Last Night In Soho

So, I used my last night of freedom in this mini-break we have from work to go to the cinema to watch Last Night In Soho. It was directed by Edgar Wright who also directed Baby Driver which I reviewed here. Driving along the south run towards the cinema I noticed that the tide was very low, I couldn’t see the mudbanks because it was dark but I could see the white of the seagulls standing on top of the mud all the way to the centre channel of the Medway. I don’t recall checking what was going on with the river levels when I left I was puzzling out what I thought about this film.

After watching the film I rated it on IMDB, there’s a whole thing about the rating system and that’s covered in this communication. Then, eventually, I tweet the result to my fans but not from my phone as I’ve had Twitter removed from my phone for a long time now. The only “scoial media” type app I have installed is Reddit and that’s only for times when I need distraction from the happenings around me because I’ll get too annoyed if I actually pay attention to anything.

I’ll try not to give too much away about this film but for the first 75% of the film it was heading for an EIGHT out of ten. I really enjoyed it and thought I might watch it again to see all the subtleties between each decade of happenings. Essentially a girl moves to London and experiences visions from the 1960s. I thought this premise worked really well and I liked the whole [first 75%] of the film. The music was great, the look and feel of London in the 60s was fantastic and the experiences of a Cornish girl heading to London were reasonably accurate but I’m not sure the “big city” is that much of a “thing to worry about”. Maybe I’m wrong because I grew up near London and regularly went there in my teens, I guess I also have to factor in that I am a male and places feel different to us depending on what sex we look like.

When people talk about the swinging sixties I tend to remember what my mum once said and that was “it was still a bit shit everywhere”. While there might have been an amazing scene in some cities most of the world was still a bit shit. The image of Carnaby Street and the Kings Road garnered feelings of freedom and liberation and I suppose while that’s true the men in charge were still assholes. I did like the fact that many of the male characters in this film were creepy as fuck. I guess that is what the world is like even now and the experiences of women were shown to be generally quite awful.

My problem with this film started in the last 25% of the run time. I had positively enjoyed the film until then, wondering whether the main character was crazy or experiencing some weird time displacement. I was hoping this would turn out to be a film where the mental health of the main character grew to be known and helped to be minimised with care and compassion. But, no. This turned into a plain horror film. I don’t care for horror films because they are clearly bullshit and the tricks they play on you are trope-like and mostly boring. Every now and then a film will come along that will be surprisingly different but then that spawns a load of shit.

Terence Stamp and Diana Rigg were fantastic in this film. The two lead characters managed to keep their eyes open in terror suitably long enough. This was a well made film but the crappy ending dropped the scoring down from an easy 8 to just a six and so this film gets lumped in with all the other sixes and there’s a lot of them.

I’d be curious to know just how good an Redruth accent the lead female had, @cornishpom?

This is comms#1984. Here are some things that happened in that year of our lord:

• The USA and the Vatican restore full diplomatic relations.
• The start of the Satanic Panic.
• An explosion at a waterworks in Lancashire kills 16.
• Liechtenstein finally grants women the right to vote.
• Threads airs on BBC two and gives me nightmares.
• Joe Kittinger becomes the first person to cross the Atlantic, solo, in a hot air balloon.