Tag: review

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Dora and the Lost City of Gold

I went to see this film because it’s the summer holidays for me at the moment. It is slightly ridiculous that I have only worked through August in about five of my years. It’s an interesting thing that for me the summer only starts at the end of July, when teachers talk about “the summer” we don’t meant the meteorological summer. Just for giggles I think the following are my five years of working in August:

  • Post GCSE I worked on a farm driving tractors.
  • Between lower and upper sixth form I drove tractors.
  • Post A Level I worked at Cossor Electronics for a year until I went to university (two summers).
  • I was one of the student union officers and so worked the summer of 1994 in Beit Quad, Imperial.

Back to format now. The tide was on its way in and was covering most of the mudbank but the grass on the bank was still visible, it wasn’t visible on the way home. I didn’t see the seal from last time but it didn’t matter. The weather was really nice and the who vista was very pretty.

After watching this film I rated it on IMDB and there’s a communication which discusses the scoring criteria here. It is then usual for me to embed the tweet:

My web editing software doesn’t really like pure HTML being entered and for a long time it would warn me of errors, but my code was correct. I use WordPress btw.

So, the film. I really enjoyed the whole thing. It was good fun. There were many nods to the cartoon series it made it fun. It was really a more modern Goonies [which I can’t remember so will have to dig out].

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Once Upon A Time . . . . In Hollywood

I recently went to see the latest Tarantino film at the Cineworld cinema in Not-Rochester [it’s really in Strood, a bit like Sainsbury’s Larkfield is really in Aylesford]. Apparently this is the ninth film from Tarantino and I’m just going to have a look. I make it ten but only if you count Kill Bill as two films, I mean, they were released separately. Here’s the list of his films I’ve seen:

  • Reservoir Dogs
  • Pulp Fiction (I can’t really remember much about this one)
  • Kill Bills
  • Django Unchained
  • And now Once Upon A Time . . . In Hollywood

I’m not sure if I should go ahead and watch more of his films. I’m certainly not part of the “Tarantino’s great” movement. I like the films and see them for what they are.

As I drove along the riverside I checked to see what the tide was doing. Well, I mean it never really is doing much, it’s more slowly wandering around rather than having visible changes but I looked to see where the river was compared to the riverbank. The river was very low which means the tide was “out” or “low” depending on how you want to phrase that. There was a drone flying around over the marsh area and I’m curious about what it was doing. There was also a seal resting on the edge of the marsh area, possibly after having a big swim. Maybe the drone and the seal are connected? I don’t know.

After the movie and a little extra time to mul this film over in my head I rated the film on IMDB, as is custom. Then I tweet the thing. It looked a little something like this:

I have a feeling that a lot of this film was just showing off. It made the whole thing look amazing and Tarantino has created a faithful reproduction of Hollywood but there were some scenes where I just thought it was gratuitous money. Here I’m thinking of all the scenes with massive backgrounds and time-correct cars and posters. I mean, the effort is astounding but it is also very proud as a film of managing to look so real.

As is usual with a Tarantino film the music plays a very key part and his motif is obvious all the way through this film. Most scenes carry music over from one place to another. I found the reproduction of sound a little annoying as the soundtrack was loud and punchy when in a car the sound would have been terrible. If you go to all that effort to reproduce massive backgrounds and freeways full of period cars then maybe the sound of the car stereo should be exact?

I liked the idea of the faded actor still trying to make his mark in Hollywood. I thought Leonardo DiCaprio was amazing in this movie. He managed to convince me fully. There has been some controversy about Margot Robbie’s role having so little to say and almost being a pin-up in the movie. I’m not sure I felt that. It is true she had little of a speaking role in the movie but the film was mostly about Rick and his fight in Hollywood.

As the climax of the film approached I was actually worried that it would glorify the Manson murders. I hadn’t read anything about the film, I’d only seen the trailers, and it wouldn’t have been right for any Tarantino violence glorification. Then, it ends the way it does. It was at that point I understood what Tarantino was doing. I had thought he was trying to write an historical document to give us the facts about the case but what he did was pure Hollywood. The film ended in classic Tarantino violence but at a level that worked perfectly in the film.

I possibly underrated this film slightly. Maybe it should have been an 8. I’m still thinking about it and that’s a good thing, it means the film affected me in some way. I did go down a bit of an internet rabbit hole after this looking through the Wikipedia articles on the Manson murders and the people involved. It was during this that I realised the band Kasabian named themselves after one of the Manson family. There are lots of bands, seemingly innocuous, who are named after awful things; Rammstein, Spandau Ballet and many more.

I’ll tweet again if I decide to increase the score on this film. I’ll add that tweet below so keep an eye out. Remember to keep looking at this terribly boring website.

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On Through The Night – Def Leppard

I had this album copied on music cassette at first. I can’t quite remember who I got it from but it was possibly the chap who I had planned to see Def Leppard with in 1988. There were two of us at school who liked the band and I was meant to go and see them play at the Royal Albert Hall as part of the Hysteria tour. I didn’t go to that in the end as I secured a place on the Cyprus camp and that seemed more worthwhile.

This is the first album by this band. IT is a monster album musically. I don’t know if it was a numerical success [checks Wikipedia], it did OK for a debut. I reckon it did well ultimately because fans went back and bought the back catalogue. I know that Def Leppard were disappointed at being lumped in with the New Wave Of British Heavy Metal which was a mostly London thing. Def Leppard were from [checks Wikipedia, wants to write Sheffield] Sheffield and didn’t really like all that London stuff.

I love this album.

What gets me most is how well all the songs are crafted so well for such a young band. You could swap this and their second album and it would make more sense. In my mid to late teens I found High n Dry a little too-samey and this, the first album, was interesting all the way through. I would definitely recommend this to anyone interested in that early 80s sound of rolling bass lines and proper sounding guitars.

So, the singer has a classic high voice, but that was a part of its time. The bass is lovely and loud, the guitars work together in harmony and each song has tempo breaks and fits together in a Coca Cola contour-bottle shaped audio-scape [that last metaphor is either amazing or bullshit].

When writing these reviews I tend to have that album on in the background, jogging my memory as I write. The sounds for this album have made me stop and listen a number of times. This is a good thing, I normally don’t pay attention to the music, or at times I don’t have the songs playing as it is an album I know intimately.

  • Rock Brigade – lovely
  • Hello America – a little bit bullshitty
  • Sorrow Is A Woman – great guitars, lovely lyrics, good riff
  • It Could Be You – look, all these songs are
  • Satellite – really good, except for the “ooh yeah”s in this one
  • When The Walls Come Tumbling Down – a post apocalyptic wonder
  • Wasted – Excellent opening riff, the beat keeps going, excellent
  • Rocks Off – classic high speed riffage (possibly live but I think the crowd sounds were a post production issue
  • It Don’t Matter – Lovely
  • Answer To The Master – to be said with an American accent, also has a classic starty-stop solo section with some awesome bass work [I guess the guitars are good too]
  • Overture – this is an amazing piece of writing that still shakes me

Look metal fans. Go and buy this. Listen and enjoy. Play it to your family telling them it’s one of the best. They won’t understand.

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O.G. Original Gangster – Ice-T

This is a slightly unexpected sight in these pages I guess. what happened is that Ice-T released a heavy metal album called Body Count. It made me wonder if I would like his more “traditional” stuff. So, I bought this CD.

Here’s the shocker – I didn’t mind it. I liked the beats and most of the lyrics. It seemed a good fun album to own.

This album did consort with controversy because the second track was meant to be Princess Diana speaking about being completely on Ice-T’s dick. I mean it sounds like a well spoken British person but if it really was Di that would have been the absolute best.

Don’t play this with the kids around.

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Not Fragile – Bachman-Turner Overdrive

This album is so very important to me. I’m not sure I’ll be able to get across why but I’ll give it a go. The most talented writer I am not.

My earliest memory of rock music is being in the back of the Smith’s car and they decided to play this via a music cassette. I can remember being driven in a Ford Granada along Gilden Way in Harlow and all the members of the Smith family banging their heads up and down. I’m not sure I understood what was going on. I was young, somewhere around ten. This whole event seemed strange. I form of loud guitar music when you move your head.

I’d only been exposed to Abba and Jean Michel Jarre at home. I don’t think there was any rock in the house. There might have been some of The Shadows but nothing particularly heavy. We have to skip a bit after that and it’s worth reading this communication about my descent into metal music. Music back in those days was hard to find, it was exciting to be able to listen to something you had search for, something others hadn’t heard, something that was your own. It’s like finding that one book that really affects you but no-one else has read.

I don’t know when I bought this album. I expect I had a taped copy for a long time. I’m pretty sure I have a CD version somewhere now but, of course, it’s all digital and on a NAS now.

What amazes me about this album is that it is a complete and fully-rounded rock album and it was released in 1974! I probably expect that rock started around 1980, when I became music-conscious, of course every generation likes to think they invented sex (or music).

Bachman–Turner Overdrive.png
By Mercury Records – Billboard, page 27, 7 September 1974, Public Domain, Link

I have loved this album for over thirty years and I expect I will continue to do so. There isn’t a song that is fast or crazy. Just a complete album of well-crafted songs that make you want to dance, or smash your head on something. I’ve always been amazed at just how beautiful the two lead guitars sound when they solo together.

  • Not Fragile – the title track starts with a blistering bass line and continues to develop into a crushing riff. I love it. The duelling guitars is amazing.
  • Rock Is My Life, And This Is My Song – Lovely. A wonderful song.
  • Roll On Down The Highway – classic rock anthem with a wonderfully crafted solo.
  • You Ain’t Seen Nothing Yet – arguably the weakest song on this album but annoyingly the most well known.
  • Free Wheelin’ – An instrumental with some classic stop-start riffs. It’s built upon all the classic forms of rock/blues. It even has a bass solo. Love it.
  • Sledgehammer – another of my favourites. The opening riff slowly beats out and makes this song a calming beast.
  • Blue Moanin’ – I do think this is the second weakest song on this album. I mean it’s good but one of them has to be bottom of the list doesn’t it? I’m excluding You Ain’t Seen Nothing Yet from the list.
  • Second Hand – you gotta love a cheeky muted cow-bell in this song. This is a great song.
  • Givin’ It All Away – an upbeat bluesy riffed beast of a song that would get a pit going (maybe, if we weren’t all so old).

This album isn’t metal. But it’s some of the finest blue-rock you can find. It still holds it own forty five years after release. If I had my way either everyone would know this or no-one. You aren’t good enough for this music.

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Fast & Furious: Hobbs & Shaw

Yesterday I went to the cinema to watch what I suppose is called a film. There are formalities to get through here before I can launch into the review. The tide on the Medway as I drove to the cinema was quite high. I don’t think it was at its highest but it was definitely waay above half.

The next thing is to talk about my rating I gave the movie on IMDB. I changed my mind as I started writing this communication. There’s a guide to these ratings on in this communication. My first rating was pretty good:

But, when thinking about this piece of poo I decided I had been over generous in my ranking and so I changed my mind:

Now, I suppose, there needs to be some explanation about this. This film was pretty shit. It was a mindless action movie. I think my score of a 6 was initially because it was quite well done, you know, it looked good and slick. But this morning I couldn’t face keeping this film ranked above half way.

This film is a testosterone fuelled bullshit story about people with egos so big they aren’t allowed to lose a fight on screen. It was bad, like, Bond bad but without the intelligence.

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No Sleep ‘Till Hammersmith – Motörhead

This is a monster of an album. Buy it. Play it. Love it.

I was meant to see Motörhead play in around 1990 with two friends, Smith and KH. That didn’t happen because of a falling out between me and KH. I didn’t go. I’ve heard the show was really good. Oh well. I had to wait until 2013 to see Motörhead live at Download Festival and they were OK but very much a product of their time. This album though captures them at their very best.

I bought this on tape [music cassette] waaay back. I can remember listening to it while I worked at Cossor Electronics in my “gap year”. I had an AIWA portable cassette player with bass-boost and this album was a great kick in the ears. Gap Year is in quotation marks there because I never intended to go to university but things happen, maybe I’ll write about it here.

I think the thing that this album surprised me the most was the elegance with which Lemmy plays the bass and how his rolling riffs and scales really fit the music. I’m not sure I’d be able to hear this subtlety live but in this album it shouts out.

  • Ace Of Spades – bloody marvellous.
  • Stay Clean – another great song.
  • Metropolis – not a bad song on this album.
  • The Hammer – it’s metal isn’t it.
  • Iron Horse – better than when Bon Jovi mentioned it.
  • No Class – say it with an American accent.
  • Overkill – Often imitated never bettered.
  • (We Are) The Roadcrew – Just listen to that scream.
  • Capricorn – Not a unicorn.
  • Bomber – I’ve not seen the video but I suspect this is when the lighting rig, shaped as a bomber, flies over the band.
  • Motörhead – This is the best.

Just before the band play Motörhead Lemmy says “Just In Case”. This phrase echoes through my brain, it’s there as a constant catch phrase, I’ve thought about it a lot. I’ve written it on pupils’ leaving books in the past and referenced this album in the hope they listen to it. The bass playing explodes out of the speakers and knocks you flat. It’s an amazing song and the rhythm of the vocals makes me smile. I don’t really know what Lemmy sings, it’s not thing – vocals, I leave those to Smith.

Everyone should own this album, even if it’s to put on at the end of a party to get rid of everyone, or to celebrate a great night. Go and buy it.

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Men In Black: International

On Thursday I went to see Men In Black: International. I wasn’t that fussed about the film, I was more concerned about getting out of the 36C heat outside. Inside my house it was hitting around 30C and that’s plainly ridiculous and fucking scary. These events are going to become more frequent due to anthropogenic global climate change and that saddens me intensely, I hope I’m dead before the water wars start.

There were zero films I was even slightly tempted with at my usual place, Cineworld Rochester, and so this time I went to the far-flung Bluewater shopping centre. The car was not happy about starting in the heat [36C] and so initially I turned it off straight away, it made sounds I have not heard before. I tried again and the thing seemed reasonably comfortable so I decided to risk driving to near Greenhithe. I managed the air conditioning in the car so it stayed at a cool 24C eventually. I don’t like being that warm in a car, it makes me sleepy, a steady 18C is more normal but it was a special day.

I’m afraid I can’t give you any news about the state of the tide as the Bluewater complex is in a quarry and nowhere near the sea. I mean, the river is a couple of miles away but I wasn’t going to make that detour just to keep some strangely traditional part of these reviews going. The tide report will return.

It’s about 1km to the river.

More tradition: the IMDB rating and tweet. As is custom I rated the film on the IMDB website and there’s a guide to those ratings in this communication. You can see all my tweets and things by looking at the menu at the top of this page.

So, I rated this film as an 8. That’s quite high really but the film gets two extra points just for the air conditioning available in Bluewater and the theatre. It was glorious to enter the building from the car park and feel the cool air and to feel more human again. I don’t think we were made to sweat constantly. I used the Showcase cinema app on my phone for the electronic ticket on there and it worked well.

The seats in the cinema are lovely and comfortable and I was happy with that but my seat happened to have an EXIT sign nearby and it was too bright. It took my attention too much. So, I snuck into the seat next to mine and was in the shadow of the part-wall and felt much happier. I would not have liked to sit in my original seat for the whole film.

I really enjoyed the film. It looked good and I even chuckled out loud in certain places. The plot was pretty thin, essentially the same as the previous films. But, it was cool in the cinema and the film was fun.

Just one thing though. All the London street scenes seemed to have an EAT restaurant in them. Like there was product placement. The Lexus was obvious but I’m not sure EVERY street in London has an EAT. It might do, I’ve not been that observant every time I go there. Wikipedia says there are 75 EAT locations in London.

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