] every band gets one free pass on every album as far as I’m concerned. With this album it’s this song. It’s shit.

My Last Words – weren’t the last words of the Daves and the next album is an almost complete and perfect selection but the raw power and speed of this album is amazing. You can feel the anger, the rage, the fighting. It speaks volumes, if you want to listen.

Ad Astra

I went to the cinema. I feel bad writing this. I didn’t enjoy it. But let’s get the formalities out of the way first.

I went to the Cineworld cinema at Rochester. I went to an 18:00 showing and I was a little surprised at how empty the lobby was, normally on Saturdays it’s very busy. Maybe I was at that “just before” time when many are still thinking of going out. It was lovely and sunny and I made a mental note to check the state of the tide. It was high, nearly full. This pleased me as earlier in the day I had run by the river slightly further upstream and the river was low. I run pass the navigational section and then along the tidal section by Allington lock. Given I was running at around 11:00 and went to the cinema around seven hours later I expected a high tide.

As is also customary I rated the film on IMDB and then tweet the result. I pondered this for a long time and even had to check my own rating system which is explained within this communication. It’s weird looking things up on your own website. I often do it to remind myself what I thought of a film at the time or which bands I have seen and what I thought of them. Somewhere within these communications I mention that this might be a kind of diary.

So, here’s the rating:

I wanted to like this film, I like space films. But, I had to score the film 4 as I hated a lot of it and didn’t really care about anyone in the film. I stayed until the end but only to see what happened. I wasn’t fussed about it. It was more annoying than anything else. I don’t know anyone who takes my reviews seriously. I’m there as a curiosity, a method for people to know me better rather than expect followers to take me seriously. If you read this website’s homepage you will see this is really a vanity project. A thing I do for fun. I am going to explain some of my criticisms but I should warn you:

THERE BE SPOILERS AHEAD

The space scenes looked amazing and I was really impressed with the quality of the graphics. This is possibly the only good comment I have about the film.

The entire voice-over on this film was shit. It was annoying and the film would have been better without it. It didn’t add anything to the film and it didn’t explain anything that a vaguely intelligent person couldn’t figure out. One day the director might come out with a version and remove the voice over, explaining it was put there for stupid people. I hated it.

WHAT WAS WITH THE PSYCH EVALS? I don’t understand what shit this was. You say a few sentences into a microphone and record your pulse and something somewhere declares you fit for spaceflight? I don’t think the writers understood humans for this part of the film. It was interesting that McBride was clearly fucking insane from the beginning. If you fall off a space tower and tumble to the point that you might die but your heart rate doesn’t go above 80bpm then you are a psychopath. I hated these parts of the film more than anything else. It was terrible.

I liked the [impossible] tower at the beginning. It looked pretty good. I liked part of the background stuff to do with space flight like the med centres and technicians everywhere. If Earth has a tower up to space then why are they still launching people into space using chemical rockets? I know rockets look cool but SPACE ELEVATOR. If the technology exists to build a fucking massive tower [searching for intelligence??] then it exists to build a space elevator.

The unintentional sky diving scene could have been better. If there was so much stuff falling from the space tower then the main character, called ROY ffs, would have been ripped to shreds during the fall. We didn’t see him steering away from the tower. We didn’t see him try to get away. What happened to the rest of the tower? Did the single switch Roy flipped save everything?

How do you go from being an outdoors technician on the space tower to being an expert in flight of every type of rocket later in the film? This man was essentially a “chap who fixes the tower”, even though they had robots doing this, and he was also someone who was a miracle worker with flying rockets and knew all the systems in every space craft. What shit.

We can’t send a secure comms link to Neptune from Earth? Why Mars? Just because I think. The director wanted to show spaceflight. I think he failed quite dramatically. I think it was meant to take nineteen days to get to Mars and yet the film was meant to show action. I don’t think he concentrated on creating the right things. Yes, I am being critical of an action film, No I am not a film maker. On the journey to Neptune we see the loneliness of space flight after Roy manages to kill everyone but that could have been built up all the way. It was all annoying.

The first time I got my phone out to make a particular note was when Roy was on the moon. Someone said something like:

“We need to get going soon because it’s nearly a full moon.”

Boring military person on moon.

Unless there is a lunar eclipse it is ALWAYS a full moon on the moon. The sun ALWAYS lights half the moon you stupid writers.

The Moon. Let’s talk a little about that. Roy takes a rocket trip to the moon like the Pan-Am flight in the film 2001. He launches using a chemical rocket and heads to the moon. I don’t know how long it took them but it is implied that is was less than three days, which was fine. But, when he gets to the moon it’s a major city with tourists and stupid shops etc. If everybody on the moon got there by chemical rocket then it would need thousands of rockets taking off all the time. The expense of getting that many people ot the moon would be prohibitive. I hated this part of the film. The journey for Roy looked exclusive but the moon was just a crowded holiday resort.

On the moon they make the first car chase explosion make a boom noise and then none of the others. Annoying.

On the moon the moon-car, which looks like the lunar rover from fifty years ago FFS, leaps over the edge of a crater and still lands safely. Gravity still accelerates objects on the moon and the buggy would have broken/spun/killed everyone. Annoying.

In the moon city everyone walked around like the gravity was a standard Earth Gravity but then outside everyone acted as though they were on the moon. WHICH IS IT?

I have one word for the space station rescue on the way to Mars. Shit.

Let’s blame the Norwegians for doing naughty animal based research on a space station. Really? I’m not sure the director or writer understands other countries.

Landing on Mars using a shitty bad graphic of a space ship leaned over at an angle. Terrible. It denies the complexity of landing anything. It was annoying. No one on Mars walked like there was a limited amount of gravity. Everyone walked like they were in a standard Earth gravity. Annoying.

Mars city had the same problem as the Moon city. Where did all those people come from? Why were they all there. How large was the infrastructure of the Mars city? It seemed full of empty spaces and large corridors. This is not how you build things in space, especially if you only have CHEMICAL ROCKETS.

Here’s an idea lads. Once we’ve built our expensive base on Mars why don’t we include a perfect sound-room for recording messages to space? We could really make a proper sound booth with egg boxes and everything. Who knows when we will need it? especially if we can’t record someone and use that recorded message as we’ve already scripted it. My desperation was high by this point. I hated a lot of this film.

It’s probably worth pointing out that if someone dies on a spaceship you wouldn’t push their body out of the airlock. This would put them into pretty much the same orbit as you and the body would come back eventually to hit you or another spaceship. It is a bad thing to have extra stuff floating around in space. You wouldn’t do it.

I have no idea how ROY manages to get into the spaceship on Mars. It isn’t really covered. I mean somehow he opened an external door just at lift off and then climbed UP into the ship while it was launching and accelerating UPWARDS. If the spaceshit accelerated at three g then Roy would need to lift three times his own weight up into the rest of the spaceship. Of course he manages to get on board but in the process the others are killed when the film gets the physics wrong again. The rocket stage gets ejected and so the spaceship would have gone from acceleration to zero g. The astronauts would have flown the other way in the spaceship because of their inertia. It was established that up was up when Roy landed the ship on Mars.

I honestly didn’t give a shit about the journey to Neptune or what happened when Roy got there. It was all pretty bad. Poor writing and lazy filming. Most of it had been done before but in a far better way. I mean, if you have to kill your father just to get over the feelings of abandonment then I guess you’ve got to do what you’ve got to do.

So, WHERE WERE THE SURGES COMING FROM? What about the inverse square law. What? How was this all happening? Why was there so much data on other worlds? Were these worlds within the solar system? Couldn’t the data be sent by comms link? Why didn’t we see any film of people shaving in space? How do you have enough food for eighteen years in space? How do you keep warm around Neptune?

Oh god this film got worse towards the end. I wasn’t sure that was possible but it did.

My last comment for now, I’ll probably think of more things during the day and I’ll add them to this page: It was fucking stupid to launch yourself from a radar spinning thing at a spaceship miles away and ACTUALLY MAKE THE SHOT, then when shielding yourself from the rings of Neptune with a shitty bit of metal the film fails to understand impulse and momentum. Every time a rock or thing hit the shield Roy would have slowed down. He wouldn’t have made it as far as his ship anyway. He would have died in orbit of Neptune. It would have made a better film.

Oh, the older couple next to me opening individually wrapped sweets slowly so the crackling noise was spread out over a long period of time, fuck off.

I feel slightly bad that I hated this film as much as I did. Just sitting here writing this stuff is making me remember more and more about the terrible bits of this film. I am going to read some positive reviews now to see if my mind can change. Anything written after this point is extra from later today.

——————————————————————————————————-

Passion and Warfare – Steve Vai

Steve Vai? He’s a metal guitarist isn’t he? I’m pretty sure he played with Whitesnake and then some others. I should get this album. I think that was my thought process a long time ago when I bought this album on music cassette.

SteveVaiPassionAndWarfare.jpg
By Source, Fair use, Link

This album had problems with the record on the music cassette. I liked it, even though it was instrumental all the way, but the tape had some problems. When I finally got this on download or CD the sound was so much better. I didn’t take the tape to be replaced at the shop because that would require human interaction and I don’t enjoy that at all. This album and Back In Black both had problems which I never resolved.

I’d definitely recommend streaming this album. I know I’ve enjoyed it but I think the mood has to be correct. Give it a go yourself.

I grew up in the cross over age between analogue and digital recordings. My early memories of music was either vinyl or music cassette. At home there was a record player and I have owned two in my time. There was also a small “portable” music cassette player which was my mum’s and she had ABBA albums mostly to play on that. I do remember my dad having Oxygene by Jean Michele Jarre on tape but I don’t ever really remember them playing and enjoying the music. Strange that.

My first album was bought on vinyl. It was a big decision and my mum was quite insistent that I really wanted that album. The Ghostbusters OST is still considered a classic by those who grew up in the 80s. I don’t recall what my first music cassette was, it’s been a long time. I do know that the “purist” in me preferred vinyl to cassette and I would buy on vinyl and then self record the music to cassette for portability.

Compactcassette.jpg
By ThegreenjOwn work, CC BY-SA 3.0, Link

Both vinyl and cassette have issues with reproduction of sound. When Phillips and Sony announced the standards for the Compact Disk it seemed an exciting world. To me it seemed strange that we would soon have to adopt new music systems and spend more money. I think I often fall into the trap of thinking that the current life we lead should be static and things shouldn’t change, but change they do. Music reproduction had been improving for all the time music had existed and the five-track had been and died, the phonograph was being improved, digital was on the way.

There were digital tapes and mini-disks but the CD has proven to be true to time and works well. I can remember watching Tomorrow’s World when they described a CD and played one in the studio. I can remember thinking that the sound quality wouldn’t work over the analogue broadcast just before the presenter said that us at home wouldn’t be able to tell the difference because of the analogue transmission system.

Television is now digital and 5.1 sound is transmitted on many channels. Sound quality is improving all the time. New standards are developed and the march forwards continues. I doubt the file sizes can get any smaller because there’s a lower limit on compression of information but I do think that we are now heading the other way and some people will start moaning that all music should be stored at a lossless CD quality.

When I was a teenager my pocket device carried ninety minutes of music. My current device carries over six thousand songs and I’m not even halfway full of the capacity. It’s quite remarkable.