This album carries on the story from where Helloween left off. I don’t know what the story is though. Lyrics kinda aren’t my thing. I don’t think this is as good as Part One but it does contain more humour within the writing. I wrote about the speed-opera metal in the last communication. This album is just as epic.
Rise and Fall, Dr Stein, and I Want Out are my highlights from this album.
Gosh. I can’t remember when I got this album but it was probably in the late 80s. This was my introduction to German speed metal with an epic operatic over-arching theme. It was utterly different to anything else I had listened to. It has such a story telling power with blistering guitars and drums all the way through along with excellently written and arranged songs giving such a sense of completeness once the album is finished. I really like it.
Highlights from this album include “I’m Alive”, “A Little Time”, “Haloween” and the most excellent “Future World”.
I want to say that this album is listenable by all. But I expect I’m wrong on that. When I haven’t listened to metal for a while I get all misty-eyed and think that almost all songs are excellent and everyone would appreciate it. That feeling when you play some metal to your family after they’ve been listening to Heart FM and you promise they’ll love it but as soon as the first bar ends you know you’ve made a massive mistake. They don’t get it. They look at you ever more weirdly. Oops.
I really liked “Slippery When Wet” it started my descent into metal. “New Jersey” rocked as far as I was concerned. It has a good collection of excellent songs.
Keep The Faith stutters it’s way through the genre and marked a turn in sound for the Jovi in my opinion. I don’t know what the sales figures are, I’ll come back in a moment, but this album pretty much left me cold. I didn’t like the indie-U2 feel of the song “Keep The Faith”. There’s a tranche of ballads which I guess the Jovi do very well. But it all just leaves me meh.
It sold 12 million compared to 18 million for New Jersey.
If you Google Katmandu band you get a list of results that aren’t anything to do with this band. Many years ago in the days of music cassettes and long playing records I use to browse the music sections in the Our Price shop close to Harlow bus station. I was earning money in a job on my “year off” before university. I don’t really count that year as a “year off” but technically it was. I’m not sure if I’ve explained that within these communications.
I’d always be looking for new bands and music to listen to. I’d always browse the section called Rock/Metal but even then you can’t really be sure what type of music you are going to get. So I would often base my purchases on the cover or what I had heard about that band. Another album bought in these circumstances would be Blue Murder by Blue Murder.
With my pennies in hand I went and bought following music cassette to then listen on my “walkman”.
What do I think about this album? I love it. It’s a rare case of an album I bought without previous knowledge but I found myself really enjoying to vocals and guitar work. Is this “metal”? Nope. Not by a long way. I reckon it’s an album that closes off the excesses of 80s hair rock.
I do like bands with a decent plodding bass sound and this band manage that very well. There’s a certain slimy/creepy quality to the sound. The guitars are heavy and well produced. The songs are perfectly structured.
I remember liking God Part II and then I found out it was a cover version of a U2 song and I felt bad as I’d always slammed U2. I still don’t like U2 but am willing to appreciate their contribution to music, just.
The Way You Make Me Feel – the album opener and it’s a lovely heavy track with excellent mix of steady riffs and start-stop types of stuff. You’ll know what I mean if you listen to it.
Love Hurts – Oh yeah, it does. Also, in the chorus it has a lovely wacka-wacka guitar sound which is perfect.
Sometime Again – could make me cry on a bad day.
When The Rain Comes – A slower paced but still heavy track with vocals matching the guitars and a great middle section with rolling drums and steady-beat-bass.
Heart & Soul – A summer song for playing American Football on the beach, drinking beer and watching the sun set.
Ready For The Common Man – opens with a WTF moment with vocals suggesting the “sometimes I feel like a motherless child” and I have no idea what this is about. Then it smashes into awesome 80s riffing and halfway there are gang vocals. It’s a great mix of everything. This YouTube version misses the vocals at the beginning and so I think some of the effect is lost. Ah. I’ve just googled “motherless child” and now I’m not sure about this song. Is it cultural appropriation or a valid part of this album. Quick, turn that part of my brain off.
Only The Good Die Young – this we know. I’m pretty sure there’s a Maiden song called this too. This is well worth it. A lovely chorus and it would have been great to sing along to this live.
Let The Heartache Begin – opens quietly and then blasts you with a wall of classic ballad heavy rockin’.
Medicine Man – Whatever happened to the Medicine Man?
Pull Together – opening with a bass line and then heading to a wavy-riff of lovely erk sounding guitars.
Warzone – fast and war like. The vocals are perfectly matched to the subject matter here. Would be a good song to be in the pit while playing live. It’s the perfect pace and then the crowd would stop and scream out the chorus together. It’d be great. I do love a decent bass-drum bit with the guitars shutting up.
Look. This album was a lucky find. The songs still play through my head nearly thirty years after buying it. That’s the sign of a good mix of writing and production.
I spent a lovely amount of time with Smith at the O2 Forum in Kentish Town on Sunday. The event was the Black Celebration music festival of all types of dark music. Of most interest was the band Suicide Commando. The event was promoted by the Flag Promotions company who run so very many of the gigs and concerts I go to. Obviously my music tastes are aligned with some of theirs.
Black Celebration 2018
Here are my reviews of each band in order of viewing. As is my usual behaviour I write notes on my phone during or after each act to help me remember what I’ve seen. That is why the comments may be pithy or short.
Machine Rox – were first up. We arrived towards the end of their set as Smith and I were having make-up issues. But they were ok. My notes indicate the following: female singer, there was a guitarist but I couldn’t hear him.
Machine Rox
I liked the dancers who came on for the last song wearing outfits similar to the lead singer. It was a nice touch.
Next up were DKAG who are quickly becoming my most-seen band. They are supporting many bands over the next year. While the music is good there are no vocals and so unless I am wasted on alcohol I’m not that interested. I’m sure I’ve mentioned it before but I like crowd interaction from the band, I want to know that they are enjoying it. Two guys with their keyboards doesn’t quite hit the mark.
There was now a short dinner break for me. The local cafe was very welcoming and the food was nice. Recommended. It was Mem’s Cafe on Kentish Town Road.
The return to the Forum meant the last few songs from Sulpher. This band sounded good and heavy with a decent industrial feel.
Sulpher
My notes are: guitars and heavy stuff. A little bit of samples mixed in. We saw about 4 songs and it was alright.
Let me explain the “alright” comment. This means I enjoyed it more than a lot of others. While “alright” might not seem a glowing review it means that the music was OK, suitable etc. [I’m trying to renormalise the term AVERAGE and OK to mean what they really mean].
Empathy Test came up next. I have seen this band before although I couldn’t remember exactly where or when. Smith and I had a discussion about who the lead singer was. Once they were on stage I figured out that they had played Infest last year and I saw them there. Here’s what I noted at the time: only 20 seconds in and I was done. Remember them from Infest. Boring vocals and drone-like. Slow. Female drummer who looks like she’s concentrating too much. Well constructed songs but boring.
Suicide Commando rocked the venue. I don’t mind the graphic visuals of people with holes in their bodies where holes shouldn’t be. This band was really good. A real uplift from the previous band.
Suicide Commando
I still maintain that a live drummer rather than a machine or dead person makes such a difference to a gig. I really enjoyed Mr Commando!
My notes say only the following:
heavy, fast and dirty. Great.
More Suicide Commando
And then we get to Mesh. This might be the third time I’ve seen Mesh and they seem almost bored to be on stage. There’s not a lot of interaction. My only notes were:
Kinda boring
The Young Gods came on stage next. I knew nothing about them but I could see three white lights thinly blazing over the positions of the band on stage and I liked that set up. It worked really well. The first song was very Pink Floyd with a slow build up to not-a-lot and then a slow wind down. It felt like the crowd didn’t really know when the song finished. But, this band were older and clearly excellent musicians with that easy style of people who have worked together for so long.
The Young Gods
My scrawled notes say:
Interesting but not really my stuff. turning into experimental upbeat music. Still quite psychedelic. Good beat to some songs. Enjoyable.
Finally we had DAF. A band I had seen at M’era Luna and a band that didn’t impress hugely. I get it that without DAF and other older bands that my style of preferred music wouldn’t exist but I’m also allowed to find their stuff a little boring. I think I would be the same with Nitzer Ebb and other bands from the 80s and 90s. Smith and I stayed for a while but in reality we both had work the next day and long-ish journeys home. Maybe I’ll see a complete Deutsch Amerikanische Freundschaft set one day.
Days ago I went to the cinema at Rochester to see the film First Man. It has taken me this long to process what I thought about it along with being away and in an area of limited data coverage. Before I explain what I thought about the film there are some formalities to cover.
I have no idea on the state of the tide that evening. I didn’t particularly look at that tidal area of river as it was dark and raining. I could look it up but that’s not the point. I also rated this film on IMDB and you should see this particular communication which explains the rating system, I’ll give you a hint though, I broke the system for this film.
I’ve a slight feeling that this is going to be a little controversial. But then again, it’s my view and I’m not a professional critic so I don’t make or break movies.
I’m not sure I liked this film.
I wanted to like this film. I wanted to love this film and be amazed at it and learn a bit about Neil Armstrong. I’m not sure I did and that pains me. I think it took me two days before I rated this film on IMDB as I wasn’t sure what score to give the film.
So, we know I am a nerd and I know a fair bit about the moon landings and space travel. I didn’t mind that I didn’t learn anything new about those aspects of the film. I also knew that Mr Armstrong was quite private and quiet but also a professional and extremely clever man. I’m not sure this film captured that.
Here’s what I did like. The emotional aspect of Armstrong attempting to deal with the death of his daughter. This film heavily places that at the centre of the story telling and I am fine with that but it’s almost fiction as the man himself never really opened up about it. I loved the final touch of his offering to the moon and would love that to be true.
What I didn’t like was all the shaking camera work. This film was like watching a tense emotional marriage drama with episodes of shaking camera and stress. I guess that’s what the astronauts’ lives are like but I just don’t like blurry screens.
I didn’t like the way the film side-stepped the knowledge and understanding and skill that is needed to be an astronaut. I like the technical stuff. I know that’s just me and so I get why this film has rave reviews.
So, in the end this film has a 5/10 from me. I didn’t hate it. I just didn’t like it enough.
Well, today I took a trip to the Cineworld cinema in Harlow. Not the one in the Harvey Centre but the one on the edge of town. I can’t remember the last time I went to Harlow town centre but I’m pretty sure I thought it was shit. Harlow, you see, is a new town. It’s a classic example of 1960s urban planning with a concrete town centre to boot. It may have improved I guess but don’t know because I didn’t go there.
The cinema I patronised was close to the river Stort but that isn’t tidal. In fact there are no tidal reaches close by so I can’t give you a decent idea of where the tide was at. I can tell you it is pretty much a full moon out this evening. Also, a new one for me in the 40 odd years that I’ve lived and moved around this part of Essex I actually saw deer in the first field coming out of the village.
I should probably get on with the film and the review type stuff. I rated this film on IMDB and there’s a communication here detailing the scoring process. You can even search in the little box on the right to see more reviews and things or use the drop down menu directly below my header picture. I tweeted my IMDB score:
So, as you can see, 4/10 is a pretty pants score. There’s been a few others recently that scored that and there’s even a film where I went completely away from this trusted format. Why did this film get a 4? Mostly because it was shit.
I did like the idea that they were trying to train Johnny English into understanding that the world has moved on and that women can have jobs of power although they could have gone into this much more. The idea that women should be treated the same as men, although it probably doesn’t work so well in this movie franchise compared with Bond because Johnny English is generally a fool whereas Bond is full of misogynistic toxic behaviour that deserves to be corrected and then consigned to the rubbish heap of shit things.
No, this film was pretty shit. Other people in the cinema laughed plenty and I chuckled a couple of times but it wasn’t far enough on the dinosaur discovering a new world idea and it wasn’t enough Mr Bean.
I bought this album because didn’t they feel like they could be a rock band? I’m sure there was one good song.
I’ll pop it on the music maker thingies in the house.
<waits>
First song: “Hey Dude”, seems ok, I guess. Nope. Change that. Got to the chorus.
<skip>
Nope.
<skip>
<repeats>
Oh, here’s a song called Hush. Pretty good song. But it’s NOT theirs. It was by Deep Purple. That’s why it’s a good song. It also isn’t on this album. I added after downloading it.
The thing about this album is that the bass sounds so bloody lovely. It’s a live record and when you look at who’s involved you see that Geezer Butler is playing bass guitar and you go “ah, now that makes sense”.
The tracks on this are all proper Ozzy. Really good songs with blistering guitar work.
Miracle Man, Bloodbath in Paradise, Shot In The Dark, Tattooed Dancer, Sweet Leaf and War Pigs.
The last two are Sabbath classics. This is a great album [EP], well worth a listen, but not necessarily worth the £15 on Amazon I just saw! I’d recommend Tribute instead.
Zakk Wylde on guitar, Geezer on bass and Randy Castillo on drums? What more do you want?
This perfectly amazing album is what happens when a music label crosses over its artists. I will write about this album as if the second song had never appeared on it as I think it’s a travesty. Here’s what you need to know:
“Just Another Victim” by Helmet and House Of Pain: an excellent opener giving you a taste of what’s coming. The grinding opening riff rips your brain out. The pace change half way through bounces your grey cells once more. Brilliant.
“Me, myself & my microphone” by Run DMC and Living Colour: ringing chords leading to heavy riffs and a hiphop beat. Heavy crashing sounds.
“Judgement Night” by Biohazard and Onyx: Yeah, motherfucker. A bouncy beat with squealy guitar sounds throughout. A bonkers song.
“Disorder” by Slayer and Ice-T: Sorry Ice-T but Tom Araya smashes your scream, he takes it, rolls it up into a small box and disintegrates it to a million pieces. We don’t need your war. A rolling beat with classic Slayer riff and solo until halfway. Hold on to your hats because this song knocks you off your feet. It hits you the way the LA riots hit LA.
“Another Body Murdered” by Faith No More and Boo Ya T.R.I.B.E. A classic Faith No More start to this song with pumping rap lyrics and the gentle piano in the background. The screams part way through are horror-movie standard.
“I Love You Mary Jane” by Cypress Hill and Sonic Youth: this is one chilled out song. A slow rolling beat with the distinct vocal style of Cypress Hill. This works. It’s relaxed. It’s strange and smooth.
“Freak Momma” by Mudhone and Sir Mix-A-Lot: I know little of Mudhone but what I do know is this song is in their distinctive style. The beat catches up with itself at times and tries to overtake in your head. Almost a summer garden song.
“Missing Link” by Dinosaur Jr. and Del the Funky Homosapien: a groovy bass line with rapping and a singing lead guitar. Another chilled out song. Something to relax to.
“Come and Die” by Therapy? and Fatal: imagine you’ve got zombies chasing you around the neighbourhood. You are jogging away, hoping you don’t turn a corner and get caught by a separate hoard. That’s the pace and feel of this song. It’s also the music that should be playing in the movie where you are running from zombies. It’s a meta song.
“Real Thing” by Pearl Jam and Cypress Hill: want to bounce your head, nodding with the beat while walking or chilling in your sofa in the garden. Well, get the wickerwear out, put the cushions on and lay back and relax. Hold a finger in the air and direct the music from your slouch. Feel the beat take you.
The song I’ve not mentioned is “Fallin'” because it’s shit.
This entire album was the soundtrack to a chunk of my time at university. It was amazing and still is. It has that raw powerful sound of anger and sadness. I feel like we haven’t moved on. Society is still suffering and these songs and artists could easily make all this again.
At its time this was an amazing album, a collaboration of artists of metal and rap who weren’t Aerosmith. This crossover is brilliant. I love it. I really love it.
